atul's bollywood song a day- with full lyrics


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhakt Pooran”(1952) was produced by Vinod Chandra Desai and directed by Dhirubhai Desai for Vinod Films, Bombay. The movie had Nirupa Roy, Shahu Modak, Vanmala, Sapru, B M Vyas, Niranjan Sharma, Lalita Pawar, Shanta Kunwar, Radha, Dhuliya, Lathani, Amina, Munnas, Anwari, Pratibha, Ramesh Tiwari, Dilip Pahalwan, M Tandon, Baby Naaz, Pappu etc in it.

Here is the first song from this movie to appear in the blog. This song is sung by Geeta Dutt. Ramesh Chandra Pandey is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

Lyrics of this song were sent to me by Nitin Shah.

Words are not clear at a few places. I request our readers with keener ears to help fill in the blanks/ suggest corrections wherever applicable.


Song-Nainon mein saawan ki dhaara (Bhakt Pooran)(1952) Singer-Geeta Dutt, Lyrics-Ramesh Chandra Pandey, MD-Chitragupta

Lyrics(Provided by Nitin Shah)

pardesi ke preet ko
mera man lalchaaye
usmein itni khot hai
kahin(?) na sang le jaaye

man mein hai roop wo pyaara
honthon pe geet tumhaara aa aa
nainon mein saawan ki dhaara aa aa
nainon mein saawan ki dhaara

ho o o o
neend se mujhko jagaaya
jab se jaagi hoon chain na paaya
aisa jaadu hua mujhpe pehle pehal
mere praanon ne pi pi pukaara aa aa
nainon mein saawan ki dhaara aa aa
nainon mein saawan ki dhaara

ho o o o
kaali ghata tu hi aaja
aake bebas ko itna bata ja
?? pyaar ki naiya ko leke wahaan
kaise jaaun jahaan hai kinaara aa aa
nainon mein saawan ki dhaara aa aa aa
nainon mein saawan ki dhaara
man mein hai roop wo pyaara
honthon pe geet tumhaara aa aa
nainon mein saawan ki dhaara aa aa
nainon mein saawan ki dhaara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (29 july 2015) is the 13th death anniversary of Sudhir Phadke ( 25 july 1919-29 july 2002). Sudhir Phadke’s talent was not fully harnessed in Hindi movies. Most of his musical activities were in Marathi movies and he went on to become a legend in Marathi Film music, as a music composer as also as a singer.

In Hindi, two of his most well known musical albums were ‘Pahli Taareekh”(1954) and “Bhabhi Ki Choodiyaan”(1961).

As a tribute to sudhir Phadke, heee is asong from “Pahli Taareekh”(1954). This song, much less known in comparison to the iconic song “dil hai suhaana aj pahli taareekh hai”, is sung by Pramodini Desai. Qamar Jalalabadi is the lyricist. Music is composed by Sudhir Phadke, of course.

Only the audio of this song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-O daata paisa deta jaa (Pahli Taareekh)(1954) Singer-Pramodini Desai, Lyrics-Qamar Jalalabadi, MD-Sudhir Phadke

Lyrics

O daata paisa deta jaa
daata paisa deta jaa
maasoom duaayen leta jaa
O daata paisa deta jaa

jaise tere bachche pyaare
main bhi kisi ki pyaari
kisi ki pyaari
chhod gaya mujhe baapu mera aa
main kismat ki maari
sabka daata tujhko dega
deta jaa
kuchh deta jaa
kuchh deta jaa
maasoom duaayen leta jaa
O daata paisa deta jaa aa
daata paisa deta jaa

apni khushi se is duniya mein
koi na bane bhikaari
bane na bhikaari
bachpan mein hi bani bhikaran
aaj koi dukhiyaari
sada sukhi rahe bachche tere
deta ja
kuchh deta ja
kuchh deta ja
maasoom duaayen leta jaa
O daata paisa deta jaa aa
daata paisa deta jaa

maa ki laadli ye bhi na jaane
kaise haath phailaana
haath phailaana
kisi ke ghar ki izzat roye
duniya samjhe gaana
gaana hi samajh kar sunta jaa aa
sunta jaa
aur deta ja
kuchh deta jaa
maasoom duaayen leta jaa
O daata paisa deta jaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laal Kunwar” (1952) was an N V M Productions movie. It was directed by Ravindra Dave. the movie had Nasir Khan, Suraiya, P. Jairaj, Agha, Durga Khote, Usha Kiran etc in it.

