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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3742 Post No. : 14698 Movie Count :

4018

Missing Films of 1960s – 82
– – – – – – – – – – – – – – –

Our journey of missing 1960s films continues. Coming to the next film – this one is ‘Veer Amar Singh Rathaur’ from 1970.

This film is from the banner of Sudarshan Chitra, Bombay, and is directed by Radhakant. The cast of actors listed for this film are Dev Kumar, Kumkum, Zeb Rehman, Tiwari, Jeevan, Kamal Kapoor, Johnny Whisky, and Jeevankala amongst others.

A film by this title was also made in 1957 – a slight variation in name – it was titled ‘Amar Singh Rathaur’. The earlier film had Jairaj and Nirupa Roy in lead roles. And it had 12 songs written by Bharat Vyas and composed by Sanmukh Babu Upadhyay. The 1970 reprisal has Dev Kumar and Kum Kum in lead roles. And this version has 14 songs all written and composed by Prem Dhawan.

There is possibly another film by this name, released later than 1980, but I am not very certain.

Prem Dhawan, who is known much better as a songwriter, has also worked as a music director for about 15 to 18 films during is career, about 5 of which are Punjabi films. He has mostly worked as a composer for films for which he also has written the songs. In one film, he has composed songs written by Kavi Pradeep (for ‘Kisaan Aur Bhagwa’, 1974) and for one more film, he has composed songs written by Ali Sardar Jafri (for ‘Naxalites’, 1980).

Only the audio of this song is available, but from listening to it, one can surmise that this song is a twin dance song. The singing voices in this all female duet are of Asha Bhosle and Usha Mangeshkar. I request other readers and friends who may have seen this film, to please add more information about this song, and the film.

A very peppy dance song, that talks about the ill effects of falling in love, and also of the sweet emotions. Listen and enjoy.

Song – Akhiyan Mila Ke Akhiyan  (Veer Amar Singh Rathaur) (1970) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Prem Dhawan, MD – Prem Dhawan
Asha Bhosle + Usha Mangeshkar

Lyrics

ho akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan
ho main to baaz aai
ho main to pachhtaai
ke jaagun ab saari saari ratiyaan
haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

jab se dekha hai dharti ka chaand
tab se dekha na chanda gagan ka
udd gai ab to aankhon ki neend
hosh kis ko hai ab tan badan ka
ke dagar bhool chali
haaye
ke nagar bhool chali

haaye
bhooli jaati hain bachpan ki sakhiyaan

haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

haaye ye meethi meethi jalan
pyaar kehta hai jis ko zamaana
ab to jitna tadapta hai dil
dard lagta hai utna suhaana
unhin ki baat sochun
haaye
yahi din raat sochun

haaye
kaise un se kahun dil ki batiyaan

haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

koi leta hai jab unka naam
mann hi mann jhoom leti hoon main to
jaane kyon dekh ke aainaa
apna munh choom leti hoon main to
ke khud hi likhti rahoon
haaye
ke khud hi padhti rahoon
oy
jaane kitni hi pyaar bhari patiyaan
haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

o main to baaz aai
o main to pachhtaai
ke jaagun ab saari saari ratiyaan
haaye re akhiyaan mila ke akhiyan
haaye re akhiyaan mila ke akhiyan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हो अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ
हो मैं तो बाज़ आई
हो मैं तो पछताई
के जागूँ अब सारी सारी रतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

जब से देखा है धरती का चाँद
तब से देखा ना चंदा गगन का
उड़ गई अब तो आँखों की नींद
होश किसको है तन बदन का
के डगर भूल चली
हाए
के नगर भूल चली
हाए
भूली जाती हूँ बचपन की सखियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

हाए ये मीठी मीठी जलन
प्यार कहता है जिसको ज़माना
अब तो जितना तड़पता है दिल
दर्द लगता है उतना सुहाना
उन्हीं की बात सोचूँ
हाए
यही दिन रात सोचूँ
हाए
कैसे उनसे कहूँ दिल की बतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

कोई लेता है जब उनका नाम
मन ही मन झूम लेती हूँ मैं तो
जाने क्यों देख के आईना
अपना मुंह चूम लेती हूँ मैं तो
के खुद ही लिखती रहूँ
हाए
के खुद ही पढ़ती रहूँ
ओय
जाने कितनी ही प्यार भरी पतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

ओ मैं तो बाज़ आई
ओ मैं तो पछताई
के जागूँ अब सारी सारी रतियाँ
हाए रे अखियाँ मिला के अखियाँ
हाए रे अखियाँ मिला के अखियाँ

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3742 Post No. : 14697

“Raja Rani” (1942) was directed by Najmul Hasan Naqvi for Atre Pictures, Bombay. The movie had Vanmala, Sunalini Devi, Maya Devi, Trilok Kapoor, Baby Vimal, Mazhar Khan, Navin Yagnik, David, Bal Govind etc in it.

The movie had fourteen songs in it. One song has been covered in the past.

Here is the second song from “Raja Rani” (1942) to appear in the blog. This song is sung by Baby Vimal. Seeing that Baby Vimal figures in the cast of the movie, we can guess that the song was picturised on her as well.

Pandit Anand Kumar is the lyricist. Music is composed by Khan Mastana.


Song-Main ek niraali gudiya (Raja Rani)(1942) Singer-Baby Vimal, Lyrics-Pt Anand Kumar, MD-Khan Mastana

Lyrics

main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya
mere nanhe nanhe paanv
mere nanhe nanhe paanv
pair mein jhaanjar jhanjhana baaje
pair mein jhaanjar jhanjhana baaje
mere chhote chhote kaan
mere chhote chhote kaan
kaanon mein baali cham cham chamke
kaanon mein baali cham cham chamke
jaise gagan ke taare
haan haan jaise gagan ke taare
main ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya

chhamchham chhamchham paayal baaje
chaacha ke ghar jaaun
chhamchham chhamchham paayal baaje
chaaha ke ghar jaaun
meethhe meethhe geet sunaakar
chaachi ko bahlaaun
meethhe meethhe geet sunaakar
chaachi ko bahlaaun
main ek niraali
ek niraali
ek niraali
haan haan haan
mai ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya

kunj kunj mein chhup chhup jaaun
kheloon aankh michauli
boondaniyon ke taal pe naachoon
boloon prem ki boli

main ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3742 Post No. : 14696

Today’s song is from a film called ‘Parakh’ (1944). This is a special song. It is a song sung by singer Ira Nigam. The song was written by Pt.Sudarshan and the music was by Khursheed Anwar. The cast of the film was Mehtab, Balwant Singh, Yakub, Shahnawaz, kaushalya, Sadiq Ali and others.

Ever since film making progressed and was seen as a job-provider, it attracted people from all over India. Unemployed but ambitious youngsters ran away from their hometowns to Bombay, with dreams in their eyes. As the industry got organised, those who were already working here either called or brought their other kins. Some impatient parents came themselves with their daughters. Due to poverty, examples of the entire family coming to Bombay and all joining the film industry were also seen-like Alla Bux, Iqbal Bano, Meena Kumari and her two sisters. Also seen earlier was Fatima and her three daughters and a step daughter-Mehtab. Some mothers or Grandmothers(Suraiya and Vyjayantimala) chaperoned their star children, while some fathers (like Madhubala’s) squeezed the best out of their child’s earnings (hell with her happiness !). In general,however it was the male part of the family which took charge of the actor or actress in film line.

