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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Nadeem Shrawan


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4044 Post No. : 15171 Movie Count :

4168

hullo to all of Atuldom

Yesterday (13 august 2019) was the birth anniversary of our dear Sridevi, hailed as the first female superstar of Bollywood. I was not liking it that we had let it go without a post. Then last thing before I switched off for the day, I saw a song on some satellite channel and had my ‘eureka’ moment. I found a song from the later period of Sridevi’s career when she had started experimenting with the characters she played.

The song was from the 1997 Raj Kanwar directed and Boney Kapoor produced “Judaai”. The movie starred Sridevi alongside Urmila Matondkar and Anil Kapoor with Kadar Khan, Johnny Lever, Farida Jalal, Upasana Singh, Junior Mehmood, Paresh Rawal, Dinesh Hingoo, Saeed Jaffrey and two sweet child actors. Poonam Dhillon had a special appearance. The movie was a remake of a 1994 Telugu film “Shubhalagnam”.

It was a story of a lady Kajal (Sridevi) who gets her honest and loving husband (Anil Kapoor) married to his boss’s niece (Urmila) in exchange for money in her quest to become rich quickly. She gets this done much against her husband’s wishes and she faces social problems when she realises that it is not possible to remain your ex-husband’s legal wife after having divorced him and practically sold him to another lady. The film received mixed reviews for its simple and clichéd plot and execution. But the performances of the lead actresses were appreciated. This was Sridevi’s last film appearance before she took a sabbatical to lead a family life. Sridevi and Johnny Lever played the children of Kadar Khan and Farida Jalal.

Incidentally today happens to be the 62nd birthday of Johnny Lever. He was brought up as John Prakash Rao Janumala. He had to drop out of studies as his family faced financial problems and he pithed in by doing odd jobs including selling pens on the streets by mimicking Bollywood stars etc. At a program in his father’s plant (Hindustan Lever Limited) he mimicked some senior officers and the workers there gave him his stage name JOHNNY LEVER. He started out his career doing stage shows Kalyanji Anandji Nite, Tabassum Hit Parade etc which served as his launchpad. He has been entertaining the world since the 80s. His daughter Jamie is following in his footsteps and is a comedian-actor-singer. Here is wishing him a long and healthy life.

Todays’ song is sung by Bali Brahmabhatt, Alka Yagnik and Shankar Mahadevan. Nadeem Shravan are the music composers and Sameer was the lyricist. It is a party song that celebrates the birthday of Sridevi’s character’s daughter. We have Upasana Singh, Kadar Khan, Sridevi, Urmila and Anil Kapoor singing and Junior Mehmood is also there in the scene.

So, here is a song which sings the mind of most males of the species. I am not judging anybody. 🙂 my statement is based on all the husband-wife jokes that are constant on the various social media forums. 🙂


Song-Shaadi kar ke phans gaya yaar (Judaai)(1997) Singers-Bali Brahmbhatt, Alka Yagnik,Shankar Mahadewan, Lyrics-Sameer, MD-Nadeem Shrawan
Chorus

Lyrics

haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
aa haa
aa haa
aa haa
aa haa

shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
arre jo khaaye pachhtaaye
jo na khaaye woh lalchaaye
jo khaaye pachtaaye
jo na khaaye woh lalchaaye
door se meethha lagta hai
yeh kadva laddoo pyaaara
shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa tha kanwara
aa aaa
aa aa aaa

aasmaan ki pari ho chaahe gori ho ya kaali
chaar dinon ki chaandni hoti hai har gharwaali
abbaa dabbaa jabbaa aa
abbaa dabbaa jabbaa aa

aasmaan ki pari ho chaahe gori ho ya kaali
chaar dinon ki chaandni hoti hai har gharwaali
shaadi karne waala bas shaadi ke din hansta hai
saari umr woh rota hai
iss jaal mein jab fansta hai
dar dar bhatke
dar dar bhatke mere yaar
dekho iss aafat ka maara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa thha kanwaara
aa aaa
aa aaa

