Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Sentimental song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I start this article with a confession that Hindi film songs of post-1980 period, by and large, are not on my search radar unless I come across some of them by chance. It was one of such chances that took me to a song ‘rooth ke hamse kahin jab chale jaaoge tum’ from the film JO JEETA WOHI SIKANDAR (1992). I was attracted by its first line of lyrics. The song was written by Majrooh Sultanpuri and that made me to watch the video clip. And what a sentimental song relating to brother-brother relationship! As I watched the video clip, some reminiscences of my childhood days flashed before my moist eyes like a slide show.
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“Himalay Ki God Mein” (1965) was a Sri Prakash pictures production. It was directed by Vijay Bhatt. The movie had Manoj Kumar, Mala Sinha, Shashikala, Jayant, Mukri, Kanhaiyalal, Sapru, Achla Sachdev, Jeevankala, Ajit, David Abraham etc in it.
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“Masoom” (1982) was inspired from “Man, Woman and Child written” by Erich Segal. And it must be said that the tale was very well adapted by Gulzar who wrote the screenplay and directed with great sensitivity and understanding by Shekhar Kapoor. There were few people in the audience who remained unmoved by the plight of eight year old Rahul (played by Jugal Hansraj), a result of one night affair between an unwed Bhawna (played by Supriya Pathak) and a happily married DK (Naseeruddin Shah) at Nainital at a time when DK’s wife Indu (Shabana Azmi) is expecting their first child. DK goes back home and has a happy family life with two daughters Pinky (Urmila Matondkar) and Minni (Aradhana).
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“Ratnadeep” (1979) was produced by Jagannath and Kannan and it was directed by Basu Bhattachajee Chatterji. The movie had Hema Malini , Girish Karnad, Dheeraj Kumar, A K Hangal, Sulochana Latkar, Nadita Thakur, Prema Narayan, Pinchoo Kapoor etc in it.
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Today (7 august) is the third death anniversary of Gulshan Kumar Mehta, better known as Gulshan Baawra. Gulshan Baawra (April 12, 1937- August 7, 2009) had written some memorable lyrics in Hindi movies. As a lyricist, he mostly worked with Kalyanji Anandji.
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As a human being, Kishore Kumar was quite a study in contrast. He was mainly known by his ability to bring a smile, if not whole hearted laughter in people’s mind. His joie de vivre was infectious with his fellow artists. If Kishore Kumar acted opposite actresses now known for playing tragedy roles (viz Nutan and Meena Kumari), then you can bet that the resultant movie would be a light hearted comedy, and not a serious melancholic stuff.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I find it interesting to compare the filmy careers of G M Durrani and Surendra Nath. Both of them were tall and handsome and amateur singers. While G M Durrani virtually ran away from his home town Peshawar for Bombay (Mumbai) to pursue a filmy career, Surendra came to Bombay after completing his education (B.A., LLB) to become a lawyer. But a chance meeting with Mehboob Khan in 1936 changed his career path and he became a singer-actor in his first film ‘Deccan Queen’ (1936). Because of his singing style, he was seen as a clone of K L Saigal. In fact, he was called ‘Bombay Saigal’ after his parody song birhaa ki aag lagi more man mein based on K L Saigal’s baalam aaye baso more man mein. G M Durrani also started his stint with the film industry around the same time (1935-36) as an actor-singer in ‘Saaed-e-Hawas’. After acting in a couple of films, he decided to concentrate on playback singing with his distinct voice which was not influenced by K L Saigal.
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