atul's bollywood song a day- with full lyrics


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 6 # Asha Bhosle – 1
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Here is a song from the film ‘Return of Johny’ (1972). I had never heard it before.  When I started with noting down its lyrics; the first thing I did was to check up the year of release of the film ‘Kati Patang’. Why!! The answer lies in this song. It reminds us of the famous song “Mera Naam Hai Shabnam… Pyaar Se Log Mujhe Shabbo Kehte Hain” from the 1970 film ‘Kati Patang’. This song seems to be inspired from the ‘Kati Patang’ song.

What I was looking for was if the gap of releasing between the two films was somewhat closer, then how two different music directors, Pancham Da and N Datta were thinking on the same lines? But it was not like that since this movie ‘Return of Johny’ came in 1972 i.e. almost after two years of ‘Kati Patang’. Secondly the name – ‘Return of Johny’!! Was the name also inspired from the success of ‘Johny Mera Naam’, released in 1970! This is all my guessing and I would request knowledgeable readers and movie goers who may have watched this movie, to share more information about this and also about the on screen picturization of this song.

‘Return of Johny-1972’ was a social film. The film is produced under the banner of Mukesh Enterprises, Madras and is released by Chitrakala Films.  It is directed by N Ramnesh.  The cast of actors includes Chandrakala, Shobhan, Jyotilakshmi, Raja, Nagmani and others.

Not much information about this movie is available in the domain (even on IMDB there is very brief info about this film). It seems that this movie is a forgotten one. All the six songs of this film are written by Shri Ram Saaz, and the music is composed by N Datta.  The lyricist Shri Ram Saaz or SR Saaz (hope I am correct) already has one song on the blog earlier.

I have listened to a few songs from this movie that are available on YT.  They are interesting too and will follow in future on the blog.

Before that, let us enjoy this interesting one sung by none other than Asha Bhonsle!!!

Song – Maan Jaa Arre Buddhu Jaan Jaa (Return Of Johny) (1972) Singer – Asha Bhosle, Lyrics – SR Saaz, MD – N Datta

Lyrics

ae ae
ae ae
maan ja
arey buddhu
ha ha ha ha
jaan ja
kya chaahiye mujhko
kapda
jevar
izzat
daulat
kapda jevar izzat daulat
na aa aa aa
tum m m m

ae
ae
ye kya
chhoone do na
hmm
a haa
maashaa allaah
bahot achchha
tum haseen main jawaan
aalam e madhoshi
bahot achchhe

ae
don’t be shy
yahaan
koi nahin
sirf dono hain
ha ha ha ha
enjoy
enjoy the drink
kapda
jevar
izzat
daulat
kapda jevar izzat daulat
na aa aa aa
tum m m

ae
ae
shall we dance?
sikhlaaun?
ha ha ha
sharmaate ho o
o bedardi
kar de shaant
aaj mere man ki aag

ae
don’t be silly

darte kyun ho
anh
yahaan aur kaun hai
tum ho
main hoon
main hoon
tum ho o
ha ha ha
a ha ha ha
enjoy the drink
ha ha ha ha ha
a ha ha ha


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Oomar Qaid” (1961) was produced by Super pictures and directed by Aspi Irani. This movie had Sheikh Mukhtar, Sudhir, Nazima, Helen, Mukri, Hiralal, Sulochana, Mohan Choti, Jeevankala etc in it.

Helen had started to become a one item song fixture in Hindi movies by that time. She would typically appear in one cabarat song and that was all.

But this movie is an exception. Helen plays quite a big role in this movie and appears in the movie in scenes where she does not have to dance. And when it comes to dancing, she has more than one dance in this movie.

Here is a Helen club dance from “Oomer Qaid” (1961). The song is written by Hasrat Jaipuri. Music is composed by Iqbal Qureshy.


