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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Farida Jalal


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4098 Post No. : 15244 Movie Count :

4189

Films are regarded as director’s medium. He is like a captain of the ship. It is the director’s responsibility to make his film successful – critically as well as financially.

A film director may have directed many successful films but he will generally be known by his one classic cult film. For instance, when we talk about PC Barua, ‘Devdas’ (1935) comes to our mind first though he had directed other successful films like ‘Mukti’ (1937) and ‘Jawaab’ (1942).  In case of Mehboob Khan, it is ‘Mother India’ (1957) though he had directed many successful films in the 1940s. K Asif and ‘Mughal-e-Azam’ (1960), Guru Dutt and ‘Pyaasa’, (1957) and Kamal Amrohi and ‘Pakeezah’ (1972) are inseparable. In the international arena, Raj Kapoor is known more for his film, ‘Aawaara’ (1951) than other equally successful films. This is not an exhaustive list.

But there is one film director who is known by his flop film in the genre of satirical comedy. The film is ‘Jaane Bhi Do Yaaron’ (1983) and the director is Kundan Shah. In an interview held sometime in 2012 on the occasion of the re-release of the film in digitised version, he had said he considered this film as his failed project though it has attained a cult status.

Remembering Kundan Shah today, October 7th on his 2nd Remembrance Day who excelled in projecting the serious social issues in soft comedies through films and TV serials. I became aware of him with his very first film which I had watched on TV much before he became well known by his TV serials.

I found it very difficult to get the information on Kundan Shah’s early life before he ventured into films and TV serials. A book, ‘Jaane Bhi Do Yaaron – Seriously Funny Since 1983’ (2010) written by Jai Ajay Singh was supposed to have some information about his early life. But the book has remained out of stock for some time. However, a preview of some pages of the book was available online which gave me some information about the early life of Kundan Shah.

Born in a Gujarati family, Kundan Shah spent his childhood in Aden (now in Yemen) and did his schooling there until the age of 13 when his family shifted to Mumbai. He completed his schooling and thereafter his graduation in commerce. He worked for a publishing house for about 4 years before enrolling himself in the Film and Television Institute of India (FTII) in 1973 for direction. It is at FTII, he found interest in the genre of comedy during the second year of the course.

As a project in FTII, he made a 25-minute diploma film titled ‘Bonga’ (Siren) which the students of direction have to make in the final year. The film was a farcical comedy involving a gang of five people attempting a bank robbery. The cast included FTII students like Satish Shah, Rakesh Bedi, Suresh Oberoi, Om Puri etc. There were no dialogue in the film except each one of the gang of five yelling ‘bonga’. Bhaskar Chandavarkar, an instructor in FTII at that time (who was also a music director) composed the background music. The film was critically acclaimed by his fellow students in FTII. His seniors in FTII like Naseeruddin Shah and Saeed Akhtar Mirza were surprised as to how this serious looking man could have made a graceful comedy film out of the nonsensical ideas.

After completion of his diploma in FTII in 1976, Kundan Shah struggled for a couple of years to find the opening in the film industry. He formed a commune of some of his fellow FTII diploma holders and produce short documentary films. However, in this work, Kundan Shah ran into financial problems. Almost all of his colleagues had already been disillusioned with their career and left for their respective places. Kundan Shah also moved to England with his family and worked there to make enough money to pay off his debt.

Kundan Shah returned to India after about 18 months. He got an attractive offer from the maker of ‘Gandhi’ (1981) to work as Assistant Director for six months at a monthly salary of Rs.10,000/-. The offer was very tempting. He consulted his colleague, Saeed Akhtar Mirza who dissuaded him from accepting the offer as he would mostly be doing the work of crowd controlling during the outdoor shooting. Instead, Saeed Mirza coxed him to write a script and make the film himself. In the meanwhile, Kundan Shah worked as Assistant Director in  Saeed Akhtar Mirza’s ‘Albert Pinto Ko Gussa Kyon Aata Hai’ (1980) and Vidhu Vinod Chopra’s ‘Sazaa-e-Maut (1981). These association also put pressure on him to direct a film as his FTII fellow students, Saeed Mirza and Vidhu Vinod Chopra had already made films. It is at this point of time, Kundan Shah decided to make a feature film which resulted in making his first film ‘Jaane Bhi Do Yaaron’ (1983).

