Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘S H Bihari


Prima Facie, it would appear that most Shammi Kapoor style movies starring Shammi Kapoor had music by Shankar Jaikishan. But that is not really the case. There have been several music directors compositing music for Shammi Kapoor’s movies beginning from “Tumsa Nahin Dekha” (1957) when Shammi Kapoor finally came into his own.
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“Ek Musaafir Ek Haseena” (1962) was a Filmalaya Production. It was directed by Raj Khosla. The movie had Joy Mukherji, Sadhana, Dhumal, Rajendranath, Kamal Kapoor, Siddhu, Jagdish Raaj, Sulochana Chatterji, Chaman Puri, Shyam Chatterji, Neera Sameer, Gyani, Malika etc in it.
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“Jhuk Gaya Aasmaan” (1968) was an R D B Production. It was directed by Lekh Tandon. The movie had Rajendra Kumar, Prem Chopra, Saira Banu, Rajendranath, Parveen Choudhary, Jagirdar, Randhir, Jagdish Raaj, Sulochana, Chaman Puri, Kamal Kapoor, Madhumati, David Abraham, Durga Khote, Hari Shivdasani etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Lesser known singers- Singer 5 (Bela Mukherji)
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In the initial period of films, Calcutta was in the forefront of making meaningful films with melodious music. The early 30s were dominated by Calcutta Film industry.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I find it interesting to compare the filmy careers of G M Durrani and Surendra Nath. Both of them were tall and handsome and amateur singers. While G M Durrani virtually ran away from his home town Peshawar for Bombay (Mumbai) to pursue a filmy career, Surendra came to Bombay after completing his education (B.A., LLB) to become a lawyer. But a chance meeting with Mehboob Khan in 1936 changed his career path and he became a singer-actor in his first film ‘Deccan Queen’ (1936). Because of his singing style, he was seen as a clone of K L Saigal. In fact, he was called ‘Bombay Saigal’ after his parody song birhaa ki aag lagi more man mein based on K L Saigal’s baalam aaye baso more man mein. G M Durrani also started his stint with the film industry around the same time (1935-36) as an actor-singer in ‘Saaed-e-Hawas’. After acting in a couple of films, he decided to concentrate on playback singing with his distinct voice which was not influenced by K L Saigal.
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