If one sees the world history, one will find that most nations have changed culture wise and they have adapted themselves to the modern times and needs. Thus,things which were taboo a century ago are not taboo anymore. U.K. accepts jokes and cartoons on its royalty now,whereas hundred years ago, person would have been hanged in public for doing the same. USA can today tolerate parody of Christ and Christianity whereas hundred years ago the person would have been dead.

But our country has not changed its basic culture in spite of hundreds of years. Barring few exceptions, that too, in hi-fi society, Indian women are still ruled by the whims and dictates of males. When women from educated families entered the film industry, it looked like our women are liberated, but alas ! even in the film industry women are ruled by males.

A seemingly rebellious star of yesteryear – Shanta Apte – had to accept her own brother as husband in a film because she was not allowed to be touched by other males, by him. Unfortunately, her brother not only managed her film affairs, but also gave her a daughter. All this is recorded and declared by her daughter herself. She too became an actress in Marathi drama and films.

The most daring and courageous star of the 1940s – Meenakshi Shirodkar – who stunned everybody by donning a swimsuit and bathing in the waters of a river openly, in ‘Bramhachari’ (1938), had to give up her acting career midway because her husband refused to allow her to do any roles other than heroine.

Who knows how many women had to forego opportunities in film line only because their men-folk would not allow.

Today we will talk about a singer who had to forego wonderful opportunities in playback singing in Hindi films, first because of her father and then because of her husband. These days she only recalls and weeps.

Ira Nigam (NOT Ira Nagrath – wife of Roshan. She was different person) was born in October 1930 in Seoni (M.P.) in her mother’s maayeka. She had a God given gift of singing. She was educated in Delhi and Shanti Niketan. Her father Hriday Narayan Nigam was a singer himself. With his help she started singing on AIR Delhi. She completed her graduation in music form DU.

Her voice was sweet and melodious. Roshan, who was also working in AIR Delhi, one day brought the famous composer Khurshid Anwar to her house. They convinced her father to allow her to sing in films. She was so lucky to sing her first song in ‘Parakh’, under the baton of Khurshid Anwar. She was only 14 years old then. Here her father put a condition that only he will sing duets with her and no other male. Due to this strange condition, she got only one more film ‘Asmat’ (1944) and they had to go back to Delhi.

Ira got married meantime and came back to Bombay again in 1948. This time with her husband P.N. Nigam.

Harmandir Hamraaz, who interviewed her in Kanpur in Aug 1984 says that she wept when she told him that as her husband did not like her work in Hindi films, she had to give up singing after doing just 5 films. She did not have her own song records also. It was Hamraaz ji, who met her again and gave her those records. She was very happy.

She sang in ‘Rakhi’ (1949), ‘Chaar Din’ (1949), ‘Ek Teri Nishani’ (1949), ‘Veer Ghatotkach’ (1949) and last film ‘Guru Dakshina’ (1950). There were hundreds of singing offers to her when she left Bombay second time. First it was due to father and next it was due to husband, who cut short a melodious singing career. However, while in Kanpur and Delhi, she sang on A.I.R. and Television.

If you take 100 actors/actresses who worked in films, 20% will be the hero/heroines. The rest 80 % comprise of character actors, comedians, villains etc. Even out of the 20 % lead players, very few – like Dilip, Dev Anand or Amitabh – last as heroes till the end of careers but most others end up as character actors. Some examples are Pran, K N Singh, Om Prakash, Sunder Singh etc etc. Some actors do character roles from start to finish of their careers- like Nazir Hussain, Kanhaiyalal, C S Dubey, Tiwari etc. Some actors, though endowed with good face and personality, could not get a hero’s role and did character roles throughout.

One such actor was Shahnawaz Khan, known only as Shah Nawaz. He was born on 18-9-1906 in Hyderabad Deccan. His father was a Major in Hyderabad’s Nizam Army. During education, he used to act in dramas. After matriculation, he joined a Govt. service in Hyderabad state. He was however keen on joining films and dramas. After 5 years, he left the job and started a motor car business. In that connection, he would visit Bombay and try his luck at different studios. Finally, his efforts bore fruit and he got a villain’s role in film ‘Bharat Ka Laal’ (1936), in which he was listed as S. Nawaz. It was a stunt film made by the Kadam brothers (Harischandra Rao and Chandra Rao Kadam), with Master Bhagwan as the hero.

After this, he did not go back to Hyderabad. Then came ‘Daulat’ (1937), ‘Toofani Khazana’ (1937), ‘Rangila Mazdoor’ (1938), ‘Jungle King’ (1939), ‘Sardar’ (1940) etc. In 1940, he joined Bombay Talkies and worked in films. He was apparently in Devika Rani’s camp. He was in ‘Punarmilan’ (1940),’Bandhan’ (1940), ‘Jhoola’ (1941), ‘Naya Sansar’ (1941), ‘Kismet’ (1943) and ‘Hamari Baat’ (1943). He also worked in ‘Master ji’ (1943), ‘Police’, ‘Parakh’ and’ Anban’ (1944), ‘Zeenat’ and ‘Humayun’ (1945) and some more. In all, he did about 35 films in India. In or around 1948, Shahnawaz migrated to Pakistan. He was welcomed there. He did 41 films in Pakistan (32 Urdu and 9 Punjabi). Some films were quite famous like ‘Aansoo’ (1950), ‘Sassi’ (1954), ‘Ayyaz’ (1960) etc.

Shahnawaz died in Karachi on 18-6-1971. His last released film was ‘Nek Parveen’ (1975).

Another actor was Sadiq Ali. He was born on 6-10-1911 at Jullundhar, Punjab. His 2 cousins- Wazir Ali and Nazir Ali were famous Indian cricketers. Sadiq Ali completed his engineering degree and worked in M.E.S. at Kanpur (Military Engg. Services). Due to strong desire to work in films and dramas, he resigned from his job after 5 years and joined Agha Hashr’s drama company. When the company was closed, he joined The Burma Imperial Film Company at Rangoon. After few small roles, he came down to Bombay.

After working in some smaller companies, he joined Minerva Movietone. Starting with ‘Khan Bahadur’ (1937), he worked in Minerva’s ‘Pukar’ (1939), ‘Sikandar’ (1941), ‘Phir Milenge’ (1942), ‘Prithviraj Sanyogita’ (1943), ‘Parakh’ (1944) (only directed by Modi) and ‘Ek Din Ka Sultan’ (1945). In all he acted in 23 films. His last film was ‘Ever Ready’ (1946). After partition, he migrated to Pakistan. Unfortunately, he got killed in a riot in Karachi in 1947 itself.

Let us now enjoy the song from this film.