Seven songs from this movie have been discussed in the past.

Here is the eighth song from this movie. This song is sung by Asha Bhonsle. Sahir Ludhianvi is the lyricist. Music is composed by S D Burman.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

PS-This song also has an unknown male voice that utters “o raani bol bol bol” periodically. The voice soungs like Hemant Kumar to me. I request our knowledgeable readers to help identify this voice.


Song-Dil ka bhed jaan lo ho sake to maan lo(Laal Kunwar)(1952) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-S D Burman
Unknown male voice

Lyrics

dil ka bhed jaan lo
ho sake to maan lo
chhoti si baat hai
hoye raaja
o raani
bol bol bol

dil ka bhed jaan lo
ho sake to maan lo
chhoti si baat hai
hoye raaja
o raani
bol bol bol

chhoti si baat raaja badi mazedaar hai
iske maze pe saari duniya nisaar hai
chhoti si baat raaja badi mazedaar hai
iske maze pe saari duniya nisaar hai
dhadkan hai daam
aur naam iska pyaar hai
chhoti si baat hai
hoye raaja
o raani
bol bol bol
o raani
bol bol bol

dil ka bhed jaan lo
ho sake to maan lo
chhoti si baat hai
hoye raja
o raani
bol bol bol

dil-phenk baabu
main to albeli chhori hoon
peepal ki patti hoon
main resham ki dori hoon
dil-phenk baabu
main to albeli chhori hoon
peepal ki patti hoon
main resham ki dori hoon
sab mujhpe lattu hain
main ji se tori hoon
chhoti si baat hai hoye raaja
o raani
bol bol bol

dil ka bhed jaan lo
ho sake to maan lo
chhoti si baat hai
hoye raaja
o raani
bol bol bol

aawaz deke le lo
dil kisko chaahiye
kisko
kisko
dil kisko chaahiye
ye chikne patthhar ki sil kisko chaahiye
aawaz deke le lo
dil kisko chaahiye
ye chikne patthhar ki sil kisko chaahiye
chanda se mukhde sa dil kisko chaahiye
chhoti si baat hai
hoye raaja
o raani
bol bol bol
o raani
bol bol bol

dil ka bhed jaan lo
ho sake to maan lo
chhoti si baat hai
hoye raaja
o raani
bol bol bol

chhoti si baat hai
bol bol bol


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Nightingale Noorjehan – 11
————————————–

Lal Haveli (1944) was a social film produced by ‘Bombay Cinetone’ and directed by K B Lal. It had Surendra, Noorjehan, Ulhas, Maya Banerjee, Yakub, Brijraani, Vatsala Kumthekar, Badri Prasad, Ghory, Kanhaiyalal, Alaknanda and Baby Meena Kumari in its star cast. Music was set by Meer Saheb to the lyrics of Shams Lakhnavi. Nightingale Noorjehan had two solos and two duets with legendry singer Surendra in this film. One of her solos ‘Banti Nazar Aati Nahi Tadbeer Hamari…’ has been already discussed on this wonderful blog.

Unlike the previous presentations, this video is much clearer with good lighting and better cinematography. In addition to her sweet singing, she radiates lots of charm in this enchanting song. As she is facing the camera with such radiating and seductive charm, I am sure that the camera must have been literary seduced by the time the song ends. I have not seen the movie, but I can well imagine her sanwariya Surendra not being able to keep the distance, (for whatever reasons he was keeping) and come back running to her.

