Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for September 2011


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The decades have passed since the departure of Saigal Saab from this world, and the time has shown that there is no peer to the Voice of Saigal. Many voices, especially in the 30s and 40s, made an appearance on the silver screen, making utmost efforts to emulate the un-imitable divinity in the voice of Saigal Saab. But none could make it to the depths that Saigal Saab would so effortlessly dive into, and reveal an emotion with so much grace.
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There are rare sings that one can come across just by stumbling against them while browsing sites like YT. But there are rare songs that cannot be discovered this way. You can find them only when you specifically look for them by the name of the movie, lyricist etc. And such songs may not even be available on YT, that is how rare they are.
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In this blog, we discuss songs of yesteryears. Many of the songs are well known and some are in fact so well known that they have become part of day to day life of people.

But there are many songs which are lesser known and then there are songs that have been forgotten.
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When I saw the lyrics of this song (sent by Prakashchandra), I felt that this song was discussed long back. But despite my thorough checking, I drew a blank. So here was another well known song that had somehow remained undiscussed all these days, while I was under the impression that I had already discussed it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The non-film offerings of Saigal Saab are verily a much more valuable treasure than the film music rendered by him. Although comparatively much smaller, this treasure is much more inspiring and stimulating. Completely un-encumbered by the requirements of music direction, and playing to an audience, these non film offerings are a rare collection of exceptional quality and an expression of a free soul. This collection consists of 26 Urdu ghazals, and 11 bhajans and geets in Hindi. (Please note that these numbers do not include his songs in other languages i.e. Bengali, Tamil, Punjabi, and Persian). Majority of these are now posted on this blog. We are nearing the end of this list, and the postings of this series should conclude in another ten days or so.
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This article is written by Sudhir, a fellow enthusist of Hindi movie music and a regular contributor to this blog.

Asha Bhonsle – the name that conjures up the racy and spicy sounds of ‘udlayee udlayee udlayee o’, a voice that has a chirp, and an impish and naughty flavor to it, and the versatility that adorns thousands of music creations that have become a hallmark in the annals of Hindi film music. The second of the famous siblings of the Mangeshkar clan, Asha ji was born on this day in 1933. She started singing for films at a very young age of 10 years. Although her released recordings in 1950s were second only to Lata, she was considered as the singer for “bad girls” and vamps, and got the assignments that were turned down by Lata, Geeta Dutt and Shamshad Begum. Her voice started getting noticed from films like Sangdil (1952), Parineeta (1953) and Boot Polish (1954). And then came the real recognition of her talent in the mid 1950s, under the baton of OP Nayyar, with hits like CID (1956) and Naya Daur (1957). She became the voice of Helen, and has sung most of the songs that Helen has performed on the screen. Helen ji used to attend the song recording sessions personally, to better get a feel of how the song is to be performed.
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“Hamsaaya” (1968) is a movie which had Joy Mukherji, Mala Sinha and Sharmila Tagore in it. As the title suggests, this movie had Joy Mukherjee in double role.One is Chinese and other in Indian. 🙂 Mala Sinha is the love interest of the Chinese Joy Mukherji while Sharmila Tagore plays the love interest of Indian Joy Mukherji.
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