(Credits- Listener’s Bulletin no.s 58 and 59, Prof. Yadav’s book, Film Directory, HFGK, and my notes)


Song-Saajan wo din kaun thhe (Parakh)(1944) Singer-Ira Nigam, Lyrics-Pt Sudarshan, MD-Khursheed Anwar

Lyrics

saajan. . .
wo din kaun the
jab tum veena hum ta..aar
kismat phooti veena tooti
taar hui bekaar

bin saajan ke kaise nikle
mann ka meetha geet
bin saajan ke kaise nikle
mann ka meetha geet
samay tu jaldi jaldi beet
jaldi jaldi beet
samay tu jaldi jaldi beet
samay tu jaldi jaldi beet

sukh mein tu pal bhar na thehre
laakh bithaaye tujh par pehre
dukh mein tu kaise dat jaave
dukh mein tu kaise dat jaave
kaisi teri reet
samay tu jaldi jaldi beet
samay tu jaldi jaldi beet

[kuchh kehne](?) ko dar dar bhatkun
piya ki nagri le chal mujhko
[kuchh kehne](?) ko dar dar bhatkun
piya ki nagri le chal mujhko
jis nagri mein jaa ke basaa hai
jis nagri mein jaa ke basaa hai
sunta(?) ho mann meet
samay tu jaldi jaldi beet
samay tu jaldi jaldi beet
jaise bhi tu beet
samay tu jaldi jaldi beet

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

साजन॰ ॰ ॰
वो दिन कौन थे
जब तुम वीणा हम ता॰॰आर
किस्मत फूटी वीणा टूटी
तार हुई बेकार

बिन साजन के कैसे निकले
मन का मीठा गीत
बिन साजन के कैसे निकले
मन का मीठा गीत
समय तू जल्दी जल्दी बीत
जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत

सुख में तू इक पल ना ठहरे
लाख बैठाएं तुझ पर पहरे
दुख में तू कैसे डट जावे
दुख में तू कैसे डट जावे
कैसी तेरी रीत
समय तू जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत

[कुछ कहने](?) को दर दर भटकूँ
पिया की नगरी ले चल मुझको
[कुछ कहने](?) को दर दर भटकूँ
पिया की नगरी ले चल मुझको
जिस नगरी में जा के बसा है
जिस नगरी में जा के बसा है
सुनता(?) हो मन मीत
समय तू जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत
जैसे भी तू बीत
समय तू जल्दी जल्दी बीत


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3741 Post No. : 14695

“Garib”(1942) was directed by Ramchandra Thakur for National Studios, Bombay. This movie had Surendra, Rose, Baby Meena, Veena Kumari, Santaka, N A Ansari, Agha, Pesi Patel etc in it.

The movie had twelve songs in it. Six songs from this movie have been discussed in the past. Here is the seventh song song from “Garib”(1942) to appear in the blog. This song is sung by Surendra. Safdar Aah Sitapuri is the lyricist. Music is composed by Anil Biswas.

Only the audio of this song is available. It is clear that this song was picturised on Surendra himself.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Mohabbat ki duniya hai sabse niraali (Garib)(1942) Singer-Surendra, Lyrics-Safdar Aah Sitapuri, MD-Anil Biswas

Lyrics

mohabbat ki duniya hai sabse niraali
mohabbat ki duniya hai sabse niraali
tasawwur hai sab kuchh har pehlu hai khaali
tasawwur hai sab kuchh har pehlu hai khaali
mohabbat ki duniya hai sabse niraali
mohabbat ki duniya hai sabse niraali

tu hi tu nigaahon mein apni basa hai ae ae
tu hi tu nigaahon mein apni basa hai
jahaan chaaha tasveer teri bana li
jahaan chaaha tasveer teri bana li
mohabbat ki duniya hai sabse niraali
mohabbat ki duniya hai sabse niraali

shikaayat hai shiqwe ?? tu hai
shikaayat hai shiqwe ?? tu hai
bade lutf ki hai ye bazm e khayaali
bade lutf ki hai ye bazm e khayaali
mohabbat ki duniya hai sabse niraali
tasawwur mein sab kuchh pehlu hai khaali
mohabbat ki duniya hai sabse niraali


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3740 Post No. : 14694 Movie Count :

4017

Missing Films of 1960s – 81
– – – – – – – – – – – – – – –

Today, I am introducing a film that is significant in a certain way. The film is ‘Veer Ghatotkach’ from 1970. The role of the main protagonist – Veer Ghatotkach – is played in this film by Master Chandgi Ram. Folks who are familiar with the domestic Indian style wrestling and follow this sport, will be familiar with this name. Master Chandgi Ram was a regular pehalwaan and a wrestler of the first grade, in the Indian style wrestling sport, during the 1960s an 70s. Prior to him, the wrestler who was considered to be the no. 1 and the champion, was Dara Singh. As Dara Singh phased himself out of the wrestling sport during the mid 1960s, the fortunes of Master Chandgi Ram took quite an upswing.

After Dara Singh announced his retirement from this sport, there was quite a competition between the next line of wrestlers in India, to be recognized as his successor, and to be honored with the title of Bharat Kesri, which at one time was one of the top honor in wrestling sport in India. In 1969, in the tournament of wrestling after Dara Singh announced his retirement, Master Chandgi Ram emerged as the champion, and was given the title of Bharat Kesri. I remember, it was a major event in those days. In the final match, it was Dara Singh himself who stood as the bout referee. The match was telecast live on Doordarshan. He went on to win a gold medal at the 1970 Asian Games, and also represented India in the 1972 Olympics.

Following the footsteps of his idol and mentor, Chandgi Ram also tried his hand at films.  However, this film seems to be the only one in which he appeared. He played the title role of Veer Gatotkach in this film.

As per the history recorded in Mahabharat, Gatotkach is the son of Bhim, the third sibling in the line up of the Pandav brothers. It is stated that once Bhim spent some time by himself in the Himalayas, in the area of what is now known as Uttarakhand. He spent a long time there in penance and meditation. The area is still known by his name – Bheem Taal, a small town close to Nainital and Dehradun. There he met with a tribal princess by the name Hidimba. They got married, and Gatotkach was born from this union. I have been to Bheem Taal and have visited the temple of Hidimba Maata, which is on the top of one of the hills in that area.

The film is from the banner of Nitin Films, Bombay and is directed by Shantilal Soni. The cast of actors in this film includes Chandgiram, Mahipal, Lakshmi Chhaya, Raj Kumar, BM Vyas, Sherry Mohan, Shekhar Purohit, Padmarani, Dilip Dutt, Mishrilal, Radheshyam, Sulochana Chatterjee, Nandini, Shefali, Neelam, Kavita, Ramlal Pehalwan, Bhagwan Sinha, Anand Tiwari, Sattu Pehalwan, Kamaljeet, Mahesh Bhatt, Bakul, Bamalhari, Ajeet Soni, Jaishri Talpade, and Sujata, Meenakshi etc.

HFGK lists 5 songs for this film, all written by songwriter Bhagwat Misra. The music is composed by Dilip Roy. This song is sung by Suman Kalyanpur. One of those very wonderful songs that is lost in time, because the name of the film does not ring a bell.

In the video clip, the two gentlemen are Chandgi Ram, playing the role of Ghatotkach, and Rajkumar playing the role of Abhimanyu. This is the same Rajkumar who played the role of younger brother of Guru Dutt in the film ‘Sautela Bhaoi’ (1966). The actress who is performing the dance is looking familiar but I am not going to hazard a guess. I request other knowledgeable friends and readers to please help to identify her.
Note: The dancer in this video clip is Jaishree T. Thanks for Pramod Godbole ji for the identification.

So, welcoming another film to the blog, and also Master Chandgi Ram making his debut on our blog today.

