Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Shirin Farhad’ (1956), is a legendary love story situated in the ancient Persia. Madhu Bala and Pradeep kumar played the title roles. I see Ameeta is also playing a role in the film, even has a song, which is not posted. Total 5 songs from this movie are already posted here.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Desert song no. 7, is a Mubarak Begum solo from ‘Baghdad ka jaadu’ (1956). This is the first song from this film to be posted in the blog. Actually I saw at least three songs from this film, including the theme/caravan song by Mohammed Rafi and a delightful duet by Mubarak Begum and Khurshid Bawra. I was able to recognize a single person featuring in those song. Than I got a brainstorm and googled the film. And yes I found all there is to know about it here.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For some artists, it is never any effort on this blog to search new songs and track numbers posted. Their numbers continue to keep incrementing, just in the process of posting as it is. Some names are really apparent. Rafi Sb, Lata ji, Asha ji, Kishore Da etc. And hence, their milestones continue to occur, as a matter of routine, whatever may be the other compulsions to add new posts. (As I commented in an earlier post, the number of songs of Kishore Da showcased here seems proportionately lesser, only because he made his volumes in the 70s and 80s, and we have on this blog traditionally been focusing on the decades prior to that.)
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

HAM LOG (1951) was a typical Zia Sarhadi film highlighting the social issues in keeping with the socialistic ideology followed by Indian People’s Theatre Association (IPTA). The film was produced under the banner of Ranjit Movietone. In this film, social issues were raised that arose out of the difficulties faced by a poor family of Lalaji Harcharandas (Kanhaiyalal) and his wife (Durga Khote), unemployed son Raj (Balraj Sahani), a sickly daughter Paro (Nutan) and a school going son (Master Ratan). The problem is further accentuated by the arrest of Lalaji for allegedly stealing money from his employer for which he is sent to prison.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Ramanand Sagar released his ‘Aankhen’ in 1968, the film took the box office by storm, and was declared as a blockbuster by the trade journals. Ramanand Sagar bagged the Filmare award for the best director, and the film also got the Filmfare award for color cinematography. The music was hit, with lyrics coming from the pen of Sahir Ludhianvi and the music from the baton on Ravi. A film that truly settled Dharmendra’s career on a strong footing. In many ways, the film became a trendsetter.
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