Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4279 Post No. : 15517

“Janam Janam Ke Phere”(1957) was produced by Subhash Desai and directed by Samar Chatterjee for Mukti Films, Bombay. This mythological movie had Manhar Desai Nirupa Roy, B M Vyas, Krishnakumari, S N tripathi, Amar, Pandey, Amirbai Karnataki, Satish Vyas, Malay Sarkar, Kanta Kumari, Champaklal, Santosh Kunwar etc with guest appearance by Mahipal.

The movi had nine songs in it. Five of these songs have been covered in the past.

Here is the sixth song from “Janam Janam Ke Phere”(1957) to appear in the blog. This song is sung by Shamshad Begam, Rafi and chorus. Bharat Vyas is the lyricist. Music is composed by S N Tripathi.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Aayi mohan milan ki bela (Janam Janam ke Phere)(1957) Singers-Shamshad Begam, Rafi, Lyrics-Bharat Vyas, MD-S N Tripathi
Chorus

Lyrics

aayi mohan milan ki bela
laaga madhuban mein kaisa mela
ho o raadha bhi naache mohan bhi naache
naache re gaanv albela

aayi mohan milan ki bela
laaga madhuban mein kaisa mela
ho raadha bhi naache mohan bhi naache
naache re gaanv albela
aayi mohan milan ki bela

koi bajaaye jhaanjh jhamaajham
koi bajaaye jhanjh jhamaajham
koi bajaaye manjeere
koi bajaaye jhaanjh jhaamajham
koi bajaaye manjeere

raadha ji ke pag mein jhaajhar jhamak rahi dheere dheere
jhamak rahi dheere dheere
ho jhamak rahi dheere dheere

ho raadha hai naazuk jaise chameli
mohan hai jaise bela
aayi mohan milan ki bela
aayi mohan milan ki bela
laaga madhuban mein kaisa mela
ho raadha bhi naache mohan bhi naache
naache re gaanv albela
aayi mohan milan ki bela

baaj rahi hai gwaaliniyon ki paayaliya re chhoom chhanan
paayaliya re chhoom chhanan
ho paayaliya re chhoom chhanan

ho baaj rahi hai gwaaliniyon ki paayaliya re chhoom chhanan
upar chamke chaand poonam ka, neeche nache vrindawan
neeche nache vrindawan
ho neeche naache vrindawan

ho bansi ke vat pe kalindi tat pe, laaga hai kaisa jhamela
aayi mohan milan ki bela
aayi mohan milan ki bela
laaga madhuban mein kaisa mela
ho raadha bhi naache mohan bhi naache
naache re gaanv albela
aayi mohan milan ki bela


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4278 Post No. : 15516

Hullo Atuldom

The song with this post was very popular in the 70s. We can hear it occasionally even now on the AIR’s Vividh Bharati. It is sung by Lata Mangeshkar and Kishore Kumar. Anand Bakshi is the lyricist with RD Burman as the music director.

‘Bhanwar’ (1976) was directed by Bhappie Sonie and had a cast headed by Ashok Kumar, Randhir Kapoor, Parveen Babi, Aruna Irani, Asrani, Ranjeet, Kamini Kaushal, Nadira, Madan Puri etc. Two songs from this movie are already posted on this blog.

We are having the third song today to remember Parveen Babi – today on her 71st birthday. This beautiful lady was born in Junagadh and had her schooling in Ahmedabad. She made her debut opposite Salim Durrani (‘Charitra’, 1973) but her first success was opposite Amitabh Bachchan in ‘Majboor’ (1974). She had a good run at the box office and co-starred with all the heroes of her time. Her career spanned around 15/16 years from 1973 to 1988 with one movie releasing rather late in 1991. She led a lonely life after she stopped acting and withdrew from public eye. She passed away on 20th Jan, 2005.

Thinking of the beautiful Parveen Babi today with this song

 

Song – Aankhen Milaayenge Baaten Sunaayenge  (Bhanwar) (1976) Singer – Lata Mangeshkar, Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman
Lata + Kishore

Lyrics 

aankhen milaayenge

baaten sunaayenge

aankhen milaayenge
baaten sunaayenge
palken bichhaayenge
zulfen bikhraayenge
phir kisi din
aaj kya karenge
ho aaj sirf gaana gaayenge
aankhen milaayenge
baaten sunaayenge
palken bichhaayenge
zulfen bikhraayenge
phir kisi din
bhai aaj kya karenge
ho aas sirf gaana gaayenge

gaane ke liye yahaan aana kya zaroori tha
jaane ke liye ye bahana kya zaroori tha
gaane ke liye yahaan aana kya zaroori tha
jaane ke liye ye bahana kya zaroori tha
achha maan jaate hain
nahi tadpaate hain 
ye baat huyi na
la la laa laa laa laa laa laa
mil ke leheraayenge 
kabhi paas aayenge
kabhi door jaayenge
roothenge manaayenge
phir kisi din
oho aaj kya karenge, 
ho aaj sirf gaana gayenge

pyar mein gile shiqwe ka mauka deti ho
ghar se bula ke raste me dhokha deti ho
pyar mein gile shiqwe ka mauka deti ho
ghar se bula ke raste mein dhokha deti ho
achha chalo theek hai 
kuchh bhi ho preet hai
wada raha naa
haan wada
la la laa laa laa laa laa laa
preet ye nibhaayenge 
aankhon mein basaayenge
tumko naa rulaayenge 
hasenge hasaayenge, 
phir kisi din
bhai aaj kya karenge, 
ho aaj sirf gaana gaayenge

aankhen milaayenge 
baatein sunaayenge
palke bichhaayenge 
zulfen bikharaayenge
phir kisi din
to aaj kya karenge
aaj sirf gaana gaayenge
aaj sirf gaana gaayenge
lal laa la la la laa
lal laa la la la la laa

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

आँखें मिलाएंगे

बातें सुनाएँगे

आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे
आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
भई आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे

गाने के लिए यहाँ आना क्या ज़रूरी था
जाने के लिए ये बहाना क्या ज़रूरी था
गाने के लिए यहाँ आना क्या ज़रूरी था
जाने के लिए ये बहाना क्या ज़रूरी था
अच्छा मान जाते हैं
नहीं तड़पाते हैं
ये बात हुई ना
ल ल ला ला ला ला ला ला
मिल के लहराएंगे
कभी पास आएंगे
कभी दूर जाएँगे
रूठेंगे मनाएंगे
फिर किसी दिन
ओ हो आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे

प्यार में गिले शिकवे के मौका देती हो
घर से बुला के रस्ते में धोखा देती हो
प्यार में गिले शिकवे के मौका देती हो
घर से बुला के रस्ते में धोखा देती हो
अच्छा चलो ठीक है
कुछ भी हो प्रीत है
वादा रहा ना
हाँ वादा
ल ल ला ला ला ला ला ला
प्रीत ये निभाएंगे
आँखों में बसाएँगे
तुमको ना रुलाएंगे
हंसेंगे हंसाएंगे
फिर किसी दिन
भई आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे

आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
तो आज क्या करेंगे
आज सिर्फ गाना गाएँगे
आज सिर्फ गाना गाएँगे
ला ला ल ल ल ल ला
ला ला ल ल ल ल ला


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4278 Post No. : 15515 Movie Count :

4277

Today’s song is from film ‘Yaadgaar’ (1947). There were two more films with the same title made in 1970 and 1984. Today’s film was made by Hind Pictures, owned by actor, director and producer Nazir Ahmed Khan – also known to be the nth husband of actress Sitara Devi and actress Swarnalata. The film was directed by Nazir himself, who had also acted in it. The other cast was Jyoti, M Ismail, P Kailash, Agha, Tasneem, Cuckoo and many others. Tanvir Naqvi was the lyricist and music director was AR Qureshi.