 

Song – Neele Ambar Se Tumhaare Liye Aayi  (Veer Ghatotkach) (1970) Singer – Suman Kalyanpur, Lyrics – Bhagwat Misra, MD – Dilip Roy

Lyrics

neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai

neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai

aaaa aaaaa aaaaa
aaaaa aaaa aaaa aaaaaa
aaaa aaaaa aaaaa
aaaaa aaaa aaaa aaaaaa

na to bijli hoon kaali ghataaon ki main
na to chaand suraj na taara
na to bijli hoon kaali ghataaon ki main
na to chaand suraj na taara
mera roop to hai ik aisa diya
karey pyaar ka path ujiyaara
neele ambar se
o neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai
neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai

aaaaa aaaaaa
aaa aaa aaa aaa aaaaaa
aaaaa aaaaaa
aaa aaa aaa aaa aaaaaa

main kisi ki kalaa hoon khilona nahin
main hoon preet ki pratima pyaari
main kisi ki kalaa hoon khilona nahin
main hoon preet ki pratima pyaari
mere roop ko mann mein basaa ke sadaa
prem karte hain prem purjaari
neele ambar se
o neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai
neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai

main to preet ke geet ki raagini hoon
main hi pyaar ka sapna pyaara
main to preet ke geet ki raagini hoon
main hi pyaar ka sapna pyaara
main jo chaahon to mann ki udaasi mitey
maine chaaha miley ?? tumhaara
neele ambar se
o neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai
neele ambar se tumhaare liye aa..aayi
maine preet ki jyot jagaa..aai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई

नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई

आsss आssss आssss
आssss आsss आsss आssssss
आsss आssss आssss
आssss आsss आsss आssssss

ना तो बिजली हूँ काली घटाओं की मैं
ना तो चाँद सूरज ना तारा
ना तो बिजली हूँ काली घटाओं की मैं
ना तो चाँद सूरज ना तारा
मेरा रूप तो है इक ऐसा दिया
नीले अंबर से
ओ नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई
नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई

आssss आssssss
आss आss आss आss आsssss
आssss आssssss
आss आss आss आss आsssss

मैं किसी की कला हूँ खिलौना नहीं
मैं प्रीत की प्रतिमा प्यारी
मैं किसी की कला हूँ खिलौना नहीं
मैं प्रीत की प्रतिमा प्यारी
मेरे रूप को मन में बसा के सदा
प्रेम करते हैं प्रेम पुजारी
नीले अंबर से
ओ नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई
नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई

मैं तो प्रीत के गीत की रागिनी हूँ
मैं ही प्यार का सपना प्यारा
मैं तो प्रीत के गीत की रागिनी हूँ
मैं ही प्यार का सपना प्यारा
मैं जो चाहूँ तो मन की उदासी मिटे
मैंने चाहा मिले ?? तुम्हारा
नीले अंबर से
ओ नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई
नीले अंबर से तुम्हारे लिए आ॰॰आई
मैंने प्रीत की ज्योत जगा॰॰आई


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3739 Post No. : 14693

A real life funtoosh, if ever there was one. So many anecdotes from his real life are told – and they read like a story writer creating script for comic scenes.

Like the fact that he had a sign that said ‘Beware of Kishore’ on the door of his Warden Road flat – once HS Rawail came to visit him, and offered his hand for a handshake, and Kishore took his hand and bit it; when Rawail asked him why he did that, Kishore pointed to the sign on the door saying – “Didn’t you read this. . .”.

Or the time he appeared on the sets with make up on half of his face – he had not yet been paid in full by the producer.

Or the time when filming a scene in which he was driving a car, he continued driving and reached Khandala, because the director did not say ‘cut’ to end the scene.

His frolic and cheekiness is so well evident in his roles and antics onscreen, and his actions off screen. But there is a also a serious side to his personality, that gets expressed so well in his renderings of “Dukhi Mann Mere. . .” (‘Funtoosh’, 1956), “Beqaraar Dil Tu Gaaye Ja. . .” (‘Door Ka Raahi’, 1971), “Zindagi Ke Safar Mein Guzar Jaate Hain Jo Maqaam. . .” (‘Aap Ki Kasam’, 1974), “Jin Raaton Ki Bhor Nahin Hai. . .” (‘Door Gagan Ki Chhaon Mein’, 1964), and so many more such poignant songs that only could be done by him. Listen to “Koi Hamdam Na Rahaa. . .” (‘Jeevan Naiya’, 1936) rendered by Ashok Kumar, and then its reprisal sung by Kishore in 1961 “Jhumroo”. The two renditions are dimensions apart – the depth and emotion in the 1961 rendering has no measure, in comparison to the 1936 version.

His reverence for KL Saigal is legendary. It is recounted by Ashok Kumar himself in an interview. In his teen years, Kishore would sit outside the recording studio when Saigal Sb’s recordings were in progress. Sometimes Saigal Sb would ask him to sing. And when the young Kishore finished, he was given 4 annas (25 paise) as reward. It would make the young man immeasurably happy.

Continuing, Ashok Kumar narrates that in his home, Kishore had a temple room set aside with a photo portrait of Saigal Sb, where he lighted a diya every day, and paid respects to his idol. The floor of this temple room was a platform made of wood that was raised 6 inches above the actual flooring. No one, including Kishore Kumar himself, was allowed to enter this room with any kind of footwear. Once, Ashok Kumar was passing by and he had something important about which he wanted to talk urgently with Kishore. He came in. Kishore was in the temple room, lighting the diya for his daily prayers to Saigal Sb. In the hurry of his urgency, and that the matter was just a two minutes conversation, Ashok Kumar forgot to remove his shoes and stepped into the room. As he started to speak, Kishore turned around, and saw Ashok Kumar standing there with his shoes on. He immediately threw the lighted diya itself, that was in his hands, at the legs of Ashok Kumar, and asked him to immediately exit the temple room.

Coming to today’s song. The peculiarity of Kishore Da’s career runs into multiple dimensions. His prolific engagements with films – playback singer, actor, producer, director, lyricist, music director; I would dare say that no other film persona has touched upon such a gamut of the various ways he connected with and contributed to cinema. His film ‘Badhti Ka Naam Daadhi’ (1974) is about Kishore Kumar, playing himself on screen, producing a film titled ‘Badhti Ka Naam Daadhi’ – what more to say. 🙂 🙂

His comic roles vs his serious roles – quite a handle on the entire spectrum of emotions. Going from haywire films like ‘Half Ticket’ (1962) to poignantly moving essays like ‘Door Gagan Ki Chhaon Mein’ (1964) and ‘Door Ka Raahi’ (1971).

There is one more peculiarity, which of course has been discussed and mentioned often on this blog. I bring forth the topic of Kishore Kumar lip syncing the playback voice of other singers, for himself on screen. Now, this is a very interesting phenomena. An accomplished singer, who is also an actor, and who almost always sings playback for himself when performing on screen, has surprisingly enough, also performed on the playback voice of other mainline singers. I present below the complete list of 18 such songs from Hindi films, in which another prominent singer is providing the playback to Kishore Da on screen. I am sure this is a record that may never be equalled by any other singer-actor. These are,

 

S.No.