arre sun mere harry re ae ae
arre sun mere hirva
sun o hiraalaal re ae
saare agar kanwaare hote
na karta koi shaadi
kaise chalti ye duniya
kaise badhhti aabaadi

aa aaa
aa aaa
aa aaa
aa aaa

hey saare agar kanwaare hote
na karta koi shaadi
kaise chalti ye duniya
kaise badti aabaadi
byaah racha ke jo na main teri mummy ko laata
bol zara pagle
tu kaise iss dharti pe aata
tere jaisa
tere jaisa moorakh na paida hoga kahin dobaara

aa haaa aa haaa
shaadi karke phans gaya yaar
achcha kahsa tha kanwara
aa haaa
aa haaa

mere tan ka gehna ban gaye chanda aur sitaare
maine jitne sapne dekhe poore ho gaye saare

aa haaa
aa haaa

aaj main kitni khush hoon jeewan ki khushiyo ko pa ke
jee karta hai nsachu bin paayal ghungroo chankaake

jaise din ke bina adhuri hoti raina kali
do pahiyo ke bina chale na gaadi jeewan waali
mere apne
mere apne meri jaan maine tum pe sab kuchh vaara

aa haaa
aa haaa

o shaadi karke phans gaya yaar
achcha khasa thha kanwara
aa aaa
aa aaa
jo khaaye pachataaye
jo na khaaye woh lalchaaye
door se meetha lagta hai ye kadva laddoo pyaara
shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa tha kunwara
aa aaa
aa aa aa aa

haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa

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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3989 Post No. : 15079 Movie Count :

4137

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My Railway related reminiscences- 3
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In my first article in the series, I discussed my first posting at Secunderabad. In my second articles, I went back into the past and discussed my probation days, including my stay at Vadodara.

In this third episode, I go back to the future ! Here I discuss my second posting.

My first posting was perhaps in the best place in the Railway zone of South Central Railway. I was posted in the capital city. I stayed near Secunderabad Railway station and I got a Railway quarter there. A capital city has so many attractions as well as opportunities. Those were the days when “computer” was a big buzz word. We had computer coaching institutes mushrooming all over India. A typical computer course taught DOS, wordstar, Lotus 123 and dbase3 . Does it ring any bells with some readers ? 🙂

A government employee is supposed to take permission if he/she wants to study in any course while in government service, with the undertaking that his study would not affect his performance in his/her job. I duly took this permission and began to attend one such course in evening.

My boss in my work place was an old fashioned conservation man. Same was the case with my bosses at the Headquarter. One standard advise that I would be given by them was – “concentrate on learning your job instead of learning about computers.” They did not share my “vision” that computers are a big productivity tools and they would play an important role in our lived in the coming days.

My HQ bosses decided that the facilities at the capital city were harmful for me and so they decided to post me to a place where such facilities were non existent.

They identified a place that was poles apart when compared with Secunderabad. It was called Purna, in Marathwada region of Maharashtra. I was posted there.

This news was naturally a setback for me. But there was not much one could do about it. This place was a junction station and it had MG lines.I took a night train called Kacheguda Ajmer express (the most prestigious train in the section). The train started at night from Secunderabad and arrived Purna after midnight at around 4 AM or so.

In Secunderabad, I was a small fish in a big ocean as far as Railways set up was concerned, but I was going to be a big fish in a small pond like Purna. There I was being posted as the incharge of all Mechanical Engineering activities of Railways in and around Purna. My beat covered places up to Manmad (360 km to west), Khandwa (405 km to north), Adilabad (242 km to east) and Nizamabad (150 km to South East). All four places were in different directions and were located in three different states. When I think about it, the area under my jurisdiction was larger than the entire Railway system in some small countries. All this was MG section.

I arrived Purna Railway station at the early hours. Since I was going to be the boss of all I surveyed, people had arrived at the station to receive me. People unfamiliar to me always had difficulty identifying me. I got down from the station and stated looking for people who may have arrived to receive me. Likewise those who had arrived to receive me were lookng for someone who should look like a boss to them. Finally we managed to locate each other. They took me to Railway Officers Guest House, a small two room guest house. One room was booked for me and this room was going to be my place of stay till I got my regular accomodation.

