Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jawaani Ki Hawa” (1959) was produced by P N Arora and directed by M Sadiq for All India Pictures, Bombay. The movie had Vyjyanti Mala, Pradeep Kumar, Purnima, Raj Mehra, Shammi, Anwar, Badri Prasad, Helen, Amar, Anil Kumar, S Bannerji, Kesho, Parshuram, Johny Walker, Tiger (Dog) etc. in it.

Five songs from this movie have been discussed in the past. Here is the sixth song from the movie. This song is sung by Asha Bhonsle. Rajinder Krishan is the lyricist. Music is composed by Ravi.

From the sounds of it, this song is the title song of the movie. Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Chali kaisi ye jawaani ki hawaa (Jawaani Ki Hawa)(1959) (Jawaani Ki Hawa)(1959) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Ravi

Lyrics

chali kaisi ye jawaani ki hawa aa aa
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke
jaane aankh ko bhi kya ho gaya
ke ghadi ghadi ye bhi phadke
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke ae

kabhi is karwat
kabhi us karwat
pehlu badalte hi raat kate ae ae
kabhi is karwat
kabhi us karwat
pehlu badlte hi raat kate
machle hi machle
zara bhi na sambhle
dil se na pal bhar haath hate
paapi jiyra na maane meri baa aa aat
paapi jiyra na maane meri baat
ke haari main to lad lad ke
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke

bhoole se kabhi jo zara aankh lage
to mere sapnon mein aaye
koi reh reh ke
bhoole se kabhi jo zara aankh lage
to mere sapnon mein aaye
koi reh reh ke
kuchh bhi na pata chale
kaun hai vo chhaliya
chupke se chala jaaye kuchh keh ke
pehle soti thhi main saari saari raat
pehle soti thhi main saari saari raat
ke uthh jaaun ab tadke
chali kaisi ye jawaani ki hawa
ke ghadi ghadi dil dhadke
jaane aankh ko bhi kya ho gaya
ke ghadi ghadi ye bhi phhadke

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“Hill Station”(1957) was produced by A A Nadiadwala and directed by Shakti samanta for Pushpa Pictures, Bombay. The movie had Bina Rai, Pradeep Kumar, K N singh, Maruti, Protima Devi, Krishnkant, Shyama, Sangeeta, Kundan, Ridku, Kathana, Nirmal Kumar, Laxman Rao, Sheila Vaz, Seema, Nazeer, Kashmiri, Tiger (dog) etc in it.

The movie had seven songs in it. Two of these songs have been discussed in the blog in the past.

Today (25 february 2017) is the 30th remembrance day (as we have started to describe the punya tithi of artists in the blog) of S H Bihari (1922- 25 february 1987).

On this occasion, here is a song from “Hill Station”(1957). This song is sung by Geeta Dutt and Rafi. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

What a delightful gem of a song it is !


Song-Gori gori patli kalaai re balamwa (Hill Station)(1957) Singers-Geeta Dutt, Rafi, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

gori gori patli kalaai re balamwa
chhod na dena pakad ke
chale jaana na hamse akad ke
o chori chori meri gali aana ri sajaniya
na dekhen mohalle ke ladke
ho zara ghar se nikalna ji tadke

gori gori patli kalaai re balamwa
chhod na dena pakad ke
chale jaana na hamse akad ke
ararara
chori chori meri gali aana ri sajaniya
na dekhen mohalle ke ladke
o zara ghar se nikalna ji tadke

chhod ke na jaana mera dil na dukhaana
dekho pyaar nibhaana o balam rasiya
ho man mein bithhaaun
tohe apna banaaun
gori tere bina mera kahin laage na jiya
ho gori laage na jiya

kahoon painyaan tumhaare main pad ke
chale jaana na hamse akad ke
gori gori patli kalaai re balamwa
chhod na dena pakad ke
chale jaana na hamse akad ke

tera hoon deewaana
toone itna na jaana
tohe man ki ye batiyaan bataaun kaise

pyaar ke maare ginen ratiyon ko taare
tujhe apna ye haal sunaaun kaise
ho sunaaun kaise
dil mein shola mohabbat ka bhadke
chale jaana na ham se akad ke
gori gori patli kalaai re balamwa
chhod na dena pakad ke
chale jaana na hamse akad ke

ararara
chori chori meri gali aana ri sajaniya
na dekhen mohalle ke ladke
ho zara ghar se nikalna ji tadke


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“Reporter Raju”(1962) was a Wadia Brothers Productions/ Basant Pictures production movie. It was produced by Homi Wadia and directed by Dwarka Khosla. The movie had Feroze Khan,Chitra,Jeevankala, Indira, Baby Vidya Rani, Manorama, Ratnamala, Sulochana Chatterjee, Shah Agha, Sunder, Majnoo, Shakeel Noomani, Raj Adeeb, Mintobai, Gani, Mohammed Ali, Geeta, Paro, Julian, B.M.Vyas, Anthny, Bismilla, Mithoo miyaa etc in it.

