Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rajkumari song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

TAMASHA (1952) was produced by Ashok Kumar and Savak Vacha under the banner of Bombay Talkies. When the film was conceptualised, both Ashok Kumar and Savak Vacha were contemplating leaving Bombay Talkies after handing over the management to the Workers’ Cooperative. Under the new management, three films – ‘Mashaal’ (1950), ‘Maa’ (1952) and ‘Tamaashaa’ (1952) were produced. Unfortunately, all these films did not get the commercial success plunging the Workers’ Cooperative into serious financial debt. Ashok Kumar, Dev Anand, Meena Kumari and many others tried to rescue it by offering to work free for its films. The trio – Ashok Kumar, Dev Anand and Meena Kumari and others worked for the banner while making ‘Baadbaan’ (1954). Unfortunately this film also failed miserably at the box office thus bringing down the curtains on Bombay Talkies Limited, the first listed company from Hindi film industry on the Bombay Stock Exchange.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had never heard the name of Hindi film BAABLA (1953) until one of the film’s songs raat ke raahi thhak mat jaana was posted on this blog a few months back. The information about this film on the internet is scanty. The director/s and the most of actors of the film appear to be from Bengali film industry. As per IMDB, the film had two directors – N B Agrami and Bibhuti Laha, the latter also was the Cinematographer for the film. The cast of the film included Paresh Banerjee, Manju Dey, Hiralal, Master Niren, Pahadi Sanyal, Sova Sen etc. The film was produced under the banner of M P Productions which had earlier produced films like ‘Jawaab’ (1942), ‘Hospital’ (1943), ‘Tum Aur Main’ (1947) etc.
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“Neelkamal” (1947) was directed by Kidar Sharma. He had signed up Raj Kapoor, then working as his third assistant (viz clap boy) as the hero of this movie. When Raj Kapoor enquired which heroine was being signed up opposite him, Kidar Sharma asked him if he had any specific choice. Raj Kapoor named Madhubala who was then signed up for the movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, two groups of female actor-singers emerged prominently. The first group excelled in both acting and singing. Barring a few exceptions, they confined to playback singing on themselves. This group consisted mainly of Khursheed, Kanan Devi, Noor Jahan and Suraiya. The second group though started their filmy career as actor-singer in a smaller way, later they concentrated mainly on playback singing. This group comprised mainly of Rajkumari, Amirbai Karnataki, and Zohrabai Ambalewaali.
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“Hanste Aansoo” (1950) was one of the first Hindi movies to get an Adult certificate from the censors. The reasons for getting A certificate those days used to be quite flimsy. For instance, “Barsaat” (1949) had become the first Hindi movie to get an A certificate. The reason why censors were provoked thus was that the female actors in the movies, viz Nargis, Nimmi etc are shown without dupattas and in one song there is even the talk of dupatta flying away in the breeze, viz. Hawa me udta jaaye mora laal dupatta malmal ka. 🙂 And the censors were righteously indignant about all this. 🙂
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