Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for April 2013


I grew up with the music of late 1960s and early 1970s. That was the time when R D Burman burst into the scene like a tornado. When things settled, the musical scene was totally rearranged with old order finding themselves becoming irrelevant in no time.
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We in this blog initially discussed just movie songs. Once I discussed a K L Saigal song and it turned out that it was a non film song (NFS). Several regulars of the blog then lobbied for the inclusion of NFS in the blog. And that is how NFS began to be discussed in the blog.
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“Sansaar” (1951) was a Gemini Pictures production. It was directed by S S Vasan. Most actors of this movie were from South Indian movie industry. The movie had Ishwarlal, M. K. Radha, Vanaja, Mohana, Agha, Meera, J. S. Kashyap, Anil Kumar, Kalla, Ratnappa, Pushpavalli, Swaraj, David Abraham etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Lata Mangeshkar sang only 11 duets with G M Durrani. 6 out of these 11 have been sung in 1948-49. In the book ‘Lata Mangeshkar …. in her own voice – Conversations with Nasreen Munni Kabir’ (2009), she has mentioned that her first song for Naushad was a duet with G M Durrani haay chhore ki zaat badi bewafaa for ‘Chaandni Raat'(1949). At that time Durrani made some personal remarks about the necklace she was wearing. She did not like his remarks and brought this to the notice of Naushad. Knowing that she was a sensitive person, Naushad replaced Durrani and took Sadat Khan for her second duet in the same film. However, this duet was edited out from the film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Small treasures, rare treasures. The non film songs of Kamal Barot are not very many, and by my awareness, the number of songs she recorded outside of films might be less than twenty. And the number of such songs available, would even be lesser.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Chaand” (1959) movie was produced by Kuldip Sehgal, who had other movies like Dost-54, Panchayat-58, Shama-61 and few more to his credit. The movie was written and directed by Lekhraj Bhakri. These two also worked together in movies like Sahara-58, Panchayat-58, Shama-61, Ma Beta-62. (IMDb info- please correct if wrong).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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