This movie had five songs in it. Two songs from the movie have been discussed in the past

Here is the third song from “Reporter Raju”(1962) to appear in the blog. This song is sung by Suman Kalyanpur, Rafi and chorus. Raja Mehdi Ali Khan is the lyricist. Music is composed by S Mohinder.

The song is picturised on Chitra, Feroz Khan (in disguise) and others as a dance performance song, with lots of interested parties (villains, unsuspecting would be victims etc) watching the performance. Feroz Khan is a fugitive from police. As we all know, performing as a lead dancer in full view of police and villains is how Hindi movie heroes disguise themselves. 🙂


Song-Raat jhoomti dil ko choomti (Reporter Raju)(1962) Singers-Suman Kalyanpur, Rafi, Lyrics- Raja Mehdi Ali Khan, MD-S Mohinder
Female chorus
Male chorus

Lyrics

raat jhoomti
raat jhoomti
dil ko choomti
dil ko choomti
bachna zara
zulfen syaah
das na kisi ko jaaye
ishq jaal mein
ishq jaal mein
husn chaal mein
husn chaal mein
jaane ada
teri nigaah
jaane ghazab kya dhhaaye

raat jhoomti
dil ko choomti

koi na samjhe
koi na jaane
mere dil mein kya hai ae
mere dil mein kya hai
teri nazar batlaati hai zaalim
tere dil mein kya hai ae

tere dil mein kya hai
raat jhoomti
raat jhoomti
dil ko choomti
dil ko choomti
bachna zara
zulfen syaah
das na
kisi ko jaaye
ishq jaal mein
husn chaal mein

main shola hoon
main bijli hoon
na chhoona deewaane ae
na chhoona deewaane
jo sholon mein jal nahin sakte
hum hain wo parwaane

hum hai wo parwaane
ishq jaal mein
ishq jaal mein
husn chaal mein
husn chaal mein
jaane ada teri nigaah
jaane ghazab kya dhaaye

raat jhoomti
dil ko choomti

ek ishaara aaj kisi ke sar ka taaj ulat de ae
sar ka taz ulat de
koi soorma shaayad tera
paasa aaj palat de

paasa aaj palat de
raat jhoomti
raat jhoomti
dil ko choomti
dil ko choomti
bachna zara
zulfen syaah
das na kisi ko jaaye
ishq jaal mein
ishq jaal mein
husn chaal mein
husn chaal mein
jaane ada
teri nigaah
jaane ghazab kya dhaaye

raat jhoomti
raat jhoomti
dil ko choomti
dil ko choomti
bachna zara
aa aa
bachna zara
aa aa
bachna zara
aa aa
bachna zara
aa aa aa
bachna zara
bachna zara


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“Naaz”(1954) was produced and directed by S K Ojha for S K Films, Bombay. The movie had Ashok Kumar, Nalini Jaiwant, Nawab, Veena, S Nazir, Murad, Amar, Khwaja Sabir, Arif, Tiwari etc in it.

This movie had six songs in it. Five songs from the movie have been discussed in the past.

Here is the sixth and final song from “Naaz”(1954) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist of this superbly penned song. Music is composed by Anil Biswas.

Only the audio of this song is available. The song was most likely picturised on Nalini Jaiwant.

What a gem of a song !

With this nice pathos laden song, “Naaz”(1954) joins the list of movies that have all their songs covered in the blog.


Song-Main hoon ujda aashiyaan (Naaz)(1954) Singer-Lata, Lyrics-Prem Dhawan, MD-Anil Biswas

Lyrics

aaa aaa
aa aa aa aa
aa aa aa aa aa
aa aa aa aa

main hoon ujda aashiyaan
ik mita hua nishaan
bhooli huyi daastaan
main hoon ujda aashiyaan
ik mita hua nishaan
bhooli huyi daastaan

gul khile to kya khile
bhoolne waale sanam
tum mile to kya mile
gul khile to kya khile
bhoolne waale sanam
tum mile to kya mile
milke bhi juda hoon main
door ki sada hoon main
jaise gard e karwaan
main hoon ujda aashiyaan
ik mita hua nishaan
bhooli huyi daastaan

tumne pher li nazar
dil pe kya guzar gayi
ye kisi ko kya khabar
tumne pher li nazar
dil pe kya guzar gayi
ye kisi ko kya khabar
lut gaya saaj-e-dil
kis’se kahoon raaz-e-dil
koi nahin raazdaan
main hoon ujda aashiyaan
ik mita hua nisha
bhooli huyi daastaan

zulm dhaaye jaao tum
meri in wafaao ko
aajmaaye jaao tum
zulm dhaaye jaao tum
meri in wafaao ko
aajmaaye jaao tum
gham pe gham diye chalo
tum dua liye chalo
mere pyaare meharbaan
main hoon ujda aashiyaan
ik mita hua nishaan
bhooli huyi daastaan


