Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Nadeem Shrawan


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4705 Post No. : 16409

Today’s song is from a very recent movie ‘Salaami-1993’.

This movie had made its debut on the blog during its early days and that was on 30.11.2008. It means that the second song of this movie is now appearing after a gap of 12 years, 6 months, and 6 days or after 4570 days. (including 04.06.2021).

This movie had some nice songs in it and the most popular song ‘chehra kya dekhte ho’ has already been posted on the blog.

Today we listen to another well known song from this movie which is a multiple version songs in the voices of Pankaj Udhas and Alka Yagnik.

“Salaami-1993” was directed by Sharukh Sultan for ‘Tess Mirza Films Pvt Ltd.’ It was ‘Venus Records and Tapes Pvt Ltd’ presentation.

This movie was produced by Tess Mirza. It had Ayyub Khan, Samyukta and Raushni Jafery (both debutant), with Kabir Bedi, Beena, Goga Kapoor, Lalita Shukla and Saeed Jafery. They were supported by Brij Kishore, Virendra Singh, Kishore, Vinkoo Bhalla, Romi, Binder Agarwal.

Sharukh Sultan the director of this movie was also the write of this movie. Dialogues of this movie were written by Mushtaq Jalili and Sharukh Sultan. Editing of this movie was done by Sakharam Borse.

This movie was passed by censor board on 23.11.1993.

Music for this movie was composed by Nadeem-Sharvan.
This movie had nine songs (including two multiple version songs) written by Sameer, Madan Pal, Surendra Sathi and Anwar Sagar.

Singers Asha Bhonsle, Kumar Sanu, Pankaj Udhas, Alka Yagnik and Kavita Krishnamurthy had given their voices to the songs of this movie.

As mentioned above one song from this movie was posted on the blog on 30.11.2008.

Today’s song is a multiple version song, where the solo version is sung by Pankaj Udhas and the duet version is sung by Alka Yagnik with Pankaj Udhas. Lyrics are written by Sameer and music is composed by Nadeem-Shravan.

In picturisation of the solo song we can see Ayyub Khan lip syncing to the voice of Pankaj Udhas, actress Samyukta (I guess) and others. I am unable to guess the other actor in this song.

While video of the solo version is available, I could not locate the video of the duet version.

I would request readers who have watched this movie to throw more light on this movie and its songs.

Let us now listen to today’s song (s 😊 )

Video (Solo version)

Audio (Duet version)

Song-Dil jabse toot gaya (Salaami)(1993) Singers-Pankaj Udhas, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

—————————————-
(Solo version, singer – Pankaj Udhas)
—————————————-

dil jab se toot gayaa
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
dil jab se toot gayaa aa
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

jaam ka hai sahaaraa aa
varnaa kya hai hamaaraa
jaam ka hai sahaaraa aa aa
varnaa kya hai hamaaraa aa aa
ye dawaa jo na peete ae ae
ham bhalaa kaise jeete
dekhe mud ke jahaan
hai wahaan bebasi
bekhudi ban gayi
ab meri zindagi
saath teraa chhoot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

tera vaada thhaa jhoothaa aa
pyaar ka rishta tootaa
tera vaada thhaa jhoothaa
pyaar ka rishta tootaa aa
toone pardaa hataaya
asli chehra dikhaaya
bewafaa be-khabar
sangdil
be-reham
sochte hain tujhe kya kahen sanam ham
kisko pataa
kisko khabar
zakhmon ko ham kaise seete hain
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

dil jab se toot gayaa
kaise kahen ae kaise jeetein hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

__________________________________________________________

(Duet version, singers – Pankaj Udhas, Alka Yagnik)
———————————————————-

dil jab se toot gayaa
dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
dil jab se toot gayaa
kaise kahen kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

jaan e wafaa
jaane na tu
jaan e wafaa aa
jaane na tu
zakhmon ko ham kaise seete hain
kaise tere binaa ham jeete hain
kaise tere binaa ham jeete hain

jaam ka hai sahaaraa aa
varnaa kya hai hamaaraa
jaam ka hai sahaaraa aa aa
varnaa kya hai hamaaraa aa aa
ye dawaa jo na peete ae ae
ham bhalaa kaise jeete
dekhe mud ke jahaan
hai wahaan bebasi
bekhudi ban gayi
ab meri zindagi
saath teraa chhoot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain

tujhpe kar ke bharosaa
hamne khaaya hai dhokha
tujhpe kar ke bharosaa
hamne khaaya hai dhokha
pehle jo jaan jaate ae
tujhse dil naa lagaate
apni har aarzoo
aansuon mein dhali
dard ki aag mein har
tamannaa jali
kisko pataa
kisko khabar
zakhmon ko ham kaise seete hain
kaise tere binaa ham jeete hain
kaise tere binaa ham jeete hain

dil jab se toot gayaa
kaise kahen ae kaise jeete hain ae
kabhi jyaada kabhi kam peete hain
kabhi jyaada kabhi kam peete hain
jaan e wafaa aa
jaane na tu
zakhmon ko ham kaise seete hain
kaise tere binaa ham jeete hain
kabhi jyaada kabhi kam peete hain
kaise tere binaa ham jeete hain
kabhi jyaada kabhi kam peete hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4681 Post No. : 16361

We all are witnessing a once in a century pandemic that is taking a heavy toll of precious human lives. There is information overload on this topic. Much of the “information” that we are being bombarded with is not useful, and may even be harmful.

I have been observing all this. I have tried to figure out what is going on. I have tried to piece together useful information about this virus. Here I would present my take on this pandemic and how I think we should deal with the situation.

It seems that very few people actually have an idea how covid infection takes place and how it spreads. Awareness about how to protect oneself against this virus also seems low among people. The outcome of low awareness about this virus has led to disastrous consequences as we all have seen.

In a situation where most people are pressing the panic button and losing their heads, we need to take a calm look at things so that we know how to deal with this situation. I will try to keep it as simple and easy to understand as is possible.

covid 19 virus can be likened to a well trained terrorist group. It is trained and armed and indoctinated outside our borders. Then they are sent across the border to create terrorist acts within our border. Here terrorists are equivalent to covid 19 virus, whereas our country is like our body.

How do these terrorists cross the border ? If they find no security across the border, then they just sneak in unchallenged. If security is tight then they try to sneak in while their army resort to shelling across the border to divert the attention of our security forces. These terrorists then try to sneak in.

These terrorists, if they sneak in, try to create terror attacks wherever they can. If security is tight, then their attempts are foiled most of the time. If security is slack or the terrorists get local support then they are able to create serious damage.

If the terrorists are able to fan out inside the whole country then they can create terror attacks all over the country. All this happened in India with regularity not too far back. This is the most severe kind of terror attacks that India has seen.

With this background, that all Indians can readily identify with, I will try to explain how covid 19 virus acts in a similar way.

Covid 19 virus tries to gain entry into human body. It is a respiratory virus, so it can only enter our body through the external respiratory parts, viz nose and mouth, and also through eyes. So if our body is a country then nose and mouth and eyes are our border posts through which this virus tries to gain entry. When this virus was unknown, it had a free passage into the human body through nose and mouth of unsuspecting victims. When its existence became known then people began wearing masks. It is as if earlier the borders were unmanned but now they need tight security. Face masks are the border security force that that guard our entrances (nose and mouth).