Song Title Film Year MD

Playback Voice

1

Chori Chori Aana Na Khidki Taley Tum Miss Mala 1954 Chitragupt Mohammed Rafi

2

Jaane Bhi De Chhod Ye Bahaanaa Baap Re Baap 1955 OP Nayyar Asha Bhosle

3

Hamen Koi Gham Hai Bhaagam Bhaag 1956 OP Nayyar Mohammed Rafi

4

Aankhon Ko Milaa Yaar Se Peene Ka Mazaa Le Bhaagam Bhaag 1956 OP Nayyar Mohammed Rafi, SD Batish

5

Chale Ho Kahaan Karke Jee Beqaraar Bhaagam Bhaag 1956 OP Nayyar Mohammed Rafi

6

Din Albele Pyaar Ka Mausam Begunaah 1957 Shankar Jaikishan Manna Dey

7

Man Mora Baawra Raagini 1958 OP Nayyar Mohammed Rafi
8 Ajab Hai Dastaan Teri Ae Zindagi Sharaarat 1959 Shankar Jaikishan Mohammed Rafi

9

Tu Mera Copyright Main Teri Copyright Sharaarat 1959 Shankar Jaikishan Mohammed Rafi

10

Pahle Murgi Huyi Thi Ke Andaa Krorepati 1961 Shankar Jaikishan Manna Dey

11

Ho Gayee Shaam Dil Badnaam Naughty Boy 1962 SD Burman Manna Dey

12

Mohabbat Karna Hai Asaaan Daal Mein Kaala 1964 C Ramchandra Manna Dey

13

Baalma Saajna, Duniya Bhula Tere Pyaar Ne Akalmand 1966 OP Nayyar Asha Bhosle

14

Ki Jo Main Hota Hawaa Ka Jhonka Duniya Naachegi 1967 Lakshmikant Pyaarelal Manna Dey

15

Hum Ne To Dil Bichha Diya Albela Mastaana 1967 N Datta Mahendra Kapoor

16

O Mere Dilbar Jaaneman Jaaneman Haaye Mera Dil 1968 Usha Khanna Manna Dey

17

Alakh Niranjan, Bam Bam Bholenath Haaye Mera Dil 1968 Usha Khanna Manna Dey

18

Apni Aadat Hai Sabko Salaam Karnaa Pyaar Deewaana 1972 Lala-Asar-Sattaar Mohammed Rafi

As you can see, most of the honours are done by Mohammed Rafi and Manna Dey, one song in the voice of SD Batish, and then one song in the voice of Asha Bhosle (yes. . . 🙂 ). This list of 18 songs is taken from the book ‘Gaata Rahe Mera Dil. . ‘, a definitive compilation of Kishore Kumar songs by Kamal Dhiman. As you can see, of these 18, thirteen songs are already covered on our blog. Today, I bring on one more of this special category songs. And this one is a special song in itself – we have Mahendra Kapoor giving playback to Kishore Kumar. I am sure this will come as a surprise. 🙂

Of this list of 18 songs, thirteen are already showcased on our blog. The fourteenth comes on board today, leaving four more from this category to be posted.

Today’s song is from the film ‘Albela Mastaana’ from 1967. The song is a duet sung by Mahendra Kapoor and Usha Mangeshkar. On screen, the song is performed by Kishore Kumar and Asha Nadkarni. Songs of this film are written by Prem Dhawan and the music is by N Datta. And without further ado, I would suggest you listen to this song, and get this rare flavor of the one and only instance of Mahendra Kapoor giving playback to Kishore Kumar.


Song – Hum Ne To Dil Bichha Diya Tumhaari Raah Mein (Albela Mastaana) (1967) Singer – Mahendra Kapoor, Usha Mangeshkar, Lyrics – Anand Bakshi, MD – N Datta
Mahendra Kapoor + Usha Mangeshkar

Lyrics

hum ne to dil bichhaa diya
tumhaari raah mein
oo oo oo
hum ne to dil bichhaa diya
tumhaari raah mein
hum ne utha ke rakh liya
hum ne utha ke rakh liya
is ko nigaah mein
hum ne to dil bichhaa diya
tumhaari raah mein

baahon pe meri jhoom ke
gesu bikher do
baahon pe meri jhoom ke
gesu bikher do
dheere se koi pyaar ka
naghma chhed do
dil ko hamaare baandh lo
dil ko hamaare baandh lo
zulf e siaah mein
hum ne to dil bichhaa diya
tumhaari raah mein

meri har ik nazar mein
teri hi justju
meri har ik nazar mein
teri hi justju
har ek saans mein basi
teri hi aarzoo
tera hi dard hai chhupa
tera hi dard hai chhupa
har ek aah mein
hum ne to dil bichhaa diya
tumhaari raah mein

jo tum miley
to zindagi haseen ban gayi
jo tum miley
to zindagi haseen ban gayi
duniya hamaari pyaar ki
rangeen ban gayi
donon jahaan bhula diye
donon jahaan bhula diye
tumhaari chaah mein
hum ne to dil bichhaa diya
tumhaari raah mein
hum ne to dil bichhaa diya
tumhaari raah mein

——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

हमने तो दिल बिछा दिया
तुम्हारी राह में
ओ ओ ओ
हमने तो दिल बिछा दिया
तुम्हारी राह में
हमने उठा के रख लिया
हमने उठा के रख लिया
इसको निगाह में
हमने तो दिल बिछा दिया
तुम्हारी राह में

बाहों पे मेरी झूम के
गेसू बिखेर दो
बाहों पे मेरी झूम के
गेसू बिखेर दो
धीरे से कोई प्यार का
नग़मा छेड़ दो
दिल को हमारे बांध लो
दिल को हमारे बांध लो
जुल्फ ए सियाह में
हमने तो दिल बिछा दिया
तुम्हारी राह में

मेरी हर इक नज़र में
तेरी ही जुस्तजू
मेरी हर इक नज़र में
तेरी ही जुस्तजू
हर एक सांस में बसी
तेरी ही आरज़ू
तेरा ही दर्द है छुपा
तेरा ही दर्द है छुपा
हर एक आह में
हमने तो दिल बिछा दिया
तुम्हारी राह में

जो तुम मिले
तो ज़िंदगी हसीन बन गई
जो तुम मिले
तो ज़िंदगी हसीन बन गई
दुनिया हमारे प्यार की
रंगीन बन गई
दोनों जहान् भुला दिये
दोनों जहान् भुला दिये
तुम्हारी चाह में
हमने तो दिल बिछा दिया
तुम्हारी राह में
हमने तो दिल बिछा दिया
तुम्हारी राह में


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3739 Post No. : 14692 Movie Count :

4016

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 74# Remembering Kishore Kumar on his Remembrance Day #
———————————————————————-

Today (13th October’2018) is the 31th Remembrance Day of – singer, actor, director, producer, lyricist, music director, writer – and our ‘most beloved and versatile genius’ Kishore Kumar.

I had planned a write-up for this occassion several months back and had even started work on it but it kept getting delayed for various reasons. My recent travel to India and the work load after getting back to work also prevented me from finalizing that write up.

Yesterday I browsed through the list of Kishore Kumar songs earlier shared by me to Atul ji and still to be posted. I found that many of these songs are yet to be posted on the blog. Despite this list, I was not able to pick the song to cover on this occasion.

Whole day yesterday(12 october 2018),I was just thinking and it was looking like I may not be able to send a song at all for this occasion. But how can I miss this occasion without a song …

Finally, I turned to my list of ‘songs that bring back memories’ which I had compiled in 2014 for one of my write up on the blog, to find if any Kishore Kumar songs in that list were yet to be covered in the blog.

I found many such songs in this list that are still to make it on the blog. From these many songs I selected today’s song as my presentation on this occasion here…

This song is from the movie ‘Ram Bharose-1977’ …

I had not watched this movie in those years and even till now so I cannot write much about this movie.
However, this song somehow has been stuck up in my mind and I like it very much, may be because of its tune and singing of it by Kishore Kumar. Or May be because of its frequently heard on the loud speakers and radio I guess.
I think it’s a nice hummable song 😊

I watched the video of this song only now during the preparation of this post and I think this song is better heard than to watch 😊

‘Ram Bharose-1977’ (alias ‘God’s Own Man’) was directed by Anand Sagar for ‘Sagar Art (International) Films, Bombay’ and Ramanand Sagar.
It was produced by Subhash Sagar.