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“Shree Vishnu Bhagwan”(1951) was produced by Mahipatrai Shah and Anoopchand Shah and directed by Raja Nene for Roopkamal Chitra, Bombay. The movie had Nirupa Roy, Trilok Kapoor, Usha Kiran, Mishra, Jankidas, Chandabai, Prakash, Ramesh Thakur etc in it.

This obscure mythological movie had eleven obscure songs in it.

Here is the first song from “Shree Vishnu Bhagwan”(1951) to appear in the blog. This song is sung by Geeta Dutt. B P Bhargav is the lyricist. Music is composed by Avinash Vyas.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this rare song, “Shree Vishnu Bhagwan”(1951) makes its debut in the blog.


Song-O o o mera man gaata hai geet (Shri Vishnu Bhagwan)(1951) Singer-Geeta Dutt, Lyrics-B P Bhargav, MD-Avinash Vyas

Lyrics

o o o o
o o o
o o o
o o o
o o o
o o o

o o o
mera man gaata hai geet
o o o
mera man gaata hai geet
kisi se preet kar le
kisi se preet kar le

o o o
mera man gaata hai geet
kisi se preet kar le
kisi se preet kar le

umangen jhoomti man mein
tarangen naachti tan mein
umangen jhoomti man mein
tarangen naachti tan mein
koyaliya kookti van mein
kisi se preet kar le
koyaliya kookti van mein
kisi se preet kar le
o o o
mera man gaata hai geet
kisi se preet kar le
kisi se preet kar le

pawan chalti hai matwaali
khile hain phool har daali
pawan chalti hai matwaali
khile hain phool har daali
goonj kar kehta hai aali
goonj kar kehta hai aali
goonj kar kehta hai aali
kisi se preet kar le
o o o
mera man gaata hai geet
kisi se preet kar le
kisi se preet kar le

baji jab preet ki sargam
tumhaare sang naachen ham
baji jab preet ki sargam
tumhaare sang naachen ham
koi gaata yahi hardam
kisi se preet kar le
koi gaata yahi hardam
kisi se preet kar le
o o o
mera man gaata hai geet
kisi se preet kar le
kisi se preet kar le
o o o
mera man gaata hai geet
kisi se preet kar le
kisi se preet kar le


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shareef Badmaash”(1973) was produced by Dev Anand and directed by Raj Khosla for Navketan, Bombay. The movie had Dev Anand, Hema Malini, Ajit, Jeevan, Helen, Bhagwan, Sapru,Trilok Kapoor, Sudhir, Capt.Man Mohan, Sham Kumar,Mridula, Manmohan(Guest),Late Rashid Khan, Hercules,
Uma Dutt, Ved Puri, Shah Agha, Minal Mehta, MackMohan, Sudarshan Sethi,Dhanna, Gurbachan Singh, Janki Dass, Viju Khote, Kirti Kumar, Dilip Dutt, Nawab, Birbal etc in it.

The movie had five songs in it. Three of these songs have been covered in the blog in the past.

Here is the fourth song from “Shareef Badmaash”(1973) to appear in the blog. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by R D Burman.

The song is picturised as a party/ get together song. It is lip synced by Hema Malini. Lots of people, including Deva Anand are visible in the picturisation of this song.

Lyrics of the song were sent to me by Prakashchandra.

Audio(longer)

video

Song-Meri muhabbat mein har ek badnaam hai (Shareef Badmaash)(1973)Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Male chorus
Female chorus
All chorus

Lyrics(Provided by Prakashchandra)

tu roo
wik wik aa (roooooo)
tu roo
wik wik aa (roooooo)
tu roo
wik wik aa (roooooo)

aaaa
aa aa aa
aaaaa
aa aa aa
tu roo
ppaa ppaaa aaa
tu roo
ppaa ppaaa aaa

meri muhabbot mein
har ek badnaam hai
ho meri muhobbat mein
har ek badnaam hai
ho o
sabke dilon pe likhaa huaa
meraa hi toh naam hai
too roo
meri muhabbat mein
har ek badnaam hai
ho o
sabke dilon pe likhaa huaa
mera hi toh naam hai
too roo
meri muhobbat mein