Most people travel in style, carrying large number of suitcases which they have great difficulty fitting inside their train berth and they then secure their suitcases under lock and key. I on the other hand woul travel with very modest looking luggage, typically a bag, and a jhola, and sometimes a suitcase. I would shove them under my train berth. No securing them under lock. In fact even my suitcase would not be locked if I could help it. I secured my suitcase only to avoid the embarrasment of an unlocked suitcase getting open and all its content falling out. And my luggage never got stolen despite lying all unsecured !

The modestness of my luggage was one of the reasons why unfamiliar people coming to receive me at the station would be unable to locate me at first glance. 🙂 Once my luggage waskept at the rest house, naturally it would remain all unlocked.

The small rest house had very small number of staff. Cleaning and dusting of the rooms was done by a lady. He small child would accompany her. The door of the room would remain open all the time.

In the morning I went to my work place. This place was a steam loco shed, located towards south of the Purna Railway station. In its prime, this loco shed had over 60 MG steam locomotives. The number had come down a good deal.

The office was located on the first floor of a old fashioned British Style building. My chamber was quite large and spacious vis a vis the small chamber that I had in my previous place of posting. There were hundred of staff in the office. People there still complained about there being less number of staff. 🙂

A few months later, my top boss (Chief Mechanical Engineer, based at Secunderabad ) paid a visit to Purna. During the course of his “inspection” of the place, he enquired- “how many clerks are there in the shed ?”.

The reply was “The work has reduced drastically, and so has the number of clerks. Now we have ONLY 40 clerks.”

“ONLY 40 clerks. My office at Secunderabad dealing with entire zone only has 39 clerks !”- the Chief Mechanical Engineer exclaimed !

Though I joined at Purna, my heart was still at Secunderabad and I would try to go back to Secunderabad at weekends and holidays, much to the chagrin of my immediate boss. I would leave for Secunderabad on friday and arrive back on Monday morning.

Once I went to Secunderabad on weekend and arrived back on monday morning. While at Secunderabad, I boaght sweets, with the intention of consuming them at leisure in Purna. As usual, my luggage remained unlocked in my room.

When I came back to my room in the evening, I found that out of 20 pieces of sweet, only one piece remained in the bag where I had kept the sweet packet. The cleaning lady and her young son were looking very worried. I realised that the small kid had opened the box, and seeing the sweets, he kept eating the pieces and her indulgent mother could not prevent him in time. Now both of them were very worried.

I looked at the matter from the point of view of the kid and decided that it was alright. I behaved as if nothing happened. The mother and child waited till then morning to see my reaction. I showed no reaction and both of them were mightily relieved. It must have been an unexpected big lucky break for them. I could notice that they were silently thankful for me from the core of their hearts.

With time, I stopped going to Secunderabad at weekends. Instead, I would go to the nearly towns in the first half and be back by night. There was Parbhani (30 km to the north) and Nanded (30 km to the south) from Purna. These two district places had may be 4-5 movie halls each. I would visit one of these places during weekends, watch a movie and would come back to Purna by night.

All this journey was by train, of course. On one such occasion, I had gone to Parbhani. I watched some movie and then boarded the evening train coming towards Purna. The middle aged person seated opposite me in the first class coach was a PWD engineer in Maharashtra Government. He was coming back to his Nanded residence after attending some meeting at Aurangabad. I got introduced to him. He told me “kabhi koi kaam ho to bataana. Indian ka Home minister S B Chawhan ka main family friend hoon.” He also gave me his home address of Nanded.

I got down at Purna.

I was a “different” kind of Railway officer. I believed in things like honesty, fairplay etc. My immediate boss (based at Secunderabad), on the other hand was an archtypical Government official who believed in sucking up to the boss as the easy and only way of success. And he expected me to do the same. There were occassions when “failures” would take place and he would ask me to suspend someone. I would carry out my investigation into the failure and would found that the person required to be suspended was innocent. So I would refuse to suspend the innocent man.

