Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Shamshad Begam solo’ Category


Shamshad Begam (14 april 1919- 23 april 2013) is no more. She was the seniormost among all the survivors from the earliest days of Hindi movie music. She in fact was senior to all the legends of the golden era of Hindi movie music. She was more or less a contemporary of the likes of K L Saigal, Khursheed, Amirbai Karnataki etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Door Koi Gaaye. . .”

The voice of these words has now gone away very far from us, to probably sing at and regale the ‘mehfils’ in heavens.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor of this blog.

Long ago during weddings in the family, couple of my aunts who were fond of singing, would start this singing session, among ladies. There were a few peppy songs, but I am remmbering a couple of songs now like ‘chhod baabul ka ghar mohe pi ke nagar’ from Baabul’ (1950) and ‘baalam se milan hogaa sharmaane ke din aaye’ from ‘ Chaudhvi ka chand ‘. They would sing it in chorus in Shamshad Begum style. They probabaly had no inkling that the song from Baabul is a sad song, and song from ‘Chaudhvi ka chand’ is by Geeta Dutt.
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“Jogan”(1950) was a Ranjit Film Company Production. This movie was made at a time why the studio was on the verge of bankruptcy. This movie, based on a seemingly flimsy looking story line rescued the company. Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia, has to say about this movie:-
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“BACHELOR MOTHER”-39 was a popular Hollywood film directed by Garson Kanim, with Ginger Rogers and David Niven in the lead. It was the story of a single girl, who finds an abandoned child and raises it. She is stamped as unwed mother and many hilarious situations are created with her lover.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the system of playback singing started in Hindi films in early 30s it paved the way for playback singers like Rajkumari, Amirbai Karnataki, Zohrabai Ambalewaali and Shamshad Begum in becoming the top playback singers by 40s. With the emergence of new playback singers in the late 40s like Geeta Dutt and Lata Mangeshkar, demand for playback singers with heavy and high throated voices were on the decline, relegating them to the background. The only exception to this trend was Shamshad Begum who weathered the ‘onslaught’ of Mangeshkars in the 50s and remained fairly active up to early 60s.
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