mere chaahne waalon mein
sayaane bhi hain aen
deewaane bhi hain aen
main hoon jin ke khayaalon mein
woh naye bhi hain aen
puraane bhi hain
mere chaahne waalon mein
sayaane bhi hain
aaa
deewaane bhi hain aen
main hoon jin ke khayaalon mein
woh naye bhi hain
aaa
puraane bhi hain
taaraaa raaaa raaa
taraaarraa
laaa lal laaa
daraa raaa raa
har ek mehfil mein
charchaa mera aam hai
ho o
sabke dilon pe likhaa huaa aaa
meraa hi toh naam hai
heyye hho o
meri muhabbat mein aen

pa paaa
pa paaa

meri aankh ke kaajal mein
wafaayein bhi hain aen
jafaayein bhi hain aen
mere reshmi aanchal mein
hawaayein bhi hain aen
adaayein bhi hain
meri aankh ke kaajal mein
wafaayein bhi hain
aaa
jafaayein bhi hain aen
mere reshmi aanchal mein
hawaayein bhi hain
aaa
adaayein bhi hain
taaraaa raaa raa aa
taraaa raaa raaaa raaa raa raaa
raa raa
yoon dil chhuraa lenaa
arrey ye mera hi kaam hai
ho o
sabke dilon pe likhaa hua aa
meraa hi toh naam hai
hey ho
meri muhabbat mein
har ek badnaam hai
ho o
meri muhabbat mein
har ek badnaam hai
ho sabke dilon pe likhaa huaa
meraa hi toh naam hai
meraa hi toh naam hai
meraa hi toh naam hai ae
meraa
hi
toh
naam hai ae ae
lala


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Jay Bholenath. Happy Maha Shivartri to all.

I pray to Lord Mahadev to give strength to one and all.

On this occasion (24 februarry 2017), we have the last song from Mehmood’s “Kunwaara Baap”(1974). It is picturised on Mehmood, Bharati, Aachi (as Manorama was called in Tamil movies) and others. It shows Mehmood pleading with the lord to give strength to his child’s legs. Bharati is shown pinning for her lost child which she had left at the stairs of this very temple. Aachi is there to provide moral support to Mehmood.

It was a film with a serious message about polio vaccination as his own son- Maikky Ali- was affected by polio. However, Mehmood did some comedy scenes in the film to earn a Filmfare nomination as Best Comic, the only nomination for the film. Rajesh Roshan made his debut as a film composer. The hijra song “Saj Rahi Gali” sung by Mohd. Rafi topped the annual Binaca Geet Mala, which was the only countdown show at the time. Then there was also a lullaby song in two versions. This film was Tamil actress Manorama’s only film in Hindi and she had some lines in Tamil too. The sports day scene in the movie was shot at Bangalore’s Bishop Cotton Boy’s School. With this song by Kishore Kumar, Lata Mangeshkar and chorus, penned by Majrooh Sultanpuri and composed by Rajesh Roshan, “Kunwaara Baap” gets YYIIPPEEEE status in the blog.


Song-Jai Bholenath Jai ho prabhu (Kunwaara Baap)(1974) Singers-Lata, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Rajesh Roshan
All chorus
Female chorus
Male chorus

Lyrics

Aaaaa aaaaa aaa aaa aaa
aaaa aaa aaa aaa

Oo ooo ooo ooo oo

Ooo
om Namah Shivaay
oooo

jay bholenath
jay ho prabhu
sabse jagat mein ooncha hai tu
jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu

iss dar se chhota bada aa aa
koyi na khaali gaya aaa
par khaali hai aanchal mera aa

jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu

jay bholenaath
jay ho prabhu

lala la la la la
ahahahaahaha
har daag dhulta hai yahaan
dhulta yahaan
har bhaag khulta hai yahaan
khulta yahaan
are main bhi usi dar pe aaya aa
banti sabki bigdi jahaan aan
o main bhi usi dar pe aaya
banti sabki bigdi jahaan
dhoondha zameen aasmaan aanaan
meraa toh sab kuchh yahaan aan
abb main aur jaaun kahaaan aan

jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu

jay bholenaath
jay ho prabhu

ab aas do maalik tumhi
o maalik tumhi
kahin chain mujhe milta nahin
haan milta nahin
din ke ujaale mein khoya aa
mere dil ka tukda kahin
ho o din ke ujaale mein khoya aa
mere dil ka tukda kahin

mujhse bhi ho teri chhaanv
na mulk chaahoon na gaanv
de de mere bachche ko paanv
jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu
jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu
jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu
jay bholenaath
jay ho prabhu
sabse jagat mein ooncha hai tu


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (24 february 2017) is the biggest Shiv festival of India-MAHASHIVRATRI. I, on this occasion, wish all our readers a very pious,happy and fulfilling day of Bhakti and celebration.