If nose and mouth are guarded then still the virus may lurk in, seeking to enter when the guard is down, viz when the face mark is removed. People do remove face masks when they feel that there is no virus around. Virus lurks in the air, on the person, on clothes, exposed part of the body etc. If a person touches something (on his person or any object containing virus) and then touches his nose or mouth, this is the opening that the virus needed. It then enters the respiratory tract of the body. Now you know why there is so much stress on sanitising objects, hands etc. This also shows us what is the importance of six feet distance. If people stand far off, then the chances of virus getting transmitted from one person to another reduces considerably.

If despite all precautions, some virus enters the respiratory system, its quantity (viral load) will be low. If we are outright careless (no mask, no social distancing) then our respiratory system may receive a heavy viral load.

What happens when the virus manages to enter the respiratory system dodging the mask? It depends on the preparedness near the border.

Masks at the nose are like BSF who guard the border. If the terrorists cross the border, then they have to face the army, who are stationed near the border. In case of covid infection, the army that confronts the virus is known as body’ immunity system. It is basically white blood cells of blood. These WBC are the army soldiers to deal with the infiltrators. These WBCs are trained to tackle known viruses that they have tackled in the past. As soon as they come across a previously known virus, they are immediately able to mobilise anti bodies to tackle that virus. The antibodies can be readily and rapidly deployed. On the other hand, when a new virus, viz covid 19 virus enters about which the WBCs have no previous information, then WBCs take some time to get prepared. As WBCs gather more information about the new virus, they begin to create anti bodies to tackle the virus. But for a new virus, especially if a heavy viral load had entered the respiratory system, the WBCs response may turn out to be slow and inadequate. In the meanwhile the virus is able to do considerable damage to the respiratory system. By the time the WBCs begin to create antibodies, it may be too late.

So, If the viral load is less, then the virus is stopped there itself. If viral load is heavy and the person is not vaccinated then the virus may overwhelm the immunity system and enter further into the body, namely the lungs. Lungs are like the different states of the country. The terrorists have now spread throughout the country, and now they can wreak severe damage. The security in the interior of the country is in the hands of police, which is far too ill equipped to deal with such security threats than the army. Same is the case with the immunity system of the body, which is helpless if the virus gains access to the lungs.

Let us say that the person was already vaccinated. In that case, the immunity system was familiar with this virus. So as soon as the virus entered the respiratory system, the WBCs, being already aware about the nature of the virus, will be able to deploy antibodies immediately. So a vaccinated body is like a country with a strong well trained and well prepared army near the border. In that case most of the infiltrating virus would get neutralised there itself.

If the immunity is weak and person is not vaccinated, then the virus overwhelms the resistance at the entrance and invades the lungs. In that situation, the virus starts rapidly infecting the lungs that are unprotected and are now at their mercy. The virus damages the alveoli (tiny air sacs). The function of the alveolus is to transfer oxygen to the blood vessels. These blood vessels or capillaries carry the oxygen to the RBCs (Red blood cells). It is the RBCs that finally deliver the oxygen to all the internal organs in the body.

The virus works by damaging the wall and the lining of the alveolus and capillaries. The debris from the damage(exudate) , which is plasma protein accumulates on the alveolus wall and thickens the lining. As the walls’ thicken, the transfer of oxygen to the red blood cells is impaired. The thicker the wall gets, the more difficult it gets to transfer oxygen to the red blood cells, which causes difficulty in breathing as the body is running short of oxygen. And the lack of oxygen to the internal organs results in a deficit in the body and impairs the functioning of the organs. At this juncture, the body fights to increase oxygen intake.

And the first response of the body is to destroy the virus and prevent its replication, but if the individual has weaker immunity then the body is unable to stop the virus, and this aggravates the crisis.

As the air sacs are damaged, there is an influx of liquid which is mostly inflamed cells and protein and this fluid build-up leads to pneumonia. This further impairs the oxygen intake by the lungs and hinders the oxygen exchange. Due to the novelty of the Covid 19 strain, there is no immediate treatment to directly cure pneumonia in Covid 19 patients and they are mostly given supportive care.

There are some key indicators that the doctors use to judge the onset and severity of this severe condition called Acute Respiratory Distress Syndrome (ARDS) in infected individuals:

(1)Hypoxia – Low oxygen levels in the blood, due to damage to the alveolus

(2)Breathing difficulties and shortness of breath

(3)Chest x-rays of the lungs exhibit an opaque and glassy look against the black background

(4)Worsening symptoms over the course of time, from the day of detection of the virus

Is there no hope if the virus reach the lungs ? There is ! And it is this fact which is the most important thing to understand about this virus. The ammunition of the virus gets exhausted in nine days and so the virus gets ineffective nine days after it enters the body. If the damage to the body can be kept as low as possible though medication and other means then after nine days the recovery process begins. So the patient must be kept alive for nine days. If it can be achieved then he or she will survive. Forget low damage, even patients who suffered over 80% damage to their lungs have survived !

Virus may have become ineffective but it may have taken a heavy toll on the lungs by that time. The patient must lie prone on his/ her tummy and try to clear the contents of the lungs by coughing them out. Coughed up exudate (phlegm) would be variously coloured when the infection is severe. After a few days the colour would keep changing, from catechu colour (most severe) to black color (less severe)and finally as the infection reduces, the phlegm would become white. Finally phlegm would stop.

As the phlegm comes out, space is created in the lung and that makes breathing easier. Patients who are hospitalised and they have oxygen fitted on them mistakenly believe that they only have to keep lying down passively without doing anything. Not taking any proactive action to clear up the phlegm in their lungs is a mistake because in that case the situation will keep getting worse because the oxygen being pumped into their lungs will have no place to go in the lungs. If oxygen cannot reach the lungs then naturally they cannot be sent to RBC and from there to various parts of the body, and that would lead to serious complications.

It is seen that not just patients, even medical practitioners are often not very helpful (mainly because of their lack of experience). For instance, when a patient goes for chest x ray or HRCT, the report just states the facts, without any expert and helpful comments. A typical (and actual) HRCT report stated- “CT severity score of -36/40”

What will a normal patient do on reading the above ! He/ she will most probably die of shock if not covid because it indicates that the damage to the lung is over 80 %. Fortunately, the above patient happened to be the sister of my wife. My wife told her sister that she did not have to worry. The virus had done all it could and now the lung condition was only going to improve. To make space in the lungs, she advised her sister to do exercises that would expel the phlegm (technical term for this substance is exudate) stuck in her lungs. My wife’s sister followed the advice scrupulously. There was noticeable improvement in her condition. After a couple of weeks, her scan showed perfectly clear lung condition !

It was not the first case where my wife helped save a life. Last year, her brother too had suffered from covid and he too had delayed getting himself checked and treated, leading to a lung condition that was even worse. Even there, correct and timely advice by my wife helped save the life of her brother.

In my wife’s opinion, Rohit Sardana, the news anchor faced a similar situation as faced by her brother and sister and he could have been saved if he had received correct medical advice of the kind that she gave to her brother and sister. In Rohit Sardana’s case, he was in home isolation and he was making good recovery and was feeling better. It was on the advice of some well meaning colleague that he got his HRCT done. The HRCT showed similar severity as in case of my sister in law. But Rohit Sardana did not have the advantage of a good doctor’s advice who would tell him that the worst was over for him. Looking at the severity of his lung report, he went into shock and got himself admitted to a hospital, where he died soon thereafter.