As I came to know from the video clips of interviews of Kundan Shah, Naseeruddin Shah, Ravi Baswani, Sudhir Misra and others, it was a long struggle for completing the film and releasing it. Kundan Shah wrote the story and script based on the experiences of two of his fellow FTII students who after failing to get any assignment from the film industry, decided to open a photo studio and undertake fashion and industrial photography. Their bad experiences in the venture became the main theme of the story coupled with Kundan Shah’s personal experiences in dealing with a rationing office in Mumbai for the release of cement quota for repairs to drainage system in his building where he was the Secretary.

When the script was ready, no producer/financier was willing  to invest in the film based on his script. Some financiers termed the script as idiotic. As a last resort, Kundan Shah approached National Film Development Corporation (NDFC) to take a loan for producing the film himself. The total cost film production was expected to be around Rs. 7 lakhs and NDFC would grant the loan only up to 75% of the cost after their Script Committee approved the script. However, Kundan Shah got a pleasant surprise when NDFC not only approved his script but also offered to produce the film under its banner as they thought that the script was an effective commentary on the situations prevailing in the country. So financial side of the problem got sorted out.

Next was the selection of actors and the crew for the film. With a budget of only Rs.7 lakhs, engaging the established actors even for the main roles was out of question. Kundan Shah relied on his FTII colleagues and the actors/ crews from IPTA/National School of Drama. The actors included Naseeruddin Shah, Ravi Baswani, Satish Shah, Satish Kaushik, Om Puri, Pankaj Kapoor, Bhakti Bharve, Neena Gupta, Vidhu Vinod Chopra, Deepak Qazir, Rajesh Puri, Ashok Banthia and Jaspal Sandhu. Some of the actors also worked behind the camera. For instance, Vidhu Vinod Chopra and Deepak Qazir were the Production Controllers. Satish Kaushik was one of the dialogue writers. Renu Saluja was the editor for the film beside the assistant director.

Naseeruddin Shah had revealed in an interview that during the making of the film, he was feeling uneasy with the script as he felt that all he was doing appeared to him to be nonsensical. He had arguments with Kundan Shah on several occasions but at the end it was Kundan Shah whose writ prevailed. Even after the completion of the film, Naseeruddin Shah was pessimistic about the success of the film.

The film was released in a few theatres in Mumbai in and some other cities in August 1983. The film received a lukewarm response from the audience. The film was withdrawn after a week in Mumbai and ran in a few theatres only for morning shows. In Delhi, the film ran for 37 weeks in a single theatre for morning show only. The film was also shown on then newly set up DD Metro Channel on the week-ends for a month or so. Gul Anand, the producer of some off-beat comedy films like ‘Khatta Meetha’ (1978) and ‘Chashme-e-Buddoor’ (1981) after watching the film had said to Kundan Shah that if he had not seen the film and only read the script , he would have thrown it out of his window. This shows how Kundan Shah made an interesting film out of the nonsensical script. The lukewarm response for the film was a setback for Kundan Shah. He did not venture into directing any film for the next 10 years.

After about 30 years, ‘Jaane Bhi Do Yaaron’ (1983) was digitally restored and was re-released in November 2012 in multiplexes in Mumbai and in some major cities by which time, the film had already attained a cult status.

In the meanwhile, television was becoming a mass media with a pan India reach. In 1984, Doordarshan permitted the sponsored TV serials produced outside Doordarshan on its National Channel. Kundan Shah and many other persons associated with film industry took this as an opportunity and started their association with the producers of TV Serials. Kundan Shah made his debut on Television by directing some episodes of ‘Ye Jo Hai Zindagi’ (1984). It ran on Doordarshan with 67 episodes some of which were directed by Manjul Sinha and Raman Kumar. Actors were drawn from FTII and theatres. The serial had a phenomenal run which rediscovered Kundan Shah as a master of directing situational comedy.

With the runaway success of ‘Ye Jo Hai Zindagi’, Kundan Shah became the partner in Iskra Films, a TV serial producing company started by Saeed Akhtar Mirza and Aziz Mirza. ‘Nukkad’ (1986) was its first production.  The other successful TV Serials in which Kundan Shah was associated with were ‘Wagle Ki Duniya’ (1988) and ‘Circus’ (1989).