Now, watch the song and be prepared to be ‘bowled’ completely. (I, who does not know a Bat from a Ball, am using ‘cricketers term’!! )


Song–Teri Yaad Aaye Sawariya (Lal Haveli)(1944) Singer-Noorjehaan, Lyrics-Shams Lakhnavi, MD- Meer Saheb

Lyrics

teri yaad aaye sanwariya
teri yaad aaye sanwariya
jiyaa
jiya ghabraaye sanwariya
jiyaa aa
jiya ghabraaye sanwariya aa aa aa
teri yaad aaye sanwariya
teri yaad aaye sanwariya

preet
kehti hoon main preetam ki
preet
kehti hoon main preetam ki
har waqt kahaani
kehti hoon main preetam ki
har waqt kahaani
dil deke khareedi hai yeh anmol nishaani
dil deke khareedi hai yeh anmol nishaani
phir kyun oon oon
kyun tadpaaye sanwariya aa aa aa
kyun tadpaaye sanwariya aa aa aa
teri yaad aaye sanwariya
teri yaad aaye sanwariya

ek nadi ki
donon lehren
aen aen aen aen
idhar udhar takraayen
aisaa jhonka hawa ka aaye
aapas mein mil jaayen aen
mohe ae ae
mohe mil jaaye sanwariya
mohe ae
mohe mil jaaye sanwariya aa
teri yaad aaye sanwariya
teri yaad aaye sanwariya
jiyaa
jiya ghabraaye sanwariya
jiyaa
jiya ghabraaye sanwariya aa aa
teri yaad aaye sanwariya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zeenat”(1945) was directed by Syyad Shaukat Hussain Rizvi for Eastern Pictures, Bombay. The movie had Noorjahaan, Yakub, Karan Diwan, Bibbo, Shanta Rani, Majid, Himalaywala, Dixit, Jillobai, Laddan, Shah Nawaz, Naseem (Junior), Agha, Nazeer Kashmiri, Sengar, Amir Ali etc in it.

The story of the movie, in brief, was (as recounted by Mr Bharat Upadhyay, while discussing an earlier song from the movie is:

Zeenat was a controversial Muslim social film, much ahead of its times, Where a widow is harassed, her character is doubted for having a baby after her Husband’s death. Veteran Yakub saves her from ‘badnaami’ before the film comes to ‘The End’.

There were two Music Directors viz., Mir Saheb and Hafiz Khan in the movie as well as three four lyricists, namely Mahrul Qadri, Nakshab, Anjum and Shewan Rizvi.

Despite having so many lyricists and music directors in the movie, lyricist and music director of this song are not known. I have provisionally considered Hafiz Khan as the music director of this song. Even the singer of this movie is not identified in the main text of HFGK (part II). The corrigendum mentions this song as sung by Noorjahaan which is clearly incorrect.

One of the YT uploads of this song tells us that Kalyani, Amirbai Karnataki, Zohrabai Ambalewali are the singers of this movie and I think that this identification is correct.

With this song, the eighth song from the movie, “Zeenat”(1945) now joins the list of movies that have all their songs covered in the blog.

I am unable to identify the ladies who lip sync this song on screen. I request our knowledgeable readers to help identify them.


Song-Sakhi aaya saawan aaya (Zeenat)(1945) Singers-Kalyani, Amirbai Karnataki, Zohrabai Ambalewaali, MD-Hafiz Khan

Lyrics

aaya
aa aa aa
aa aa aa
aaya
aa aa aa
aa aa aa
aaya
aaya aaya aaya
sakhi aaya saawan aaya
sakhi aaya saawan aaya

baadal ne gesu khola
baadal ne gesu khola
madmast papeeha bola
madmast papeeha bola
bhanwre ne aen
bhanwre ne saaj uthhaaya
koyal ne geet sunaaya
koyal ne geet sunaaya
jab(?) sab ka dil bhar aaya aa
aaya aa
aaya aa
aaya aaya aaya
sakhi aaya saawan aaya
sakhi aaya saawan aaya