Song-Dil wahaan jahaan ho tum (Oomer Qaid)(1961) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Iqbal Qureshy

Lyrics

dil wahaan
jahaan ho tum
aao na
kahaan ho tum
pyaar mera
jaane na jaane na jaane na
aa aa aa
dil wahaan
jahaan ho tum
aao na
kahaan ho tum
pyaar mera
jaane na jaane na jaane na
aa aa aa
dil wahaan
jahaan ho tum
aao na
kahaan ho tum

ek pari hoon teri mehfil ki
raushni humse hoti hai
tum ujaala meri manzil ka
chaandni tumse hoti hai
meri duniya ke aasmaan
pyaar mera
jaane na jaane na jaane na
aa aa aa
dil wahaan
jahaan ho tum
aao na
kahaan ho tum

raat tumhaari meri chhum chhum mein
jhoomkar naach leti hoon
geet tumhaare apni sargam mein
o sanam roz gaati hoon
tu hi hai raahon ka paasbaan
pyaar mera
jaane na jaane na jaane na
aa aa aa
dil wahaan
jahaan ho tum
aao na
kahaan ho tum

tum jo kabhi nahin aaye to
aasra toot jaayega
bin tumhaare kaise jiyungi
saans bhi chhoot jayega
zindagaani to phir kahaan
pyaar mera
jaane na jaane na jaane na
aa aa aa
dil wahaan
jahaan ho tum
aao na kahaan ho tum
pyaar mera
jaane na jaane na jaane na
aa aa aa
dil wahaan
jahaan ho tum
aao na
kahaan ho tum


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaari Yaad Aayegi” (1961) was a Showpeople production. This movie was directed by Kidar Sharma. The movie had Ashok Sharma, Tanuja, Anant Kumar, Sujata, Vijay, Madhvi, Dubey etc in it.

As many as nine songs from this movie have been discussed in the past. Here is the tenth and final song from this movie. This song is sung by Suman Kalyanpur and Rafi. Kidar Sharma is the lyricist. Music is composed by Snehal Bhatkar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Hamaari Yaad Aayegi”(1961) joins the list of movies that have all their songs covered in the blog.


Song-Chhail chhabeela chhokra (Hamaari Yaad Aayegi)(1961) Singers-Suman Kalyanpur, Rafi, Lyrics-Kidar Sharma, MD-Snehal Bhatkar

Lyrics

chhail chabeela chhokra
ji ek chhail chhabeela chhokra
mane le gayo nadiya paar
dini ankhiyon mein ankhiyan daar
ho ji main kaa boloon sarkaar
ho ji main kaa boloon sarkaar
mujhe aa gaya us per pyaar
ho ji main kaa boloon sarkaar
ho ji main kaa boloon sarkaar

aah ih ooh aah
aah ih uh aah
chhail chhabeeli chokri
ji ik chail chabili chokri
mohe mil gayi bich baazaar
mose ankhiyaan hui do chaar
ib main kya boloon sarkaar
ib mai kya boloon sarkaar
o mera lut gaya chain karaar
ib main kya boloon sarkaar
ib main kya boloon sarkaar

chhail chhabeela chhokra
ji ek chhail chhabeela chhokra
aaye sapnon mein sau sau baar
dewe ankhiyon mein rain guzaar
ib main ka boloon sarkaar
ib main ka boloon sarkaar
main to hui badi laachaar
ib main ka boloon sarkar
main to hui badi laachaar aa aa aar
ib main ka boloon sarkaar
ke ib main ka boloon sarkaar

aa ih uh aah
aa ih uh aah
chhail chhabeeli chhokri
ji ik chail chabili chokri
dekho nazron se kare shikaar
o dewe teer karejwa pe maar
ib main kya boloon sarkar
ib main kya boloon sarkar
o mujhe ho gaya susri se pyaar
ib main kya boloon sarkaar
ib main kya boloon sarkaar


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MISSING GEMS FROM THE GOLDEN 50s…. Song No….9
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Today’s song is from the 1957 film ‘Ek Jhalak’.

1957 – what a year it was! The best year in the Golden Era! The best year in the 50s! The best year for melody and music! Such wonderful films came in this year!!! The lineup of 1957 films looks like the selection of the creamy layer in everlasting music – ‘Mother India’, ‘Pyasa’, ‘Tumsa Nahin Dekha’, ‘Bhabhi’, ‘Asha’, ‘Miss Mary’, ‘Naya Daur’, ‘Do Aankhen Baarah Haath’, ‘Paying Guest’, ‘Nau Do Gyarah’, ‘Dekh Kabira Roya’. ‘Nausherwaan e Adil, ‘Gateway Of India’, ‘Hum Panchhi Ek Daal Ke, ‘Kathputali’, ‘Sharada’ . . . Films produced in Madras were quite popular. AVM’s ‘Bhabhi’, ‘Miss Mary’ and ‘Hum Panchhi Ek Daal Ke’, Prasad Production’s first Hindi film ‘Sharda’, and MV Raman’s film ‘Asha’ played havoc with their captive audiences. Films from south somehow have always concocted a success formula, mixing comedy, tragedy, social message, excellent production values and above all superb music, which made their films very popular everywhere.