This happened on quite a few occasions. He at his level would tell the division boss”(DRM)- “driver was responsible for late start of train. I have asked my Purna officer to suspend the driver.” I would investigate the matter and I would find that the driver was innocent.

The boss looked for opportunity to get his own back. One usual opportunity was to write adversely about my performance in my annual confidential report. I was an unusual kind of person who did not give a damn and I felt that spoiling my ACR was a non issue. He got his opportunity to actually hurt me. I wanted to take leave because my parents were calling me. It is nt difficult for people to realise the probable reason. 😉 I foolishly informed my boss of the reason why I wanted leave. So he got a great opportunity to harass me. It is not possible to give you leave right now. But you will be given leave next month. He would tell me. I woul;d belibve him and ask for leave the next month. Then also he would say the same thing. This went on for three months and by the time it was clear t one and all that my boss was using this opportunity to harrass me.

I felt very low when I was denied leave for the third time. I felt helpless. Then I remembered the Nanded based man. I went to Nanded and met him. I asked him to help. He was of course taken aback. He was no doubt a family friend of Indian home minister and a school mate of his son but what he had told me in the train may have been an exaggeration of his influence. In any case, meeting with him and talking with him served as some balm and gave me some mental relief.

A few weeks later, I received a telegram- “father serious, come home immediately.” I , alongwith my staff were naturally aghast, my supervisor (Loco Foreman) raised hell with the division headquarter and arranged for my leave on urgent basis. I was actually quite worried till I reached home and I was relieved to know that my father was alright. It was the usual time tested way of securing leave if the proper way of obtaining leave failed.

This episode taught me a valuable lesson that I tell everyone to follow. You should never tell others (especially your boss) about your “problems” and expect him to sympathise with you. Your vulnerabilities will be used against you. You should give the impression that you have no problems whatsoever. I have followed this lesson after this experience. I have rarely asked for any leave during the last 20 years of my service. And I tell everyone that I am happy wherever I am posted. And whatever I state happens to be the truth as well.

The movie that I had watched at Parbhani that evening (when I met that PWD Engineer) may have been either “Daamini” (1993) or “Dil Aashna Hai”(1992) or some other movie. I am not sure now. Let me assume that it was “Daamini” (1993).

This movie was directed by Rajkumar Santoshi. It had Rishi Kapoor, Meenakshi Seshadri, Sunny Deol, Amrish Puri, Tinu Anand, Kulbhushan Kharbanda, Anjan Srivastava, Rohini Hattangadi, Aamir Khan, K K Raina, Paresh Rawal, Sulbha Arya, Vijayendra Ghatge, Viju Khote, Achyut Potdar, Asha Sharma etc in it.

The movie had five songs. Here is the first song from the movie to appear in the blog.

This song is sung by Kumar Sanu and Alka Yagnik. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

The song is picturised on Rishi Kapoor and Meenakshi Sheshadri.

With this song, “Daamini”(1993) makes its debut in the blog.


Song-Gawaah hain chaand taare gawaah hain (Daamini)(1993) Singers-Kumar Sanu, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewaanepan ke
nazaare gawaah hain aen
gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewaanepan ke
nazaare gawaah hain

gawaah hain
chaand taare gawaah hain

tumko rakhoonga dil mein basaa ke
meri dhadkan tum ho
dekhoonga tumko shaam o sahar main
mera darpan tum ho
tumko rakhoonga dil mein basaa ke
meri dhadkan tum ho
dekhoonga tumko shaam o sahar main
mera darpan tum ho
jee na sakoonga main hoke juda aa aa
gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewaanepan ke
nazaare gawaah hain aen

gawaah hain
chaand taare gawaah hain
daamini daamini
daamini
o meri daamini
daamini daamini
daamini
o meri daamini

bhool gayi main is duniya ko
pyaar hua jab se
tere siwa kuchh aur na maangoon
main to mere rab sबe
bhool gayi main is duniya ko
pyaar hua jab se
tere siwa kuchh aur na maangoon
main to mere rab se
seene mein armaan hain
lab pe dua aa aa

gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewanepan ke
nazaare gawaah hain aen
gawaah hain
chaand taare gawaah hain

gawaah hain
chaand taare gawaah hain
daamini daamini
daamini o meri daamini
daamini daamini
daamini o meri daamini
daamini daamini
daamini main teri daamini
daamini daamini
daamini main teri daamini