So, to summarise all the above discussion, it can be said that the best protection against covid 19 is a properly worn mask. Do all in your ability to ensure that the virus cannot enter your respiratory system. The virus can enter your respiratory system only through nose and mouth (and in exceptional cases through eyes). Protect these entrances to your respiratory system with your life. If in rare cases virus does get in, only a light load of virus gets in if you have taken precautions, so that your present immunity system can deal with it. Do not be foolhardy to offer a free passage to the virus by going around without mask. Allowing a huge viral load to enter your respiratory system believing that you have a great immunity system is nothing but suicide. Such people will be mercilessly shown their mortality by the virus. Once the virus attacks your lung, then you will be forced to run around from pillar to post, but all these efforts will largely be fruitless. A mask costing a few rupees, and a disciplined lifestyle is more effective in preventing covid than all that desperate scramble clamouring for hospital beds, oxygen, remdesivir etc, and all that at black market prices.

And please get yourself vaccinated at the first opportunity available. India is one of the few countries that can produce its own vaccines and so India is not dependent on foreign supplies (which are difficult to come by). Most people are getting it for free in government facilities. but if some private hospitals are offering it against payment, then pay for it, avoid long waiting lists of government hospitals and get yourself vaccinated. Paying a few hundreds, or even a couple of thousands of rupees for the doses of this vaccine is fully worth it as will protect you from this deadly virus.

While discussing this deadly respiratory disease, I had decided that this article should be accompanied by a song dealing with “Saans”. The first “saans” song that I was reminded of was this song of “Aashiqui”(1990) but I thought that this song was already covered. On checking up, I heaved a sigh of relief (pun unintended) because this song was not yet covered in the blog.

Produced by Gulshan Kumar and Mukesh Bhatt and directed by Mahesh Bhatt, “Aashiqui”(1990) had Rahul Roy, Anu Agarwal, Reema Lagoo, Deepak Tijori, Avtar Gill, Tom Alter, Mushtaq Khan, Javed Khan, Sunil Rege, Homi Wadia, Anang Desai etc in it. Two songs from the movie have been covered in the past.

This movie turned out to be a musical blockbuster. The story of the movie was quite run of the mill and no great shakes, but the music made the movie a super duper hit.

The song under discussion has two versions. THe movie begins with the male version sung by Kumar Sanu. This song is picturised as a hotel/ club song. Rahul Roy lip syncs the song. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

The female version song is sung by Anuradha Paudwal. Its video does not seem to be available. I had watched this movie in New Delhi and I vaguely recall having seen the female version also. But its video does not seem to be available now. In any case, it was the male version which was the more popular.

The song likens the need for a “sanam” to the need for “saans”. We take “saans” for granted, but not any longer, seeing the clamour of medical oxygen in these times. One never imagined that a time may come when one would be willing to pay money to be able to breath oxygen artificially. God has given us the ability to breathe this air for free. Let us hope that we will continue to be able to avail of this gift of being able to breathe naturally.

Today (12 May 2021) is also International Nurses’ day. On this occasion, let us all hail and appreciate the great service that they and other medical personnel are rendering in combating this pandemic.

Male version (Video)

Female (Audio)

Song-Saanson ki zaroorat hai jaise zindagi ke liye(Aashiqui)(1990) Kumar Sanu/ Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

—————————
Male version
—————————

ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho

saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise
zindagi ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
jaam ki zaroorat hai jaise
jaam ki zaroorat hai jaise
bekhudi ke liye
haan ek sanam chaahiye ae ae aashiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye

waqt ke haathhon mein sabki taqdeeren hain
waqt ke haathhon mein sabki taqdeeren hain
aaina jhoothha hai
sachchi tasveeren hain
jahaan dard hai wahin geet hai
jahaan pyaas hai wahin meet hai
koi na jaane magar r
jeene ki yahi reet hai
saaz ki zaroorat hai jaise
saaz ki zaroorat hai jaise mausiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye ae
haan ek sanam chaahiye ae ae aashiqui ke liye

Dialogues
————————————-
ladies and gentlemen
aaj hamaare beech mister and mrs Peston jee
apni shaadi ki pachcheesvin saalgirah mana rahe hain
let us give them a big hand

—————————————
ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho

manzilen haasilen hain
phir bhi ek doori hai
manzilen haasilen hain
phir bhi ik doori hai
bina humraahi ke
zindagi adhhoori hai
milegi kahin koi rehguzar
tanha katega
kaise ye safar
mere sapne ho jahaaan aan
dhhoondhhoon main aisi nazar
chaand ki zaroorat hai jaise
chaand ki zaroorat hai jaise chaandni ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
bas ek sanam chaahiye ae ae aashiqui ke liye
aashiqui ke liye
aashiqui ke liye
aashiqui ke liye

——————————-
Female version
——————————–
hmm hmm hmm hmm
hmm hmm hmm
aa aa aa aa
aa aa aa

saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
shama ki zaroorat hai jaise
shama ki zaroorat hai jaise raushni ke liye
haan ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye

baaghbaan ke dil mein har kali khilti hai
baaghbaan ke dil mein har kali khilti hai
har lahar saahil se ik din milti hai
jahaan chain hai wahin bebasi
jahaan ashq hai wahin hai hansi
gham ke kaanton se chune ae usiko milti khushi
honthon ki zaroorat hai jaise
honthon ki zaroorat hai jaise baansuri ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye

hmm hmm hmm hmm
hmm hmm hmm
laa laa laa laa
laa laa laa

har haseen dhadkan mein pyaar ki baaten hain
har haseen dhadkan mein pyaar ki baaten hain
har jawaan mehfil mein yaar ki baaten hain
jahaan nazm hai wahin hai ghazal
jahaan dhoop hai wahin hai kanwal
seene se lipte rahe ae kisi ke yaadon ke pal
dost ki zaroorat hai jaise
dost ki zaroorat hai jaise dosti ke liye
haan ik sanam chaahiye ae ae aashiqui ke liye
saanson ki zaroorat hai jaise
saanson ki zaroorat hai jaise zindagi ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
bas ik sanam chaahiye ae ae aashiqui ke liye
aashiqui ke liye
aashiqui ke liye
aashiqui ke liye


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4479 Post No. : 15987

The series of “Dheere dheere songs” has been in the making since May 2019 starting with this post. But nothing to worry about, as I am keeping track of these posts and will give a recap in the final post of the series.

Next song in this series is this multiple version song from the film Phool aur Kaante- 1991. The music director are the duo Nadeem Sharavan, with their trusted team member Sameer being lyricist. Sameer holds the records for having written highest number of film song. The singers are Kumar Sanu and Alka Yagnik.

Myswar.com has listed three versions of the song, a duet and Alka Yagnik solo of “Dheere dheere pyar ko badhaana hai” and a sad duet version with slight change in words of mukhda “dheere dheere hausla badhaana hai”. I was not able to find the Alka Yagnik solo, so the lyrics and links are given for the happy and sad duet versions.

Two songs of this film are posted 10 years apart in the blog 2009 & 2019:

Song Date posted
Tumse milne ko dil kartaa hai 11 June 2009
Maine pyaar tumhi se kiya hai 11 June 2019

Actually this song already posted in the series is inspired by Joyce Sims’ “Come into my life” (1987). On first hearing, the similar things between the songs are the similar words of “meri zindagi mei naana” and “come into my life”, plus the same guitar interlude at the beginning of both songs. But some work on the part of lyricist and music director is definitely involved in creating a lovely Indian sounding song. Aashiqui was in 1990, and this movie “Phool aur Kaante” was in 1991. Come to think of it, this “dheere dheere” is having a similar tune to the Aashiqui song.