Satyen Bose’s ‘Bandi’ brought together all the three Ganguly brothers in one film for the first time. Later he would repeat this feat in ‘Chalti Ka Naam Gaadi’ in 1958. ‘Musaafir’, Hrishikesh Mukherjee’s first Hindi film as a director, was an experimental film depicting the phases of life – birth, life, death and rejuvenation, symbolically through a succession of tenants in a house on rent. Director Amiya Chakravarty’s competetion with Gyan Mukherjee came to an end with his unexpected demise while the making of ‘Kathputali’ was in progress. The film was completed by Nitin Bose. (Later, Gyan Mukherjee also passed away while making ‘Sitaron Se Aagey’ (1958) which was later completed by Satyen Bose. Both films had same story and same heroine).

With the musical blockbuster ‘Tumsa Nahin Dekha’ from Filmistan, Nasir Hussain introduced his own success formula of entertaining films and minted crores by repeating it several times, in a new garb. This film changed Shammi Kapoor’s luck, and made him an A grade actor.  However, it did not much benefit the heroine Ameeta. She remained where she was – a second grade actress. Filmistan also released ‘Paying Guest’, with chocolate hero Dev Anand, with superb music and songs composed by SD Burman. Dev also featured in ‘Nau Do Gyarah’, another musical entertainer from Navketan, his home production company.

A surprise hit that year was the socio-religious film ‘Janam Janam Ke Phere’. The song “Zara Saamne To Aa O Chhaliye” became the unexpected top song of the year and an iconic one at that! ‘Apradhi Kaun’ was genuinely an excellent detective story. Amiya Chakravarty’s ‘Dekh Kabira Roya’ was a hit due to its superb music, though its cast was quite ordinary. ‘Do Aankhen Baarah Haath’ got the national award. Amiya Chakravarty and Gope passed away in this year. Nimmi got married. Vividh Bharati started its broadcast on 3rd October 1957.

Film ‘Ek Jhalak’ (partly in colour) was produced by Deep and Pradeep Productions and directed by Kalidas, the elder brother of Pradeep Kumar, its hero.  In this production company, Pradeep Kumar was a partner, only on paper, with Deep Khosla. Very soon the partnership broke. Deep Khosla went ahead with a modified name for the company – Deep Productions and made ‘Batwaara’ (1961). And Pradeep Kumar set up PK Films and made ‘Mitti Mein Sona’ (1960).

In Hindi films, there have been three actors who were very handsome and very lucky but zero in acting – Karan Dewan, Pradeep Kumar and Bharat Bhushan. They all appeared in leading roles opposite all leading actresses of their times. They had the best films, best songs and best roles. Karan Dewan had about 25 Silver Jubilees to his credit and was considered a lucky star. Bharat Bhushan had the most musical films to his credit like ‘Baiju Bawra’ (1952), ‘Shabaab’ (1954) and ‘Mirza Ghalib’ (1954) etc. Pradeep Kumar had ‘Anarkali’ (1953) and ‘Taj Mahal’ (1963).

All three had their brothers producing films for them. Gemini Dewan made films for Karan Dewan, R Chandra made films for Bharat Bhushan and Kalidas for Pradeep Kumar. Unfortunately, in later years, all three lost everything and died in poverty and neglectful anonymity. Karan Dewan was a manager with BR Chopra’s production company. When he died no one came for his funeral except for Chandrashekhar and Manmohan Krishan from the Cine Artist’s Association. Bharat Bhushan worked as a watchman in a film studio, in his last days. Even he died unsung and only the men from the Association were present at the cremation.

Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful.

The cast of actors of ‘Ek Jhalak’ includes Pradeep Kumar, Vijayantimala, Pran, Mubarak, Rajendra Kumar, Anita Guha etc. The producer Deep Khosla too did a role in the film. (Note: Deep had also acted in ‘Ek Shola’ (1958), ‘Police’ (1958) etc. He wrote the story and dialogues for ‘Ek Shola’). The music of ‘Ek Jhalak’ was by composed by Hemant Kumar, ably assisted by Ravi. There are nine songs in the film, four of which are already posted here. These are – the two versions of ‘Aa Ja Zaraa‘ (a blatant copy of the famous “Cherry Pink And Apple Blossom White”), the fabulous Hemant–Asha duet “Ye Hansta Huaa Karwaan Zindagi Ka Na Poocho Chalaa Hai Kidhar”, and the Hemant Kumar solo, “Gori Chori Chori Jaana Buri Baat Hai‘. Today’s song is the 5th song of this film to be showcased here.

