Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘C Ramchandra


This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1950s was the decade when Sur Saraswati Lata Mangeshkar showered scores of melodious gems on the music lovers which have defied time to linger in their memory like pangs of the first-love.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Kidar Sharma-directed Jhaanjar (1953) was a joint venture of music director C Ramchandra and actor Om Prakash under the banner of New Sai Productions. Despite a star cast comprising Motilal, Kamini Kaushal, Om Prakash, Sajjan, Usha Kiran, KN Singh, Sunder, Protima Devi and Sheela Naik, it bombed at the box-office. But its melodies have survived the ravages of time.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song is from the film “Duniya”(1949). The singer is Rafi and Music Director is C.Ramchandra, with lyrics by Aarzoo Lucknowi.
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“Subah Ka Taara” (1954) was a Rajkamal Pictures production. It was produced and directed by V Shantaram. The movie had V Shantaram,Pradeep Kumar, Jayshree, Rajshree, Amirbai Karnataki, Shakuntala, Neelam, Nimbalkar, Naaz, Chhagan, Romeo etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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Hindi movie makers have helped create some long lasting myths that most movie watchers tend to believe firmly by now. For instance, one of the myths created by Hindi movies is that Daakus in India ride horses. If Daakus could really afford horses, then why would they need to become daakus in the first place ? This is a rhetorical question that one real daaku had asked, when a movie reporter asked him about his horses.
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This article is written by Shekher Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

Without detracting one bit from her merit, capability and musico-longevity, I have to admit that I am not a fan of Asha Bhosle in the same manner as I am of Lataji. That said, there are quite a few of Ashaji’s evergreens – some of them lesser known than her racy raunchy numbers – which touch me more or less the same as some of Lataji’s best.
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