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3980 Post No. : 15068

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Blog 10-Year Challenge (2009-19) – Song No. 35
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My Railway Related Reminiscences – 1
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When I look back into days gone by, I find that my recollections of the past can be divided neatly into decades. I have vague recollections of 1960s as I was quite young in that decade. 1970s is the decade that I recall most vividly as well as most fondly as I was as my precocious best in this decade, being in my teens in this decade.

I find that my recollections of subsequent decades are rather more vague. I can tell you what I was doing in 1975, but I do not have similar vivid recollections of 1985, 1995 or even 2005 !

The above applies to my recollections on Hindi movies and HFM as well. I cannot recall even one Hindi movie song of 2005 or 2015 if my life dwepended on it, but I can readily recollect dozens of songs of 1975.

Since our younger regulars never tire of reminding us that good songs were created in 1990s and later as well, I thought that I should try and discuss some songs from those years even though my recollections of those days are not as vivid as my recollections of 1970s. 🙂

Much of my 1980s was spent in my “higher” education. From 1990s onwards, I found myself posted in various parts of the country.

My initial postings were in South, in what was South Central Railway, with its HQ at Secunderabad. My initial days there were spent in twin cities of Hyderabad and Secunderabad. My first posting was very much in that place. Later, I was posted at a small place in Marathwada called Purna.

I watched quite a few movies in Hyderabad/ Secunderabad. Those were Hindi movies, Telugu movies as well as English movies.

I was a firm believer that one should walk on foot in any new place wherever you wanted to go. That helped you familiarise yourself with various landmarks of the place. I applied my theory rigidly. I would walk six km daily from my residence to my workplace in the morning and then come back by walk in the evening. So I used to walk 12 km daily. 🙂

On weekends, I would plan to watch movies. I used to buy all the three English daily newspapers published in the city, namely Deccan Chronicle, Hindu and Indian Express. The three newspapers together form such a bulk that sometimes people would mistake me for a newspaper vendor. 🙂

I would look at the cinema hall ads to find which movies were playing in which movie halls. After identifying which movie to watch and where to watch, I would decide how to reach there.

It was sometime in 1991 or may be 1992 that I decided to go and watch “Phool Aur Kaante”(1991).

THe movie was playing in a movie hall in old city of Hyderabad. I stayed in Secunderabad near the Secunderabad Railway Stations at a distance of 15 km. How to reach there.

I boarded a local train from Secuderabad and reached Kacheguda Railway station. From there I walked towards old city, in the general direction of Hyderabad(aka Nampally) Railway station. I had a map of the twin city and I would consult it often to find locations of interest to me.

I kept walking on and on and came across old city, full of densely populated areas. I did not have to go Huderabad Railway station. The movie hall was somewhere in between Kacheguda and Hyderabad Railway stations.

I arrived the hall well in time so I had little difficulty buying a ticket for for matinee show. Now, show beginning at 3 PM is matinee show for me, as I was born and brought up in North India, but in Hyderabad, it was called first show there. I think it is still called first show in those parts.

That was not the only difference. What I knew as “cold” drink in north was called “cool” drink there. 🙂

I soon found lots of movie watchers arriving at the movie hall. Now, more than two decades later, I have read about the movie going audience of Hyderabad from our beloved inhouse encylopaedia Mr Arunkumar Deshmukh in many of his articles. Bulk of movie watchers who had gathered belonged to that kind. There were burkha nasheen females accompanied by lots of small kids. It was not as if this movie had a well known hero. This movie had debutants in lead roles. I wondered why all of them had so eagerly gathered to watch the movie where a newcomer was the hero.

