Posts Tagged ‘Shamshad Begum’
O Mrignainee Madhubainee Menaka
Posted on: January 26, 2026
- In: Duet | Geeta Dutt solo | Geeta Dutt songs | Guest posts | Multi part song | Post by Sadanand Kamath | Seduction song | Shamshad Begam songs | Shamshad Begam-Talat Mehmood duet | Songs of 1950s (1951 to 1960) | Songs of 1952 | stage dance | Talat Mehmood songs | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6401 | Post No. : | 19856 |
Mr. Sampat (1952) was produced and directed by S S Vasan under the banner of Gemini Pictures. The film starred Motilal, Padmini, Vanaja, Sundari Bai, Swaraj, Agha, Kanhaiyalal, Badriprasad, Kailash Nath, Ramamurthy, J S Casshyap, B S Kalla etc. The film was adapted from R K Narayan’s novel, ‘Mr. Sampat – Printer of Malgudi’ (1949). It is a satirical film. This was Padmini’s first Hindi film in a lead role while Motilal was in the title role of Mr. Sampat. The film was first made in Tamil in 1948 but R K Narayan made some revision in the story based on which the Hindi version was made.
I have already given the story of the film in some detail while covering one of the film’s songs, laila laila pukaaroon main ban mein. So, I will cover here only the gist of the story which is as under:
Mr. Sampat, (Motilal) sustains himself by coning the people through presenting himself in immaculate western attires with his smooth and humourous talks. He has the power to convince his potential targets with his believable schemes. One of his potential targets is Malini (Padmini), a stage artist who has a good fan base. Simultaneously, he has one more target, Seth Makhanlal Gheewala (Kanhaiyalal) who is standing for a municipal election. Sampat uses Malini in the guise of an interview for a newspaper and brings her at Gheewala’s tea party for her. Because of Malini’s fan base, Gheewala wins the municipal election thus creating a confidence in the ability of Sampat.
With this success, Sampat spells out a scheme, both for Malini and Gheewala to start a bank by offering the customers a high interest rates on deposits. The new bank thrives in its business and attract huge deposits. Raj Mohan (Kailash Nath) from a former royal family member has put a large chunk of deposits in the banks because he has developed infatuation with Malini. For Sampat, things are working nicely as per his plans and he has now improved his status. One day, Malini rejects Raj Mohan’s advances which angers him. He immediately withdraws his entire deposits from the bank. Soon the bank collapses and the entire investments made by Malini and Gheewala are lost. Creditors are queuing up and to meet their demand, Malini’s house is under auction. Knowing that he has nothing to gain now, Sampat leaves them after pocketing Malini’s theatre collections and moves on to select his next potential target for coning. And this time, he has been seen as a godman giving an impressive lecture to his followers.
The film was under production before India became a republic in 1952 and before the first general election took place. So, there was no major corruption and fraudsters cases at the time of making the film. The Haridas Mundra case and much later, Natwarlal’s coning instances came to light only sometime in mid-1950s though he was involved in theft and cheatings during the British Rule. Hence, it is to the credit of story writer, R K Narayan that he could foresee such scenarios which became realities in India in the later years. The film is still relevant and it is for the reason that film is enjoyable to watch even after seven decades from its release. Despite the role of Sampat having some negative shades, Motilal in the title role, has given an excellent performance and has been successful in creating an impression on the audience of his likeable character mainly because of his natural acting.
The film had 13 songs written by Pandit Indra (10) and others (3) which were set to music by Balkrishna Kalla and E Shankar Shastri. All are the stage songs. Surprisingly, not a single song was picturised on Motilal.
Five songs have been represented on the Blog. I present the 6th song, ‘o mrignaini madhubani……o bairaagi banwaasi’ which is tandem song rendered by Talat Mehmood, Shamshad Begum and Geeta Dutt. The soundtrack of the song in the film appears as a continuous song. Due to technical reasons, this song on gramophone records have been released in two parts. Geeta Dutt parts of the song is composed in Baul style, a type of kirtan song, which has been prevalent in Bengal.
