Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 16
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CHHAMIA (1945) was produced and directed by Protima Dasgupta under the banner of PDG Films. The star cast included Begum Para, Arif, Protima Dasgupta, David, Azoorie, Gulab, Dixit etc. There were 11 songs in the film. Only one song from this movie is available on YT which has been covered in the Blog in the past. There were two lyricists – Pandit Indra and Qabil Amritsari. However, the distribution of 11 songs between them is not known. The songs were composed by Gyan Dutt.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mere paas Maa hai …”

“Of all the rights of women, the greatest is to be a mother’ so today on the international day of women, we pay our tributes to women and the ‘mother’ in them.

“Swami Tinhi Jagaacha Aai vina Bhikaari” …

Goes the lines are from a poem in ‘Marathi’, it means that… Even the lord of all the ‘three worlds’ is a beggar without a Mother…

Yes, every one of us understands the value of this word ‘mother’ and the value of her unconditional love she showers on us. How she cares for her child, how she serves a child for his whole life till she is alive.
Those who have been fortunate to have a mother and also those who are deprived of a mother’s love know very well the value of this word ‘mother’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The last post by me in the blog was on 28th february 2016. Nine days have passed since then and I have not posted a single post in the blog during this period !

Some unavoidable reasons kept me away from the blog for this long. Despite my absence, the blog stayed active thanks to posts made by Sudhir Ji. I am extremely thankful to him to keep the musical bandwagon going single handedly for these nine days.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 15
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During the British rule in India, film censorship was introduced under Indian Cinematography Act, 1918 under which the films could be exhibited only after getting certification from the Censor Boards. During the height of freedom struggles, film censorship was used as a tool to discourage political and socio-economic issues which were perceived to be anti-British rule in India. In the talkie era, ‘Mill’ (Mazdoor, 1934) was probably the first Indian film to be banned for exhibition by the Censor Board after the film was released. The story and script written by Munshi Premchand dealt with the exploitation of labourers by a Mill owner. The film was considered to contain inflammatory undertones creating a rift betwen the labourers and owners in factories.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 11
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Remembering Ravindra Jain on his birth anniversary today 28th February. Last year on 9th October he passed away from multiple organ failure in a Mumbai hospital at the age of 71. So this will his first birth anniversary without his physical presence in this world.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all the guys and gals of Atuldom

The writing bug has hit me after a long time.

Had an enjoyable January. To begin with had a quiet ushering in of the New Year followed by birthday time. So each had a small outing attached to it.

Then the most eventful Sunday….17th January 2016. A day which was under planning since October 2015 when we had a mail from Guruji of his impending visit to Bangalore via Hosur and Hyderabad. This time the group met at a new venue— Residence of Gajendra Khanna. Now here I feel like mentioning that I am floored by his collection of Vinyl Records and the number of WORKING TURNTABLES or Record Players as I used to call them as a kid. Another thing that should be mentioned is his wonderful idea of how to get more people to enjoy an event and the thought behind getting us live on YOUTUBE that day. We went live that day at about 11. And instantly Avinashji, Ben Katie, Atulji YYIIPPEEEE master and a few of Gajendra’s friends (I don’t know exactly how many or who all) hooked on to us. The (physical) attendees were Shenoyji, Arunji (Guruji), Rajaji, Gajendraji and a group of music lovers whom I got acquainted with for the first time that day.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jwaar Bhaata”(1944) was directed by Amiya Chakravarty for Bombay Talkies. The movie had Mridula, Shamim, Agha Jaan, Dilip Kumar, P F Pithawala, K N Singh, Mumtaz Ali, Arun Kumar, Vikram Kapoor, Jagannath Arora,Naseem Lodhi, C J Pandey, Khaleel etc in it. The movie is today remembered as the debut movie of Dilip Kumar.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehndi”(1947) was directed by Sibtain Fazli for Fazli Films, Bombay. The movie had Nargis, Begam Para, Murad, Ghori, Jillobai, Jaani babu, Protima Devi, Chacha Premi, Anwari, Zaki, Baby Shyama etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song for discussion is a special song from film Saaqi-1952. It is sung by Shamshad Begum, under the baton of Music Director C.Ramchandra.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Insaan”(1944) was directed by Babubhai Jaani for Jayant Films. The movie had David Abraham, Maya Banerjee, Pahadi Sanyal, Krishna Chandra Dey, Kishore Sahu, Shobhna Samarth etc in it.
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