mujh par bhi jawaani laayi
tujh par bhi jawaani laayi
mujh par bhi jawaani laayi
tujh par bhi jawaani laayi
har shai pe jawaani aayi
har shai pe jawaani aayi
kya thhandi hawaayen hain
mastaana ghataayen hain
kya thhandi hawaayen hain
mastaana ghataayen hain
boondon ke barasne mein
ghunghroo ki sadaayen hain
boondon ke barasne mein
ghunghroo ki sadaayen hain
bhanwron ne shor machaaya aa
aaya aa
aaya aa
aaya
aaya aaya aaya
sakhi aaya saawan aaya
sakhi aaya saawan aaya

bijli ke taak jhaank
ye baadal ghire huye
bijli ke taak jhaank
ye baadal ghire huye
pedon ki daaliyon mein ye jhoole pade huye
pedo ki daaliyon mein ye jhoole pade huye
haan geet khushi ke gaate jaao
mil kar jhoola jhoolo
haan geet khushi ke gaate jaao
mil kar jhoola jhoolo
chhed chhaad ki rut aayi hai
duniya ke gham bhoolo
haan chhed chhad ki rut aayi hai
duniya ke gham bhoolo

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
ye pyaar ka hai zamaana
ye pyaar ka hai zamaana
ye nikhaar ka hai zamaana
ye nikhaar ka hai zamaana
ye bahaaar ka hai zamaana
ye bahaar ka hai zamaana
saawan ne rang zamaaya
aaya
aaya
aaya
aaya aaya aaya
sakhi aaya saawan aaya
sakhi aaya saawan aaya
haan aaya


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from film Madhubala-1950.

Will you be not happy if you get the Cake and eat it too ? Same thing happened whenever Handsome Dev Anand and the most beautiful actress of Hindi films, Madhubala acted together in a film. The audience used to become ecstatic with joy watching their films. No one cared if the story was weak or the music was third grade. What was more important was to see Dev and Madhubala, with a contented heart !

Dev Anand had such a magical spell over the people of India that his looks and styles were simply loved by them. Some two years ago, I was invited to a musical programme in Borivali, Mumbai. The venue was the Municipal Garden with a working stage. Old songs were sung by trained young aspiring singers and an estimated crowd of about 300-400 people of all ages were enjoying the Musical Evening. As soon as an announcement was made that a singer would sing the song “Maana janaab ne pukaara nahin” from Paying Guest-1957, there was a huge round of clapping and shouting from the people. When the song actually started, suddenly a man of about 70+ years climbed on the stage, upped his shirt collar and started dancing on the song beat, exactly in Dev Anand style. The audience was so excited, they not only stood up and clapped to the beat of the song, but also,after the song, the dancing old man was carried on their shoulders and was much appreciated. It was such a wonderful feeling, I never realised when I too had stood up, clapped and shouted !

Even today, such is the magic of this ever young Hero-Dev Anand on Indian people. I too was his fan till he started directing and producing awful films. Dev was highly self centred. He was very careful about his style, image, how he looked and how he dressed. His brother Vijay Anand said about him, “Dev was like a child who is engrossed in his own world.” To protect his own image, Dev even rejected many films,which others got and which made their lives. One such film was Zanjeer. He refused it because there were no songs in the film for the hero!

In this film Madhubala-50, Dev and Madhubala acted together for the second time. Their first film together was Nirala also made in 1950, but released first. In all they acted together in 8 films. This was a record till the Dream girl Hema Malini broke it, by acting in 11 films with Dev Anand.

Though Dev ( 26-9-1923) was 10 years older than Madhubala ( 14-2-1933), he was very junior to her in the Film industry. By the time Dev Anand did his first film Hum Ek Hain-1946, Madhubala had already done 13 films. She had started as a child artist in Swastik-1939. Madhubala-50 was her 35th film and Dev’s 13th film ! Fron Nirala-50 to Sharabi-64, they did 8 films together. Dev Anand did 116 films and sang 303 songs on screen. Madhubala did only 79 films and sang 188 songs on screen. Her speed came down drastically, after her Heart ailment was detected while shooting in Madras and the treatment for it started.

