Archive for the ‘Sentimental song’ Category
Roothh ke hamse kahin
Posted on: August 26, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I start this article with a confession that Hindi film songs of post-1980 period, by and large, are not on my search radar unless I come across some of them by chance. It was one of such chances that took me to a song ‘rooth ke hamse kahin jab chale jaaoge tum’ from the film JO JEETA WOHI SIKANDAR (1992). I was attracted by its first line of lyrics. The song was written by Majrooh Sultanpuri and that made me to watch the video clip. And what a sentimental song relating to brother-brother relationship! As I watched the video clip, some reminiscences of my childhood days flashed before my moist eyes like a slide show.
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Main to ek khwaab hoon
Posted on: August 25, 2012
“Himalay Ki God Mein” (1965) was a Sri Prakash pictures production. It was directed by Vijay Bhatt. The movie had Manoj Kumar, Mala Sinha, Shashikala, Jayant, Mukri, Kanhaiyalal, Sapru, Achla Sachdev, Jeevankala, Ajit, David Abraham etc in it.
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Do naina aur ek kahaani
Posted on: August 22, 2012
“Masoom” (1982) was inspired from “Man, Woman and Child written” by Erich Segal. And it must be said that the tale was very well adapted by Gulzar who wrote the screenplay and directed with great sensitivity and understanding by Shekhar Kapoor. There were few people in the audience who remained unmoved by the plight of eight year old Rahul (played by Jugal Hansraj), a result of one night affair between an unwed Bhawna (played by Supriya Pathak) and a happily married DK (Naseeruddin Shah) at Nainital at a time when DK’s wife Indu (Shabana Azmi) is expecting their first child. DK goes back home and has a happy family life with two daughters Pinky (Urmila Matondkar) and Minni (Aradhana).
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Kabhi kabhi sapna lagta hai
Posted on: August 21, 2012
“Ratnadeep” (1979) was produced by Jagannath and Kannan and it was directed by Basu Bhattachajee Chatterji. The movie had Hema Malini , Girish Karnad, Dheeraj Kumar, A K Hangal, Sulochana Latkar, Nadita Thakur, Prema Narayan, Pinchoo Kapoor etc in it.
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“Armaan” (1953) was a “Film Trust of India” production. This movie was directed by Fali Mistry. The movie had Dev Anand, Madhubala, Jagirdar, Shakila, Gulab, Murad, K. N. Singh etc in it.
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Jin raaton ki bhor nahin hai
Posted on: August 4, 2012
As a human being, Kishore Kumar was quite a study in contrast. He was mainly known by his ability to bring a smile, if not whole hearted laughter in people’s mind. His joie de vivre was infectious with his fellow artists. If Kishore Kumar acted opposite actresses now known for playing tragedy roles (viz Nutan and Meena Kumari), then you can bet that the resultant movie would be a light hearted comedy, and not a serious melancholic stuff.
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Chheen ke dil kyun pher lin aankhen
Posted on: July 31, 2012
Today (31st july) is the day when Rafi left for the heavenly abode, and the world of Hindi movie music was no longer the same again.
It is difficult to believe, but it has been 32 years already without Rafi. How time flies !
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Aansoo to nahin hain aankhon mein
Posted on: July 30, 2012
“Daaera” (1953) was a Kamal Pictures Production. It was produced and directed by Kamal Amrohi. The movie had Nasir Khan, Meena Kumari, protima Devi, Nana Palsikar, Pahadi Sanyaal, Roop Mala, Jankidaas etc in it.
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Teri yaad ka deepak jalta hai
Posted on: July 23, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I find it interesting to compare the filmy careers of G M Durrani and Surendra Nath. Both of them were tall and handsome and amateur singers. While G M Durrani virtually ran away from his home town Peshawar for Bombay (Mumbai) to pursue a filmy career, Surendra came to Bombay after completing his education (B.A., LLB) to become a lawyer. But a chance meeting with Mehboob Khan in 1936 changed his career path and he became a singer-actor in his first film ‘Deccan Queen’ (1936). Because of his singing style, he was seen as a clone of K L Saigal. In fact, he was called ‘Bombay Saigal’ after his parody song birhaa ki aag lagi more man mein based on K L Saigal’s baalam aaye baso more man mein. G M Durrani also started his stint with the film industry around the same time (1935-36) as an actor-singer in ‘Saaed-e-Hawas’. After acting in a couple of films, he decided to concentrate on playback singing with his distinct voice which was not influenced by K L Saigal.
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