The show began after some wait. It goes withot saying that bulk of movie watchers enjoyed the movie thorougly. I would have enjoyed this movie like them if I was two decades younger. But during these two decades, I had learnt thinks like “logical” thinking etc. I was applying logic on the movie and was not able to find much to enjoy. Now, the hero and heroine are college students. But they were hardly seen studying even for one minute. They would be seen singing dancing and romancing for the entire duration of the movie. Come on, how can one even get admitted to a decent college if all one does is teasing the female students and making passes on them. And in which college one finds females falling in love with the eve teaser. In real life India, such male students would get expelled from the college, and here in the movie he is being glorified. Moreover, how can such students even survive the academic rigours of college life ?

Moreover, I believe that one goes to college to study and not to romance. There is plenty of time and opportunity left in life in future for such romantic pursuits once you have successfully completed your studies and have become financially independent.

Conscientious movie watchers like me are in minority and no movie makers do any thing to appease movie goers like me. Movie makers merrily go on to make movies like this which are big hits at the box office and which are happily lapped up by simple minded movie goers.

I have covered one song from this movie in the past. That “past” happened to be 11 june 2009, viz exactly ten years ago. So, this movie becomes an ideal case of blog ten year challenge.

So here is the second song from “Phool Aur Kaante” (1991) on this day viz 11 june 2019, exactly ten years after covering the first song of the movie in the blog. This song is sung by Kumar Sanu and Anuradha Paudwal. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

This movie was produced by Dinesh Patel and directed by Kuku Kohli. This movie had Ajay Devgun, Madhoo, Amrish Puri, Raza Murad, Raghunath, Jagdeep, Goga Kapoor, Suresh Chatwal, Aruna Irani etc in it. The movie was the launch vehicle of Ajay Devgun. His stunt master father Veeru Devgun was behind the production of this movie.

Watch the picturisation of the song. The song is quite enjoyable to listen to and watch to in you can switch off your conscience and sensibilities. But I have great difficulty doing that.

Nevertheless, here is this song from “Phool Aur Kaante” (1991) which was hugely popular those days and continues to remain so till this day.

Video (one stanza missing)

Audio (Full)

Song-Maine pyaar tumhi se kiya hai (Phool Aur Kaante)(1991) Singers-Kumar Sanu, Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan
Chorus

Lyrics

maine pyaar tumhi se kiya hai
tururururu
maine dil bhi tumhi ko diya hai
tururururu
maine pyaar tumhi se kiya hai
tururururu
maine dil bhi tumhi ko diya hai
tururururu
ab chaahe jo ho jaaye
main duniyaa se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

maine pyaar tumhi se kiya hai
tururururu
maine dil bhi tumhi ko diya hai
tururururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon
maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai

ailaan yahi
karne aaya
main aaj yahaan
marne aaya
ruswa tujhe main
kar jaaunga
khaa ke zahar ab
mar jaaunga
khaa ke zahar ab mar jaaunga
maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
turururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
aaa aaa aaa aaa aaa
aaa aaa aaa aaa

dilwaale agar
mil jaayen yahaan
phir neend kise
phir chain kahaan
ye
tere liye aahen
bharta hai dil
teri aisi baaton se
darta hai dil
teri aisi baaton se darta hai dil

maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
turururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai

baahon mein teri
din raat rahoon

jag chhod doon main
o tere saath rahoon
o saanson mein basa loon aaja tujh ko
tere bina jeena nahin mujh ko
tere bina jeena nahni mujh ko
maine pyar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
tururururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyar karoon
main duniya se ab naa daroon
tujhi se main pyar karoon

maine pyar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
turururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon

main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

main duniya se ab naa daroon
tujhi se main pyaar karoon


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all Atulites

Today’s birthday girl was a Miss India winner in the year when my family got a TV for the first time ever. Prior to that whatever I have seen on TV (read Doordarshan) was either in other people’s houses or my chachu’s home. (As I have previously mentioned on many occasions. Those days nobody minded other people’s kids or adults too for that matter, coming in to see TV) I remember having got used to seeing the live relay of the Republic day parades, Filmfare Awards Nites, test matches, Wimbledon and opening ceremonies of Olympics or Asiad etc. They had a different charm to them specially when there would be no repeat telecasts and we used to either wake up early or sit up late to see live relays of overseas events.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