After a gap of more than 10 years, Kundan Shah decided to make a film on the script he wrote in the genre of romantic comedy. The film’s original title ‘Albela’ had to be changed to ‘Kabhi Haan Kabhi Na’ (1994) as this title was already registered by someone with Film Producers Associations like IMPPA. As usual for Kundan Shah, the film was delayed for a variety of reasons. The original lead actors, Amir Khan and Juhi Chawla withdrew from the film due to delay in finding a producer/financier. Shahrukh Khan, who was originally taken for the role which eventually went to Deepak Tijori, was promoted as a lead actor with Suchitra Krishnamoorthy.

After completion, the film remained in the cans for nearly 18 months as no distributor was willing to release the film probably due to the hero turning out to be loser in the end. This was the status of this film despite the fact that by this time, Shahrukh Khan was already on his path to become a super star due to box office successes of his films like ‘Raju Ban Gaya Gentleman’ (1992), ‘Deewana’ (1992), ‘Darr’ (1993) and ‘Baazigar’ (1993). Finally, Shahrukh Khan in partnership with one of his friends from the film industry released the film in February 1994. Though the film was regarded as an average success after the release, over a period of time, the film has earned more than 5 times its cost and it has also attained a cult status for Kundan Shah.

It was another six years after ‘Kabhi Haan Kabhi Naa’ (1994) that Kundan Shah took ‘Kya Kehna’(2000) for direction which was Preity Zinta’s debut film. This was Kundan Shah’s first mainstream film which was devoid of any comedy. On the contrary, Kundan Shah tackled a serious issue of pre-marital pregnancy with sensitivity. As usual for Kundan Shah, this film was also delayed in getting released. Once it got released, it was  the pleasant surprise to all concerned with the film that it was a box office hit.

The next in lines of films which Kundan Shah directed were ‘Hum To Mohabbat Karega’ (2000), ‘Dil Hai Tumhara’ (2002) and  ‘Ek Se Badkar Ek’ (2004). All the three films flopped at the box office making him to take a virtual retirement from the mainstream films. He returned to his foray of making films with off-beat themes in ‘Teen Behanen’ (2005), based on a real-life story of three sisters who committed suicide because their father could not afford to pay dowry. The film remained unreleased till date.  His last film was a political satire, ‘P Se PM Tak’ (2015) which was a disaster at the box office.

Kundan Shah died in sleep of heart attack on October 7, 2017 at his residence. One of the emotional tributes on his death was that of Shahrukh Khan whom he compared like his mother. He said ‘I was 25 when I came to Mumbai. I have stayed in Kundan’s house and I have been fed by his family and taken care of by them’. Shahrukh Khan had worked in a few episodes of Kundan Shah’s TV Serials, ‘Wagle Ki Duniya (1988) and as a lead actor in ‘Circus’ (1989). His close friends who had been regular visitors to his office said that Kundan Shah’s office cupboard was full of film scripts in various stages. Sadly, there were no takers for these scripts to turn them into films.

As a tribute to Kundan Shah on the occasion of his 2nd Remembrance Day, I am presenting a song from ‘Kya Kehna’ (2000) which was directed by him. The song is ‘Ae Dil Laaya Hai Bahaar, Apnon Ka Pyaar, Kya Kehna’. The song is rendered by Hariharan and Kavita Krishnamurthy on the words of Majrooh Sultanpuri which was set to music by Rajesh Roshan. The song has two versions – happy and sad, the latter version being also a inspirational song.

Hariharan lip syncs for Anupam Kher, Chandrachud Singh and Mamik Singh while Kavita Krishnamurthy lip syncs for Farida Jalal, Preity Zinta and Nivedita Bhattacharya (in sad version). On the sound track, some lines of the song have been rendered as duet, but in the film, it is for all the actors present in some scenes.

The tune of the song is a straight lift from Oh Carol, I am but a fool, darling I love you, though you treat me cruel, sung by pop singer, song writer and composer, Neil Sedaka in  1957.