This tandem song is a part of the mythological story of Menaka and sage Vishwamitra being staged in a theatre. In the first part of the song, Menaka (Padmini) is directed by Lord Indra () to entice sage Vishwamitra (Ramamurthy) who is on a deep meditation to attain the highest status of a Brahmarishi which can dethrone Lord Indra in heaven. In the second part of the song, Menaka goes from heaven to earth and starts singing and dancing. Towards the end of the song, Menaka is successful in breaking sage Vishwamitra’s meditation and he gets attracted to Menaka.
Incidentally, HFGK shows the song under discussion as two different songs because it has been issued on 78 RPM gramophone records with two different matrix numbers. In the film, it is a continuous but tandem song. Since the theme of both the songs is a part of the same story with continuity in stage performance, I felt that both the songs should form a part of the single post for the better understanding of the context of the song.
Video Clip (Part-1):
Video Clip (Part-2):
Audio Clip (Part-1):
Audio Clip (Part-2):
Song-O mrignainee madhubainee Menaka (Mr Sampat)(1952) Singers-Talat Mehmood, Shamshad Begum/ Geeta Dutt, Lyricist-Pt Indra Chandra, MD-B S Kalla
Chorus
Lyrics:
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Part-1 (Based on Video Clip)
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Devendra dev ki jai jai jai
?? kee jai jai jai
Gajpati Narendra kee jai jai jai
Gajpati Mahendra kee jai
Mahendra kee jai
Mahendra Kee jai
[Dialogues]
o o
mrignaini madhubaini Menaka
tum ho kahaan
tum ho kahaan
swaami ee
o o o o
haazir hoon main naath yahaan
haazir hoon main naath yahaan
haazir hoon main naath yahaan
o o o
mrignaini madhubaini Menaka
tum jaao
tum jaao
o o o
o o
meree laaj aabroo
ab to tumheen bachaao
salonee jaao
tum jaao
ab tajo shok tum swaami naath hamaare
ab tajo shok tum swaami naath hamaare
naath hamaare
sab bade bade brahmchaaree mujhse haare
mujhse haare
main jaaun
main jaaun aur suljhaaoon sabhee samasya
taphaaree kee kar aaoon
bhang tapasyaa
bhang tapasyaa…..aa
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Part-2 (Based on Audio Clip)
————————–
o o o
bairaagee banwaasee..ee
o o o
bairaagee banwaasee ee
charnon kee daasee
darash ko pyaasee
bairaagee banwaasee
o o o
bairaagee banwaasee ee
ab nain khol kar dekh re
ab nain khol kar
ab nain khol kar dekh
dwaar tere chhaayee pooranmaasee
o bairaagee banwaasee
main daaroongee galbaiyaan
tod de maala
main daaroongee galbaiyaan
tod de maala
main apnaa hriday bichhaaoon
phenk mrigchhaala
dho daal bhaal ke bhabhoot
bhagwa taj de
?? ang ang ras bhar le
dho daal bhaal ke bhabhoot
bhagwa taj de
?? ang ang ras bhar le
preet mohse kar le
preet mohse kar le
preet mohse kar le
chhod udaasee
preet mohse kar le
chhod udaasee
o banwaasee
o banwaasee
o banwaasee
Main to aa ke lut gayee
Posted on: January 21, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6396 | Post No. : | 19841 |
Today’s song is from an imaginary (Kalpanik) film – Hatimtai ki Beti-1955.
The film was produced and directed by Nanubhai Vakil for his own banner Vakil productions, Bombay. Music was by A.R.Qureshi, assisted ably by the yesteryear’s composer, Damodar Sharma. Sharma was one of the well known Music Directors of the early era films. Among the old era MDs, Damodar Sharma was different, in the sense that his songs were always unlike those of his contemporaries. When you hear his songs, you will notice that difference. From 1934 to 1948, he gave music to just 41 films. All his films were C grade films made by Paramount, Liberty, Ramnik Productions, Mohan Pictures and others. After 1948, he stopped getting films, so he worked as assistant to MD A.R.Qureshi till 1964.