I started writing on songs and films of yore, since almost end of 2012. Initially, my posts were based on information I had jotted down in my several diaries and notebooks. However, later I realised that I needed more information. After visiting some well known sites, I understood that either their information was incomplete or unreliable. So I decided to add more books to my existing library. At the same time research and thesis papers on old Hindi cinemas and related matters, articles in newspapers like The Hindu, Indian Express, Times of India, regional cine magazines in Hindi, Marathi, English and Telugu also came very handy. From the beginning, I made two rules. One, write only what can be defended, if challenged, and two, mention and thank the source if referred to, at the end of the post – if it is something special or unique.

Not only this, but I started preserving useful articles and bits of information on my laptop, divided into two different accounts. In few cases, I just jotted down the relevant URL details and description of type of information that it gives. By now their number has crossed almost 1000. Despite my age, I remember where is what information and I can put my hand on the required information in a few minutes. Sometimes, I find that there is no mention of any source for some information, as that is from an old book without author’s name. In the last 8 years, due to my extensive writings on this and other blogs and sites, I became known and friendly with many like minded scholars and writers. My library started bulging and friendly authors sent copies of their books as gifts to me.

This made my resources rich and luckily I have a knack of picking up the right information from the crowd of my resources at my disposal. Likewise, knowledgeable personalities like Harish Raghuwanshi ji, Rajnikumar Pandya ji, Biren Kothari ji, Shishir Krishna Sharma ji, Yasir Abbasi ji, Harmandir ji, Sanjit Narvekar ji, Amrit Gangar ji and many others on Facebook groups like MN Sardana ji etc help me from time to time. These names are only as examples, but there are many more actually. All this and friendly pressures led me to go for publishing my first book in 2018.

While writing more that 850 articles on old films and related matters, I concentrated only on the prose side of films, i.e. writing mainly about persons involved in films and not so much on the poetry side, i.e. music and songs. However, they can not be separated easily, so while emphasis was on people, but music and song too was base of my writing articles.

During these years, I have come across few personalities in films, who devoted half of their time on films, but achieved peaks in totally different fields too. Such cases are not many, but such people must get highlighted. Some people first shine in other fields and then come to films, but leaving this alluring magic of film life after a successful stint and then following a different life is surely worth praise.

Off hand, I can name a few such persons. One is Shashi Kapoor Sr. He worked as a very successful child artiste in 21 films from 1944 to 1955. While still in great demand, he left films and continued education. He did MSc and LLB here in India, and PhD in USA. He worked as a Professor of Maths in Michigan University for many years. Retired in 1997 and now lives in USA. Another person was SD Batish. After singing 115 songs in 70 films and giving music in 20 films, composing 154 songs, he left films, went to USA. He wrote many books on music and started a music institute to teach hundreds of students.

Similarly, singer Laxmi Shankar sang 27 songs in 18 films, shifted to USA and started a music school. She won many awards there. Lyricist Moti, BA (who was actually an MA) left films after writing 60 songs in 18 films, still in great demand, left films, went to his village in UP and taught in a College.

Ashraf Khan’s case is unique. After a successful career in Hindi films, he left everything and became a Sufi saint. His dargah is situated on Mumbai-Ahmedabad highway, where every year an Urs is held, to which many artistes from Bollywood go.

Similarly music director GA Chishti aka Babaji, became a faqir after leaving films. Actress of the 1940s, Renuka Devi migrated to Pakistan. She left films and became a social worker for women’s uplift and education in Pakistan. She worked for this, on Radio and TV of Pakistan for 20 years. She also wrote her autobiography,’A Woman of Substance’, which was published by her daughter after Renuka’s death.

Lastly Mukund Rai Trivedi aka Roy of the Roy-Frank pair who gave music to film ‘Gogola’ (1966), left films and returned to family business of mining in MP. He became a billionaire and later an MP in Lok Sabha.

The reason for remembering all this is because the music director of today’s film is AR Qureshi, who too is one who left films after giving music to 42 films, from 1943 to 1958, and became an internationally recognised tabla maestro, winning several awards. Just read his biodata. . .

Ustad Allah Rakha, born as Allah Rakha Khan Qureshi, was born in Jammu and Kashmir on 29-4-1919. He was an Indian tabla player, who popularised the art of tabla playing all over the world. Allah Rakha was born to a soldier, who later returned from the army and worked as a farmer after that to earn his bread and butter. Being the eldest of seven sons, his father did not expect him to learn music and opposed his idea of learning classical music.

Ustad Allah Rakha, as a young boy of 12 years, found the instrument fascinating while visiting his uncle in Gurdaspur. His inclination towards Indian classical music and the performing arts made him run away to Lahore for further learning, as he found little scope of learning the art-form in his home-town. Allah Rakha studied at the Punjab school of classical music (gharana) where he became a student of Ustad Mian Khadarbaksh Pakhawaji (Mian Quader Bakshi). He trained to be a singer under Ustad Ashiq Hussain.

Allah Rakha was also associated with theater as he lived in Pathankot for sometime and worked for a theater company. In 1930, Allah Rakha worked at the radio station in Lahore. According to reports, he moved to Delhi after six years, in 1936, to work with All India Radio. In 1940, he moved to Bombay and worked with Pandit Ravi Shankar and again on All India Radio. He was the station’s first ever tabla solo player then.

After which he even composed music for 42 Hindi films from 1943 to 1958. His first film as a MD was ‘Mahasati Anusuya’ (1943) and the last released film was ‘Idd Ka Chaand’ (1964). He even sang 14 songs in 7 films between 1942 to 1949. He worked mostly in films made by Hind Pictures, Magnet Films, Sunrise Films and Mohan Studios of Dave brothers. Barring 1 or 2 films like ‘Bewafa’ (1952), he got only C grade stunt films or Muslim ibaadati films. He gave music in 3 Punjabi Films ‘Madari’ (1950), ‘Fumman’ (1951), and ‘Jagga’ (1964). He gave background music in ‘Pyar Ki Baatein’ (1951). He acted in ‘Aabida’ (1947). Uma Devi (Tuntun) first sang in ‘Wamiq Azra’ (1946) under AR Qureshi.

