Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Body part song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6058 Post No. : 18839

‘Laagee Naahee Chhoote Ram’ (1963) was a Bhojpuri film produced by Ramayan Tiwari and directed by Kundan Kumar. The cast included Ashim Kumar and Kumkum in lead roles with the supporting roles of Indrani Mukherjee, Nazir Hussain, Anwar Hussain, Tiwari, Ram Singh, Leela Mishra, S N Tripathi with Helen and Mehmood making special appearances. This was the third film in Bhojpuri dialect, the first and second being ‘Ganga Maiyya Tohe Piyari Chadhaibo’ (1962) and ‘Bidesiyaa’(1963), respectively. Nazir Hussain wrote screenplay and dialogues, apart from doing an important supporting role in this film.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6047 Post No. : 18820

#The Decade of Eighties – 1981 – 1990 #
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# Lata Mangeshkar- 3rd Remembrance Anniversary #
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Today 6th February’2025 is the fourth ‘Remembrance Day’ of the legendary singer Lata Mangeshkar. She was born on 28th September’1929 and passed away on 6th February’2022 at the age on ninety-two.

Today we pay our tributes to this ‘timeless voice’ here on the blog. Why I say ‘timeless voice’ because this voice is a part of our life and it cannot be separated from our life. Four generations of Indians have grown up listening to this voice. It appeared to us that the owner of this voice would remain in our midst for ever. So what if she is no longer with us, her voice and her name will stay immortal.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6044 Post No. : 18812

Today’s song is from the film Sipahiya-1949.

The film was made by Super pictures, a banner owned by the film’s director Aspy Irani. Music was by C.Ramchandra. The 10 songs were written by Chaturvedi(40, Arzu Lucknowi (20, Raj Kunwar (2) and 1 each by Rajendra krishna and Vanvasi. The cast of the film was Madhubala, Agha, Yaqub, Husn Banu, Altaf, Kanhaiyalal, Jillo Bai, Ameerbaiu and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6031 Post No. : 18782

Today’s song is a duet from the Religious film Raami Dhoban-1953. The film was produced by Ramesh Vyas and directed by Hiren Bose, who was the film’s music Director also.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6023 Post No. : 18762

#The Decade of Seventies – 1971 – 1980 #
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#Taraanaa-1979#
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“Taraanaa-1979” was a movie from Rajshri Productions. The production house of Rajshri’s are known for ‘clean, musical, family entertainer’ movies. Their movies always bear shots of picturesque locations too.

Taraanaa’ is a movie of the same genre that Rajshree Productions were known for. I had not watched this movie in those years when it was released. However, I was familiar with its songs that had become popular during its time. The most popular song from this movie was ‘Sultana Sultana meraa naam hai Sultana’. It featured in the annual Binaca Geetmala of 1980 in fifteenth position. Another song from this movie ‘ham tum dono saath mein bheeg jaayenge barsaat mein’ was also frequently heard. But the song that I associated with this movie was the song ‘gunche lage hain kahne’ which I presented here in July last year when I watched this movie on a video sharing platform.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5984 Post No. : 18666 Movie Count :

5024

Hullo Atuldom
The song in this post should have, ideally, been posted yesterday or the day before. But like the phrase says ‘Better Late Than Never’. And, I am not giving any excuses for the delay. 🙂

The song features the Ever- not Green- but Young (at heart) Dev Anand in what was his last lead role in a film that was neither produced nor directed by him. Prior to this, he had acted in ‘Amir Garib’ in 1975, which was produced & directed by Mohan Kumar.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5977 Post No. : 18654

Today’s song is from the film Pyar ki Manzil-1950.

The sudden and unexpected death of Saigal, followed by India’s partition had disturbed the entire film industry.The major centres – Calcutta and Bombay – both had benefited with the songs of Saigal. A large number of Muslim community, working in different departments of filmmaking, had migrated to Pakistan, disturbing the set up. Luckily, India had a very capable second line of talented artistes waiting in the wings. It took 2-3 years for them to show their abilities, thus the period of 1947 to 1950 was full of uncertainties and testing the new entrants.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5915 Post No. : 18521

Today’s song is from the film Albeli-1945.

There were two more films with the same title, in 1955 and 1974. Its male variety-Albela- was made 4 times, in 1951, 1871, 1990 1nd 2001. This film was made by Talwar productions, Calcutta. The Music Director was G.A. Chishti. A very interesting observation is that after Partition, 80 % of the Muslim MDs who migrated to Pakistan were ordinary composers in India, giving music only to B and C grade films here. However, in Pakistan all these MDs became A grade MDs, became famous and had many films on their hands. All of them prospered.

There was ,however, one exception and that was Ghulam Haider. He was an A grade MD in India, but failed miserably in Pakistan. Does this speak volumes of the quality of Pakistan film music in any way ? A point to note was that after the crop of migrated MDs retired, the Pak musical industry was in doldrums, because there was no second line to take over – unlike in India !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5853 Post No. : 18408

Today’s song is the last and the final song from the film Chhabili-1960.

Every country has some speciality or a peculiar characteristic, which is unique to itself.

For example, the loyalty of the British Citizen to their King/Queen, the extraordinary National Pride of the Japanese, the pride of every American for their rich country etc. So, what is India’s speciality ?
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5821 Post No. : 18359 Movie Count :

4971

Hullo Atuldom

In 2019, I had posted a song from Fiza (2000) to wish Karisma Kapoor on her birthday. At that time, I read somewhere that it was on 24th of June. Subsequently, I have been seeing that various entertainment channels on television & media have been putting out birthday specials of Karisma on 25th June.

Even this morning MTV & other such music channels were playing Lolo (Karisma’s pet name) specials. So here is my own Lolo special.
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