Shravan Somvar and Mahashivratri have been special days in my life. My father was a great Shiv-Bhakta and he had built a big Shiv Temple in the premises of our bungalow in Hyderabad. On every Shivratri day, there used to be a long queue of devotees for Darshan and Pooja. The temple was always open for the public. The temple was situated in the open area adjacent to our bungalow, so we had no problem with the crowd of devotees. Whole day bhajans were played on loudspeakers and a special pooja by 101 Bramhins was arranged. All this made a deep impact on my mind.

In addition, we had stayed in Banares for an year, in 1948. Our house was close to Vishweshwar mandir and the river Ganga. So, Shiv has been a part of my life since my childhood.Till my wife was alive, we used to celebrate Mahashivratri, with great enthusiasm and religious fervour, in our house.

Shiv literally means auspiciousness, welfare. He is the third god of the Hindu Trinity, representing darkness. Because he is often portrayed as the angry God and the God of destruction. Lord Shiv is one of the most feared and worshipped gods in Hinduism. He is said to play a complementary role to Brahma because he is protector of souls until they are ready for recreation by Lord Brahma. Shiv has eight forms: Rudra, Sharva, Bhava, Ugra, Bhima, Pashupati, Ishana and Mahadeva; which, according to the Shiv Purana, correspond to the earth, water, fire, wind, sky, a yogi called Kshetragya, the sun, and the moon respectively.

Shiv symbolically represents the tamasic quality. This happens to be one of the gunas in Hinduism, symbolizing inactivity. His body color, which is white, denotes his purity and association with the snowy mountains. His three eyes represent the sun, the moon and the earth, the three paths of liberation and the triple nature of creation. The third eye is actually the eye of wisdom or occult knowledge. Epithets note his distinctive hairstyle; he has matted hair which holds the flowing Ganges River and a crescent moon. Shiva is said to be the essence of the Vedas and the creator of the Word. He is also the creator of Dance. Shiva’s dance of anger is called the Roudra Tandava and his dance of joy, the Ananda Tandava. He dances both the dance of destruction and the dance of creation. The rhythms he dances to are that of a world continuously forming, dissolving and re-forming.

The legend of marriage of Shiv and Shakti is one the most important legends related to the festival of Mahashivaratri. The story tells us how Lord Shiva got married a second time to Shakti, his divine consort. According to legend of Shiv and Shakti, the day Lord Shiv got married to Parvati is celebrated as Shivaratri – the Night of Lord Shiva.

Legend goes that once Lord Shiv and his wife Sati or Shakti were returning from sage Agastya’s ashram after listening to Ram Katha or story of Ram. On their way through a forest, Shiva saw Lord Rama searching for his wife Sita who had been kidnapped by Ravana, the King of Lanka. Lord Shiv bowed his head in reverence to Lord Rama. Sati was surprised by Lord Shiv’s behavior and inquired why he was paying obeisance to a mere mortal. Shiv informed Sati that Rama was an incarnation of Lord Vishnu. Sati, however, was not satisfied with the reply and Lord asked her to go and verify the truth for herself.

Using her power to change forms, Sati took the form of Sita appeared before Rama. Lord Rama immediately recognized the true identity of the Goddess and asked, “Devi, why are you alone, where’s Shiv ji ? ” At this, Sati realized the truth about Lord Ram. But, Sita was like a mother to Lord Shiv and since Sati took the form of Sita her status had changed. From that time, Shiva detached himself from her as a wife. Sati was sad with the change of attitude of Lord Shiv but she stayed on at Mount Kailash, the abode of Lord Shiv.

Later, Sati’s father Daksha organised a yagna, but did not invite Sati or Shiv as he had an altercation with Shiva in the court of Brahma. But, Sati who wanted to attend the Yagna, went even though Lord Shiva did not appreciate the idea. To her great anguish, Daksha ignored her presence and did not even offer Prasad for Shiv. Sati felt humiliated and was struck with profound grief. She jumped into the yagna fire and immolated herself.

Lord Shiv became extremely furious when he heard the news of Sati’s immolation. Carrying the body of Sati, Shiv began to perform Raudra Tandava or the dance of destruction and wiped out the kingdom of Daksha. Everybody was terrified as Shiva’s Tandava had the power to destroy the entire universe. In order to calm Lord Shiv, Vishnu severed Sati’s body into 12 pieces and threw them on earth. It is said that wherever the pieces of Shakti’s body fell, there emerged a Shakti Peetha, including the Kamaroopa Kamakhya in Assam and the Vindhyavasini in UP.
Lord Shiv was now alone, undertook rigorous penance and retired to the Himalayas. Sati took a re-birth as Parvati in the family of God Himalaya. She performed penance to break Shiva? meditation and win his attention. It is said that Parvati, who found it hard to break Shiv’s meditation sought help of Kamadeva – the God of Love and Passion. Kaamadeva asked Parvati to dance in front of Shiv. When Parvati danced, Kaamadeva shot his arrow of passion at Shiv breaking his penance. Shiv became extremely infuriated and opening his third eye that reduced Kaamadeva to ashes. It was only after Kamadeva? wife Rati? pleading that Lord Shiv agreed to revive Kaamadeva.