People talk about the rich voice quality that Amitabh Bachchan has – the baritone etc. But has it occurred to anyone that there are and were and will be other actors who have or had similar voice? One such voice was that of Mogambo. There are tales that tell how the makers of “Mr. India” went from Danny to Amjad Khan to any other known faces of that era to play the character of Mogambo. Each one had his own reason for not taking up that character and eventually Amrish Puri ended up being The Mogambo and now it is impossible to even imagine any other person as Mogambo. I am unable to distinguish the man from the character and part of the power in the role was the voice of the actor.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Readers of this blog might now be familiar with a certain pattern of posts on this blog.

While there are posts which focus largely on the song, or the film, or even personal anecdotes, one common pattern is the celebration of anniversaries and milestones, in a post.

The anniversaries are our way of paying tribute to the artiste concerned. Whoever the artiste, whether a composer or lyricist or actor, whatever his level of fame in the industry, we try to remember and honour him on his birth or death anniversary.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

People who are into stock markets try to guess the movement of shares based on past pattern of their price movement. I think that the principles of stock market indexes can be used to make guesses about my activities as well. If lots of songs are being discussed then it could mean that I have lots of time at my disposal, little pressure of work, family, pets etc and that my internet connection, electricity connection etc are co operating. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The best memory I have of this artist is the visual from ‘Araadhna’ (1969), sitting in the driver seat, looking crisp and dapper in a suit and matching cap, driving single handedly and playing mouth organ with the free hand, maneuvering the vehicle so that it keeps pace with the small toy train as it wounds its way on the hilly trek to Darjeeling, thus enabling a free hand to Rajesh Khanna to perform his gymnastics in the open top vehicle, as he belts out the now iconic “Mere Sapnon Ki Rani Kab Aayegi Tu”, serenading a coy Sharmila Tagore sitting in a window seat of the train, hiding her face behind Alistair MacLean’s novel, ‘When Eight Bells Toll’, but also peeking from the edges of the book that she is obviously not reading.
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“Pardes” (1997) was a Mukta Arts Production. It was produced and directed by Subhash Ghai. The movie had Shahrukh Khan, Mahima Chaudhary, Apoorva Agnihotri, Pawan Malhotra, Amrish Puri, Alok Nath, Padmavati Rao/Arundhati Rao, Aditya Narayan, Himani Shivpuri, Dina Pathak, Madhuri Bhatia, Smita Jaykar, Ajay Nagrath, Rakesh Talreja, Benu Kalsi, Anand Balraj, Subhash Ghai, Deepak Qazir, Shashi Sharma, Richa Pallod, Prachi Save etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a Sonu Nigam song from the 1997 film Pardes. It happens to be one of those songs which were in my original list of desert songs. This is a Subhash Ghai film starring Shah Rukh Khan, Apoorva Agnihotri, Mahima Chaudhary, Amrish Puri, Anupam Kher etc. This was Mahima Chaudhary’s first film. And as per his penchant for naming the heroines he would launch in his movies, Subhash Ghai has given her the name ‘Mahima’. Just like, Meenakshi (Hero) and Madhuri (Ram Lakhan) etc. Having seen the film on its release, this song is there in the memory as one with a car driving fast on the interstate in the middle of desert. On seeing it again Irealised that only a little part of the song is on the road, in a car. The rest of it is in Las Vegas and Disney land.
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(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15182

Number of movies covered in the blog

Movies with all their songs covered =1176
Total Number of movies covered =4171

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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