Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1935.

A young Anil Biswas is preparing to record a song for a newly arrived Heroine-RATTAN BAI. She had come from Calcutta, after working in the big banner ” New Theatres”. Having worked in films like ‘Subah ka Sitara’ and Yahudi ki Ladki-1933, with the legendary singer Sehgal, her name had become famous already. She had also worked in Rooplekh-34 and karvaan-e-hayaat-35.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today’s song is from a film called PARINAY-74, with music from a very talented Music Director- JAIDEV.

Now, I see some eyebrows raised,wondering why and how I have chosen a song from the 70s, because I generally talk about Films and Songs of 30s to 60s period only. But let me assure you that everything was not lost even after 1970. One could always find wonderful melodies here and there. Of course,the flow of such melodies had slowed down to a trickle,but still there were some sparks to be seen off and on.
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Today (5 may 2013) is the seventh death anniversary of Naushad (25 december 1919- 5 may 2006). He was one of the earliest pioneers of Hindi movie music who helped shape the destiny of Hindi movie music and determined the course that this new music form would take.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the Hindu mythology, Gandharvas are stated to be the male heavenly spirit and in the context of music, the term is used for a highly skilled vocalist. Maharashtra had the privilege of having four ‘Gandharvas’. First, Sawai Gandharva (real name : Rambahu Kundgolkar – 19/01/1886 – 12/09/1952). He was a popular Hindustani classical vocalist and Marathi stage actor-singer. He was the first disciple of Ustad Abdul Karim Khan of Kirana gharana. One of the disciples of Sawai Gandharva was Pandit Bhimsen Joshi who later started the annual Sawai Gandharva Festival at Pune in the memory of his guru.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are two types of films, for which sure shot captive audience are readily available anytime. They are-
1. Religious or mythological films and

2. Tear jerkers or films depicting extreme pitiable conditions of women, like, for example- Aurat teri yehi kahani, Bhabhi or bhabhi ki choodiyan etc.

Some producers play smart and combine the two types of movies, like Jai Santoshi Maa or Krishna Sudama or Solah Somvar Vrat etc.
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When I saw the lyrics of this song from “Jogan” (1950), I thought that this song was discussed long back, but when I checked the list of songs of “Jogan” (1950) appearing in the blog, this song was missing much to my surprise. Then I realised that the song that I was confusing it with was the song Ae ri main to prem deewaani mera dard na jaane koye from “Naubahaar” (1952).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The role of Music,Dance and Songs in the cultural life of India is as old as Civilisation. In olden times Kings and Badshahas used to have Court Singers, court Dancers and musicians and they supported many fine arts too. Thus Music not only had Public support but also the Royal Patronage.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

BHAGVADGEETA is one of our cultural heritage books. It is a part of Mahabharat and is also a part of Bramhopnishad-which is a scripture on Yogas.
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“Neelkamal” (1947) was produced and directed by Kidar Sharma. The movie had Raj Kapoor and Madhubala in lead roles. The movie also had Begam Para, Nazira, Rajendra, Shanta Kumari, Baby Indira, Kumar Sahu , Pesi patel, Subhashini etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In those ” RADIO-ACTIVE” days, it was a pleasure to hear the bhajans of Paluskar.Though he was a well known classical singer, common people knew him for his wonderful Bhajans of Meerabai, Tulsidas etc during the 50s. His voice was quite familiar to the generations born after Indian independence..
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