Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1930s (1931 to 1940)’ Category


“Amar Jyoti” (1936) was a Prabhat Production. It was directed by V Shantaram. The movie had Chandramohan, Durga Khote, Shanta Apte, Vasanti, Vasant Desai etc in it. This movie was the first Indian movie to be screened at the Venice Film Festival.
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When one looks at the yearwise list of songs in this blog. One finds that the oldest songs that we have in this blog are from 1933. Though Hindi talkies began to be produced in 1931 itself but the records of songs of these movies were not produced. It was only in 1932 that the idea of issuing gramophone records for songs was thought about. But as happens with most new ideas, the potential behind this concept was not immediately realised and only a few movie makers opted to have records of songs of their movies issued.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

When film making started in India, the film makers made films on mythological stories, for the simple reason that In India mythology has a great impact on peoples’ life and anything that is mythological is accepted unconditionally.
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Today (22 september) is the death anniversary of Durga Khote (14 january 1905 -22 september 1991). Many younger day movie watchers may associate her with mother and grandmother roles, but she was one of the earliest leading lady of Hindi movies and one of those who paved the entry of women from respectable background to Hindi movies.
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“Sultaana” (1934) is one of the earliest Hindi movies. It was producer under the banner of “East India Film Company”. A R Kardar was the director. This by now forgotten movie had Mazhar Khan, Zarina, Indubala, Nazir, Gul Hameed etc in it.
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“Achhoot Kanya” (1936) was made at an era far far removed from the present day. It was produced by Bombay Talkies. Its producer was Himanshu Rai and it was directed by a German director called Franz Osten. It was a case of an indophile German directing a Hindi movie on a sensitive topic like untouchability and doing a great job. And those were the days when India was under British occupation too. And Ashok Kumar, a lab assistant with Bombay Talkies found himself being made the hero of the movie when the heroine Devika Rani eloped with the original hero, only to come back subsequently. And she was the wife of Himanshu Rai ! And the music director of this movie, a Parsi lady faced stiff resistance from members of her community who were against her decision of joining the film line as a music director.
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