Ustad Allah Rakha had established the Alla Rakha Institute of Music in Bombay in 1986 and imparted his knowledge of the instrument to all his disciples in the institute. Allah Rakha and sitar maestro Pandit Ravi Shankar brought classical Hindustani music to Western audiences as well. He was honoured with the Padma Shri Award by the Government of India in 1977 for his contributions to elevate the reach of tabla playing as an art form across the globe. Later on, Sangeet Natak Akademi also honoured him.

Ustad Allah Rakha and sitar maestro Pandit Ravi Shankar brought classical Hindustani music to Western audiences as well. Their partnership reached legendary heights with performances at the Monterey Pop Festival in 1967 and the Woodstock Festival in 1969. The two performed together in a lot many festivals and elevated the respect and popularity of tabla playing as an art form. Other than Pandit Ravi Shankar, he also worked with renowned Kathak dancers like Sitara Devi and Birju Maharaj.

Ustad Allah Rakha found fans not only in India but abroad as well. Reportedly, American percussionist, the Grateful Dead’s Mickey Hart, was his huge fan. Hart always tried to learn from him even from single visits that Ustad used to make to his country. Hart was also quoted saying, “Alla Rakha is the Einstein, the Picasso; he is the highest form of rhythmic development on this planet.”

Other than the Grateful Dead drummer, Mickey Hart, Ustad Allah Rakha inspired George Harrison from The Beatles as well. Both of them performed together for a concert for Bangladesh in 1971. Mickey Hart also collaborated with him for the famous album ‘Rolling Thunder’ in 1972. The picture we have here is of Hell’s Angels member Terry The Tramp with tabla player Ustad Alla Rakha as they were set to perform together at the Monterey International Pop Festival, June 17th, 1967. He had collaborated with many prominent rock groups.

While Ustad used to generally team up with Pandit Ravi Shankar for his performances, he once collaborated with jazz drummer Buddy Rich for an album, ‘Rich à la Rakha’ in 1968. Some of his greatest works have been in the form of albums Improvisations – ‘West Meets East – Album 3’ (with Ravi Shankar, Yehudi Menuhin, Jean Pierre Rampel, Martine Gelliot), (on Angel records) (1976), ‘Master Drummers’ with Zakir Hussain (1991), ‘Tabla Duet, Chhanda Dhara’ (1994), ‘Ultimate in Taal-vidya’, (Magnasound/OMI) (1996).

Ustad Allah Rakha had married twice. He was first married to Bavi Begum and had three sons, Zakir Hussain, Fazal Qureshi and Taufiq Qureshi and two daughters Khurshid Aulia née Qureshi and Razia. Razia served him in his later years and was like a constant companion to her father. She died after a routine cataract surgery and Allah Rakha could not cope with the shock of her death and immediately slipped into a coma and passed away within 24 hours on 3-2-2000. Zakir Hussain is one of the most renowned tabla players of India.

Allah Rakha’s son Zakir Hussain grew up to be another legend in the country. Zakir Hussain has also been honoured with the Padma Shri in 1988 and the Padma Bhushan in 2002, by the Government of India. The honour that was bestowed upon his father by the Sangeet Natak Akademi came to him as well in 1990. Hussain has been working in films and on albums in India as well as abroad. Hussain owes his career to his father, who had made sure that he remained focused on this art-form.

Today’s song is sung by AR Qureshi himself. No information is available on this film. With this song, film ‘Yaadgaar’ of 1947, makes its debut on the Blog.

(Thanks to Harish Raghuwanshi ji for information on AR Qureshi, some time back)


Song-Kaahe door khada muskaaye (Yaadgaar)(1947) Singer- Alla Rakha Qureshi, Lyricist- Tanvir Naqvi, MD- AR Qureshi

Lyrics

kaahe door khada muskaaye
kaahe door khada muskaaye ae
kaliyon mein sharmaane waale
kaliyon mein sharmaane waale
phoolon ko mahkaane waale
phoolon ko mahkaane waale
kis kaaran ye phool tumhaare
kis kaaran ye phool tumhaare
bina khile murjhaaye
kaahe door khada muskaaye
door khada muskaaye
kaahe door khada muskaaye

kuchh kah le kuchh sun le daata
kuchh kah le kuchh sun le daata
hamre bahre goonge daata
hamre bahre goonge daata
jag mein tere baalak tadpen
jag mein tere baalak tadpen
tujh ko daya na aaye
kaahe tujh ko daya na aaye
kaahe ae ae


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4277 Post No. : 15514 Movie Count :

4276

Although not listed in the anniversaries list on our blog, a message yesterday from Mahesh ji reminded that it was the remembrance day of the music director Robin Chatterji. Some more discussion followed in which it was mentioned that Rafi Sb had never sung under the  baton of this music director. Something tickled in the memory and I searched through the Geet Kosh listings and my collection, coming up with this wonderful solo of Rafi Sb, that he has sung for Robin Chatterjee, in a Bhojpuri film.

Remembering Robin Chatterjee on the anniversary of his passing away (2nd April, 1976).

As is the fate of many such lesser known and lesser appreciated artists, there is very little information available about him. His date of birth is recorded as 8th January, 1914. No details about his family or early years is available. One name is available – his first teacher of classical music was Keshab Ganesh Dhekan. Robin started his career with the venerable New Theatres, in their music department. He sang in the chorus line for NT films like ‘Adhikar’ (1938).

Some records indicate that worked as an assistant to music director Anupam Ghatak. He and Anupam had learnt music from the same teacher (KH Dhekan). Apparently he assisted Anupam Ghatak with some of his films during 1939-40.

Information about his earliest films as an independent music director is not very specific. Based on Geet Kosh listings, the first Hindi film where we see his name appear as a music director is ‘Raaj Lakshmi’ (1945). Listings show that he shared the music direction responsibility for this film with Dhiren Mitra. This film was produced under the banner of MP Productions, Calcutta (now Kolkata). This film has the distinction of being the debut film for Talat Mehmood, as a singer in Hindi films. Prior to this, he had sung under the pseudonym of Tapan Kumar, all recordings being for Bangla films or for non-film Hindi and Bangla songs. The debut solo songs for him in this film are “Jaago Musaafir Jaago, Kholo Mann Ka Dwaar” and “Tu Sun Le Matwaale”.