I have not seen this film since I never liked Pradeep Kumar. But I know the film revolves around a plot in which a girl Mala, elopes with her music teacher Shekhar whom her family does not like. On her parents’ request, Pradeep sets out to trace the girl. He catches the wrong girl, Shobha. By the time the entire story unfolds, Pradeep and Shobha are in love.

Today we will enjoy another very good song from this film, a duet of Hemant Kumar and Asha. I am sure you too will like it. . .

 


Song – Bahaaren Bhi Dekhi Nazaare Bhi Dekhe (Ek Jhalak) (1957)  Singer – Asha Bhosle, Hemant Kumar, Lyrics – SH Bihari,  MD – Hemant Kumar
Chorus

Lyrics

aaaa aaa aaa aa aaaa
aaaa aaa aaa aa aaaa
aaa aaaa aaaa aaaaa aaaaa
aaa aaaaa aaaaaa aaaaa

bahaaren bhi dekhi
nazaare bhi dekhe
jo dil chahta hai wo sab kuch yahaan hai
bahaaren bhi dekhi
nazaare bhi dekhe
jo dil chahta hai wo sab kuch yahaan hai
bahaaren bhi dekhi

kami hai agar kuch to itni kami hai
mohabbat se khaali hamaara jahaan hai
mohabbat se khaali hamaara jahaan hai
bahaaren bhi dekhi
nazaare bhi dekhe
jo dil chahta hai wo sab kuch yahaan hai
bahaaren bhi dekhi

mohabbat jahaan dil mein angdaainyaan le
ho oo. . .  angdaainyaan le
jahaan dil me soya hua pyar jaage
mera pyar jaage
bataa do mujhe aisi dunia kahaan hai
bataa do mujhe aisi dunia kahaan hai
bahaaren bhi dekhi
nazaare bhi dekhe
jo dil chahta hai wo sab kuch yahaan hai
bahaaren bhi dekhi

wo duniya wohi hai
jahaan se chale the hum
jahaan se chale the
jahaan do ghadi ke liye hum miley the
jahaan hum miley the
wahin le chalo tum mohabbat jahaan hai
wahin le chalo tum mohabbat jahaan hai
bahaaren bhi dekhi
nazaare bhi dekhe
jo dil chahta hai wo sab kuch yahaan hai
bahaaren bhi dekhi

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Hindi script lyrics (Provided by Sudhir)
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आss आs आs आ आsss
आss आs आs आ आsss
आss आsss आsss आssss आssss
आs आsss आssss आsss

बहारें भी देखीं
नज़ारे भी देखे
जो दिल चाहता है वो सब कुछ यहाँ है
बहारें भी देखीं
नज़ारे भी देखे
जो दिल चाहता है वो सब कुछ यहाँ
बहारें भी देखीं

कमी है अगर कुछ तो इतनी कमी है
मोहब्बत से खाली हमारा जहां है
मोहब्बत से खाली हमारा जहां है
बहारें भी देखीं
नज़ारे भी देखे
जो दिल चाहता है वो सब कुछ यहाँ
बहारें भी देखीं

मोहब्बत जहां दिल मैं अंगड़ांइयाँ ले
हो ओ॰ ॰ ॰  अंगड़ांइयाँ ले
जहां दिल में सोया हुआ प्यार जागे
मेरा प्यार जागे
बता दो मुझे ऐसी दुनिया कहाँ है
बता दो मुझे ऐसी दुनिया कहाँ है
बहारें भी देखीं
नज़ारे भी देखे
जो दिल चाहता है वो सब कुछ यहाँ
बहारें भी देखीं

वो दुनिया वही है
जहां से चले थे हम
जहां से चले थे
जहां दो घड़ी के लिए हम मिले थे
जहां हम मिले थे
वहीं ले चलो तुम मोहब्बत जहां है
वहीं ले चलो तुम मोहब्बत जहां है
बहारें भी देखीं
नज़ारे भी देखे
जो दिल चाहता है वो सब कुछ यहाँ
बहारें भी देखीं


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Teen Batti Chaar Raasta”(1953) was produced and directed by V Shantaram for Rajkamal Kala Mandir, Bombay. The movie had Sandhya, Karan Dewan, Nirupa Roy, Dewan Sharar, Shashikala, Parshuram, Smriti Biswas, Keshavrao Date, Sheila Ramani, Nimbalkar, Meenakshi, Baran, Meera Devi, Vikas, Shakuntala, Mohan, Sofie, Leela, Surendra Bahadur, Shankar Dasgupta, Gajendra, Prabhat Kumar, R V Ishwar, Amritlal etc in it.