Dheere dheere se meri zindagi mein aana
Dheere dheere se dil ko churaana

Dheere dheere pyaar ko badhaana hai
Hadd se guzar jaana hai

“Phool aur Kaante” was Ajay Devgan’s debut film and Madhoo was the heroine. The song’s both versions are picturised on them. I know that I have seen this movie at Bandra’s “Gaiety” cinema. But to recollect the actual happenings in the story is another thing. I visited the imdb page to get snippets of story etc. so can’t say it was a memorable film. And no, they haven’t translated the name of this movie to “Flower and Thorns” 🙂 🙂 .

Happy version- Video

Sad version-Video

Sad version (Full audio)

Song-Dheere dheere pyaar ko badhaana hai (Phool aur Kaante)(1991) Singers-Kumar Sanu, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

———————
Happy version
——————–

dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
mujhe bas tujhse dil lagana hai
hadd se guzar jaana hai

dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai

aisi zindagi hogi
har taraf khushi hogi
itna pyaar doonga tujhe
ae mere sanam
ab na koi gham hoga
na ye pyaar kam hoga
saathi mere mujhko tere sar ki hai kasam

ek dooje ko aazmaana hai
hadd se guzar jaana hai
dheere dheere pyar ko badhaana hai
hadd se guzar jaana hai

main akela kya karta
aise hi aahen bharta
tere pyaar ke liye tadapta umr bhar
jaane kya main kar jaati
yoon tadap ke mar jaati
bin tere bhala kaise kat’ta ye safar

tere liye mar ke bhi dikhaana hai
had se guzar jaana hai
dheere dheere pyaar ko badhana hai
hadd se guzar jaana hai

tera chaand sa mukhda
tu jigar ka hai tukda
tu humaare sapnon ki jheel ka kanwal

jaan se tu hai pyaara aankhon ka tu hai taara
bin tere jiyenge ab hum na ek pal
sab kuch tujhpe hi lutaana hai
hadd se guzar jaana hai

dheere dheere pyaar ko badhana hai
had se guzar jaana hai
mujhe bas tujhse dil lagaana hai
hadd se guzar jaana hai

ho o
hadd se guzar jaana hai
haan
hadd se guzar jaana hai

——————–
Sad version
———————
aansu na bahaayenge
hansi dhoondh laayenge
miljul ke baant lenge
zindagi ke gham

aansu na bahaayenge
hansi dhoondh laayenge
miljul ke baant lenge
zindagi ke gham

bachh ke kahaan jaayegi
khushiyaan laut aayengi
haarenge na waqt ki in
aandhiyon se ham
dheere dheere hausla badhaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4448 Post No. : 15904

20th September was the birthday of Mahesh Bhatt. I knew there are numerous films with very good significant song in them produced and directed by Mahesh Bhatt which are not posted and some of these movies are yet to make an appearance in the blog. But it sometimes happens that what is easily available and do-able, never gets done and I neglected a few post, like the post for Hasrat Jaipuri during last week. Peevesie’s mom post of the Hinglish song from “Ham hain raahi pyaar ke” has encouraged me to do a post for this day.

This song from “Aashiqui” (1990) has a very appealing presence in the “Chitrahaar” made by Mahesh Bhatt. I have liked the songs of this film, as do many people of my generation. The only song from this film posted so far is here. In this post a lot about the film and the music is written.

For some months now, the link and lyrics are waiting in drafts for writing a post. The song is ‘Tu…… meri zindagi hai, tu…… meri har khushi hai”. Singer is the dependable Kumar Sanu. The lyrics are credited to Sameer and music to Nadeem-Shrawan”. But there is a catch here: see what I have found in the trivia about this song.

“This song was an adaptation of a Pakistani film song with the same mukhda from the film “Mohabbat Mar NahinSakti” (1977). The original song was composed by Nashad. While lyricist Sameer used the same mukhda as Tasleem Fazli’s original, the antara had different lyrics. The original song had two solo versions sung by Mehdi Hassan and Noor Jehan.”

I had years ago heard a Pakistani song of the same tune and mukhdaa on youtube, by a singer recording for PTV, while looking for this song from Aashiqui. But this information in the trivia is news to me. So I looked up the Noorjehan song and found both audio and video clips :
Audio by Noor jahaan
Video of film song.

The video of Mehdi Hasan version is also available :
Video of Mehdi hasan song
Audio version

Today 21 september is the 94th birth anniversary of Madam Noorjahan, and I find it fitting to give the lyrics of the song from the film “Mohabbat mar nahi sakti”(1977), sung by Noorjahan. The composer is Nashad, who might be the same one who features in the blog with many compositions in the 50’s decade.

Lyrics :

Tu uu uu uu
meri zindagi hai
tuuu
meri har khushi hai
tu hi pyaar tu hi chaahat
tu hi bandagi hai
Tu……
meri zindagi hai

jab tak na dekhoon tujhe
sooraj na nikle ae
jab tak na dekhoon tujhe
sooraj na nikle ae
zulfon ke saaye saaye
maahtaab ubhre
tu hi meraa hosh saathhi
tu hi bekhudi hai
Tuuuuu
meri zindagi hai
tuuu
meri har khushi hai
tu hi pyaar tu hi chaahat
tu hi bandagi hai
Tuuuuu
meri zindagi hai

mere labon pe tere
naghme milenge ae
mere labon pe tere
naghme milenge ae
aankhon mein saathhi tere
jazbe milenge ae
mere dil mein tu hi tu hai
teri raushni hai ae
Tuuuuu
meri zindagi hai

chhod ke duniyaa tujh ko
apnaa banaa loon
chhod ke duniyaa tujhko
apnaa banaa loon
sab se chhupaa ke tujhko o o
dil mein basaa loon
tu hi meri pehli khwaahish
tu hi aakhri hai ae ae
Tuuuuu
meri zindagi hai

So the song presented here is the second song from the film ‘Aashiqui’(1990). This is an indian adaptation of the song original sung by the two legends of across the border. Noor jahan and Mehdi Hasan were stalwarts of their style of singing and Kumar Sanu, singing the indian version was a Kishore Kumar clone, trying to make a name for himself back in 1990. So we will be kind and not make comparisons among unequal creations of the Almighty, whom he may have blessed differently.

But honestly, Kumar Sanu is not doing bad at all. Kumar Sanu’s birthday is also round the corner, on 23rd September. So we celebrate it a bit in advance with this remarkable song.

Video :

Full Audio :

Song-Tu meri zindagi hai (Aashiqui)(1990) Singers-Kumar Sanu, Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics(Based on Audio version)

Tu u u u
u u
meri zindagi hai ae
tu u u u
meri har khushi hai ae ae

Tu u u
meri zindagi hai ae
tu u u
meri har khushi hai ae ae
tu hi pyaar
tu hi chaahat
tu hi aashiqui hai ae ae
Tu u u u
meri zindagi hai
tu u u u
meri har khushi hai

pehli mohabbat ka
ehsaas hai ae tu u u
pehli mohabbat ka
ehsaas hai ae tu
bujh ke jo bujh na paayi ee ee
wo pyaas hai tu u u
tu hi meri pehli khwaahish
tu hi aakhri hai ae ae
Tu u u u
meri zindagi hai ae ae
tu u u
meri har khushi hai ae ae

o o o o
o o o
aa aa aa aa
aa aa aa aa
o o o
Tu u u
meri zindagi hai
tu u u
meri har khushi hai
tu hi pyaar
tu hi chaahat
tu hi aashiqui hai
Tu u u
meri zindagi hai
tu u u
meri har khushi hai
hmm hmhm hmm
hmm hmm hmm hmm

har zakhm dil ka tujhe
dil se du’aa de ae
har zakhm dil ka tujhe
dil se du’aa de
khushiyaan tujhe gham saare ae
mujh ko khudaa de ae
tujhko bhulaa na paaya aa
meri bebasi ee hai ae
Tu u u
meri zindagi hai ae ae
tu u u
meri har khushi hai

o o o o
o o o
aa aa aa aa
aa aa aa aa
o o o
Tu u u
meri zindagi hai
tu u u
meri har khushi hai
tu hi pyaar
tu hi chaahat
tu hi aashiqui hai
Tu u u
meri zindagi hai
tu u u u u
meri har khushi hai
hmm m m
hm hmm hmm
hmm hmm
hmm hmm hmm hmm