Browsing through the Geet Kosh, we find the following films listed with his name as the music director –

‘Raj Laxmi’ (1945) (w Dhiren Mitra)
‘Tum Aur Main’ (1947)
‘Wo Dono’ (1947)
‘Sabyasachi’ (1948)
‘Ratnadeep’ (1952)
‘Firdaus’ (1953) (w Roshan)
‘Pehli Shaadi’ (1953)
‘Afreeka’ (1954)
‘Majboori’ (1954)
‘Shobhaa’ (1954)
‘Dhaake Ki Malmal’ (1956) (w OP Nayyar)
‘Saiyan Se Bhaile Milanva’ (1964)
‘Chimni Ka Dhuaan’ (1973)

and possiblye ‘Miss Toofaan Mail’ (1958), for which the name of the music director is given simply as Robin.

Of these, the credits for ‘Raj Lakshmi’ are shared with Dhiren Mitra, for ‘Firdaus’ are shared with Roshan and for ‘Dhaake Ki Malmal’ are shared with OP Nayyar. The film ‘Saiyan Se Bhaile Milanva’ is a Bhojpuri film. And the film ‘Chimni Ka Dhuaan’ was probably completed sometimes in the first half of 1960s, but its release was delayed by many years, finally releasing in 1973.

The above list of films shows a career with sizeable gaps. However, there is other information that says he was also active, rather very active in the Bangla film industry, as well as in the non-film and folk song genres. There are more details available about his films in Bangla. He has scored music for many films starring Suchitra Sen, for whom he has preferentially used the voice of Sandhya Mukherjee.

One additional bit of information from my own memory. I do remember seeing the name Robin Chatterjee as the sound recordist in the credits of some films. I am not sure that such credits are referring to the same person – possibly so.

My personal experience, and also preference, is that to appreciate the music and songs of lesser known and lesser discussed artists is to pull together as many songs of such an artist, as possible, and then listen to them at a stretch, within one, two, three sittings. In my humble opinion, this way one gets a much better feel for both the quality and the quantity of the body of work for the artist. This in turn provides a much better and a wider appreciation of his or her work. In my effort to pull together information and body of work about such artists, I find that I have not yet come across a single instance where I may have failed to appreciate the quality of work created by the artist. For that reason, I humbly state that I never will dismiss an artist only because he or she is lesser known and his/her body of work is obscure and not easily accessible. The same has been my experience with the songs tuned and composed by Robin Chatterjee. We already have 24 songs on our blog, for which he is the music director – please check out in case interested.

About this film, there are no details available, other than the name of the production banner – Messers Technicians Enterprise. No listings of actors is available either. Only the name of the music director, the singers and a list of 4 songs is available.

About this film – it is produced under the banner of Messers Technicians Enterprise, and is directed by PL Santoshi. The name should  be very familiar – PL Santoshi has been active in Hindi films as a lyricist, story/screenplay writer, dialogue writer and director, since the mid 1930s, all the way to his passing away in 1978. The star cast is listed as Sujit Kumar, Saeeda Khan, Sabita Chatterjee, Tarun Kumar, Jahar Rai etc. It is a story about the sacrifices the wife (Saeeda Khan) makes to care for and nurse her husband (Sujit Kumar), who is suffering from the memory loss.

The Geet Kosh lists 4 songs for this film. There are two solos by Suman Kalyanpur, one solo by Rafi Sb (today’s presentation), and one duet of Rafi Sb and Sandhya Mukherjee. Although the name of the lyricist is not specifically mentioned in any source, it is very likely that PL Santoshi has most likely written some or all songs of this film. However, it needs to be confirmed.
[Ed Note: PL Santoshi has directed 20+ films during his career, and he has written some or all songs for 15 of them.]

Regardless, it is a naughty, wonderfully playful song of appreciation – appreciation of the beauty of a young belle. Listen and enjoy.

[Acknowledgements: The above article uses information and details from the Geet Kosh, the book ‘Dhunon Ki Yatra’ by Sh Pankaj Raag, the book ‘Cinema Bhojpuri, 2010’ by Avijit Ghosh, and the web page on Anupam Ghatak at Indiancine.ma/wiki. Thanks to Sadanand ji for providing the information about the film, from the book by Avijit Ghosh.]

[Ed Note: I believe that the lyrics in the Bhojpuri dialect are not difficult to follow. As the lines are perused, there may be a little transliteration required for one line. In case there is a comment/request, the transliteration of the full lyrics can be provided. The difficult line maybe, “peear peear galba pa chhitke lallaiya” or “पीयर पीयर गलबा पे छिटके लल्लइया”. In simpler Hindi, the line says “pyaare pyaare peele peele gaalon pe laali chhitki hai” or “प्यारे प्यारे पीले पीले गालों पे लाली छिटकी है”. 🙂 ]
[Ed Note: Thanks to dear AK ji for making the correction in the above transliterated line of lyrics.]

Song – Jabse Dekh Li Suratiya Tohaar Goriya (Sainyan Se Bhaile Milanva) (1964) Singer – Mohammed Rafi, Lyrics – [Unattributed], MD – Robin Chatterjee

Lyrics

jab se dekh li

jab se dekh li suratiya tohaar goriya
jab se dekh li suratiya tohaar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
ho goriyaa. . .

umariya hai baari patli kamariya
umariya haee. . .
umariya hai baari patli kamariya
najariya hai teekhi kataar goriya
mar gai lee
najariya hai teekhi kataar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya..ha

peear peear galba pa chhitke lallaiya
peear peear
peear peear galba pa chhitke lallaiya
bole to chooe ras dhaar goriya
aa haa
bole to chooe ras dhaar goriya
bas mein na jiyara hamaar goriya
bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya

hamka lut gaili lut jaee hai nagariya
hamka. . .
hamka lut gaili lut jaee hai nagariya
jaiha na ban tthan bajaar goriya
kaise chalbu
jaiha na ban tthan bajaar goriya
bas mein na jiyara hamaar goriya
o bas mein na jiyara hamaar goriya
jab se dekh li suratiya tohaar goriya
o goriyaa. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

जबसे देख ली

जबसे देख ली सुरतिया तोहार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हो गोरीया॰ ॰ ॰

उमरिया हई बारी पतली कमरिया
उमरिया हई॰ ॰ ॰
उमरिया हई बारी पतली कमरिया
नजरिया है तीखी कटार गोरीया
मर गई ली
नजरिया है तीखी कटार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया॰॰हा

पीयर पीयर गलबा पे छिटके लल्लइया
पीयर पीयर
पीयर पीयर गलबा पे छिटके लल्लइया
बोले तो चूए रस धार गोरीया
आ हा
बोले तो चूए रस धार गोरीया
बस में ना जियरा हमार गोरीया
बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया

हमका लुट गईली लुट जई है नगरिया
हमका॰ ॰ ॰
हमका लुट गईली लुट जई है नगरिया
जईहा ना बन ठन बजार गोरीया
कैसे चल्बू
जईहा ना बन ठन बजार गोरीया
बस में ना जियरा हमार गोरीया
ओ बस में ना जियरा हमार गोरीया
जबसे देख ली सुरतिया तोहार गोरीया
हो गोरीया॰ ॰ ॰


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Blog Day: 4277 Post No.: 15513

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 15
——————————————————————————

Now a days we have been managing one or two posts a day daily. When I look back ten years ago, we had similar situation in the blog even in those days.