Eleven songs from this movie have been discussed in the past. Here is the twelfth song from the movie. This song is sung by Lata. It is picturised on Sandhya and Karan Dewan. P L Santoshi is the lyricist. Music is composed by Shivram Krishna.


Song-Kitna meethha hota hai kitna pyaara hota hai (Teen Batti Chaar Raasta)(1953) Singer-Lata, Lyrics-P L Santoshi, MD-Shivram Krishna

Lyrics

kitna meetha hota hai ae
kitna pyaara hota hai ae ae ae ae
kisi ke pyaar mein kho jaana
kho jaana
kisi ka ho jaana
kisi ka ho jaana
kitna meetha hota hai ae
kitna pyaara hota hai ae ae ae ae
kisi ke pyaar mein kho jaana
kho jaana
kisi ka ho jaana
kisi ka ho jaana

kya yahi hai wo ada
jismein haya ka hai saroor
kya yahi hai wo nasha
jismein hazaron dil hain choor
kya yahi jo dil mein rah kar bhi
hai dil se door door
kya iski jyot se phaila veeraane mein noor
kitna meetha hota hai ae
kitna pyaara hota hai ae ae ae ae
kisi ke pyar mein kho jaana
kho jaana
kisi ka ho jaana
kisi ka ho jaana

kya yahi hai wo nigaah
jispe fida andaaz hai
kya yahi hai wo sada
jispar wafa ko naaz hai
kya yahi raseele geeton ka suraala saaz hai ae
kya duniya ki khushiyon ka ye suhaana raaz hai
kitna meetha hota hai ae
kitna pyara hota hai ae ae ae ae
kisi ke pyaar mein kho jaana
kho jaana
kisi ka ho jaana
kisi ka ho jaana
kitna meetha hota hai ae
kitna pyaara hota hai ae ae ae ae
kisi ke pyaar mein kho jaana
kho jaana
kisi ka ho jaana
kisi ka ho jaana aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Toofaan Aur Diya”(1956) was produced by V Shantaram and directed by Prabhat Kumar for Rajkamal Kala Mandir, Bombay. The movie had Satish Vyas, Nanda, Rajendra Kumar, Vatsala, Shanta Kumari, Krishna Kumar, R V Ishwar, K Date, Ulhas etc in it.

Six songs from this movie have been discussed in the past. Here is the seventh song from the movie.

This song is sung by Shamshad Begam and chorus. The song is picturised as a stage dance song. I am unable to identify the lady lip syncing in Shamshad Begam’s voice. I request our knowledgeable readers to help identify her.

Bharat Vyas is the lyricist. Music is composed by Vasant Desai.


Song-Aankhon mein aankhen daal ke (Toofaan Aur Diya)(1956) Singer-Shamshad Begam, Lyrics-Bharat Vyas, MD-Vasant Desai
Chorus

Lyrics

aankhon mein
aankhen daal ke
kya kehna chaahte ho o
jee
kya kehna aa chaahte ho
aji kya kehna chaahte ho

aankhon mein aankhen daal ke
kya kehna chaahte ho
aji kya kehna chaahte ho
mere dil ki prem nagri mein
kya tum rahna chaahte ho
aankhon mein aankhen daal ke
kya kehna chaahte ho
aji kya kehna chaahte ho

mere dil ki prem nagri mein
kya tum rahna chaahte ho
aankhon mein aankhen daal ke

aa aa aa
aa aa
aa aa aa
aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa

dhadkan ki suron pe baje
na sunaai de
ye roop jawaani ka raag hai
jawaani ka raag hai
dhuaan na uthe
chingaari na dikhe
ye dil ki lagi nayi aag hai
lagi nayi aag hai
thhandi thhandi
thhandi thhandi
thhandi thhandi is aag mein
kya jalna chaahte ho
aji kya jalna chaahte ho
mere dil ki nagri mein
kya tum rahna chaahte ho
aa aa aa
aa aa
aa aa aa
aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa

ye pyaar ka dariya
ismein bade toofaan bhi aate hain
bade toofaan bhi aate hain
ooper wahi aate
jo ismein doob jaate hain
jo ismein doob jaate hain
ulfat ki
ulfat ki
ulfat ki is manjhdhaar mein
kya bahna chaahte ho
aji kya bahna chaahte ho
mere dil ki prem nagri mein
kya tum rahna chahte ho
aankhon mein aankhen daal ke
kya kehna chahte ho
aji kya kehna chaahte ho

mere dil ki prem nagri mein
kya tum rahna chaahte ho
aankhon mein aankhen daal ke


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehlon Ke Khwaab”(1960) was produced by Madhubala under the banner of Madhubala Pvt. Ltd. The film was directed by Muhafiz Hyder. The star cast included Madhubala, Pradeep Kumar, Kishore Kumar, Chanchal, Pran, K N Singh, Om Prakash, Praveen Paul, Rashid Khan, Sulochana Chaterjee, Cuckoo etc.

Five songs from this movie have been discussed in the past. Here is the sixth song from the movie.

This song is a long and elaborate song that is sung by Mahendra Kapoor, Asha Bhonsle and Kishore Kumar alongwith male and female chorus. The song is picturised as a folk dance song where lots of people are singing and dancing. Kishore Kumar and Chanchal, who are passing by, see this performance and they too join in.

Anand Bakshi is the lyricist. Music is composed by S Mohinder.

I am unable to identify the actor lip syncing in Mahendra Kapoor’s voice. I request our knowledgeable readers to help identify him as well as others seen in the picturisation.

Noting down the lyrics and then colour coding them has taken considerable time for this song. The words uttered by chorus, which are apparently Punjabi words have stumped me and those words may need correction. I request our knowledgeable readers to suggest corrections in the lyrics wherever applicable.


Song-Kamla Razia ya Miss Mary (Mehlon Ke Khwaab)(1960) Singers-Mahendra Kapoor, Asha Bhonsle, Kishore Kumar,Lyrics-Anand Bakshi, MD-S Mohinder
Male Chorus
Female chorus

Lyrics

ha ha ha ha ha
ha ha ha ha ha

hoy Kamla Razia ya miss Mary
ya ho Preetam Kaur
Kamla Razia ya miss Mary
ya ho Preetam Kaur
oye har haseena hoti hai
baabu ji dil ki chor
meri jaan
ho ho
meri jaan
hmm hmm
meri jaan bachke rehna
na phir hamse kehna

ye baat hai
Abdul Mohan ya Banta Singh
ya ho mr Mor
Abdul Mohan ya Banta Singh
ya ho mr Mor
mauka milte hi phenkega
nainowaali dor
meri jaan

haay
meri jaan
hoy
meri jaan bachke rehna
na phir hamse kehna

dhinge raari
ke rang dhingraari

hoy devi challa
ke challa devi challa
deve challa

dhinge raari
ke rang dhingraari

hoy devi challa
ke challa devi challa
deve challa

daale jaadoo
phoonke toone
kar ke aankhen chaar
dhurr taak
ho taa dhurr taak
ho taak

daale jaadoo
phoonke toone
kar ke aankhen chaar
haaye ladki to ladki hai
saadi pehne ya
salwaar
meri jaan

oho
meri jaan
hmm hmm
meri jaan bachke rehna
na phir hamse kehna

aankhon hi aankhon mein mile dil ka telephone
kurr taak
ke tak kurr tak
ke taak

aankhon hi aankhon mein mile dil ka telephone
are ladka to ladka hai
dhoti pehne ya

patloon
meri jaan

haaye
meri jaan
hoy
meri jaan bachke rehna
na phir hamse kehna

ding raari
ke rang dingraari

hoy devi chaala
ke chala devi chala

ding raari
ke rang dingraari

hoy devi chaala
ke chala devi chala

seedhi saadhi chhori ho ya fashionable mem
gurr taaka
ho tak gurr taaka
ho taaka

arre seedhi saadhi chhori ho ya fashionable mam
tere to dil se khelegi nazrowaali