Happy Version

Sad Version

Song – Ae Dil Laaya Hai Bahaar, Apno Ka Pyaar, Kya Kehna  (Kya kehna) (2000) Singer – Hariharan, Kavita Krishnamurthy, Lyrics – Majrooh Sultanpuri, MD – Rajesh Roshan
Harirahan + Kavita Krishnamurthy

Lyrics

Happy Version

oh……..o
ho o o o o
o o o o o
o o o o

ae dil
laaya hai bahaar
apnon ka pyaar
kya kehna
milen hum
chhalak utha
khushi ka khumaar
kya kehna
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna…aa
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna
ae dil
laaya hai bahaar
apnon ka pyaar
kya kehna
milen hum
chhalak utha
khushi ka khumaar
kya kehna
 
hum tum yun hi milte rahein
mehfil yoon hi sajti rahe
bas pyaar ki yehi ek dhun
har subah-o-shaam bajti rahe
gale mein mehekte rahein
pyaar bhari
baahon ka haar
kya kehna…aa
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna
 
oh……..o
ho o o o o
o o o o o
o o o o
ae dil
laaya hai bahaar
apnon ka pyaar
kya kehna
milen hum
chhalak utha
khushi ka khumaar
kya kehna
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna…aa
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna
 
Sad Version
 
dil ka koi tukda kabhi
dil se juda hota nahi
apna koi jaisa bhi ho
apna hai wo duja nahi
yahi hai wo milan hai jo
sachmuch hai
dil ka qaraar
kya kehna
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna
ae dil
laaya hai bahaar
apnon ka pyaar
kya kehna
milen hum
chhalak utha
khushi ka khumaar
kya kehna
 
kuchh apne hi tak yoon nahi
ye hai sawaal sab ke liye
jeena hai to jag mein jiyo
ban ke misaal sab ke liye
dekho kaisa mehak raha
pyaar bhari
baahon ka haar
kya kehna…aa
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna
ae dil
laaya hai bahaar
apnon ka pyaar
kya kehna
milein hum
chhalak utha
khushi ka khumaar
kya kehna
 
jo ho gaya so ho gaya
logon se tu darna nahi
saathi tere hain aur bhi
duniya mein tu tanha nahi
saamna karenge mil ke
chaahe dus ho
chaahe hazaar
kya kehna..aa
khile khile chehron se aaj
jag hai mera
gul-e-gulzaar
kya kehna

oh……..o
ho o o o o
o o o o o
o o o o
ae dil
laaya hai bahaar
apnon ka pyaar
kya kehna
milen hum
chhalak utha
khushi ka khumaar
kya kehna
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna
khile khile chehron se aaj
ghar hai mera
gul-e-gulzaar
kya kehna

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3551 Post No. : 14250

“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.

The movie had six songs in it. Five of these songs have been covered in the blog. Here are the details of these five songs :-

Song Title

Post No.

Post Date

Sajna ke saamne main to rahoongi chup 800 24-Feb-09
Tere hothon ke do phool pyaare pyaare 1244 8-May-09
Man mera tujhko maange door door tu bhaage 1252 9-May-09
Ho jugni kehti hai baat pate ki 14189 21-Mar-18
Suno saathhiyon 14239 6-Apr-18

Here is the sixth and final song from “Paaras”(1971) to appear in the blog. This song is sung by Kishore Kumar with some anokhe bol by Farida Jalal. Verma Malik is the lyricist. Music is composed by Kalyanji Anandji.

This expression of love genre of song is picturised on Mehmood a nd Farida Jalal.

With this song, “Paaras”(1971) joins the list of movies that have all their songs covered in the blog.


Song-Gali gali aur gaaon gaaon mein peeto aaj dhandhora (Paras) (1971) Singer-Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Farida Jalal

Lyrics

ae ae
bhaaiyon aur bahnon aurr bachchon
gali gali
aur gaaon gaaon mein
peeto aaj dhandhora
gali gali aur gaaon gaaon mein
peeto aaj dhandhora
o loot ke le gayi
paanch foot ki chhori
dekho chhe foot ka chhora
loot ke le gayi
paanch foot ki chhori
dekho chhe foot ka chhora
loot ke le gayi
phaphak phui phui
phaphak phui phui
phaphak phui phui
phui

he
he he he
he he he
aisi tadap hai chaal ke ander
jaise machhali jaal ke ander
ander andar jaal ke ander
jaise lachak ho daal ke ander
umr hai solah saal ke ander
umr hai solah saal ke ander
sab ki isne chhuti kar di
kya kaala kya gora
loot ke
haan
le gayi
paanch footan ki chhori
dekho chhe footan ka chhora
loot ke le gayi
phaphak phui phui
phaphak phui phui
phaphak phui phui
phui