For instance, on this day ten years ago, viz on 3 april 2010, two songs were covered in the blog viz:

Song Movie title-Year Remarks
Main pyaar ka deewaanaa Aayi Milan Ki Bela-1964 All Songs posted
Aayi jhoom ke bahaar Insaaniyat-1955 07 of 17 songs posted

“Insaaniyat”(1955) was produced and directed by S S Wasan for Gemini Pictures, Madras. This movie had Dilip Kumar, Dev Anand, Bina Rai, Vijaylaxmi, Jayant, Jairaj, Shobhana Samarth, Badr Prasad, Kumar, Agha, Mohana, Zippy (Chimpanzee), T Mukherjee, Ishwar Lala, G v Sharma, Vijay Rao, G Bhatt etc in it.

The movie had a whopping 17 songs in it. Seven of these songs have been covered so far.

Song Posted On
Tere sang sang piyaa khel ke main rang 15.07.2009
Chup chup chup hone lagaa kuchh 23.08.2009
Aayi jhoom ke bahaar 03.04.2010
Main bandar hoon shahar kaa … 24.05.2010
Apni chhaayaa mein bhagwaan bithhaa le mujhe 31.07.2013
Raja beta bada hoke jaayega school 30.04.2019
Gori kar le tu aaj singaar 11.12.2019

The third song from this movie viz.Aayi jhoom ke bahaar was covered in the blog ten years ago. So this gives us an opportunity to cover another song from the movie under the “Blog Ten year Challenge” series. So here is the eighth song from “Insaaniyat”(1955). This song is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

The song is picturised as a rajdarbaar dance song. I am unable to identify the dancer lip syncing in Asha Bhonsle’s voice. I request our kowledgeale readers to help identify her as well as others seen in the picturisation.

Lyrics of this song were sent to me by Avinash Scrapwala, who keeps a keen eye on “Blog Ten Year Challenge” opportunities which have been rather limited for the last few weeks.


Song-Haseenon ka manzoor kar lo salaam (Insaaniyat)(1955) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
chorus

Lyrics(Provided by Avinash Scrapwala)

Haseenon ka manzoor Kar lo salaam
Tumhaari mohabbat ke Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam
Haseenon ka manzoor Kar lo salaam
Tumhaari mohabbat ke Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam

mere mukhde ka til hai tumhaare liye ae
mera naazuk sa dil hai tumhaare liye ae
mere mukhde ka til hai tumhaare liye
mera naazuk sa dil hai tumhaare liye
tumhaare liye
mere honthhon ke jaam
tumhaare liye
mere honthhon ke jaam

Tumhaari mohabbat ke Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam
Haseenon ka manzoor
Kar lo salaam
Tumhaari mohabbat ke
Ham hai ghulaam
Ham hain ghulaam
Tere ham hai ghulaam

—————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————————
हसीनों का मंज़ूर कर लो सलाम
तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम
हसीनों का मंज़ूर कर लो सलाम
तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम

मेरे मुखड़े का तिल है तुम्हारे लिए ए
मेरा नाज़ुक सा दिल है तुम्हारे लिए ए
मेरे मुखड़े का तिल है तुम्हारे लिए
मेरा नाज़ुक सा दिल है तुम्हारे लिए
तुम्हारे लिए
मेरे होंठों के जाम
तुम्हारे लिए मेरे होंठों के जाम

तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम
हसीनों का मंज़ूर कर लो सलाम
तुम्हारी मोहब्बत के हम हैं ग़ुलाम
हम हैं ग़ुलाम
तेरे हम हैं ग़ुलाम


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Blog Day: 4277 Post No.: 15512

“Ghulaam Begam Baadshah”(1956) was directed by Jugal Kishore for Niagra Films, Bombay. This “costume drama” movie had Sheila Ramani, Daljeet, Wazir Mohammad Khan, Altaf, Nishi, Sadiq, Paaras, Khairaati, Malika, R Nath, Jogendra, Prretam, Dilip Bamblahri, Wazid Ali, Bhanesh Kumar, Svivji Bhai, Chaand, Kamaldeep, Raj Puri, Prakash etc, with Johny Walker in guest appearance.

The movie had six songs. All songs were solo songs. Five different singers sang these six songs.

Two songs from the movie have been covered in the past.

Here is the third song from “Ghulaam Begam Baadshah”(1956) to appear in the blog. this song is sung by Geeta Dutt, who was the only singer to sing two songs in the movie. Other four songers got to sing one song each.

This song is penned by Indeewar. Music is composed by Sudeept.

PS-Sheila Ramani is the dancer, as ponted out by Prakashchandra, our inhouse face recongnition expert.

The song is picturised as a Rajdarbaar dance song. I am unable to identify the dancer. I request our knowledgeable readers to help identify her as well as the other actors seen in the picturisation.


Song-Dil se mere dil mila (Ghulaam Begam Baadshah)(1956) Singer-Geeta Dutt, Lyrics-Indeewar,MD- Sudeept

Lyrics

duniya
kya hai ae ae ae ae ae
dekh zara
o dilruba

dil se mere dil mila aa
aa dil se mere dil mila
dil se mere dil mila aa
aa dil se mere dil mila
chupke se kya jaadu kiya
nazron se kisne mujhe chhoo liya
chupke se kya jaadu kiya
nazron se kisne mujhe chhoo liya
guncha mere dil ka hans kar khila
guncha mere dil ka hans kar khila
dil se mere dil mila aa
aa dil se mere dil mila

lab pe hansi
dil mein khushi
doobi rahe masti mein ye zindagi
lab pe hansi
dil mein khushi
dubi rahe masti mein ye zindagi
ek jaam nazron se aisa pila
ek jaam nazron se aisa pila
dil se mere dil mila aa
aa dil se mere dil mila

kashti hoon main saahil hai tu
kehta hai dil meri manzil hai tu
kashti hoon main saahil hai tu
kehta hai dil meri manzil hai tu
ab toot bhi jaane de faasla
ab toot bhi jaane de faasla
dil se mere dil mila
aa dil se mere dil mila

marzi jahaan
le chal wahaan
tere liye thhukra doon donon jahaan
marzi jahaan
le chal wahaan
tere liye thhukra doon donon jahaan
duniya hai kya mujhko tu jab mila
duniya hai kya mujhko tu jab mila
dil se mere dil mila aa
aa dil se mere dil mila
dil se mere dil mila aa
aa dil se mere dil mila aa aa


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Blog Day: 4276 Post No.: 15511

“Aawaara Shahzaadi”(1956) was produced and directed by Pyarelal for Hind Pictures, Bombay. This “social” movie had Meena Shorey, Daljeet, Johny Walker, Sheila Ramani, Malika, Sheikh, Habeeb, Radheshyam, Maqbool, Rajraani, Jillani, Azeem, Pal Sharma, Raju, Rajni, Heera Sawant etc in it.

