Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Today, India is celebrating the 64th anniversary of freedom from the British rule. A movement that lasted almost 100 years – starting with disjoint uprisings against the Britishers, and the first coordinated war of independence in 1857, the struggle and resistance was carried forward by many stalwarts across the entire country. There was the nationwide resistance movement through political and social disobedience. Besides, there were other complementary movements, that added impetus to this struggle for freedom. Groups of young people, charged with the objective of bringing to end the oppressive reign of an alien government, came together in various cities in different parts of the country, and conducted local resistance and struggle. Kundan, the 1955 production from Minerva Movietone, depicts one such group of young men, as a subplot to the main theme and story of the film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Think of a music director from Punjab, preparing music for a film whose story is set in Bombay. And one of the songs is based on the local folk dance of Maharashtra. And guess what you will get? A Lavani based song spiced with exclamations of ‘haishaa’. And if you don’t believe me, well just go ahead and listen to this wonderful folk dance song from the 1957 film Miss Bombay. (NOTE: ‘haishaa’ is an exclamation that is used often in Punjabi folk songs.).
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“Aar Paar” (1954) was a milestone in the history of Hindi movies. It was one of the first suspense thrillers in Hindi movies. The music of this movie broke new grounds. The music was a breathtaking combination of Indian and Western influences. The same could be said about the picturisation of the movie and its songs. It is quite obvious that the makers of this movie had drawn inspiration liberally from western movies and from western music.
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“Saarangaa” (1960) is a B grade movie starring Sudesh Kumar and Jayshree Gadkar. According to my axiom, a B grade movie must have A grade music. and this movie fully lives up to this axiom. This movie is full of outstanding songs.
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In olden days there used to be movies with titles like “School Girl” (1947), “School Master” (1959), ‘College Girl” (1960) etc. It shows that education, especially for girls, was considered important those days. 😀
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“Aar Paar” (1954) was clearly a milestone in the annals of Hindi movies. The songs of this movie were quite different from the kinds of songs that the music lovers were used to. And all the songs of the movie became popular and remain popular to this day. In fact there are so many popular songs in this movie that it is easy to lose count of them.
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Public have a se idea about the roles that the two genders play and they are used to the same roles being played by them in Hindi movies too. But sometimes movie makers come up with situations when the two genders behave in a rather unusual manner not expected of that gender and that makes amusing viewing for the public and subsequently more visits to the cinema hall for the movie makers.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hansraj Behl had a career in Hindi films that lasted from 1946 to 1979, and he was one of the more successful and popular music directors in the post independence years. Creator of many iconic songs in the 50s and 60s, Hansraj Bahl’s music has a semi classical touch, with roots in his earlier training in classical music. He has been a very active music director for Punjabi movies also, and there is a large number of very popular Punjabi films songs that are composed by him.
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