Dev of course continued steadily for a much longer period, but out of his 116 films how many films were actually watchable is a moot question.

Madhubala was a film made by Ranjit Studios and its Music Director was Lachhiram.

LACHHIRAM is a name not known to many readers. He was a very talented but unlucky composer, who, despite his good work was never counted among the A grade composers. LACHHIRAM TOMAR was a Punjabi Chaudhary born in the princely state of Kuthar in the present day Himachal Pradesh. His father died early and he was brought up and trained in music by the Rana Jagjit Chandra of Kuthar, under the tutelage of Ustad Noore Khan. He came to Delhi at the age of 20 years and served in H.M.V.Company as a singer. He cut many records there. Side by side he was singing on A.I.R. also.

Aziz Kashmiri, writer and Director of Shorey Films, Lahore came scouting for talents and engaged him as an assistant to music composer for a salary of Rs.750 per month. He assisted in films like Champa, Badnami and Shalimar. His first independent film as a composer was Aarsi-47, which celebrated Silver jubilee. Then he did Mohini, Birhan and Director in 47-48 and did Guru Dakshina and Madhubala in 1950.

The songs of Madhubala became Hits, but his luck misfired. He suffered from T.B. and had to leave everything. He lost one Lung also in it. However this brave man came back and did Ameer, Shaheed Bhagat Singh-54 (Sarfaroshi ki tamanna-Rafi), Maharani Jhansi, Guru Ghantal and Hazaar pariyaan-59. In his last spell he did Do Shahzade, Razia Sultan and his Last film was Main Suhagan Hoon-64.

Lachhiram Tomar died on 5-2-1966 at Bombay.

The cast of the film was Dev Anand, Madhubala, Jeewan, Randhir, Manju etc. The film was directed by Prahlad Dutt. Prahlad Dutt started first as an actor and did roles in films like Ek hi Bhool-40 etc. Then he became a junior director in Rajit and directed his first film Shirin Farhad in 1945. Then came Piya Ghar aaja-47,Mitti ke Khilone-48,Nazare-49 and Madhubala-50.

The story of Madhubala was

Madhubala(Madhubala) was heir to two inheritances of her father-wealth and Health- heart disease. She was leading a lonely life-her only solace being the Doctor(Randhir) who was more like a father to her. Many young people were meeting her off and on with ulterior motives and there was regular tussle between them to win her favours. Amongst them the most insistent was Kalicharan (Jeevan), the proprietor of a dramatic company.

Madhubala was passing her days trying to draw what comfort she could. Seeing her condition, the Doctor advised her to go to a village as the cool and sedate atmosphere over there would have a soothing effect on her. In the village Madhubala met Ashok ( Dev Anand). Each thought the other a bit overbearing in behaviour. But time and meetings tore down and eliminated the first bad impressions and both began to love each other ( nafrat hamaare pyar ki pehli seedhi hai). They decided to marry. Preparations for marriage were going ahead. As luck would have it, Madhubala’s friends headed by Kalicharan came to the village in search of her. Gauging the state of affairs, Kalicharan decided his game. He cracked cruel jokes at Ashok’s cost. Ashok was stung to the core. He felt that Madhubala was a party to this. He broke up the preparation for the marriage.

Because of Ashok’s attitude Madhubala came to the city but with a weakened heart. She began to lose interest in life. Ashok began to relent. He came to the city and met Madhubala. But Madhubala’s cold attitude upset him. He felt as if the whole world had gone against him and he, in a frenzy, began to create havoc and nuisance in the street. He was fined for this misdemeanour. He was released as Madhubala paid the fine. Kalicharan played his cards expertly. He whispered into Ashok’s ears that Madhubala paid up the find just to spite him. He engaged him in his dramatic company in order to put an end to Ashok’s life. A burning curtain fell on Ashok’s head and he lost his eyesight.

