Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Rafi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6355 Post No. : 19701

Today’s song is from the film Veer Ghatotkach (aka Surekha Haran)-1949. The meaning of Ghatotkach is a person with a bald head.

The film was made by Homi Wadia’s Basant Pictures and it was directed by Nanabhai Bhatt, a veteran in directing such films. Music was by S.N.Tripathi, who, as usual, also acted in this film.

S N Tripathi was an actor, director, composer and a singer too. He acted in 83 films, sang 13 songs in 7 films, directed 18 films and gave music to 111 films, composing 863 songs. In the early cinema, we had many such multi-faceted artists.

The cast of the film was Vasantrao pehelwan (as Ghatotkach), Shahu Modak, Niranjan Sharma, Meena Kumari (as Surekha), Sumati Gupte, H.Prakash, S.N.Tripathi, Shyam sunder Sulochana and many others.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19691

As usual, I cannot keep away from Rafi songs for long. I stumbled upon this movie in the list of songs movie-wise and saw only 7 songs are posted out of 12. The movie is Mastani (1955), the middle of 50’s decade when Rafi Sahab was still finding his niche in the industry and was adding variety of flavourful spices in each new song, he sang for each new actor. The talent of instilling mischief and new murkiyan in the rendition, became the highlight of each music score, who ever be the composer. It also put the other male playback singers in the shade because none could compete. Not the old brigade of singers of 40’s, who sedate style of singing was soon to become obsolete. Mid 50’s was also the time when music score with Rafi sahab as solo male singer started.

Some thought he could find his core strength in playback and people can bracket him into a comic singer, or a theme song singer, or faqeer baba singer. But it was soon clear, that there was no genre of song that the MD could compose and Rafi Sahab could not sing. This was the voice of hero, in romance and sadness, voice of the character actors, and voice anyone else having a song to sing in the films script.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19688

Today’s song is from a Mythological film-Mordhwaj-1952. This film was produced by M.N.Gautam and directed by a B grade film specialist Balwant Bhatt. Music was by a Debutant, Narayan (Datt). The cast included Durga Khote, Prem Adib, Ram Singh, Tiwari, Shashi Kapoor, Manju, Leela Mishra, Bindu, Neeru etc etc.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6349 Post No. : 19676

To change our mood and taste from Asha Ji’s rare songs, we move towards my most favourite amongst all the playback singers in all languages, the Legend worthy of being awarded the Bharat Ratna, Mohd. Rafi Saab.

We will keep the discussion about the Bharat Ratna for another day.

‘Rootha Na Karo’ is a film from the banner of Nirmal Pictures, Bombay, directed by Sundar Dar. All the seven songs in this film are written by Hasrat Jaipuri. The star cast of the film is led by Shashi Kapoor and Nanda, along with Naaz, Rajendra Nath, Aruna Irani, Sulochana, Lakshmichaya, Jaishri Talpade, Saroj, Shobha, Tuntun, Mirza Musharraf, and Reeta amongst others.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6348 Post No. : 19673

In Hindi films, in addition to heroines, there would be one or two secondary female characters. For examples, in the love triangle involving the hero, there would be ‘other woman’. To create a rift between hero and the heroine, there will be a vamp. Then, Hindi films’ model box office formula stories also require female characters of seducer, westernised women of high society, courtesans, hero/heroine’s sister and friend etc. There were some popular actresses who were known for doing such character’s roles like Kuldeep Kaur, Shashikala, Nishi, Aruna Irani, Helen, Bindu, Faryal, Naaz, Nazima and many more during 1950s to 1970s. There were some lesser known actresses doing such roles, one of them being Lolita Chatterjee. This diva from Kolkata with her glamorous look, drew the attention of Hindi film makers during mid-1960 to mid-1970.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6341 Post No. : 19648

Rest in Peace – Dharmendra (8/12/1937 – 24/11/2025)

During last week I have written posts of two Dharmendra -Hema Malini songs, and as I said, youtube was throwing up more such songs at me. I have saved many songs now featuring Dharmendra. Some of these are outdoor songs, showing refreshing locations, like riverside, mountains, trees etc.

Dharmendra has left this mortal world, where everything is mortal. We can hope that some memories will remain immortal till this “faani” intelligent humanity’s existence. So “Lafaani” is nothing. Dharmendra himself was among many things, an urdudaan, and wrote shayari in urdu. During his heydays as a star, he appeared shy of media. Only lately he has been giving some interviews and appearing on TV shows. That is when the real personality has come to light.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6341 Post No. : 19647

‘Aa Jaa Sanam’ (1975) was produced by S A Mehmood and was directed by Yusuf Naqvi. The cast included Feroz Khan and Tanuja in lead roles supported by Deven Verma, Shabnam, Sulochana Chatterjee, S N Banerjee, Shivraj, Mukri, Meenaxi, S A Baker, Kalyani Bai etc.

I have recently watched the film for the first time and I am surprised that it is shot in ‘Black and White’ for a 1975 released film by which time almost all the Hindi films were made in colour. Obviously, the film must have got held up for a long time before it was released. I guess that the film may have been shot around mid-1960s going by the trends of costume used by Feroz Khan who is seen with narrow bottom pants. By the starts of 1970, the fashion of bell-bottom pants was seen in many films. Also, the film has all three male voice songs of Mohammed Rafi whereas after the post-Aradhana (1969) period, Kishore Kumar would have got at least one song for the film if not more because the film distributors normally used to insist.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6339 Post No. : 19643

Legends Don’t Die, They Leave An Immortal Legacy

I was as shocked as the entire world who loved the rustic original He-Man of the Hindi Film Industry – Dharmendra Singh Deol.

The curtains have fallen on the magnificent career of Dharmendra, one of Indian cinema’s most endearing and charismatic figures, who passed away on Monday, November 24, 2025, at the age of 89. His passing leaves a colossal void, marking the end of an era defined by his unparalleled charm, raw talent, and a filmography that became the very backbone of Bollywood.

Dharmendra was a paradox on screen—a formidable action hero with the innocence and tenderness of a poet. This rare combination allowed him to effortlessly inhabit the most diverse roles, captivating generations of audiences.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6335 Post No. : 19624

‘Dillagi’ (1966) was produced by Tony Walker under his banner, Golden Films and was directed by S Bannerjee. The cast included Mala Sinha, Sanjay Khan, Nazima, Vijay Kumar, Johny Walker, Jagirdar, Amar, Pravin Paul, Bela Bose, Zeb Sultana, Tony Walker, Bela Bose, Ratan Gurung etc. The film’s producer, Tony Walker (real name: Kamaluddin Kazi) was Johny Walker’s brother and film’s other actor, Vijay Kumar ( real Name: Waheeduddin Kazi) was the youngest brother of Johny and Tony Walker. Probably, this was the only film in which all the three brothers acted together.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6334 Post No. : 19620

#the Decade of Sixties – 1961 – 1970 #
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In this post I am presenting the second song from the movie ‘Loha Singh (Bhojpuri) -1966’. While presenting the first song from this movie earlier on 07.10.2025, I had mentioned that ‘keep watching for the next song from this movie in near future soon’ … so today I am presenting this special song and I feel immense pleasure in doing this presentation here.
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