Later, Parvati undertook severe penance to win over Shiv. Through her devotion and persuasion by sages and devas, Parvati, also known as Uma, was finally able to lure Shiv into marriage and away from asceticism. Their marriage was solemnized a day before Amavasya in the month of Phalgun. This day of union of God Shiv and Parvati is celebrated as Mahashivratri every year.

According to another version of the legend, Goddess Parvati performed tapas and prayers on the auspicious moonless night of Shivaratri to ward off any evil that may befall her husband. Since then, womenfolk began the custom of praying for the well being of their husbands and sons on Shivaratri day. Unmarried women pray for a husband like Shiv, who is considered to be the ideal husband.

Today’s bhajan is from film Mahashivratri-72. I have not seen this film, because by 1970, I was busy in Career building and family raising etc, and I had practically stopped seeing films. In any case, films made after 1970,according to my opinion, were not as good quality- wise as earlier movies,especially the music part, which further discouraged me. Also by the 80s, VCR and VCPs were in vogue, so homes had become theatres of convenience.

The song/bhajan is written by Bhagwat Mishra aka B.D.Mishra or Bhagwat Datt Mishra. He entered the film world in as far back as 1948 with Wadia’s film “Shri Rambhakta Hanuman”. He was brought in by Homi Wadia himself. After this film Mishra was closely associated with S.N.Tripathi and wrote songs for as many as 26 of his films, out of 45 films for which he wrote about 200 songs. unfortunately he wrote for only Action, stunt and Mythological films. Though his lyrics were of good quality, he never came to limelight as his field remained B and C grade films only.

The film was directed by Shantilal Soni, who started his directorial career with ‘Sinhaldweep ki Sundarei-60’and went on to direct 30 films. His last film was ‘Mahima kaali maa ki-2000’. Most of his films were Mythologicals( 20 out of 30). Some of his well known films were Mr.X in Bombay-64, Shreeman Funtoosh-65, and Professor ki Padosan-93.

Let us now listen and enjoy this Bhajan from Film “Mahashivratri”-72, on this holy occasion of Mahashivratri. Jai Mahadev !

With this song, Maha Shivratri(1972) makes its debut in the blog.


Song-Aayi mahaa shivraatri siddhi ki daatri (Maha Shivratri)(1972) Singers-Mahendra Kapoor, Lyrics-B D Mishra, MD-S N Tripathi
Mahenda Kapoor + Laxmi Nayampalli
Chorus

Lyrics

aayi maha shivraatri
aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahaadev mangalkaari
aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkaari

jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har mahadev

aa aa aa
aa aa aa
aa aa aa
sagaar manthan se jab nikli
kaal koot ki jwaala
nikli kaal koot ki jwaala
sabki raksha karne ko
tumne wo vish pee daala
tumne saara vish pi daala
neelkanth tum huye
sabhi ke liye
sarv sankat haari
jai mahadev mangalkaari

aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkari
jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har

aa aa aa
aa aa aa
aane lagi jab swarg se ganga aa aa
aa aa
aane lagi jab swarg se ganga
apna veg badhaaye
ganga apna veg badhaaye
baandh jataaon mein ganga ko
ganga dhar kahlaaye
prabhu tum ganga dhar kahlaaye
sheesh suhaaye
gang uma hai sang tumhaari chhabinaari
jai mahadev mangalkaari

aayi maha shivraatri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkaari
jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har mahadev

aa aa aa
aa aa aa
aa aa aa
tumhe digaane ko jab manmathh ne
pushp baan jab maare
tum par pushp baan jab maare
khol teesra lochan
khol teesra lochan
tumne barsaaye angaare
tumne barsaaye angaare
jala kaam ka ang
hua wo anang
rahe tum adhikaari
jai mahadev mangalkari

aayi maha shivratri
siddhi ki daatri
sakal bhav bhay haari
jai mahadev mangalkaari
jai ho
shambhu
jai ho
shambhu
jai hove tumhaari
har har mahadev

aa aa aa
aa aa aa
aa aa aa
tumhe pooj kar hi raghav ne
om namah shivaay
tumhe pooj kar hi raghav ne
raavan par jai paayi
raam ne raavan par jai paayi
sakal bhav bhayhari
jai mahadev mangalkaari
jai ho
shambhu jai ho
shambhu
jai hove tumhaari
har har mahadev
har har mahadev
har har mahadev
har har mahadev


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Saavdhaan – 1954 (6)
—————————–

“Saavdhaan-1954” was an “Alhad Chitra, Poona” presentation which was produced and directed by Datta Dharmadhikari. Cast of this movie included Shyama, Motilal, Paro, Shyam Kumar, Mishra, Chittaranjan, Raja Gosawi, Ramkumar, V.D. Pandit, Shamim, Palande, Dada Mirasi and others.