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4431 Post No. : 15862

Remembering Rishi Kapoor on his 68th Birth Anniversary :

A journey started on 4th September, 1952. Rishi Kapoor’s life journey through his histrionics in tinsel town, starting with his father’s epic “Mera naam joker”, to the chocolate boy in ‘Bobby’ to the authentic Majnoo in “Laila Majnu” to the slick tycoon in “ Yeh Wada raha”, via the semi-villain in ‘Hum kisi se kam nahi”, with a heart of gold, no less. The hapless husband of ‘‘Damini” , the sacrificing lover boy of ‘Chaandni”, mark the fulfilling journey and career of a shining star with the a extra twinkle in the eyes. The nick name Chintu Kapoor suited him. And great things do come in small packages, or so I have heard.

Rishi Kapoor has more than justified the Kapoor khandaan’s legacy, with a kaleidoscope of films which people want to see again and again , just for his expressions and acting. I have just now seen the song .

This is one song I keep forgetting to mention while talking about RDB’s songs. In the song, though Rishi Kapoor is sitting in the restaurant and watching the song, it is clear who is emoting the best effect of the feel of the song. Clearly he was among the best actors of 70’s and 80’s heroes. May be Rajesh Khanna and Sanjeev Kumar were better than him, not counting Amitabh bachchan here.

Rishi Kapoor lost the battle to cancer on 30th April 2020, while the entire world was reeling under the ‘pandamic’. I could not pay a proper tribute to him at that time, so I am trying to do it now.

The pandemic’s lasting after affects are emerging like the rippling of the volcano. We all need to deal with these in a calm and collected manner, and keep faith that the things will improve in near and distant future.

Here is a small ghazal, for motivation:

– Kabhi maayoos mat honaa –

Main maantaa hoon waba’a ke din hain
Magar yeh din bhi khudaa ke din hain

Dilon se maayoosiyaan nikaalo
Zara sa aage shifa’a ke din hain

Guzar gayi umr ghaflaton mein
Yahi to rab se wafaa ke din hain

———-

Waba’a – widespread illness
Shifa’a – recovery from illness
Ghaflat – carelessness

Coming to the song, it is from the film “Deewaana”(1992). Singer is Kumar Sanu of this lengthy, long mukhdaa and long stanza’s song. Sameer is the lyricist and Nadeem-Shrawan are the music directors.

The following two songs from this film were posted way back in March 2009:
Paayaliyaa ho ho ho ho
Aisi deewaanagi

Someone made this comment in 2020 to this 28 year old song, on youtube :

कल के मधुर संगीत ,
आज के भंगार संगीत
जमीन आसमान का फर्क

Can’t disagree here, as the song is really “madhur”. This was also a personal favourite in 1992, though I might have seen this film on cable TV. The late Divya Bharti is the heroine with Rishi Kapoor, with Shah Rukh khan playing a third in a negative role, this character is not with a heart of gold 🙂 .

Rishi Kapoor is singing this song on stage with a bevy of dancers(One too many), my memory did not recall the extra dancers on stage. At least they are not in garish colour, so everyone is in heavenly sparkling white.

And may the departed souls rest in heavenly peace.

Sochenge tumhe pyar karen ke nahin – Deewana(1992)

Song-Sochenge tumhen pyaar karen ke nahin (Deewaana)(1992) Singer-Kumar Sanu, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

Hey hey
Hey hey
hmmm mmmm
hmmmmm
hmmm mmmm
hmmmmm
ooo oooo
aa haa haaa

sochenge tumhen pyaa aa aar
karen ke nahin
sochenge tumhen pyaa aa aar
karen ke nahin
ye dil beqaraa aa aar
karen ke nahin
khwaabon mein chhupaayaa tum ko
yaadon mein basaayaa tum ko o o
khwaabon mein chhupaayaa tum ko
yaadon mein basaayaa tum ko
miloge hamen tum jaanam
kahin na kahin ee ee en
sochenge tumhen pyaa aa aar
karen ke nahin
ye dil beqaraa aa aar
karen ke nahin

tum ho khiltaa mehkaa sa kanwal
tum ho khiltaa mehkaa sa kanwal
ham jo gaayen
tum ho wo ghazal
kamsin bholaa sa mukhdaa
lagti ho chaand ka ik tudkaa
ham kitni taareef karen
dekh ke tum ko aahen bharen
tum sa nahin hai koyi
pyaaraa sanam mm
pyaaraa sanam mmmm
sochenge tumhen pyaa aa aar
karen ke nahin
ye dil beqaraa aa aar
karen ke nahin

hey hey
hey hey hey
la la la la la la
la la la la laa aa
hey hey hey hey hey

jis din tum ko
dekhegi nazar
jis din tum ko
dekhegi nazar
jaane dil pe
hogaa kya asar
rakhhenge tum ko nigaahon mein
bhar lenge tumhen baahon mein
zulfon ko ham suljhaayenge
ishq mein duniyaa bhulaayenge
ye beqaraari ab to o o
hogi na kam m
hogi na kam mmmm
sochenge tumhen pyaa aa aar
karen ke nahin
ye dil beqaraa aa aar
karen ke nahin
khwaabon mein chhupaayaa tum ko
yaadon mein basaayaa tum ko o o
khwaabon mein chhupaayaa tum ko
yaadon mein basaayaa tum ko
miloge hamen tum jaanam
kahin na kahin ee een en
sochenge tumhen pyaa aa aar
karen ke nahin
ye dil beqaraa aa aar
karen ke nahin
hey hey
la la la la laa aaa
la la la la la laa laa
hey hey hey hey hey


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4308 Post No. : 15582 Movie Count :

4290

Today (4 may 2020) is a day when no notable HFM personality was born. But on this day, one person totally unconnected with HFM was born in a far away land 365 years ago. He would invent a musical instrument that has played a vital role in the development of HFM. Movies of 1950s and 1960s were not complete if this instrument did not appear in at least in one song. In one movie, this instrument has even appeared in four songs !

The instrument that we are talking about is Piano. It was invented in 1709 by Bartolomeo Cristofori di Francesco(4 May 1655 – 27 January 1731), was an Italian maker of musical instruments.

Nine of his pianos still survive. Three of them are preserved in three museums, one in New York (Metropolitan Museum), Rome (Museo Nazionale degli Strumenti Musicali) and Leipzig university( Museum of musical instruments)

Hindi movies have had hundred on Piano songs in it. This blog has as many as 147 Piano songs. The earliest is from 1938. Pianon songs came into their own in HFM from late 1940s and ruled the roost in HFm till late 1970s. After that, Piano songs became few and far between. Pianos, which depicted class and prosperity of the character playing it in those days. From 1970s onwards, actors started sporting guitar instead. Guitar may have looked jazzy and spectacular, but it disd not have the old world charm of a Piano.

