Archive for the ‘Songs of 1950s (1951 to 1960)’ Category
Mohabbat kar lo jee bhar lo
Posted on: August 14, 2011
- In: Duet | Feelings of heart | Geeta Dutt songs | Lyrics by nahm | Lyrics contributed by readers | Multiple version song | Rafi songs | Rafi-Geeta Dutt duet | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1954 | Suman Kalyanpur songs | Yearwise breakup of songs
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“Aar Paar” (1954) was a milestone in the history of Hindi movies. It was one of the first suspense thrillers in Hindi movies. The music of this movie broke new grounds. The music was a breathtaking combination of Indian and Western influences. The same could be said about the picturisation of the movie and its songs. It is quite obvious that the makers of this movie had drawn inspiration liberally from western movies and from western music.
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Rakhiya bandhwaa le bhaiyya
Posted on: August 13, 2011
Today ( 13 august 2011) is Rakshabandhan, also known as Rakhi, which is a festival where sisters tie rakhi on the wrists of their brothers.
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Piyaa kaise miloon tujhse
Posted on: August 12, 2011
“Saarangaa” (1960) is a B grade movie starring Sudesh Kumar and Jayshree Gadkar. According to my axiom, a B grade movie must have A grade music. and this movie fully lives up to this axiom. This movie is full of outstanding songs.
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Bolo to bolo to bolo to
Posted on: August 12, 2011
In olden days there used to be movies with titles like “School Girl” (1947), “School Master” (1959), ‘College Girl” (1960) etc. It shows that education, especially for girls, was considered important those days. 😀
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Sun sun sun sun jaalimaa
Posted on: August 11, 2011
“Aar Paar” (1954) was clearly a milestone in the annals of Hindi movies. The songs of this movie were quite different from the kinds of songs that the music lovers were used to. And all the songs of the movie became popular and remain popular to this day. In fact there are so many popular songs in this movie that it is easy to lose count of them.
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Public have a se idea about the roles that the two genders play and they are used to the same roles being played by them in Hindi movies too. But sometimes movie makers come up with situations when the two genders behave in a rather unusual manner not expected of that gender and that makes amusing viewing for the public and subsequently more visits to the cinema hall for the movie makers.
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Oodi oodi chhaayi ghataa
Posted on: August 10, 2011
Though I have discussed as many as seven songs from “Amar” (1954) already, I was not aware of this song till its lyrics were sent to me by Atif M.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Hansraj Behl had a career in Hindi films that lasted from 1946 to 1979, and he was one of the more successful and popular music directors in the post independence years. Creator of many iconic songs in the 50s and 60s, Hansraj Bahl’s music has a semi classical touch, with roots in his earlier training in classical music. He has been a very active music director for Punjabi movies also, and there is a large number of very popular Punjabi films songs that are composed by him.
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Kavi Pradeep was known for wearing his heart on his sleeves and writing songs that he strongly believed in. And he had the ability to influence people with his hard hitting and straight from the heart lyrics. He has written songs iconic patriotic songs at a time when India was still ruled by the British, and he has written songs that give vent to the feelings of anguish among the public in the aftermath of partition related violence. He has written songs about the feelings of despondency and people feel when things are not going their way. And he has also written inspirational songs that tell people to look at the future with optimism, irrespective of what has happened in the past.
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“Amar” (1954) is a movie starring Dilip Kumar and Madhubala. Those were the days when the two of them were actually romantically involved and their off screen chemistry used to be visible in their on screen performances too.
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