Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for August 2025


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6253 Post No. : 19341 Movie Count :

5125

‘Kaanch Ki Deewaar’ (1986) was an obscure film which I came to know only recently. The film was produced by Kamal Chaudhary and M N Yasin and the latter directed the film. Both the names are new to me and this was their debut film. The cast included Sanjeev Kumar, Smita Patil, Amrish Puri, Shakti Kapoor, Om Prakash, Rajan Sippy (debutant), Purnima, Neelu Phule, Urmila Bhatt, Raj Mehra, Lalita Kumari, Murad, Madhu Malini, Jagdeep, Birbal, Hina Kausar, Jaishree T etc. The film was released on January 31, 1986, about three months after the passing away of Sanjeev Kumar.

It appears that the film took long time to complete or to get it released as I find that there is a song by Mohammed Rafi in the film who had passed away in July 1980. The film’s lead actress, Smita Patil had started working in the mainstream commercial films in 1981 by signing a spate of such films to prove that she can as well be a successful actor in such films. The same combination of producer and director had started one more film, ‘Waqt Kaa Sikandar’ (1996) when the film under discussion was delayed in getting released. It seems the second film failed to get completed or released.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6253 Post No. : 19340

Kamsune/Unsune songs of Asha Bhosle – 47

The next song in the rare Asha Bhosle series is again a solo, “Door Se Karna Nazara” from Baabul Ki Galiyaan (1972). The song is composed by Ravi and written by Rajinder Krishan.

Two songs from this movie have already been posted on this blog. This is the third of five songs from the film.

“Baabul Ki Galiyaan”(1972) was directed by Satya Dev Narang for Narang Films Combines, Bombay. This “social” movie had Hema Malini, Sanjay Khan, Sonia Sahni, Jagdeep, Shatrughan Sinha, David, Asit Sen, Manmohan Krishna, Bipin Gupta, Jayshree T, Savita, Brahmchaari, Kuljeet, Chandrima Bhaduri, Satyen Kappu, Tuntun, Hiralal, S N Bannerji, Bharm Bhardwaj, C S Dubey, Johny Whisky, Dilip Dutt, Birbal, Majnu, Abhimanyu Sharma, Pal Sharma, Tiwari, Ramesh Kumar etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6253 Post No. : 19339

Today’s song is from a film of the first decade of Talkie films in India – Moti ka Haar aka Pearl Necklace-1937.

The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6252 Post No. : 19338 Movie Count :

5124

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (Qawwalis – Part-2 – Post-13)
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(Debutant Movie – Sikkaa-1976)

Today I am presenting a lesser heard or never heard Qawwaalee song from the movie ‘Sikkaa-1976’. I do not remember to have discussed or heard about this title during my growing up years in the seventies. I became aware of this movie title through Geet Kosh Volume-V (1971-1980). It seems that this movie ‘Sikkaa’ was an obscure movie of its time, as the list of the songs of this movie didn’t appear familiar to me. But what piqued my interest is the title of this song and it being mentioned as a ‘qawwaalee’ song.

“Sikkaa-1976” was directed by Dilip Bose for ‘Mona Movies, Bombay’. This movie was passed by Censor Board on 30.12.1976. It had Anil Dhawan, Ambika Johar, Krishan Dhawan, Satyen Kappu, Helen, Aashu, Bhushan Tiwari, Mohan Choti, Rajan Haksar, Kalpana Shah, Agha, Dalda, Jugnu, Bholanath, Ratan Gaurang, Satish Khanna, Krishna Khanna, Pradeep Suri, Child artiste Dharmender and others. Child artistes Lovely, Kittu, and Soni make their debut in this movie and Nana Palsikar, Keshto Mukherjee and Anjana Mumtaz had special appearances in this movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6252 Post No. : 19337 Movie Count :

5123

‘Baat Ban Jaaye’ (1986) was produced by Anil Hanspal and Nitin Manmohan which was directed by Bharat Rungachary. The cast included Sanjeev Kumar, Zeenat Aman, Utpal Dutt, Mithun Chakraborty, Raj Babbar, Amol Palekar, Aruna Irani, Jalal Agha, Shakti Kapoor, Adi Irani, Imtiaz Khan, Jagdeep, Prema Narayan, Viju Khote etc. The film belongs to the family comedy genre. It was the first film for Nitin Manmohan (son of actor, Manmohan) as a producer and second film as a director for Bharat Rungachary. Sanjeev Kumar passed away before the release of the film. However, he had completed all his work for the film.