Most Piano songs of note (pun unintended) have already been covered in the blog.

When I searched for Piano songs on internet, I came across a few writeups, that discussed well known Piano songs. All of them have already been covered in the blog. When I went through one of these writeups (posted on 5 october 2016), I found the description of these songs familiar. I realised that the description was very much mine ! When I checked up these songs in the blog, I realised that this article had copied and pasted contents of the writeup of Piano songs in the blog ! For instance, my description of “Bhaabhi”(1938) Piano song goes like

This song is picturised as a piano song. P Jairaj is playing the piano and this song is sung by Renuka Devi. Her father V H Desai looks on and later the villain Rama Sukul too comes in and watches her sing with disapproval.

You will find this description faithfully copied and pasted in that article.

My description of “Andaaz”(1949) piano song, “hum aaj kahin dil kho baithe”, was

Dilip Kumar sits at the piano at night and sings this song. And Nargis arrives with her pet dog and watches Dilip Kumar sing the song, clutching her dog like a pillow.

This description is faithfully copied and pasted in that writeup.

Like this, all the 25 Piano songs described there copies contents from this blog, without giving credit. How very cheap of this so called blogger. I have posted a comment in that blog which is unlikely to see the light of the day, of course.

Coming to Piano songs, I quickly realised that these songs had gone the way of qawwaali songs, cabarat songs etc- viz they had vanished as the golden era of HFM drew to a close.

One can still find a few piano songs here and there, but these songs are nowhere near the same class of Piano songs that were created during the golden era of HFM.

After some frenetic search, I have been able to locate one as yet unrepresented Piano song. It is from a “recent” movie. Even the movie, a musical blockbuster, is not yet represented in the blog.

Today, on the occasion of the birth anniversary of the man who gave us Piano, here is a piano song from “Saajan”(1991). Yes, this movie, the biggest box office hit of the year 1991 was not there in the blog till now. This movie, which was produced by K C Bokadia and directed by Lawrence Desouza had Sanjay Dutt, Madhuri Dixit, Salman Khan, Kader Khan, Reema Laagoo, Laxmikant Berde, Ekta Sohini, Anjana Mumtaz, Dinesh Hingoo, Yunus Parvez, Raju Shreshtha, Tej Sapru, Vikas Anand etc in it.

I had fond memories of watching this movie in Vadodara in 1991, where I was attending a course those days.

The movie had ten songs in it.

Here is the first song from “Saajan”(1991) to appear in the blog. This song has male and female solo versions sung by S P Balasubhramanyam and Alka Yagnik respectively. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

It is the female version, picturised on stage, with Madhuri Dixit near a piano, that makes this song a Piano song. Unlike Piano songs of yore, some sort of mist engulfs her and the piano. I wonder what the director was trying to achieve with this kind of picturisation.

On the occasion of the birth anniversary of the creator of Piano, here is this memorable Piano song from 1991.

With this song, “Saajan”(1991) makes its debut in the blog.

Male version

Female version

Song-Bahut pyaar karte hain tumko sanam (Saajan)(1991) Singer-S P Balasubrahmaniam/ Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

————————-
Male version
————————
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru

bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo
kasam chaahe le lo
khuda ki kasam m m
bahut pyaar karte hain tumko sanam

humen har ghadi aarzu hai tumhaari
humen har ghadi aarzu hai tumhaari
hoti hai kaisi sanam bekaraari
milenge jo tumko to
milenge jo tumko to
bataayenge hum m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo
kasam chaahe le lo
khuda ki kasam
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam

aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa
aa aa aa aa

————————————-
Female version
————————————-
Bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo o
kasam chaahe le lo
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam

hamaari ghazal hai tassawur tumhaara
hamaari ghazal hai tassawur tumhaara
tumhaare bina ab na jeena gawaara
tumhen yoonhi chaahenge
tumhen yoonhi chaahenge
jab tak hai dam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam

Saagar ki baahon mein maujen hain jitni
saagar ki baahon mein maujen hain jitni
humko bhi tumse muhabbat hai utni
ke ye bekaraari ee
ke ye bekarari na ab hogi kam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo o
kasam chaahe le lo o
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4135 Post No. : 15294

Today (13 november 2019) is the birthday of Juhi Chaawla (DoB 13 november 1967). Juhi Chawla, alongwith the likes of Madhuri Dixit, Sridevi, Jayaprada etc was from my generation viz born in 1960s). 🙂

Indian actresses holding their own in inernational beauty pageants and they going on to become popular matinee idols was not all that common those days. Juhi Chawla became Femina Miss India in 1984. She then participated in Miss Universe competition, winning the best costume award there.

Though she did not win the Miss Universe title or even finish among runners ups, it is interesrting to note that she was perhaps the most successful among all Miss Universe contestents of that year. While most other contestents did not have any reat careers, Juhi Chawla had a very successful movie career beginning from 1986, when se made her debut with “Sultanat”(1986).

“Qayamat Se qayamat Tak”(1988) launched her (and Aamir Khan) in Hindi movies.

1990s was the prime decade for Juhi Chawla. when she, alongwith Madhuri Dixit ruled the roost as the leading lady in Hindi movies.
Nowa days, she is still active, not in movies but in IPL, as co owner of Kolkata Night Riders.

Whenever I think of Juhi Chawla, the first movie that comes to my mind is “Hum Hain Raahi Pyaar Ke”(1993).

I have watched this movie. But now I cannot recall where I watched the movie. I was posted in Purna (Maharashtra) during those days. Purna had no movie halls. Going to Nanded or Parbhani to watch movies during weekends used to be my modus operandi. Did I watch this movie in one of these two places, or did I watch the movie somewhere else (like say Secunderabad) I am not sure now. It happens with growing age. I (alongwith the birthday girl) have become older by 26 years. 🙂

I loved the movie. Both lead actors were in my age group, making it easy for me to identify with their characters. 🙂

Three songs from this movie have been covered. The third song from the song was covered exactly two years ago for the same occasion, viz Juhi Chawla’s birthday.

Here is another song from the same movie (Fourth out of six), to celebrate another birthday of Juhi Chawla. The song is sunng by Alka Yagnik and Kumar Sanu. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

The song is picturised on Juhi Chawla and Aamir Khan, who imagine themselves falling in love with each other, while the two kids (playing Aamir Khan’s nephew nd niece) have no clue.

We wish Juhi Chawla a very happy birthday and many happy returns of the day.


Song-Mujhse muhabbat ka izraar karta (Ham Hain Raahi Pyaar Ke)(1993) Singers-Alka Yagnik, Kumar Sanu, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
mujhse mohabbat ka izhaar karti
mujhse mohabbat ka izhaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti

o o o
meri maang mein chaand taare sajata
jo main roothh jaati mujhe wo manaata
meri maang mein chaand taare sajaata
jo main roothh jaati mujhe wo manaata
haalat meri ee wo jaanta
dhadkan meriee pehchaanta aa
apni bhi chaahat ka ikraar karta
apni bhi chaahat ka ikraar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
mujhse mohabbat ka izhaar karti
mujhse mohabbat ka izhaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti

ho o o
wo bechain hoti
main betaab hota
nigaahon mein uski
mera khwaab hota
wo bechain hoti
main betaab hota
nigaahon mein uski
mera khwaab hota
sharma ke wo lagti gale
rakhta usey palkon tale ae
chori chori wo mera deedaar karti
chori chori wo mera deedaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti

mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4044 Post No. : 15171 Movie Count :

4168

hullo to all of Atuldom

Yesterday (13 august 2019) was the birth anniversary of our dear Sridevi, hailed as the first female superstar of Bollywood. I was not liking it that we had let it go without a post. Then last thing before I switched off for the day, I saw a song on some satellite channel and had my ‘eureka’ moment. I found a song from the later period of Sridevi’s career when she had started experimenting with the characters she played.