Madhubala went to the hospital to see him but Ashok scolded her. Ashok went to his native place. Madhubala went to the village. She got herself engaged at his place under an assumed name-Sheela. Under her careful nursing Ashok’s eyes were cured. When Ashok came to know that Sheela and Madhubala were the same, he got excited. But her Doctor(Randhir) explained the position and on all the misunderstandings being removed, the lovers were united.

Out of 9 songs of this film, we have already discussed two songs and this is the third song from this movie to be discussed here. It is written by Rajendra Krishna and is sung by Talat mehmood and Shamshad Begum with chorus.


Song-Jawaani ke zamaane mein jo dil na lagaayega (Madhubala)(1950) Singers-Talat Mehmood, Shamshad Begam, Lyrics-Rajinder Krishan, MD-Pt Lachchiram
Both
Female chorus
Male chorus

Lyrics

jawaani ke zamaane mein jo
dil na lagaayega
peechhe pachtaayega
jawaani ke zamaane mein jo
dil na lagaayega
peechhe pachhtaayega

pyaar kisi se karne wala
mauj udaayega
kaho ji kaisi kahi
ho raaja achchi kahi
kaho ji kaisi kahi
haaye raaja achchi kahi

ho o o o
o o o o
o o o o
kaho ji kis’se pyaar karen ji
kis’se aankhen chaar karen ji
kis’se aankhen chaar karen
aen aen

kaho ji kis’se pyaar karen ji
kis’se aankhen chaar kare ji
kis’se aankhen chaar karen

pyaar karo dilwaalon se
ulfat ke matwaalon se
pyaar karo dilwaalon se
ulfat ke matwaalon se

ulfat ka dam bharne waala
maze udaayega
kaho ji kaisi kahi
ho raaja achchi kahi
kaho ji kaisi kahi
haaye raaja achchi kahi

ho o o o
o o o o
o o o o
jisko ulfat karte dekha
thhandi aahen bharte dekha
thhandi aahen bharte dekha
aa aa aa aa

jisko ulfat karte dekha
thhandi aahen bharte dekha
thhandi aahen bharte dekha

pyaar mein aahon se na darna
ulfat ko badnaam na karna
pyaar mein aahon se na darna
ulfat ko badnaam na karna

ulfat mein mit jaane waala
naam kamaayega
kaho ji kaisi kahi
ho raaja achchi kahi
kaho ji kaisi kahi
haaye raaja achchi kahi

jawaani ke zamaane mein jo
dil na lagayega
peechhe pachtayega
pyaar kisi se karne waala
mauj udaayega

kaho ji kaisi kahi
ho raaja achchi kahi
kaho ji kaisi kahi
haaye raaja achchi kahi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Namaste” (1943) was directed by M Sadiq and S U Sunny. This movie had R Wasti, Protima Dasgupta, Jagdish Sethi, Nayampalli, Mishra, Rajkumari Shukla, But Kashmiri, Ghulam Rasool, Alluddin, Amir Ali, Jetha N Lakhani etc in it.

Five song from this movie has been discussed in the past.

Here is the sixth song from the movie. This song is sung by Parul Ghoshand G M Durrani . D N Madhok is the lyricist. Music is composed by Naushad.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

The audio of this song is not very clear (though clearer than another upload of this song on YT). I have not been able to get a few words right in the lyrics. I request our readers with keener ears to tell us what those missing words. correct words could be.