Star cast of this movie includes Randhir Kapoor, Rekha, Amjad Khan, Dara Singh, Keshto Mukherjee, Kanan Kaushal, Madan Puri, Nazir Hussain and Sujit Kumar. It also had Raza Murad, Tom Alter, Shailesh Kumar, Jagirdar, Jagdish Raj, Chaman Puri, Master Baboo, Javed Khan, Shiv Raj, Sole, Shahid Bijnori, Ram Murthy, Deepak Raj and Shetty.
Editing for this movie was done by Lachmandass. Dialogues of this movie were written by (Late) Krishan Chander. This movie was written by Moti Sagar.

This movie was passed by Censor Board on 21.04.1977.

There were Six songs in this movie composed by Ravindra Jain. Hasrat Jaipuri, Ravindra Jain, Tajdar Taj and Dev Kohli were the lyricist for this movie. Asha Bhonsle, Narinder Chanchal, Kishore Kumar and Mohd Rafi gave their voices to the songs of this movie.

Going by the list of the songs of this movie in HFGK the other song I am familiar with is ‘Chal Chal Re Kathmandu’. 🙂

Today’s song is the first song from this movie to appear on the blog… and ‘Raam Bharose-1977’ is thus making a debut on the blog.

I have noted the lyrics as per the longer audio version having three stanzas, whereas the video link I find is having two stanzas only.

Let us now enjoy today’s song sung by Kishore Kumar which is composed by and written by Ravindra Jain …

Raam se badaa Raam ka naam …Banaaye sabke bigde kaam …

(PS :- Incidentally after few days we are going to celebrate ‘Vijay Dashmi’ and remembering Lord Shri Raam, my best wishes to all in advance )

Audio (Full)

Video

Song-Chalo bhai Rambharose Rambharose Rambharose (Rambharose)(1977) Singer-Kishore Kumar, Lyrics-Ravindra Jain, MD-Ravindra Jain
Chorus

Lyrics

Raam se badaa Raam ka naam
Banaaye sab ke bigde kaam
Raam se badaa Raam ka naam
Banaaye sab ke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Chalo bhai Raam bharose
Raam bharose
Raam bharose

He ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Raam se badaa Raam ka naam
Banaaye sabke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Chalo bhai Raam bharose
Raam bharose
Raam bharose

o Ho ho ho o o o o o o
Parmeshwar swayam raksha
Jiski karey ae
Jag bairi ho to kya
Wo to maare na marey ae
Hayee ho
Hayee ho
Hayee ho ho ho ho o

Parmeshwar swayam raksha
Jiski karey ae
Jag bairi ho to kya
Wo to maare na marey ae
Koyi raah mein kaante laakh bichhaaye ae ae
Ho laakh bichhaaye ae
Arey Raam ka bandaa aage badhtaa jaaye ae ae
Ho badhtaa jaaye ae
Ho badho bhai Raam bharose
Raam bharose
Raam bharose
Badho bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Daane daane pe naam
Khaanewaale ka likhaa
Likhnewaala magar
Nahin kisiko dikha
Daane daane pe naam
Khaanewaale ka likhaa

Likhnewaala magar
Nahin kisiko dikha
Arey naam yugon se uska suntey aaye ae ae
O suntey aaye ae
Arey sabka bedaa wo hi paar lagaaye ae ae
Ho paar lagaaye ae
Ho raho bhai Raam bharose
Raam bharose
Raam bharose
Raho bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Ho o o ho o aa aa aa aa aa
Ho ho o aa aa aa aa aa

Sooraj naa ugey
Chandaa na khiley ae
Uski marzi bina
Ek pattaa naa hiley
Shri Raam Raam Raam
Siya Raam Raam Raam

Sooraj naa ugey
Chandaa na khiley ae
Uski marzi bina
Ek pattaa naa hiley
Arey jisne banaayi hai
Ye duniya saari ee
Ye duniya saari
Arey sabse badi hai uski jimmedaari ee ee
Ho jimmedaari ee
Ho raho bhai Raam Bharose
Raam bharose
Raam bharose
Raho bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Raam se badaa Raam ka naam
Raam se badaa Raam ka naam
Banaaye sabke bigde kaam
Banaaye sabke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose ae
Chalo bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Shri Raam Raam Raam

Jai Shri Raam
Shri Raam Raam Raam
Jai Jai Shri Raam
Shri Raam Raam Raam
Jai Shri Raam
Siya Raam Raam Raam
Shri Raam Raam Raam

——————————————–
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
——————————————-
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे

हो हो हो ओ ओ ओ ओ ओ ओ
परमेश्वर स्वयं रक्षा
जिसकी करे ए
जग बैरी हो तो क्या
वो तो मारे न मरे ए
हई हो
हई हो
हई हो हो हो हो ओ

परमेश्वर स्वयं रक्षा
जिसकी करे ए
जग बैरी हो तो क्या
वो तो मारे न मरे ए
कोई राह में कांटे लाख बिछाए ए ए
हो लाख बिछाए ए
अरे राम का बन्दा आगे बढ़ता जाए ए ए
हो बढ़ता जाए ए
हो बढ़ो भाई राम भरोसे
राम भरोसे
राम भरोसे
बढ़ो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

दाने दाने पे नाम
खानेवाले का लिखा
लिखनेवाला मगर
नहीं किसीको दिखा
दाने दाने पे नाम
खानेवाले का लिखा

लिखनेवाला मगर
नहीं किसीको दिखा
अरे नाम युगों से उसका सुनते आये ए ए
ओ सुनते आये ए
अरे सबका बेड़ा वो ही पार लगाए ए ए
हो पार लगाए ए
हो रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
रहो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

हो हो ओ आ आ आ आ आ
हो हो ओ आ आ आ आ आ

सूरज ना उगे
चन्दा ना खिले
उसकी मर्ज़ी बिना
एक पत्ता ना हिले
श्री राम राम राम
श्री राम राम राम

सूरज ना उगे
चन्दा ना खिले
उसकी मर्ज़ी बिना
एक पत्ता ना हिले
अरे जिसने बनायी है
ये दुनिया सारी ई
ये दुनिया सारी
अरे सबसे बड़ी है उसकी जिम्मेदारी ई ई
हो जिम्मेदारी ई
हो रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
रहो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

राम से बड़ा राम का नाम
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
श्री राम राम राम

जय श्री राम
श्री राम राम राम
जय जय श्री राम
श्री राम राम राम
जय श्री राम
सिया राम राम राम
श्री राम राम राम


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3738 Post No. : 14691 Movie Count :

4015

Missing Films of 1960s – 80
– – – – – – – – – – – – – – –

Aha, good going at 80. If I am lucky, I may get to a century with this series. 🙂

Today’s film is just about at the bottom of the decade. The film name is ‘Ye Khoon Rang Laayega’ from 1970. Considering the alphabetic listing scheme by year, you will find this film at the second last position in GK volume no. 4 (of the regular set of Hindi films of that decade).