The movie had seven songs in it. One song has been covered in the past.

Here is the second song from “Aawaara Shahzaadi”(1956) to appear in the blog. This song is a romantic song which is sung by G M Durrani and Geeta Dutt. Khawar Zamaan is the lyricist. Music is composed by Jimmy.

Only the audio of the song is available. My guess is that the song was picturised on the lead pair of Daljeet and Meena Shorey. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Ham tumse raazi tum hamse raazi (Aawaara Shahzaadi)(1956) Singers-G M Durrani, Geeta Dutt, Lyrics-Khawar Zamaan, MD-Jimmy
Both

Lyrics

hum tumse raazi
tum hamse raazi
bolo ji bolo ab kya karega kaazi
hey chhodo ji chhodo
ham nahin raazi
bolo ji bolo ab kya karega kaazi

pehle kyun tumne teer chalaaye
kyun leke dil ko mere saamne aaye
pehle kyun tumne teer chalaaye
kyun leke dil ko mere saamne aaye
aapki hai ye zarranawaazi
bolo ji bolo ab kya karega kaazi
hey chhodo ji chhodo
ham nahin raazi
bolo ji bolo ab kya karega kaazi

mushkil hai mushkil pyaar nibhaana
bachpan se seekha maine dil ka lagaana
mushkil hai mushkil pyaar nibhaana
ae jee
bachpan se seekha maine dil ka lagaana
nahin chalegi ye jaalsaazi
bolo ji bolo ab kya karega kaazi

hey
ham tumse raazi
tum hamse raazi
bolo ji bolo ab kya karega kaazi

tere liye main sab kuchh luta doon
kadmon pe tere apna sar bhi jhuka doon
tere liye main sab kuchh luta doon
kadmon pe tere apna sar bhi jhuka doon
dil bhi ha taza ulfat bhi taazi
bolo ji bolo ab kya karega kaazi
hey chhodo ji chhodo
ham nahin raazi
bolo ji bolo ab kya karega kaazi

jalti hai duniya jalti rahegi
ulfat ki gaadi apni chalti rahegi

achcha jee
jalti hai duniya jalti rahegi
ulfat ki gaadi apni chalti rahegi

hey hey
jeet gaye ham pyaar ki baazi
bolo ji bolo ab kya karega kaazi
hey hum tumse raazi
ham tumse raazi
bolo ji bolo ab kya karega kaazi
hey ham tumse raazi
tum hamse raazi
bolo ji bolo ab kya karega kaazi


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Blog Day: 4275 Post No.: 15510

“Naqaab”(1955) was produced and directed by Lekhraj Bhakri for Tasveeristaan. The movie had Shammi Kapoor, Madhubala, Asha Mathur, Ajit, Heera Lal, Yashodhara Katju, Maruti etc. in it.

“Naqaab”(1955) had eleven sons in it. Six songs from this movie have been discussed in the past. Here is the seventh song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Pt Govindram.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Meri kasam tumhem mera ye raaz raaz rahe(Naqaab)(1955) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Pt Govind Ram

Lyrics

Meri kasam tumhen
mera ye raaz raaz rahe
jo naaz tumpe hai mujhe
sada wo naaz rahe
meri kasam tumhen
mera ye raaz raaz rahe
jo naaz tumpe hai mujhe
sada wo naaz rahe

tumhaare haath mein hai
pardaa-daari aaj meri
tumhaare haath mein hai
pardaa-daari aaj meri
ab imtahaan hai ke
ye ishq sarfaraz rahe
meri kasam tumhen
mera ye raaz raaz rahe
jo naaz tumpe hai mujhe
sada wo naaz rahe

dil o nazar mein hua
hai jo silsila kaayam
dil o nazar mein hua
hai jo silsila kaayam
khuda kare phir wohi
silsila daraaj rahe
meri kasam tumhen
mera ye raaz raaz rahe
jo naaz tumpe hai mujhe
sada wo naaz rahe


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4274 Post No. : 15509 Movie Count :

4275

Songs Repeated in Hindi Films – 18
– – – – – – – – – – – – – – – – – –

So this suggestion and reminder from Anekant ji, dropped into my mail box yesterday. And I take this opportunity to present this repeat song that is so appropriate for the continuing celebrations of Navratri.

The original song – “Tu Ne Mujhe Bulaaya Sheraanwaaliye“, is from the film ‘Aasha’ (1980) and on screen it is performed by Jeetendra and others. Reena Roy is present in the picturization. Fast forward eight years to 1988 and the song has been repeated in the film ‘Do Waqt Ki Roti’ (1988), as is. Meaning, it is not a re-recording. The song has been replayed as original. The only difference is that a full antaraa is deleted. The original song has two antaraas, and this reuse song has only one.

‘Do Waqt Ki Roti’ is produced by MP Aggarwal and is directed by Satpaal. The primary cast of actors is listed as Feroz Khan, Sanjeev Kumar, Reena Roy, Sulakshana Pandit, Nirupa Roy, Amjad Khan, Shakti Kapoor, Satyendra Kappu, Ranjeet, and Jagdeep. The film has five songs, other that this reuse song.

The interesting similarity that the music directors of these two films are the same. So maybe that is why the reuse may not have been a problem. However, as usual, this reuse song is not listed in the list of songs of this film.

Today is the sixth day of Navratri celebrations. The incarnation of the Goddess Mother that is worshipped today is Maa Kaalratri or Maa Mahakaali. I would like to discuss this appearance of the Mother in a little more detail. It is quite possible that the readers may be quite familiar with this description.

The description is as per the Devi Bhagwat. As it their wont – the Devatas have been defeated by two powerful aruras (demons) – Shumbh and Nishumbh, and had lost the occupation of the Kingdom of Heavens. The commander of the asura armies was another demon named Raktbeej. Raktbeej had a boon that he had received from Brahma ji. As is usual the asuras, after long periods of penance and austerities, would always end up asking for the blessing of longevity – that they could never be destroyed. This boon has been asked for by the asuras in many different forms. Raktbeej asked for this boon in the form that in case he is in a battle, and he is wounded, then when his blood touches the ground in form of drops, every drop will immediately form a replica of the Raktbeej himself. So even if he is wounded, just by the result of this blessing, an army of Rakbeej clones will be created. By this way, Raktbeej may never be vanquished, and he would only get stronger with additional forces of clones of himself to support him.

The Devatas were in despair, and they prayed to the Mother Goddess. She appeared and asked them what were they seeking from Her. They explained the predicament in their battle against Shumbh and Nishumbh – that they, the Devatas will never be able to defeat the asuras, as long as their commander Raktbeej is leading them. The Mother Goddess assured them of help, and sent them away to wage another war on the asuras. The battle started. Devatas started to target Raktbeej, but his blessing still obstructed the Devatas to make any headway in the fight. In fact, when Devatas would inflict any blow Raktbeej, the drops of blood from his body, as they touched the ground, would sprout into another Raktbeej, thus strengthening the army of asuras.

