Posts Tagged ‘Shyama’
O chaand jahaan wo jaayen
Posted on: December 15, 2010
What a delightful song it is ! In this song, two ladies are singing about their beloved. I hope they are not singing about the same person, though knowing Hindi movies, a situation like this is not uncommon in Hindi movies.
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Chhoom chhanananan paayal boli
Posted on: December 10, 2010
“Ghar Ghar Mein Deewaali” (1955) by all indication was a B grade movie, going by the star cast which had Shyama, Sajjan, Manorama, Gajanan Jagirdar etc in lead roles. Little is known about this movie, and its prints are apparently not available.
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In 1950s, Talat Mehmood, then a leading playback singer, also tried his hands in acting. He started played leading roles in several movies.
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Badnaam na ho jaaun
Posted on: November 23, 2010
What is it that makes a song enjoyable ? It is not just one aspect of the song, rather one enjoys several things about it. It is the voice of the singer, as well as the music that appeals to the ears, it is also the lyrics. In fact, the contribution of lyrics in making a soul can never be overemphasised. I am always fond of saying that lyrics are the soul of songs and it the lyrics that makes songs come alive. That is why I give so much importance to the lyrics of the song.
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Initially I thought that this movie “Bhabhi” (1957) only had one great song, viz. Chal ud ja re panchchi but with time I realised that this movie was full of memorable songs in it. By now I have discussed as many as five songs from “Bhabhi” (1957) in this blog.
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Aahen na bharin shiqwe na kiye
Posted on: September 27, 2010
Most well known qawwalis in Hindi movies are from 1950s and 1960s. But the earliest hit qawwali is older than that.
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Ye raat suhaani raat nahin
Posted on: September 7, 2010
I find that I have posted only one song from “Dil e Naadaan” (1953) so far. Here is another song from this movie.
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This post is written by Raja, a fellow enthusiast of Hindi movie songs and a regular visitor of this blog
There is rarely an excuse required in Hindi movies for a song. Birthday or wedding celebration parties (with the ubiquitous piano), the “tribal” dance scenes, club dances, hero-heroine scenes out in beautiful natural surroundings, the pining scenes and the mujra scenes – these are all well-established occasions waiting for a song to happen.
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Roothe hon sanam to phir kyaa hai
Posted on: July 26, 2010
In Hindi movies, “roothna” (sulking) is the preserve of females, and it is the male of the species who has to indulge in the act of “Manaanaa” (appeasement). I have posted many such songs like this in this blog, but it never occured to me to have a separate category for such songs.Now I have thought of this category called “sulking-appeasing song”.
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I have posted two memorable songs from “Shart” (1954) in the past namely Na ye chaand hogaa na taare rahenge (Shart) and Dekho wo chaand chhupke kartaa hai kyaa ishaare (Shart) . This movie had another nice song in it which is not known to many people (including me) because that song is not available in the movie’s VCD. I became aware of this song only because of farmaish for this song by one of the visitors of this blog, viz. anverali valli.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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