Once again, a song that has been sitting in my collection for oh so long. Picked it up today and listened to it for the first time. Music director – Robin Bannerji. And I just do not seem to be getting enough listen of this song. What a wonderful twin dance duet – voices are Usha Mangeshkar and Krishna Kalle. K Kalle’s voice seems to be somewhat subdued in the company of the razor sharp voice of Usha M. But together, they are a magic weaved by the music director. Listening to such songs, one always is left with a craving – wish Robin Bannerji had done more films in his career. But that was not to be. Most of the decade of the 1970s and part of 1980s, was lost in battling ill health, compounded by two unfortunate accidents. He passed away on 27th July, 1986.

The film is from the banner of Sanjay Films, Bombay and is directed by Roshan Bhardwaj. The six listed songs are penned by two lyricists – Anjaan and Yogesh – honor shared equally. This song is written by Yogesh. The star cast of the film is interesting – Helen, Randhawa, Mukri, SK Prem, Uma Dutt, Gul Hamid, Shaam Kumar, Saudagar Singh, Dhanraj, Ridku, Ratnamala, Lalita Desai, Sushma, Poonam Kapoor, Ishwar Bhai, Khurshid Khan, Kesari, Madhumati, Rani, and Lakshmichaya amongst others.

Let’s listen to this wonderfully crafted all female duet. And let’s continue to wonder – about these lesser known but highly talented artists.

Song – Qayaamat Hai Teri Nigaahon Ka Jaadu  (Ye Khoon Rang Laayega) (1970) Singer – Usha Mangeshkar, Krishna Kalle, Lyrics – Yogesh, MD – Robin Bannerji
Usha Mangeshkar + Krishna Kalle

Lyrics

qayaamat hai teri nigaahon ka jaadu..oo..oo

qayaamat hai teri nigaahon ka jaadu..oo..oo

qayaamat hai teri nigaahon ka jaadu

qayaamat hai teri nigaahon ka jaadu

hai tauba tauba khuda jaane dil ko kya hoga
kya hoga
tauba
tauba

nahin jab raha mujhko khud pe hi kaabu
nahin jab raha mujhko khud pe hi kaabu

hai tauba tauba khuda jaane dil ko kya hoga
kya hoga

aap ki har adaa
marhabaa marhabaa
ik nasha saah mein
ho gaya ba-khuda
haaye ye kya baat hui
khoob mulaqaat hui
dhadke mera dil deewaana
qayaamat hai teri nigaahon ka jaadu..oo..oo
qayaamat hai teri nigaahon ka jaadu..oo..oo
hai tauba tauba khuda jaane dil ko kya hoga
kya hoga
tauba
tauba

aap ki shokhiyaan
hain ghazab meharbaan
aap kya hans padey
gir gayin bijliyaan
haaye meri jaan gayi
main tujhe maan gayi
chhodo bhi ye muskuraana
qayaamat hai teri nigaahon ka jaadu..oo..oo
qayaamat hai teri nigaahon ka jaadu..oo..oo
hai tauba tauba khuda jaane dil ko kya hoga
kya hoga
tauba
tauba

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ

क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ

क़यामत है तेरी निगाहों का जादू

क़यामत है तेरी निगाहों का जादू

हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा
तौबा
तौबा

नहीं जब रहा मुझको खुद पे ही काबू
नहीं जब रहा मुझको खुद पे ही काबू
हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा

आप की हर अदा
मरहबा मरहबा
इक नशा साह में
हो गया बा-खुदा
हाए ये क्या बात हुई
खूब मुलाक़ात हुई
धड़के मेरा दिल दीवाना
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा
तौबा
तौबा

आप की शोखियाँ
हैं ग़ज़ब महरबाँ
आप क्या हंस पड़े
गिर गईं बीजलियाँ
हाए मेरी जान गई
मैं तुझे मान गई
छोड़ो भी ये मुसकुराना
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा
तौबा
तौबा

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3738 Post No. : 14690

“Aarambh”(1976) was directed by Gyan Kumar for Prerna Pictures, Calcutta. This obscure social movie had Rakesh Pandey, Rama Vij, Kishore Kapoor, Bipin Gupta, Rohin Kumar, Kalyan Chatterji, Chandrakala, M L Daga, Trilochan Jha, Nanu, B P Tiwari, Madan Sudan, Ravi Yagnik, Surendra Gupta, Tej Bahadur, C R Tenani, Naval Joshi, Akhtar, Gayatri Mukherji, Laxmi Chaaya etc with Master Piyush (new discovery) and Pallavi Mehta (guest role) etc in it.

This movie had four songs in it. Two of these songs have been covered in the past.

Here is the third song from “Aarambh”(1976) to appear in the blog. The song is sung by Aarti Mukherji. Shri Shalabh is the lyricist. Music is composed by Anand Shankar.

Only the audio of the song is available. Assuing that Rama Vij was the leading lady of the movie, my guess is that this song was picturised on her. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Tumhaare bina o sajna adhoori hoon main (Aarambh)(1976) Singer-Aarti Mukherji, Lyrics-Shri Shalabh, MD-Anand Shankar

Lyrics

tumhaare bina o sajna
adhoori hoon main
tumhaare bina o sajna
adhoori hoon main
jiski manzil ho tum
aisi doori hoon main
tumhaare bina o sajna
adhoori hoon main

mere man ke gagan ke tumhi chandrma
meri har raat tumse bani poornima
tum ho baadal
tumhaari mayuri hoon main
jiski manzil ho tum
aisi doori hoon main
tumhaare bina o sajna
adhoori hoon main

tum mujhe yoon miley
gandh se jyun pawan
dhany hai paa tumhen mera tan mera man
preet ki kalpna se poori hoon main
jiski manzil ho tum
aisi doori hoon main
tumhaare bina o sajna
adhoori hoon main


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3737 Post No. : 14689

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 26
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘भ’ – भैया रे भैया नैया छूआओ ना’ ॰ ॰ ॰

– – – –

चंदा का दिल टूट गया
के रोने लगे हैं सितारे ॰ ॰ ॰ 

कुछ ऐसा ही हुआ था उस दिन, जिस दिन तुम्हारे कूच की खबर आई थी॰ ॰ ॰

[Something as such, happened that fateful day, when the news of you departure came. . .]

– – – –

Today’s song is a wonderfully crafted song. And is euqally well performed and filmed.

The scenario is familiar – Shri Ram, accompanied by Sita ji and Lakshman, are travelling on foot, after departing from Ayodhya, for their sojourn of 14 years in the forest. They come to Shringverpur on the banks of river Ganga. To cross the river, Shri Ram requests the boatman to ferry them in a boat. Kevat, the boatman, at first refuses to ferry them. He has heard of the incident at the deserted ashram of Gautam Rishi, where by the mere touch of the dust from the feet of the Lord, Sati Ahilya who had been cast into stone by the curse of her husband, Gautam Rishi, came to life once again. Kevat cites that incident, and expresses apprehension that if by the touch of the dust from the feet of the Lord, his boat made of wood, would also come to life in the form of a lady, then what would become of him. Not just that he would lose his only source of income, and the only occupation he knows, he would have the additional burden of another member added to the family.

Much to the chagrin of Lakshman, Kevat dithers and dilly-dallies. And then he agrees on one condition – that the Lord should permit him to wash His feet, ostensibly to wash off any dust from the divine feet, and only then allow the trio to step on to his boat.

This event from the Ramayan is well known. It is so beautifully presented here in this song. The film is ‘Bharat Milap’ from 1965. The verses of this song are penned by Bharat Vyas, and the music is from the mind of Vasant Desai. The words are so beautifully crafted and the verses are embellished – अलंकृत is the word. The melodic construction is also very pleasing. It is a quick paced song, based on the folk music of the rural North India. The singing voices are of Rafi Sb and Kamal Barot.