honth sharbati nain billauri
meethhe ganne ki ye pori
meethhe pore ki ye ganderi
kali se komal barf se gori
bina chonch ke lage chakori
bina chonch ke lage chakori
isi chakori ki chonch mein
phans gaya ek chakora
loot ke
ho
le gayi
paanch foot ki chhori
dekho chhe foot ka chhora
loot ke le gayi
phaphak phui phui
phaphak phui phui
phaphak phui phui
phui

he he he
he he he
he he he
ek din dekha ghoda ghodi donon milkar bhaage
hmph hmph hmph hmph phrr
ek din dekha ghoda ghodi donon milkar bhaage
peechhe se ek halla maara
ghodi nikli aage
kar gayi ghode ko vo jaate jaate aankh matakka
dekh chhalaangen ghodi ki
main rah gaya hakka bakka
wadi
paanch sau ki ghodi maar gayi
paanch sau ki ghodi maar gayi
chhe hazaar ka ghoda
loot ke le gayi
paanch foot ki chhori
dekho chhe foot ka chhora
loot ke le gayi
gali gali aur gaaon gaaon mein
peeto aaj dhandhora
ho loot ke le gayi
ho loot ke le gayi
aa aa aa aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3549 Post No. : 14239

“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.

The movie had six songs in it. Four of these songs have been covered in the blog.

Here is the fifth song from “Paaras”(1971) to appear in the blog. This song is sung by Mahendra Kapoor, Asha Bhonsle and chorus. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

The song is lip synced by Sanjeev Kumar, Farida Jalal and others who play villagers going somewhere in bullock carts. The song sounds a bit like “mere des ki dharti sona ugle”, which was also creacted by the same male singer- music director team. Unlike the “Upkaar”(1967) song, this song is rather unknown. I in fact had not heard this song till today.


Song-Suno saathiyon (Paaras)(1971) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus

Lyrics

suno saathiyon o o o
haan re haan ho bhaiyya
haan re haan ho
haan re haan ho bhaiyya
haan re haan ho

suno saathiyon o o o
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o

o o o o o
o o o o o

saara dhan hai amber ka
moti dhan hai saager ka
moti dhan hai saager ka
o o o
nirdhan ka dhan mehnat hai
pet bhare saare ghar ka
pet bhare saare ghar ka
o o
laaj bina sooni sooni rey naari
phool bina aa aa aa
pyaar bina sooni sooni hai kyaari

laaj bina sooni sooni rey naari
phool bina sooni sooni hai kyaari

ho o o
pyaar bina aa aa
pyaar bina hirday soona re
yaar bina duniya saari ee
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o

haan rey haan ho bhaiyya
haan rey haan ho
haan rey haan ho bhaiyya
haan rey haan ho

ho ho o
ho ho o

har insaan hai yahaan pyaara
pooja ghar hai jag saara

pooja ghar hai jag saara
ho o o
kan kan mandir masjid hai
kan kan girja gurudwaara
kan kan girja gurudwaara
ho o o
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi

ho o o
pyaar to hai ae ae ae
pyar to hai to hai ek chadhta sooraj
badli koi chhupa na sakegi

insaanon ko pyaar karo
yahi sab se badi hai pooja

suno saathiyon
suno saathiyon
o o o
suno saathiyon
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o o
insaanon se pyaar karo
yahi sab se badi hai pooja

suno saathiyon
suno saathiyo
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3533 Post No. : 14189

“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.

The movie had si songs in it. Three of these songs have been covered in the blog. All these three songs were covered in 2009.

Now, after the passage of nearly nine years, here is the fourth song from “Paaras”(1971) to appear in the blog. This song is sung by Asha Bhonsle. VErma Malik is the lyricist. Music is composed by Kalyanji Anandji.

The song is lip synced by Farida Jalal who is seen singing and dancing in the company of several other female dancers in a community dance with others watching the performance.

The video has one stanza less that the audio. The audio version contains the full song.