The song was from the 1997 Raj Kanwar directed and Boney Kapoor produced “Judaai”. The movie starred Sridevi alongside Urmila Matondkar and Anil Kapoor with Kadar Khan, Johnny Lever, Farida Jalal, Upasana Singh, Junior Mehmood, Paresh Rawal, Dinesh Hingoo, Saeed Jaffrey and two sweet child actors. Poonam Dhillon had a special appearance. The movie was a remake of a 1994 Telugu film “Shubhalagnam”.

It was a story of a lady Kajal (Sridevi) who gets her honest and loving husband (Anil Kapoor) married to his boss’s niece (Urmila) in exchange for money in her quest to become rich quickly. She gets this done much against her husband’s wishes and she faces social problems when she realises that it is not possible to remain your ex-husband’s legal wife after having divorced him and practically sold him to another lady. The film received mixed reviews for its simple and clichéd plot and execution. But the performances of the lead actresses were appreciated. This was Sridevi’s last film appearance before she took a sabbatical to lead a family life. Sridevi and Johnny Lever played the children of Kadar Khan and Farida Jalal.

Incidentally today happens to be the 62nd birthday of Johnny Lever. He was brought up as John Prakash Rao Janumala. He had to drop out of studies as his family faced financial problems and he pithed in by doing odd jobs including selling pens on the streets by mimicking Bollywood stars etc. At a program in his father’s plant (Hindustan Lever Limited) he mimicked some senior officers and the workers there gave him his stage name JOHNNY LEVER. He started out his career doing stage shows Kalyanji Anandji Nite, Tabassum Hit Parade etc which served as his launchpad. He has been entertaining the world since the 80s. His daughter Jamie is following in his footsteps and is a comedian-actor-singer. Here is wishing him a long and healthy life.

Todays’ song is sung by Bali Brahmabhatt, Alka Yagnik and Shankar Mahadevan. Nadeem Shravan are the music composers and Sameer was the lyricist. It is a party song that celebrates the birthday of Sridevi’s character’s daughter. We have Upasana Singh, Kadar Khan, Sridevi, Urmila and Anil Kapoor singing and Junior Mehmood is also there in the scene.

So, here is a song which sings the mind of most males of the species. I am not judging anybody. 🙂 my statement is based on all the husband-wife jokes that are constant on the various social media forums. 🙂


Song-Shaadi kar ke phans gaya yaar (Judaai)(1997) Singers-Bali Brahmbhatt, Alka Yagnik,Shankar Mahadewan, Lyrics-Sameer, MD-Nadeem Shrawan
Chorus

Lyrics

haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
haayo rabba haayo rabba haayo rabba
aa haa
aa haa
aa haa
aa haa

shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
arre jo khaaye pachhtaaye
jo na khaaye woh lalchaaye
jo khaaye pachtaaye
jo na khaaye woh lalchaaye
door se meethha lagta hai
yeh kadva laddoo pyaaara
shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa tha kanwara
aa aaa
aa aa aaa

aasmaan ki pari ho chaahe gori ho ya kaali
chaar dinon ki chaandni hoti hai har gharwaali
abbaa dabbaa jabbaa aa
abbaa dabbaa jabbaa aa

aasmaan ki pari ho chaahe gori ho ya kaali
chaar dinon ki chaandni hoti hai har gharwaali
shaadi karne waala bas shaadi ke din hansta hai
saari umr woh rota hai
iss jaal mein jab fansta hai
dar dar bhatke
dar dar bhatke mere yaar
dekho iss aafat ka maara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa thha kanwaara
aa aaa
aa aaa

arre sun mere harry re ae ae
arre sun mere hirva
sun o hiraalaal re ae
saare agar kanwaare hote
na karta koi shaadi
kaise chalti ye duniya
kaise badhhti aabaadi

aa aaa
aa aaa
aa aaa
aa aaa

hey saare agar kanwaare hote
na karta koi shaadi
kaise chalti ye duniya
kaise badti aabaadi
byaah racha ke jo na main teri mummy ko laata
bol zara pagle
tu kaise iss dharti pe aata
tere jaisa
tere jaisa moorakh na paida hoga kahin dobaara

aa haaa aa haaa
shaadi karke phans gaya yaar
achcha kahsa tha kanwara
aa haaa
aa haaa

mere tan ka gehna ban gaye chanda aur sitaare
maine jitne sapne dekhe poore ho gaye saare

aa haaa
aa haaa

aaj main kitni khush hoon jeewan ki khushiyo ko pa ke
jee karta hai nsachu bin paayal ghungroo chankaake

jaise din ke bina adhuri hoti raina kali
do pahiyo ke bina chale na gaadi jeewan waali
mere apne
mere apne meri jaan maine tum pe sab kuchh vaara

aa haaa
aa haaa

o shaadi karke phans gaya yaar
achcha khasa thha kanwara
aa aaa
aa aaa
jo khaaye pachataaye
jo na khaaye woh lalchaaye
door se meetha lagta hai ye kadva laddoo pyaara
shaadi karke
shaadi karke phans gaya yaar
achcha khaasa thha kanwara
aa aaa
aa aaa
o shaadi karke phans gaya yaar
achcha khaasa tha kunwara
aa aaa
aa aa aa aa

haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa
haayo rabbaa haayo rabbaa haayo rabbaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3989 Post No. : 15079 Movie Count :

4137

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My Railway related reminiscences- 3
——————————————————————————————

In my first article in the series, I discussed my first posting at Secunderabad. In my second articles, I went back into the past and discussed my probation days, including my stay at Vadodara.

In this third episode, I go back to the future ! Here I discuss my second posting.

My first posting was perhaps in the best place in the Railway zone of South Central Railway. I was posted in the capital city. I stayed near Secunderabad Railway station and I got a Railway quarter there. A capital city has so many attractions as well as opportunities. Those were the days when “computer” was a big buzz word. We had computer coaching institutes mushrooming all over India. A typical computer course taught DOS, wordstar, Lotus 123 and dbase3 . Does it ring any bells with some readers ? 🙂

A government employee is supposed to take permission if he/she wants to study in any course while in government service, with the undertaking that his study would not affect his performance in his/her job. I duly took this permission and began to attend one such course in evening.

My boss in my work place was an old fashioned conservative man. Same was the case with my bosses at the Headquarter. One standard advise that I would be given by them was – “concentrate on learning your job instead of learning about computers.” They did not share my “vision” that computers are a big productivity tools and they would play an important role in our lives in future.

My HQ bosses decided that the facilities at the capital city were harmful for me and so they decided to post me to a place where such facilities were non existent.

They identified a place that was poles apart when compared with Secunderabad. It was called Purna, in Marathwada region of Maharashtra. I was posted there.

This news was naturally a setback for me. But there was not much one could do about it. This place was a junction station and it had MG lines.I took a night train called Kacheguda Ajmer express (the most prestigious train in the section). The train started at night from Secunderabad and arrived Purna after midnight at around 4 AM or so.

