Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for August 2011


“Kismat” (1943) has the distinction of being India’s most successful movie at the box office (it ran for three years at one movie hall) before its record was broken by “Sholay” (1975) (it ran for five years in one movie hall). “Kismat” (1943) really must have caught the imagination of the public at that time. And its music definitely played a big role in bringing movie watchers to the movie halls.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Saigal Saab acted in 29 Hindi movies during his career of 15 years. Of these, 21 films were produced by New Theatres. In an unbroken association from 1932 to 1941, Saigal Saab appeared in 20 films by this production house in continuity. In 1942, Saigal Saab moved to Bombay, and started to work with the production houses there. Post 1942, there is only one more picture that is produced by New Theatres in which Saigal Saab appeared. This is the 1944 production My Sister. From the unbroken string of 20 films with New Theatres, the last one is Lagan produced in 1941.
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Most Raakhi songs in Hindi movies are sung by females playing non working sisters and they genuinely pray for the well being of their sisters. With time, even sisters in Hindi movies have become working women. And they do not just do the usual jobs meant for ladies, but they often work in jobs of masculine nature, viz in police.
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It is the day of Raakhi festival (Raksha bandhan) today and we saw in one song that a man was lamenting the fact that he did not have a sister of his own. But it is not necessary for a man to have a real sister of his own for the purpose of rakhi. Indian mythology is full of tales of unrelated men being sent rakhi by women and they fougtht to protect the honour of their rakhi sisters. Hindi movies too show girls tie rakhi on the wrists of strangers and they prove to be more loyal that their real brother.
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Today is the day of Rakhi festival, when sisters tie rakhi on the wrist of their brothers. It is assumed that every sister has a brother and vice versa. But that cannot be the case all the time. Just spare a thought for those men who do not have sisters !
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The festival of Raksha Bandhan is being celebrated today in many parts of the country. A tradition as old as our culture itself, it is a significant celebration of the brother-sister relationship in our country. By tying a piece of colored auspicious thread on the wrist of her brother, the sister is wishing for his well being, good health and prosperity, and in return the brother is making a promise to protect her and her honor. It is a much loved festival, that occurs on the full moon day of the month of Saawan.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Yet another non filmi ghazal offering from the genius of vocal expression. I have written about this before, and yet I am compelled to write again. Listening to Saigal Saab render a ghazal, is more than just good music and singing. There is an element of revelation, as one can feel that the singer is rendering each word with an understanding that gives a deeper import to the words of the ghazal itself. The singing comes through as not simply a rendering, but also comes through is a conviction, that the singer understands the words, and is making the effort to pass on the implication and the values of the words, and not just a vocal rendering.
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“Saarangaa” (1960) is a B grade movie starring Sudesh Kumar and Jayshree Gadkar. According to my axiom, a B grade movie must have A grade music. and this movie fully lives up to this axiom. This movie is full of outstanding songs.
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