Video

Audio Full


Song-Ho jugni kehti hai baat pate ki (Paras) (1971) Singer-Asha Bhonsle, Lyrics-Verma Malik, MD-Kalyanji Anandji

Lyrics(Based on audio version)

arre ya ya ya koo

ho jugni kehti hai
ho jugni kehti hai baat pate ki
ho jugni kehti hai baat pate ki
yaad rahkna ye jo kuchh kahegi
ho sake to samajhna
sach lage to haan karna
jhoothh lage to na karna
sach lage to haan karna
haan jhoothh lage to na karna
haan ke na
haan
jeete raho
ho jugni kehti hai baat pate ki
ho jugni kehti hai baat pate ki

dekho yahaan se aur vahaan tak
tumko hoti hai kuchh dhak dhak
dard suhaana uthhta hai
haan
umm
teri umangen jaaye machal jo
tere armaan jaayen phisal to
saans tumhaara rukta hai
haan
hmm
phir bhi preet ko na jaano to
dil ki baat na pehchaano to
kitne buddhu ho
sach lage to haan kar do
jhoothh lage to na kar do
sach lage to haan kar do
jhoothh lage to na kar do
haan ke naan
haan haan
jeete raho
ho jugni kehti hai baat pate ki
ho jugni kehti hai baat pate ki

tera mukhda choom loon main
tera mukhda choom loon main
sar ko rakh doon seene pe
hehe
na baba

pyaar karoongi tees baar main
pyaar karoongi tees baar main
tujhko ek maheene mein
chhi chhi chhi chhi
tum to mere daada ho ke
poti ko tum pyaar na doge
kuchh to sharam karo
sach lage to haan kar do
jhoothh lage to na kar do
sach lage to haan kar do
jhoothh lage to na kar do
haan ke na
haan haan haan
jeete raho
ho jugni kehti hai baat pate ki
ho jugni kehti hai baat pate ki

kisi ko jisne dukh diya ho
kisi ka jis ne chain liya ho
bolo vo sukh paayega
haan
nahin
maine toone isne usne
boya ped babool ka jisne
aam kahaan se khaayega
khaayega
nahin
duniya ki ye reet puraani
jaisi karni vaisi bharni
ab to kuchh samjho
sach lage to haan kar do
jhoothh lage to na kar do
sach lage to haan kar do
haa
jhoothh lage to na kar do
haan ke na
haan
jeete raho
ho jugni kehti hai baat pate ki
ho jugni kehti hai baat pate ki


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3525 Post No. : 14159

“Lagaam”(1976) was directed by Desh Gautam for Silverscreen Enterprises, Bombay. This “social” movie had Vinod Khanna, Yogita Bali, Bindu, Farida Jalal, Prem Chopra, Ram Mohan, Satyen Kappu, Jankidas, Master Lucky, Dina Pathak, Dhanraj, V Gopal, Sunil Dhawan, C S Dubey, Darshan, Uma Khosla, Lata Arora, Devendra, Dharampal, Amrit Aryan etc in it.

The movie had four songs in it. Here is the first song from “Lagaam”(1976)to appear in the blog. This song is sung by Lata. Kulwant Jani is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a joie de vivre song on Farida Jalal. The picturisation also shows Prem Chopra observing her from a distance. And that means trouble for Farida Jalal ofcourse. I have not watched the movie and I will not like to go into the details of what happens after the song is over and Farida Jalal finds herself face to face with Prem Chopra.

With this song, “Lagaam”(1976) makes its debut in the blog.


Song-Aaj pawan ki chaal chura ke (Lagaam)(1976) Singer-Lata, Lyrics-Kulwant Jaani, MD-Kalyanji Anandji

Lyrics

ho o o
o o o
ho o o
o o o
o o o

aaj pawan ki chaal chura ke
aaj pawan ki chaal chura ke
main badra ke pankh laga ke
ji karta hai ud ud jaaun
ji karta hai ud ud jaaun
neel gagan ko chhoo ke aaun
aaj pawan ki chaal chura ke
ho aaj pawan ki chaal chura ke
main badra ke pankh laga ke

aa aa aa aa
o o o o
hmm hmm hmm

do nainon mein ab tak
wahi sapna ghoom raha hai
wahi sapna ghoom raha hai
ik anjaani masti mein
mera tan man jhoom raha hai
mera tan man jhoom raha hai
ho o o
ho o o
mast hawa ke thhande jhonke
peed paraaye sah na paaun
aaj pawan ki chaal chura ke
aaj pawan ki chaal chura ke
main badra ke pankh laga ke

ye nadiya ka paani
vaise to aag bujhaaye
vaise to aag bujhaaye
par aaj mere seene mein
ik meethi agan lagaye
ik meethi agan lagaye
ho o o o
ho o o o
jal darpan mein dekh ke mukhda
apne aap se main sharmaaun
aaj pawan ki chaal chura ke
ho aaj pawan ki chaal chura ke
main badra ke pankh laga ke
ji karta hai ud ud jaaun
neel gagan ko chhoo ke aau
aaj pawan ki chaal chura ke


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3522 Post No. : 14147

“Buniyaad”(1972) was produced and directed by Virendra Sharma for Pragati Chitra International movie. The movie had Shatrughan Sinha, Farida Jalal, Yogita Bali, Rakesh Roshan, Bindu, Faryal, Pran, Jankidass, Sajjan etc in it.

