Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

KAPOOR Khandaan is called the First family of Bollywood, not for nothing !

Starting with Prithwiraj Kapoor till Kareena and Ranbir, all through the generations, they have been shining in the film industry. This is not just because they belonged to the Kapoor khandaan. In film industry, particularly in the acting field, one can not survive for long, if one has no talent or if he is not doing hard work. One’ s ancestry alone is not acceptable to the Indian audience. This has been proved time and again. For example, Raaj kumar, Raj Babbar, Rajendra Kumar or Shashi Kapoor were successful actors, but what happened to their sons ?
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When Kidar Sharma wrote the lyrics of the song so jaa rajkumari so jaa, he might not have been aware that he wrote the first lori (lullaby) song for a Hindi film. Another thing he did differently was that he wrote the lori lyrics for a male singer-actor (K L Saigal) whereas the lori is traditionally sung by women. This could happen because, as he said in his autobiography ‘The One and Lonely Kidar Sharma’ (2002), he had in fact written a lori ‘so jaa raj dulari so jaa, so jaa main balihaari so jaa’ especially for his wife Raj Dulari. But K L Saigal fell in love with it and pressurised Kidar Sharma to make it public. It was only after his wife agreed that Kidar Sharma consented to use this lori for the film ‘Zindagi” (1940) by changing ‘raj dulari’ to ‘rajkumari’. This lori sung by K L Saigal became very popular all over India.
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The popularity of characters such as Tarzan shows that there is a child within all human beings, no matter how much they grow up physically. The fact that there have been so many movies on the theme of characters like Tarzan and Zimbo means that this theme must have paid off for the makers of these movies.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“BACHELOR MOTHER”-39 was a popular Hollywood film directed by Garson Kanim, with Ginger Rogers and David Niven in the lead. It was the story of a single girl, who finds an abandoned child and raises it. She is stamped as unwed mother and many hilarious situations are created with her lover.
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“Commander” (1959) was a Meher Movies Production. It was produced by M Usman Nadiadwala and directed by Kedar Kapoor. The movie had Ranjan, Nigar Sultana, Kumkum, Helen, Kamal Kapoor, Chaman Puri, Maruti Rao, Tiwari, Ram Mohan, Manjeet, Kailash Kumari, Rana, Saroj, Krupal, Gaurang, Ramesh Tiwari etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

BHAGVADGEETA is one of our cultural heritage books. It is a part of Mahabharat and is also a part of Bramhopnishad-which is a scripture on Yogas.
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“Do Dulhe” (1955), by now an obscure movie, was an United Art production movie. It was directed by K J Mahadevan. The movie had Sajjan, Shyama, Lalita Pawar, Vanjana, David Abraham, Agha, Achla Sachdev, Kanhaiyalal, B. M. Vyas, Ishwarlal etc in it.
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