mem
meri jaan

buck up
meri jaan
get up
meri jaan bach ke rehna
na phir hamse kehna

anpadh koi kanwaara aashiq ho ya graduate
gur taaka
ke taaka gurr taaka
ke taaka

anpadh koi kunwara aashiq ho ya graduate
baaton baaton mein tay kar lega shaadi ki

date
meri jaan

jaa jaa
meri jaan
dafa
meri jaan bach ke rehna
na phir hamse kehna

ding raari
te rang dingraari

hoy devi chaala
ke chala devi chala

ding raari
te rang dingraari

hoy devi chaala
ke chala devi chala

aaho
aaha
aaho

Dilli Bambai Calcutta
Lucknow Shimla Mysore

dhurr taak ho taak
dhurr taak
ho taak

Dilli Bambai Calcutta
Luckhnow Shimla Mysore
har basti mein zulfonwaali naagan hai

mashhoor
meri jaan

knock out
meri jaan
bowled out
meri jaan bach ke rehna
na phir hamse kehna

India America Africa
Russia Paris Cheen

ghurr taaka
ke taaka
ghurr taaka
ke taak

India America Africa
Russia Paris Cheen
saari duniya mein bajti hai armaanon ki

been
meri jaan

grr grr
meri jaan
mud jaa
meri jaan bach ke rehna
na phir hamse kehna

dhingraari te rang dhingraari
hoy diri chala
ke chala diri chala

hoy dhingraari te rang dhingraari
hoy diri chala
ke chala diri chala

baagad billi
hoy dhingraari te rang dhingraari
hoy diri chala
ke chala diri chala

ke bitwa
aaaa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 16
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Dil Ka Soona Saaz Taraana Dhoondhega” (‘’Ek Naari Do Roop’, 1973) – a song that has become an everlasting signature memory of its creators.  The singing voice of Rafi Sb that instills a restless, discontented pathos into the words of remorse that follows accomplishments.  The words that are written by Asad Bhopali, touch the theme of an unfulfilled genius.  And the music, it comes from the mind of Ganesh, to whom the sentiments and the theme of this song, fit to the very end.

Remembering music director Ganesh on the anniversary of his passing away (28th March).

The name of Ganesh is associated with an illustrious family of musicians.  Son of Ram Prasad Sharma, and younger brother to Pyaarelal Ram Prasad Sharma (of the Laxmikant Pyaarelal duo).  Besides Pyaarelal, his other brothers have reaped fame for themselves in the film and non-film music arenas.

In the beginning of 1960s, the name of Ganesh came to be acknowledged as the key contributor to the success of the music of Laxmikant Pyaarelal.  The effect of this impression in the industry was so strong that by the mid 1960s, he got about 10 assignments as an independent music director, even before a single film with his music had even got to the studio floors.  In 1966, when the films with his music started to appear in theatres, the audiences were swept with the stunning sounds of “Hum Tere Bin Jee Na Sakenge Sanam” (‘Thakur Jarnail Singh’, 1966), “Hum Jahaan Hain Wo Maqaam Husn Aur Ishq Hai” (‘Husn Aur Ishq’, 1966), “Intzaar Ka Aalam Tanhaai Aur Hum” (‘Shera Daku’, 1966) and more.  1967 was no less with songs like “Zulfon Ka Rangeen Saaya Hai Tauba Khudaaya” and “Main Jo Galey lag Jaaungi Tera Badan Jal Jaayega” from ‘Anjaam’, and in 1968 the audiences were treated to songs like “Raja Aana Hamaare Banlge Pe” and “Main To Khadi Re Khadi Re Aankh Ladi Re Ladi Re” from ‘Sab ka Ustad’.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Hamaari Yaad Aayegi” (1961) was a Showpeople production. This movie was directed by Kidar Sharma. The movie had Ashok Sharma, Tanuja, Anant Kumar, Sujata, Vijay, Madhvi, Dubey etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 15
– – – – – – – – – – – – – – – – – –

A little over two years ago, we had celebrated the century of this remarkable and versatile artist, as a music director, when I had posted the song “Nanha Sa Dil Deti Hoon Pardesi Preet Nibhaana”.  A peerless master of the classical tradition, whose typecasting in the industry was so intense that he mostly remained confined to B/C grade mythological films for most of his career of nearly five decades.

Remembering SN Tripathi on the anniversary of his passing away (28th March).
Read more on this topic…

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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 10900 song posts by now.

Total number of songs discussed

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