The movie had four songs in it. Two songs have been covered in the blog so far.

Here is the third song from “Buniyaad”(1972) to appear in the blog. The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is lip synced by Farida Jalal. My guess is that the makers of the movie intended this song to be a cabarat dance, but Farida Jalal is no Helen, so the song ultimately ended up being a bar dance/ song of sorts. 🙂


Song-Muhabbat achchi cheez hai (Buniyaad)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

muhabbat
muhabbat
muhabbat
muhabbat ha ha ha ha ha
muhabbat achchi cheez hai
magar jab bhookh lagti hai
to kuchh bhi kaam nahin aata
sharafat haan sharaafat achchi cheez hai
magar jab bhookh lagti hai
to kuchh bhi kaam nahin aata
muhabbat haan sharafat haan haan
muhabbat

rahega koi na pyaasa
samandar ka ye waada hai
rahega koi na pyaasa
samandar ka ye waada hai
zameen kam hai zamaane mein
magar paani zyaada hai
magar jab pyaas lagti hai
to koi jaam nahin aata
muhabbat
hic sharaafat
haan haan muhabbat

nahin sab bewafa
logon mein thhodi si
wafa bhi hai
nahin sab bewafa
logon mein thhodi si
wafa bhi hai
nahin kya is duniya mein dawa bhi hai
dua bhi hai
magar jab dard hota hai
to bas aaraam nahin aata
muhabbat
hmm
muhabbat

bura kya hai
bhala kya hai
hamen sab yaad thha pahle
arre
bura kya hai
bhala kya hai
hamen sab yaad thha pahle
kasam le lo ye veeraana ye dil
aabaad thha pahle
kise ilzaam den lab pe
kisi ka naam nahin aata
muhabbat
haan mohabbat
achchi cheez hai
magar jab bhookh lagti hai
to kuchh bhi kaam nahin aata
muhabbat ha ha ha ha ha
muhabbat ha ha ha ha ha haa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3485 Post No. : 13998

 

Piya Tune Kya Kiya Re, Tere Bin Laage Na Jiya” – this post in 2008 by Atul ji inspired me to sit through an otherwise serious (read boring) movie. In the post Atul ji had written 3 postscripts each after different stages of movie watching and getting more gyaan about the movie. There is nothing more to add about the movie if one reads that particular post.

We just have one more song left of this movie – the song which Deb Mukherjee sings in the voice of Kishore Kumar and Farida Jalal in Lata’s voice. The song comes close to the climax as Deb Mukherjee bids farewell to the doctor, nurses, ward boys (through the movie I didn’t see a single nurse or ward boy; they appear for this song), compounder and the other patients of the hospital. The song is supposed to inspire the patients that they will also recover from their illnesses. The patients have been depressed after Ashok Kumar dies in the hospital – not the doctor’s fault mind you, he didn’t obey the doctor.

The song also expresses Waheeda’s and Sunil Dutt’s feelings towards each other as they can’t sing and dance themselves. She is a widow and the mother of a child, who is being treated by the doctor (Sunil Dutt). Here I will also add that they were in love before Waheeda’s chacha (Gajanan Jagirdar) and chachi (Shyama) objected to their marriage as they belong to different castes. Waheeda gets married to some railway engineer; whose face is never shown and who dies in a freak railway accident.

The film is directed by Tapan Sinha for John Pictures, Bombay. The film has seven songs, all penned by Anand Bakshi. The music is given by SD Burman. The earlier posted songs of this film are,

 

Zindagi Ae Zindagi Tere Hain Do Roop 45 29-Aug-08
Piya Toone Kya Kiyaa 47 30-Aug-08
Mera Sab Kuchh Mere Geet Re 6131 25-Jun-12
Toone Hamen Kya Diyaa Ree Zindagi 12301 4-Aug-16
Teri Meri Meri Teri Zaat Kyaa Hai 13311 6-Jun-17
Kaun Sachcha Hai Kaun Jhoothha Hai 13992 30-Jan-2018

 

This is the ideal song to announce the Yippeee status of this film. ‘Zindagi Zindagi’ now joins the tribe of movies on our blog that has all its songs represented here.