The cast of the film included Chitra, Mahipal, Daljit, Krishnakumari, Kamal, Kammo, Heera Sawant, Helen, Ruhi, Tun Tun, Naaz,Maruti, Sunder, Kesari, W.M.Khan and others. The guest artistes were Heeralal, Ram Singh, Al Nasir etc. Lyricists were Shevan Rizvi and Kaifi Azmi.
Read more on this topic…
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6394 | Post No. : | 19834 |
Today ‘s song is a typical 1950’s Fun song from a Mythological film – Durga Pooja-1954.
The film was produced by Dhirubhai Desai and his son Sharad Desai for their family banner Sharad Productions, Bombay. The director of this film was Dhirubhai Desai. Music Director was a veteran of such films – S.N.Tripathi. He used 4 lyricists for the film’s 10 songs namely, Bharat Vyas (3 songs), G.S.Nepali (2), B.D.Mishra (3) and Saraswati Kumar ‘Deepak’ (2). The cast included Nirupa Roy, Trilok Kapoor, Shahu Modak, Kamal( wife of comedian actor Maruti), Yashodhara Katju, Ratnamala, S.N.Tripathi, Rajkumar Khatri, Indira Bansal, Yashwant Dave etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6281 | Post No. : | 19439 |
Today’s song is from a fantasy film Gul E Bakawali-1963.
Most Indians have two common traits. One, they are religious and two, they believe in magic. Therefore most of the children liked the stories in which there was fantasy and magic. Ofcourse, I am talking of older times. These days children’s likings have changed and they like to play with modern gadgets, rather than reading books.
When I was in school, there was great demand from students for books on Vedic stories, fantasy and fairy stories, especially the Arabian Night story books in our school library. Students had to put their names on a waiting list for such books, though the library had multiple copies of such books. Once the books were taken home, other members of the family also read them with great taste and nostalgia.
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Baaghon mein bahaar aayee
Posted on: August 15, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6237 | Post No. : | 19282 |
Today’s song is from a mysterious film – But Tarash-1947.
When I first heard this film’s name, for a very long time, I was puzzled about its meaning. First I thought ‘ But’ is written by mistake for ‘Boot’. But Then what was Tarash ?
Was it also by mistake, for ‘Trash’ ? No, it could not be !
Very wisely, I referred to my dictionary of ” Urdu into English and vice versa”. Conveniently, it lists Urdu words in Roman script, so one who can not read Urdu, can also use this dictionary easily. This dictionary is compiled by The Rev. T.Cravel,M.A. and it was published in 1889 from Lucknow. This book is one of my prized possessions and I got this from my father 70 years ago. This 136 year old book has to be handled very carefully as its pages have become yellowish brown and very sensitive for breakages. The dictionary meaning of ” But Tarash” is ‘One who sculpts an idol’. In Hindi we call it a ‘Shilpkar’ or a ‘ Moortikar’.
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Raja tere desh mein
Posted on: July 14, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6205 | Post No. : | 19161 |
Today’s song is from the film Naulaakha Haar-1953.
Making films on folklore – well known or less known – is easy, because a lot of liberties can be taken while making the film. There is no copyright or any authentic version of any folklore. The same story may circulate in different regions/states in a different garb. Film Naulaakha Haar-1953 was also based on the love story of Alha- Udal.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6161 | Post No. : | 19021 |
Today’s song is from the film Sunehre Din-1949. The song is sung by Kalyani and Shamshad Begum.
Film Sunehre Din-1949 was made by Jagat Films. It was directed by Satish Nigam and the Music Director was Gyan Dutt. For 10 songs of the film, there were 3 Lyricists – D.N.Madhok, Shevan Rizvi and Shekhar, M.A. The cast of the film included Rehana, Raj Kapoor, Nigar Sultana,Ramesh Sinha, Heera Sawant etc.
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Tum kaun ho jee anjaan
Posted on: May 9, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6139 | Post No. : | 18976 |
Today’s song is from a less known film Bikhare Moti-1951.
As far as the decade of the 50’s, i.e. the period from 1951 to 1960, is concerned, it was famous for three reasons.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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