Song-Ambuwaa pe panchhi baawra bolo bolo kya sunaaye hai (Namaste)(1943) Singers-Parul Ghosh, G M Durrani, Lyrics-D N Madhok, MD-Naushad

Lyrics

ambuwa pe panchhi baawra
bolo bolo kya sunaaye hai
ambuwa pe panchhi baawra
bolo bolo kya sunaaye hai
teri meri kahaaniyaan
saara jahaan gaaye hai
teri meri kahaaniyaan
saara jahaan gaaye hai

wo to kuchh apne phool ki
yaad mein gungunaaye hai
wo to kuchh apne phool ki
yaad mein gungunaaye hai
teri bahaar dekh ke
phoolon ko bhula jaaye hain
teri bahaar dekh ke
phoolon ko bhula jaaye hain

ambuwa pe panchi baawara
bolo bolo kya sunaaye hai

kook nahin ye hook hai
gaana nahin ye haaye hai
kook nahin ye hook hai
gaana nahin ye haaye hai
shabnam baha ke aankh se
duniya mein gul khilaaye hai
shabnam baha ke aankh se
duniya mein gul khilaaye hai
ambuwa pe panchhi baawra
bolo bolo kya sunaaye hai
ambuwa pe panchhi baawra
bolo bolo kya sunaaye hai

teri meri kahaaniyaan
saara jahaan gaaye hai
teri meri kahaaniyaan
saara jahaan gaaye hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bandhan”(1940) was directed by N R Acharya for Bombay Talkies, Bombay. The movie had Leela Chitnis, Ashok Kumar, v H Desai, P F Pithawala, Shahnawaz, Suresh, Arun Kumar Mukherji etc in it.

Six songs from this movie have been discussed in the past. Here is the seventh song from “Bandhan”(1940) to appear in the blog. This is a topical song as it is about the arrival of Saawan.

Leela Chitnis is the singer. Pradeep is the lyricist. There were two music directors in this movie. This song is composed by Saraswati Devi.

Only the audio of this song is available. It is clear that the song was picturised on Leela Chitnis herself.

The entire two minutes long song is sung in one go withut any pause. I have broken down the lyrics in three stanzas for convenience but in reality the entire song gets played without pause, much like a quick passing shower. :)

PS-Later, I came across a longer version where there are proper stanzas and there are repetition of some lines. The shorter two minutes version is apparently the picturised version of the song (taken from the video of the movie) whereas the longer version is the record version.

Shorter version

Longer audio

Song-Manbhawan manbhawan lo saawan aaya re (Bandhan)(1940) Singer-Leela Chitnis, Lyrics-Pradeep, MD-Saraswati Devi

Lyrics

Manbhawan manbhawan
lo saawan aaya re
Manbhawan manbhawan
lo saawan aaya re

van van upwan kunj kunj mein gunjan chhaaya re ae ae
lo saawan aaya re
Manbhawan manbhawan

rimjhim rimjhim gaata aaya
sargam sakal sunaata aaya
naya sandesa nayi aas
navjeewan laaya re
naya sandesa nayi aas
navjeewan laaya re
lo saawan aaya re
Manbhawan manbhawan

magan hui hanson ki toli
duniya prem hindole doli
magan hui hanson ki toli
duniya prem hindole doli
daal pe baithhi bulbul boli
saawan aaya re
daal pe baithhi bulbul boli
saawan aaya re
lo saawan aaya re
Manbhawan manbhawan
lo saawan aaya re
Manbhawan manbhawan
lo saawan aaya re


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anjaam”(1952) was produced by V M Vyas and directed by Shanti Kumar for Sunrise Pictures, Bombay. The movie had Premnath, Vyjyanti Mala, Kuldeep Kaur, Yakoob, Dulari, Jankidas, H Prakash, Shammi, Chitralekha etc in it.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Nightingale Noorjehan – 10
—————————–
After completing all Noorjehan’s songs from 1946 ‘Dil’, I march forward (In fact backward) to another block-buster musical film of the same year i.e. Anmol Ghadi. All her songs are covered on our blog. Now comes 1945. There were four films of our heroine during that year. There were four songs from 1945 film Bhaijaan, attributed to Noorjehan, but all except ‘chupke se dil mein …’ had Zeenat Begam’s voice on Columbia Records, according to HFGK. So, totally disappointed at not getting any Noorjehan’s song from that film, I look for the remaining three films of 1945.
Read more on this topic…

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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than seven years. This blog has over 11300 song posts by now.

Total number of songs discussed

11324

Number of movies (All songs covered)

679

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