Song – Khush Raho Saathiyo Tumhen Chhod Kar Hum Chale (Zindagi Zindagi) (1972) Singer – Kishore Kumar, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – SD Burman
Kishore Kumar + Lata Mangeshkar

Lyrics

khush raho saathiyo

khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhen chhod ke hum chale
hamen chhod ke gham  chale
haaye
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale

mujhe tere dukh ne saiyaan kitna rulaaya hai
mujhe tere prem ne gori maut se bachaaya hai
mujhe tere dukh ne saiyaan kitna rulaaya hai
mujhe tere prem ne gori maut se bachaaya hai
behte behte magar ye aaj aansoo tham chale
haaye
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale

tumhein hum nahin bhoolenge hamein tum bhulaana na
milenge kabhi asha ke deepak bujhaana na
tumhein hum nahin bhoolenge hamein tum bhulaana na
milenge kabhi asha ke deepak bujhaana na
hanste hanste tumhari ankhen kar ke nam chale
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale

aaaa
aaaaa
gayi re judaai aayi prem ki ratiaan
gayi re judaai
gayi re
gayi re judai aayi prem ki ratiaan
kisi aur ke mukhde pe thehre na akhiyaan
tere mukh pe saanwariya mere naina jam chale
he
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhen chhod ke hum chale
hamen chhod ke gham  chale
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhen chhod ke hum chale
tumhen chhod ke hum chale
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

खुश रहो साथियो

खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
हमें छोड़ के ग़म चले
हाए
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले

मुझे तेरे दुख ने सैंय्यां कितना रुलाया है
मुझे तेरे प्रेम ने गोरी मौत से बचाया है
मुझे तेरे दुख ने सैंय्यां कितना रुलाया है
मुझे तेरे प्रेम ने गोरी मौत से बचाया है
बहते बहते मगर ये आज आँसू थम चले
हाए
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले

तुम्हें हम नहीं भूलेंगे
हमें तुम भुलाना ना
मिलेंगे कभी आशा के दीपक बुझाना ना
तुम्हें हम नहीं भूलेंगे
हमें तुम भुलाना ना
मिलेंगे कभी आशा के दीपक बुझाना ना
हँसते हँसते तुम्हारी आँखें करके नम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले

आ॰॰॰
आ॰॰॰
गई रे जुदाई आई प्रेम की रतियाँ
गई रे जुदाई
गई रे
गई रे जुदाई आई प्रेम की रतियाँ
किसी और के मुखड़े पे ठहरे ना अखियाँ
तेरे मुख पे साँवरिया मेरे नैना जम चले
हे
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
हमें छोड़ के ग़म चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Majboor” (1974) was the first movie with this title that I became aware of. Later I came to know that movies wit the same title were released in 1948 and 1964 as well.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pyaar Ki Kahaani”(1971) was directed by Ravi Nagaich for Vijaylaxmi Pictures, Madras. The movie had Tanuja, Amitabh Bachchan, Anil Dhawan, Farida Jalal, Prem Chopra, Bipin Gupta, Madhu Chanda, Agha, Mukri, Mohan Choti, Praveen Paul, Yunus Parwez, Krishnakant, Birbal, Hanumanthachari, Ranga Reddy, Nadir, Mamaji, Akhtar, Bihari, Pandey, Puranik, Gulshan Bawra etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

He had this unique technique perfected, for which his contemporaries would envy him. There was nothing like it before him, nor now after he is gone. For the want of any better terminology, he would simply call it the “switching on, switching off” technique. On the sets, his was the fastest transition from the self to the role, when the cameras started to roll, and also the fastest pull back to the self from the role, when the director called ‘cut’. I have read this comment by, or heard it in interviews of more than one of his contemporaries, may it be the male or the female artists. They used to marvel at his ability to switch on into the character and the mood in a snap, and then withdraw himself from the character in an instant. Many others would comment that they would take many minutes to get to the right depth of mood and emotions, and after the scene is done, they need time to withdraw from the emotion and return to the normal self.
Read more on this topic…


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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15261

Number of movies covered in the blog

Movies with all their songs covered =1179
Total Number of movies covered =4192

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Active for more than 4000 days.

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