On screen, the song is performed by Sunder, and a lady actor I am not able to identify and name. I request knowledgeable readers and friends to please help make the identification. The duo is accompanied by other members of the village community, and the song is presented as a group dance.
[Note: Thanks to Pramod ji and Prakash ji, the lady dancers are identified as Jeevankala, Manjula, Sheela Ramchandra, Aruna.]

The other main players in this scene are Shri Ram, Sita ji and Lakshman. Indrani Mukherjee plays the role of Devi Sita. As per IMDB listing of cast and crew, Anand Ashish Kumar plays the role of Ram. As far as Lakshman, I am not able to identify and name the actor playing that role.
[Note: Thanks to Pramod ji for correction to the name of he actor in the role of Ram.]

All in all, a very lilting, very pleasing and a very energetic presentation. Lovely song.

Song – Bhaiya Re Bhaiya Re Bhaiya Naiya Chhuaao Na  (Bharat Milap) (1965) Singer – Mohammed Rafi, Kamal Barot, Lyrics – Bharat Vyas, MD – Vasant Desai
Male Chorus
Female Chorus
All Chorus

Lyrics 

dhum tak
hey tak dhum tak
dhum tak
hey tak dhum tak
ho taa naa dere naa dere naa taa naa dere naa
hoooom
ho taa naa dere naa dere naa taa naa dere naa

uhun aahoon uhun aahoon uhun aahoon uhun aahoon

bhaiya re bhaiya re bhaiya ho..oo

dhum tak
hey tak dhum tak

ho bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan se ye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo

hum ne suni kahaani
gaaon waalon ki jabaani
jadu waala hai re ye ramaiyya
oho oho oho oho oho..oo
hum ne suni kahaani
gaaon waalon ki jabaani
jadu waala hai re ye ramaiyya
jadu waala hai re ye ramaiyya
jadu waala hai re ye ramaiyya
daiya re daiya re
ik patthar chhuaa to
jhat ban gayi phat se lugaiya
daiya daiya daiya
daiya re daiya re
ik patthar chhuaa to
jhat ban gayi phat se lugaiya
jhat ban gayi phat se lugaiya
jhat ban gayi phat se lugaiya
hey hey bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo

bhori bhori batiyaan
suratiyaa suhaani hai
to batiyon mein mat phas jaiyo
hmmmmmm
arey haa..aan
bhori bhori batiyaan
suratiyaa suhaani hai
to batiyon mein mat phas jaiyo
batiyon mein mat phas jaiyo
batiyon mein mat phas jaiyo
saaf safaai kar
paaon dhoaai kar
peechhe naiya mein bithaio
ehe ehe ehe..ae
saaf safaai kar
paaon dhoaai kar
peechhe naiya mein bithaio
peechhe naiya mein bithaio
peechhe naiya mein bithaio
e he he bhaiya re bhaiya re bhaiya ho..oo
bhaiya re bhaiya re bhaiya naiya chhuaao na
in ke paiyyan seye naiya chhuaao na
bhaiya re bhaiya re bhaiya ho..oo
dhum tak tak
dhum tak
dhum tak
o tak dhum tak

oo oo ooo ooooooo
ooooooo oooooooooo
ooooooooo ooooooooooo
hum bhi kevat prabhu
tum bhi kevat ho to
bhaichaara hum se nibhaio
prabhu ji bhaichaara hum se nibhaio
oo ooo ooo
nadiya ke paar
nadiya ke paar lagaayen tumhen tum
hum ko bhi paar lagaiyo
haaaaye hum ko bhi paar lagaiyo
bhav saagar se paar lagaiyo
ho ho
bhav saagar se paar lagaiyo
e he he bhaiya re bhaiya re bhaiya ho ho..oo
dhum tak tak
tak tak dhum tak tak
tak tak
dere na dere na taa naa dere na
hoom hoom
dere na dere na taa naa dere na
dhum tak tak
tak tak dhum tak tak
tak tak
dere na dere na taa naa dere na
hoom hoom
dere na dere na taa naa dere na
oo oo ooo ooooooo

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

धुम तक
हे तक धुम तक
धुम तक
हे तक धुम तक
हो ता ना देरे ना देरे ना ता ना देरे ना
हूम
हो ता ना देरे ना देरे ना ता ना देरे ना

उहूं आहूँ उहूं आहूँ उहूं आहूँ उहूं आहूँ

भैया रे भैया रे भैया हो॰॰ओ

धुम तक
हे तक धुम तक

भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ
भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ

हमने सुनी कहानी
गाँव वालों की जबानी
जादू वाला है रे ये रमइय्या
ओहो ओहो ओहो ओहो ओहो॰॰ओ
हमने सुनी कहानी
गाँव वालों की जबानी
जादू वाला है रे ये रमइय्या
जादू वाला है रे ये रमइय्या
जादू वाला है रे ये रमइय्या
दैय्या रे दैय्या रे
इक पत्थर छूआ तो
झट बन गई फट से लुगईय्या
दैय्या दैय्या दैय्या
दैय्या रे दैय्या रे
इक पत्थर छूआ तो
झट बन गई फट से लुगईय्या
झट बन गई फट से लुगईय्या
झट बन गई फट से लुगईय्या
हे हे भैया रे भैया रे भैया हो॰॰ओ
भैया रे भैया रे भैया नैया छूआओ ना
इनके पइय्यन से ये नैया छूआओ ना
भैया रे भैया रे भैया हो॰॰ओ

भोरी भोरी बतियाँ
सुरतिया सुहानी है
तो बतियों में मत फंस जइय्यो
हम्ममममम
अरे हाँ॰॰आँ
भोरी भोरी बतियाँ
सुरतिया सुहानी है
तो बतियों में मत फंस जइय्यो
बतियों में मत फंस जइय्यो
बतियों में मत फंस जइय्यो
साफ सफाई कर
पाँव धोआई कर
पीछे नैया में बिठईओ
ऐहे ऐहे ऐहे॰॰ऐ
साफ सफाई कर
पाँव धोआई कर
पीछे नैया में बिठईओ
पीछे नैया में बिठईओ
पीछे नैया में बिठईओ
ऐ हे हे भैया रे भैया रे भैया हो॰॰ओ
धुम तक तक
धुम तक
धुम तक
ओ तक धुम तक

ओ ओs ओss ओsssssss
ओssssss ओsssssssss
ओssssssss ओssssssssss
हम भी केवट प्रभु
तुम भी केवट हो तो
भाईचारा हम से निभईओ
प्रभु जी
भाईचारा हम से निभईओ
ओ ओss ओss
नदिया के पार
नदिया के पार लगाएँ तुम्हें तुम
हम को भी पार लगईओ
हाए हम को भी पार लगईओ
भव सागर से पार लगईओ
हो हो भव सागर से पार लगईओ
ऐ हे हे भैया रे भैया रे भैया हो हो॰॰ओ
धुम तक तक
तक तक धुम तक तक
तक तक
देरे ना देरे ना ता ना देरे ना
हूम हूम
देरे ना देरे ना ता ना देरे ना
धुम तक तक
तक तक धुम तक तक
तक तक
देरे ना देरे ना ता ना देरे ना
हूम हूम
देरे ना देरे ना ता ना देरे ना
ओ ओs ओss ओsssssss

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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14707

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4018

Total visits so far

  • 10,888,348 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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