The credit title of the film did not mention the names of the actors. Probably director felt that that since each actor in the film had his share of comedy, to present the film as a collective efforts of the entire cast in creating a family comedy film rather than showcasing the individual actors by mentioning their names. Incidentally, Sanjeev Kumar, Amol Palekar, Raj Babbar and Mithun Chakraborty were in the role of the prospective bridegrooms for the wealthy businesswoman, Zeenat Aman in the film.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6252 Post No. : 19336

Nowadays, it’s very rare to come across a Rafi Saab’s solo which is not already posted here on the blog. So it came as a huge surprise that this song “Jaane Kahan Gaye Tum” sung by Mohd. Rafi Saab, penned by MK Javed (Manohar Khanna – Usha Khanna’s father) and composed by Usha Khanna, was not yet covered on this blog.

This song is from a C grade flop movie called “Aa Jaa Sanam” released in 1975.

The movie was directed & written by Yusuf Naqvi for producer S. A. Mahmood. The Music Director was Usha Khanna and there were three lyricists – Indeevar, M. K. Javed, Kafil Azar.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6252 Post No. : 19335

Today’s song is from an 88 year old film Jeevan Prabhat-1937.

In the initial era of Talkie films, Calcutta’s New Theatres and Poona’s Prabhat were the most well known filmmakers. They used to make films on social issues. Particularly, Prabhat was famous for keeping their films centred on the Reform themes like,Dowry, Child Marriage, Second Marriage, Cast difference etc.From the mid 30s one more company came into limelight and that was Bombay Talkies- founded by Himanshu Rai and Devika Rani. They also followed the trend and films on social issues like Untouchability, illiteracy etc were made. Today’s song is from a film made by Bombay Talkies- Jeewan Prabhat-37.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6251 Post No. : 19334

Now let’s move away from the Kamsune/Ansune songs of Asha Bhosle and welcome a crazy as song.

Dhadkan 1972 is directed by Devendra Goel and stars The movie stars Sanjay Khan, Mumtaz, Rajendra Nath, Helen, Bindu, Roopesh Kumar, etc in pivotal roles.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6251 Post No. : 19333

Today’s song is from a very old film Anath Ashram-1937.

In the early era, when silent films were made, it was Maharashtra – especially Bombay which led the new medium as the production centre for silent films. Of course, some films were also being made in other places like Poona, Kolhapur, Coibtor, Nashik, Bangalore, madras, Calcutta and other occasional towns.

After the Talkie films started, Calcutta came up with one of the most organised, well equipped and big studios, making films in Bangla, Hindi and some other eastern languages. That was New theatres, Calcutta. In those days, Calcutta quickly rose as a busy centre for filmmaking in several languages and many studios and production houses came up, but no one could match the magnificence of New Theatres in terms of consistency, number of star actors, actresses and directors along with technicians. New Theatre ruled supreme till the rise of Bombay Talkies and Ranjit Studios in Bombay.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6250 Post No. : 19332

‘Daasi’ (1981) was produced by Subhash Verma and was directed by Raj Khosla. The cast included Sanjeev Kumar, Rekha, Moushumi Chatterjee, Rakesh Roshan, Vikram, Paintal, Radhika Bartake, Sidharth Kak, Dhumal, Leela Mishra, Sundar, Narbada Shankar, Anita Advani etc.

The film was planned in 1976 based on a Hindi novel, ‘Mangala’ (1958) written by Anant Gopal Shevde. The main plank of the story in the novel is that Mangala goes through a deceitful arranged marriage with a blind singer, Pandit Sadananda. As a revenge, she rebels against the marriage by seducing her husband’s best friend and finally eloping with him. In the end, Mangala returns to her husband, Pandit Sadananda and becomes a vocalist under his tutelage. However, during the film’s planning stage, the producer and distributors felt that the plot was too bold and the audience may not accept it. Raj Khosla majorly tweaked the story of the novel for the film by making the husband’s friend (Rakesh Roshan) as her ex-lover and making him a grey character. It is Rakesh Roshan who tries to seduce Mangala. (Source: ‘Raj Khosla – The Authorised Biography (2025) by Amborish Roychoudhury, Anita Khosla and Uma Khosla).
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