The ‘storyline’ as mentioned at one of sites is reproduced below;

This is the story of a self effacing person who, for the good of the others, surrendered his own life to evil. In order to improve the others he himself went the way of ruin, in effect he sacrificed himself to save the lives of his fellow-beings. Professor Jag Mohan Maikash was everybody’s favorite in college, and a popular poet. He considered it his responsibility not only to lecture to his students but also to educate and enlighten them, in the real sense. When he discovered the fact that the students were falling prey to a moral evil, he took a complaint about one of his students, Amritlal, to the later’s father, Madhaobabu. But Madhaobabu disillusioned him by lifting the veil off that particular aspect of social life. Maikash realised that it was useless to blame the students when their elders themselves were prone to the same evil. He set out to improve them but his first steps proved a step towards his own ruin. The others started improving, but Maikash continued falling. Mridula paid absolute homage with her heart and mind to Maikash who was the ideal of her life. When Mridual got closer to Maikash, their contact was instinct, for her, not only with love but with sacrifice as well. Maikash was effacing himself for the others, Mridula was putting herself out for Maikash. But one evil led to many others, in the case of Maikash. An expose of this evil is available in “SAVDHAAN.”

This movie had a total of seven songs in it that were written by Sahir Ludhianvi. Five of these songs have been posted earlier and today’s song is the sixth song from this movie being presented on the blog.

The seventh and final song of this movie has proved to be elusive so far and seems to be ‘not available’. Till then this movie will remain ‘unyippeeee’ed’ on the blog.

All the songs, including today’s one, contain beautiful poetry by Sahir Ludhianvi and they have been composed on classical/semi-classical tunes as far as I can conclude by listening to them.

Today’s song is sung by Asha Bhonsle again which is her ‘fifth’ solo song in this movie.

The only remaining song is sung by Khan Mastana and S.Balbir (and I have requested our seniors Sh.Kamath Sir and Sh.Sudhir Sir to help us in locating the remaining song of this movie).

Let us now enjoy this beautiful song composed by Vasant-Ramchandra of which the lyrics are by Sahir Ludhianvi.

And last, but not the least, thanks to Atul ji for considering posts these three songs on 22nd, 23rd & 24th Feb 2017, which replicated the feat of 2014 when three songs from this movie were discussed in a row on the same days, viz 22nd, 23rd and 24th February 2014.

‘mohabbat ki nazar jab mehrbaan maaloom hoti hai 🙂 …’

Enjoy!!!


Song-Mohabbat ki nazar jab meharbaan maaloom hoti hai (Saavdhaan)(1954) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Vasant Ramchandra

Lyrics

Mohabbat ki nazar jab
Meharbaan maaloom hoti hai
Mohabbat ki nazar jab
Meharbaan maaloom hoti hai ae ae ae

Mohabbat ki nazar jab
Mehrbaan maaloom hoti hai
Ye duniya khoobsoorat
Aur jawaan maaloom hoti hai
Ye duniya khoobsoorat
Aur jawaan maaloom hoti hai
Mohabbat ki nazar jab
Meharbaan maaloom hoti hai ae ae ae

Aa aa aa aa
Ye kaisi aag bhadkaa di hai toone ae
Mere seene mein ae ae ae ae ae
Ye kaisi aag bhadkaa di hai toone
Mere seene mein ae ae ae ae
Ke ab jo saans aati hai
Dhuaan maaloom hoti hai
Ke ab jo saans aati hai
Dhuaan maaloom hoti hai
Dhuaan maaloom hoti hai
Dhuaan maaloom hoti hai
Mohabbat ki nazar jab
Meharbaan maaloom hoti hai ae ae ae

Aa aa aa aa aa
Ye mastaana ghazal
Chhedi hai jo saaqi ne mehfil mein
Haan aan aan aan aa aa aa
Ye mastaana ghazal
Chhedi hai jo saaqi ne mehfil mein
Kisi ee ee maiqash ke dil ki
Daastaan maaloom hoti hai
Kisi maiqash ke dil ki
Daastaan maaloom hoti hai
Mohabbat ki nazar jab
Meharbaan maaloom hoti hai
Mohabbat ki nazar jab
Mehrbaan maaloom hoti hai ae ae ae

————————————-
Devnagri Script Lyrics:
————————————-

मोहब्बत की नज़र जब
मेहरबान मालूम होती है
मोहब्बत की नज़र जब
मेहरबान मालूम होती है ए ए ए