The Mother Goddess then took on the form of Maa Kaali and joined the battle. The appearance and demeanor of the Mother in the Kaali form was frightening. Completely black in appearance from head to toe, wearing black, long black hair loose open and waving, a garland made of skulls in the neck, and wearing a skirt made from the limbs of the dead, with a khadag (a sword like weapon, curved in a different way) in one hand, and bowl made from the outer layer of a coconut, in the other hand. The fearful appearance was further enhanced with a long red tongue that perpetually remained outside the mouth, waving like a blood red serpent.

She reached close to Raktbeej and hit him with the khadag. An injured Raktbeej started to bleed from his wounds. Maa Kaali reached out with her waving tongue and started to lap up every drop of his blood that oozed out of his wounds. Working feverishly with her long tongue, she picked up very drop of blood from Raktbeej’s body, and continued to strike him. Losing blood, he started to become weak, as he continued to lose blood and his strength. And the boon was going waste because Maa Kali did not allow the drops of his blood to reach the ground. Finally, Maa Kaali cut off the head of Raktbeej with a blow from her khadag. To catch the falling blood from the dethatched neck, Maa Kali held the coconut bowl under it, once again not allowing even a drop of blood to fall on the ground. As the cup would overflow, Maa Kaali would drink from it, to make room to hold more blood.

The appearance and sight of the Mother was really frightful. She seemed to not be under Her own control. Waving the khadag in anger, she started to destroy anything and anybody that crossed her path. The army of asuras was thus decimated, but the Mother could not be stopped. The Devatas then prayed to Lord Shiv and requested him to rescue them from the wrath of Maa Kaali. Lord Shiv appeared to face Maa Kaali, but he too could not dissuade her and calm her down. She continued in her stride, destroying everything in her path. Then Lord Shiv lay down on the ground, in the path where she was headed. Maa Kaali continued in her stride and finally set a foot on Lord Shiv himself. Realizing suddenly that she had stepped on to her own consort, she came to a halt. Her anger dissipated, she stepped back and became calm.

There is a reason that describe this episode today. Today is the day of the worship of Maa Kaalratri, or Maa Kaali, and so it is appropriate to recount her legend. I remember hearing this narrative recounted to me by elders, or reading it in books, and I always used to wonder at the bizarre description of this event. Years passed and as I came to high school, I would finally get a reasonable explanation of this narrative. In the biology class, as we read about viruses and infections and deadly diseases, it suddenly came together in my mind that this description of Maa Kaali is so analogous to weeding out a deadly disease. Raktbeej is the infection that multiplies incessantly. The more you try to root it out, the more it spreads. Like the drops of blood falling on ground, it is the viruses that attack healthy cells, they multiply, and then attack more healthy cells.  Maa Kaali is likened to the antidote to the infection, that attempts to cut down the avenues for the infection to spread, not allowing it to reach more healthy cells thus depriving it of its resources to multiply.

That is quite much the situation that is faced by the world in present times. An unbridled and unknown new infection is running rampant through the human population, incurring a very high toll of fatalities. The mechanism of isolation and social distancing is analogous to not allowing the drops of blood of Raktbeej to fall on the ground, and not find newer option to breed and grow. The ideas that had formed in my mind during my high school studies of biology, are kind of getting reflected in the events of this worldwide spread of the deadly virus infection. The containment solution is in being isolated and not allowing propagation. Countries that are practicing this measure, are being somewhat successful in minimizing the fatal damage to the population. And the nations that, for whatever reason of culture or politics are failing to exercise this discipline, are on the way to incur heavy losses in terms of human life. A scenario that is described in our ancient texts is playing out in the real world with a very eerie congruence.

So, the day to pray to Maa Kaali today, is the day also to understand this mechanism of disallowing Raktbeej to replicate itself and to curtail the damage that can be done by an uncontrolled spread of this contagion.

May the Mother Goddess Maa Kaali appear once again on this earth, and destroy this Raktbeej like malady, cleanse this earth and rescue her children.

Ameen.

 

Song – Tu Ne Mujhe Bulaaya Sheraanwaaliye  (Do Waqt Ki Roti) (1988) Singer – Narendra Chanchal, Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus

Lyrics

saanchi jyoto waali maata. . .
maata. . .
teri jai jaikaar
jai jaikaar. . .‎
jai jaikaar. . .‎
jai jaikaar. . .

‎‎tu ne mujhe bulaaya sheraanwaaliye. . .
main aaya main aaya sheraanwaaliye
tu ne mujhe bulaaya sheraanwaaliye. . .
main aaya main aaya sheraanvaaliye
‎o jyotaan vaaliye
pahaadaan vaaliye
o mehraan vaaliye. . .
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye
o o o
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye

kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
tu ne sab ko darshan de ke
tu ne sab ko darshan de ke
apne gale lagaaya sheraanvaaliye
tu ne mujhe bulaaya sheraanvaaliye
o jyotaan vaaliye
pahaadaan vaaliye
o mehraan vaaliye. . .
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye

‎o prem se bolo

jai maata di
o saare bolo
jai maata di
o aate bolo
jai maata di
o jaate bolo
jai maata di
o kasht nivaare
jai maata di
o paar utaare
jai maata di
devi maan bholi
jai maata di
bhar de jholi
jai maata di
o jode darpan
jai maata di
maa de ke darshan
jai maata di
o jai maata di
jai maata di
jai. . . maata di..ee..ee
‎jai maata di‎
jai maata di‎
jai maata di‎
sheraanwaali ki jai

jai maata di‎
jai maata di‎
pahaadaan vaali ki jai,

jai maata di‎
jai maata di
‎vaishno raani ki jai

jai maata di‎
jai maata di‎
ambe raani ki jai

jai maata di
‎jai maata di‎
pahadaan waali ki jai‎


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4274 Post No. : 15508 Movie Count :

4274

In the golden period of Hindi film industry, there were many popular and famous actors (actors include actresses) who were well known to most of the cine goers of their relevant time. Those actors included heroes, heroines, character actors, villains and vamps, comedians, dancers etc. However, there were actors who were not  well known to most of the cine goers as most of the time, they would have small roles in films. But even with small roles, some of them have left lasting impressions on the connoisseurs of Hindi films. There was eagerness to know as to who were those actors. Among this set of actors is the playback singer and actor, Shyam Kumar.