मोहब्बत की नज़र जब
मेहरबान मालूम होती है
ये दुनिया खूबसूरत
और जवान मालूम होती है
ये दुनिया खूबसूरत
और जवान मालूम होती है
मोहब्बत की नज़र जब
मेहरबान मालूम होती है ए ए ए

आ आ आ आ
ये कैसी आग भड़का दी है तूने ए
मेरे सीने में ए ए ए
ए ए ए ए ए ए ए
ये कैसी आग भड़का दी है तूने
मेरे सीने में ए ए ए ए ए ए
के अब जो सांस आती है
धुआँ मालूम होती है
के अब जो सांस आती है
धुआँ मालूम होती है
धुआँ मालूम होती है
धुआँ मालूम होती है
मोहब्बत की नज़र जब
मेहरबान मालूम होती है ए ए ए

आ आ आ आ आ आ आ आ आ आ
ये मस्ताना ग़ज़ल
छेडी है जो साकी ने महफ़िल में
हाँ आँ हाँ हाँ आ आ आ आ आ
ये मस्ताना ग़ज़ल
छेडी है जो साकी ने महफ़िल में
किसी ई ई मयकश के दिल की
दास्ताँ मालूम होती है
किसी मयकश के दिल की
दास्ताँ मालूम होती है
मोहब्बत की नज़र जब
मेहरबान मालूम होती है
मोहब्बत की नज़र जब
मेहरबान मालूम होती है ए ए ए


“Bees Saal Pehle”(1972) had come ten years after “Bees Saal Baad”(1962). This movie was directed by Prabir Roy. The movie had Anupama, Farida Jalal, Ramesh Deo, Ritesh (new find), Abhi Bhattacharya, Lalita pawar, Padma Khanna, Jagdev Bhambhri, Mohan Choti, Ifthikhar, Paintal, Sarita Khatau, Sabina Arun, Dushyant, Gautam Mukherji, surya Kumar, samar Roy, Julien, Ratan Gaurang, Saran Kumar, Manjeet, Mohan, Bishu, Maya, Ramesh Kumar, Vinod Mehra(Special appearance) etc in it.

Here is the first song from “Bees Saal Pehle”(1972) to appear in the blog. This song is sung by Kishore Kumar. S H Bihari is the lyricist. Hemant Kumar , who was the music director of “Bees Saal Baad”(1962) as well, is the music director.

The song is picturised as a party song. My guess is that the song is lip synced by Ritesh, but I cannot be sure. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Bees Saal Pehle”(1972) makes its debut in the blog.


Song-Hai zamaana mere dil pyaar ka (Bees Saal Pehle)(1972) Singer-Kishore Kumar, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

hai zamaana
mere dil pyaar ka
tu bhi pyaar se koi humsafar chun le
hai zamaana
mere dil pyaar ka
tu bhi pyaar se koi humsafar chun le
ho koi aisa haseen
jaisa duniya mein kahin
dusra koi nahin pyaare
ho koi aisa haseen
jaisa dunia me kahin
doosra koi nahin pyaare
hai zamana mere dil pyar ka
tu bhi pyaar se koi humsafar chun le ae
aa haa

mushqil hai duniya mein
jeena hi yaaron
har aadmi ka
jab tak ke haathon mein
aata nahin hai
daaman kisi ka
ye gore gore gaalon ki khaatir
ye kaale kaale baalon ki khaatir
ye gore gore gaalon ki khaatir
ye kaale kaale baalon ki khaatir
kabhi na kabhi
kahin na kahin
dil to lagaana padega
haaye zamaana mere dil pyaar ka
tu bhi pyaar se koi humsafar chun le
ee ee

waise to duniya mein
laakhon haseen hain
laakhon jawaan hain
lekin jo is dil mein
jaadu jaga de
aise kahaan hain
ke gali gali pyaar ke mele hain
jawani hai bahaar ke mele hain
ke gali gali pyaar ke mele hain
jawaani hai
bahaar ke mele hain
maja hi maja jahaan mein bhara
dil hai deewaana sabhi ka
hai zamaana mere dil pyaar ka
tu bhi pyaar se koi humsafar chun le
hai zamaana mere dil pyaar ka
tu bhi pyaar se koi humsafar chun le
ho ho
koi aisa hasi jaisa dunia me kahi doosra koi nahin pyaare
ho koi aisa hasi jaisa duniya mein kahin
doosra koi nahin pyaare
hai zamaana
mere dil pyaar ka
tu bhi pyaar se koi humsafar chun le
hey hey hey hey ae

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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has more than 12900 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

12964

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Movies with all their songs covered =909 Total Number of movies covered =3641

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Blog Start date: 19 july 2008 Active for 3000 days.
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