Born as Gul Hamid Ali in Pune, Shyam Kumar (1913 – 1981) joined Kardar Studio as a playback singer on the recommendation of Naushad. He sang for Naushad in ‘Sharda’ (1942), ‘Namaste’ (1943), ‘Sanjog’ (1943), ‘Kanoon’ (1943), ‘Ratan’ (1944), ‘Pehle Aap’ (1944), ‘Sanyasi’ (1945), and ‘Dillagi’ (1949). He worked in some of these films but never sang for himself. However, his playback singing career never took off as he had tough competitions from GM Durrani and later from Mohammed Rafi, Mukesh, Talat Mehmood etc. After ‘Guzaara’ (1954), Shyam Kumar virtually gave up playback singing. After 1954, he sang for the last time in ‘Tilasmi Duniya’ (1962).

Being on the payroll of Kardar Productions, Shyam Kumar also acted in the films produced/directed by AR Kardar which included ‘Sharda’ (1942), ‘Sanyasi’ (1945), ‘Dard’ (1947), ‘Dulaari’ (1949), ‘Jaadoo’ (1950), ‘Deewana’ (1952) ‘Dil-e-Naadaan’ (1953), ‘Yaasmeen’ (1955) etc. Due to his impressive physique, he was considered for roles with negative shades though in a few films like ‘Vijaygarh’ (1954), ‘Rashtraveer Shivaji’ (1965) etc, he was the lead actor. During his four decades of filmy career, Shyam Kumar acted in over 140 films and sang around 30 songs in 15 films.

The first time I became aware of Shyam Kumar was in my younger days when I had heard his voice in the iconic song “Tu Mera Chaand Main Teri Chaandni” in ‘Dillagi’ (1949) which used to be often played on Radio Ceylon. It was only during my 78 RPM gramophone record collection period in early 1970s I came to know through my friend, also a record collector, of the confusion created by the name ‘Shyam’ on 78 RPM record.  As the song was picturised on the hero of the film, Shyam (actor Shyam Chadha) who was accredited as ‘Shyam’ in the credit titles of the film, many felt that the actor Shyam sang this song for himself. On the other hand, Shyam Kumar, the singer who also acted in this film was accredited as ‘Sham Kumar’ in the credit titles. The fact was that actor Shyam lip synced the voice of Shyam Kumar in the song.

I had no inkling as to how Shyam Kumar looked like though I had seen him in many films as a familiar actor without knowing his name. He generally worked in ‘B’ grade films in negative roles but in most of ‘A’ grade films, he worked as one of the henchmen of the villains. Even in scenes where his presence was  minuscule among other prominent actors, by his sheer expressions and unusual dresses he wore for the films, the audience would notice his presence. I have included a few samples of his expressions and dress sense in the films as montages in the audio clip of a song I am presenting with this article.

Shyam Kumar was the lead actor along with Krishna Kumari in the film ‘Vijaygarh’ (1954). The other star cast included Habib, Abu Bakar, Mohammed Sandow, Maqbool, Ranjana, Rafiq etc. The film was directed by AY Sheikh. The film seems to be an obscure one as not much information is available on it.  From the title, it would appear that the film belongs to the genre of historical drama. But the star cast of the film gives me an impression that it was a costume drama/stunt film.

The film’s 7 songs are as obscure as the film. Songs were  written by two lyricists – Muzaffar Shahjahanpuri and Indivar and were set to music by two music director – Krishna Dayal and AK Prem.  I have uploaded the video of the first song from the film which is “Gungunaai Fiza Jagmagaaya Sama”. It is a duet sung by Manorama (not the actress Manorama) and Shyam Kumar. This song is attributed to Muzaffar Shahjahanpuri and AK Prem as lyricist and music director, respectively. I heard the name of Manorama as a playback singer for the first time. She appears to be a trained singer. Checking through the Geet Kosh listings, we find that the singer Manorama was apparently active only during the period of 1954-55 during which time she sang a total of eleven songs for four films.
[Note: Incidentally, Yashodara Katju had a younger sister, Manorama Katju and was associated with a film magazine ‘Screen’ in 1950s.]

It is often said that Shyam Kumar never sang for himself in the films. He gave playback to other actors.  In ‘Vijaygarh’ (1954), Shyam Kumar was the lead actor and had sung three songs – two duets with Manorama and one solo. All these 3 songs are mix of romance and joy. Going by the list of other male actors in the film, I do not think that these 3 songs would make much sense if picturised on them.  So, it is a point to ponder whether Shyam Kumar performed one or more of his three songs himself.

With this song, ‘Vijaygarh’ (1954) makes a debut in the Blog.

[Ed Note: A honky-tonk coincidence plays in with the addition of this song to our blog. This song belongs to the 4274th film on this blog, and it appears on the 4274th day of the blog. Well, what do you say. 😀 😀 .]

 

Song – Gungunaai Fiza Jagmagaaya Samaa (Vijaygarh) (1954) Singer – Manorama, Shyam Kumar, Lyrics – Muzaffar Shahjahanpuri, MD – AK Prem
Manorama + Shyaam Kumar

 

Lyrics

gungunaai fiza jagmagaaya sama
aa aa aa aa
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
 
tu ne ghunghat hataaya bahaar aa gayi
tu ne ghunghat hataaya bahaar aa gayi
roop chamka to bijli bhi sharma gayi
roop chamka to bijli bhi sharma gayi
chhaa gayeen muskuraane se rangeeniyaan
ho rangeeniyaan
ho o o o
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o
 
aisi barsi khushi saare gham dhul gaye
aisi barsi khushi saare gham dhul gaye
zindagi ke naye raaste khul gaye
zindagi ke naye raaste khul gaye
ab basaayenge hum ek niraala jahaan
ek niraala jahaan
ho o o o
gungunaai fiza jagmagaaya sama
haa aa aa aa
gungunaai fiza jagmagaaya sama
li bahaaron ne do dil mein angdaaiyaan
ho angdaaiyaan
ho o o o

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

गुनगुनाई फिज़ा जगमगाया समां
हा आ आ आ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ

तू ने घूँघट हटाया बहार आ गई
तू ने घूँघट हटाया बहार आ गई
रूप चमका तो बिजली बहई शर्मा गई
रूप चमका तो बिजली बहई शर्मा गई
छा गईं मुस्कुयाने से
हो रंगीनियाँ
हो ओ ओ ओ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ

ऐसी बरसी खुशी सारे ग़म धूल गए
ऐसी बरसी खुशी सारे ग़म धूल गए
ज़िंदगी के नए रास्ते खुल गए
ज़िंदगी के नए रास्ते खुल गए
अब बसाएँगे हम इक निराला जहां
इक निराला जहां
हो ओ ओ ओ
गुनगुनाई फिज़ा जगमगाया समां
हा आ आ आ
गुनगुनाई फिज़ा जगमगाया समां
ली बहारों ने दो दिल में अंगड़ाइयां
हो अंगड़ाइयां
हो ओ ओ ओ

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15516

Number of movies covered in the blog

Movies with all their songs covered =1196
Total Number of movies covered =4277

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Active for more than 4000 days.

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