In Secunderabad, I was a small fish in a big ocean as far as Railways set up was concerned, but I was going to be a big fish in a small pond like Purna. There I was being posted as the incharge of all Mechanical Engineering activities of Railways in and around Purna. My beat covered places up to Manmad (360 km to west), Khandwa (405 km to north), Adilabad (242 km to east) and Nizamabad (150 km to South East). All four places were in different directions and were located in three different states. When I think about it, the area under my jurisdiction was larger than the entire Railway system in some small countries. All this was MG section.

I arrived Purna Railway station at the early hours. Since I was going to be the boss of all I surveyed, people had arrived at the station to receive me. People unfamiliar to me always had difficulty identifying me. I got down from the station and stated looking for people who may have arrived to receive me. Likewise those who had arrived to receive me were lookng for someone who should look like a boss to them. Finally we managed to locate each other. They took me to Railway Officers Guest House, a small two room guest house. One room was booked for me and this room was going to be my place of stay till I got my regular accomodation.

Most people travel in style, carrying large number of suitcases which they have great difficulty fitting inside their train berth and they then secure their suitcases under lock and key. I on the other hand would travel with very modest looking luggage, typically a bag, and a jhola, and sometimes a suitcase. I would shove them under my train berth. No securing them under lock. In fact even my suitcase would not be locked if I could help it. I secured my suitcase only to avoid the embarrasment of an unlocked suitcase getting open and all its content falling out. And my luggage never got stolen despite lying all unsecured !

The modestness of my luggage was one of the reasons why unfamiliar people coming to receive me at the station would be unable to locate me at first glance. 🙂 Once my luggage was kept at the rest house, naturally it would remain all unlocked.

The small rest house had very small number of staff. Cleaning and dusting of the rooms was done by a lady. Her small child would accompany her. The door of the room would remain open all the time.

In the morning I went to my work place. This place was a steam loco shed, located towards south of the Purna Railway station. In its prime, this loco shed had over 60 MG steam locomotives. The number had come down a good deal.

The office was located on the first floor of a old fashioned British Style building. My chamber was quite large and spacious vis a vis the small chamber that I had in my previous place of posting. There were hundreds of staff in the office. People there still complained about there being less number of staff. 🙂

A few months later, my top boss (Chief Mechanical Engineer, based at Secunderabad ) paid a visit to Purna. During the course of his “inspection” of the place, he enquired- “how many clerks are there in the shed ?”.

The reply was “The work has reduced drastically, and so has the number of clerks. Now we have ONLY 40 clerks.”

“ONLY 40 clerks. My office at Secunderabad dealing with entire zone only has 39 clerks !”- the Chief Mechanical Engineer exclaimed !

Though I joined at Purna, my heart was still at Secunderabad and I would try to go back to Secunderabad at weekends and holidays, much to the chagrin of my immediate boss. I would leave for Secunderabad on friday and arrive back on Monday morning.

Once I went to Secunderabad on weekend and arrived back on monday morning. While at Secunderabad, I bought sweets, with the intention of consuming them at leisure in Purna. As usual, my luggage remained unlocked in my room.

When I came back to my room in the evening, I found that out of 20 pieces of sweet, only one piece remained in the bag where I had kept the sweet packet. The cleaning lady and her young son were looking very worried. I realised that the small kid had opened the box, and seeing the sweets, he kept eating the pieces and her indulgent mother could not prevent him in time. Now both of them were very worried.

I looked at the matter from the point of view of the kid and decided that it was alright. I behaved as if nothing happened. The mother and child waited till the morning to see my reaction. I showed no reaction and both of them were mightily relieved. It must have been an unexpected big lucky break for them. I could notice that they were silently thankful to me from the core of their hearts.

With time, I stopped going to Secunderabad at weekends. Instead, I would go to the nearly towns in the first half and be back by night. There was Parbhani (30 km to the north) and Nanded (30 km to the south) from Purna. These two district places had may be 4-5 movie halls each. I would visit one of these places during weekends, watch a movie and would come back to Purna by night.

All this journey was by train, of course. On one such occasion, I had gone to Parbhani. I watched some movie and then boarded the evening train coming towards Purna. The middle aged person seated opposite me in the first class coach was a PWD engineer in Maharashtra Government. He was coming back to his Nanded residence after attending some meeting at Aurangabad. I got introduced to him. He told me “kabhi koi kaam ho to bataana. Indian ke Home minister S B Chawhan ka main family friend hoon.” He also gave me his home address of Nanded.

I got down at Purna.

I was a “different” kind of Railway officer. I believed in things like honesty, fairplay etc. My immediate boss (based at Secunderabad), on the other hand was an archtypical Government official who believed in sucking up to the boss as the easy and only way of success. And he expected me to do the same. There were occassions when “failures” would take place and he would ask me to suspend someone. I would carry out my investigation into the failure and would found that the person required to be suspended was innocent. So I would refuse to suspend the innocent man.

This happened on quite a few occasions. He at his level would tell the division boss”(DRM)- “driver was responsible for late start of train. I have asked my Purna officer to suspend the driver.” I would investigate the matter and I would find that the driver was innocent.

The boss looked for opportunity to get his own back. One usual opportunity was to write adversely about my performance in my annual confidential report. I was an unusual kind of person who did not give a damn and I felt that spoiling my ACR was a non issue. He got his opportunity to actually hurt me. I wanted to take leave because my parents were calling me. It is not difficult for people to guess the probable reason. 😉 I foolishly informed my boss of the reason why I wanted leave. So he got a great opportunity to harass me. It is not possible to give you leave right now. But you will be given leave next month. He would tell me. I would believe him and ask for leave the next month. Then also he would say the same thing. This went on for three months and by the time it was clear to one and all that my boss was using this opportunity to harass me.

I felt very low when I was denied leave for the third time. I felt helpless. Then I remembered the Nanded based man. I went to Nanded and met him. I asked him to help. He was of course taken aback. He was no doubt a family friend of Indian home minister and a school mate of his son but what he had told me in the train may have been an exaggeration of his influence. In any case, meeting with him and talking with him served as some balm and gave me some mental relief.

A few weeks later, I received a telegram- “father serious, come home immediately.” I , alongwith my staff were naturally aghast, my supervisor (Loco Foreman) raised hell with the division headquarter and arranged for my leave on urgent basis. I was actually quite worried till I reached home and I was relieved to know that my father was alright. It was the usual time tested way of securing leave if the proper way of obtaining leave failed.

This episode taught me a valuable lesson that I tell everyone to follow. You should never tell others (especially your boss) about your “problems” and expect him to sympathise with you. Your vulnerabilities will be used against you. You should give the impression that you have no problems whatsoever. I have followed this lesson after this experience. I have rarely asked for any leave during the last 20 years of my service. And I tell everyone that I am happy wherever I am posted. And whatever I state happens to be the truth as well.

The movie that I had watched at Parbhani that evening (when I met that PWD Engineer) may have been either “Daamini” (1993) or “Dil Aashna Hai”(1992) or some other movie. I am not sure now. Let me assume that it was “Daamini” (1993).

This movie was directed by Rajkumar Santoshi. It had Rishi Kapoor, Meenakshi Seshadri, Sunny Deol, Amrish Puri, Tinu Anand, Kulbhushan Kharbanda, Anjan Srivastava, Rohini Hattangadi, Aamir Khan, K K Raina, Paresh Rawal, Sulbha Arya, Vijayendra Ghatge, Viju Khote, Achyut Potdar, Asha Sharma etc in it.

The movie had five songs. Here is the first song from the movie to appear in the blog.

This song is sung by Kumar Sanu and Alka Yagnik. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

The song is picturised on Rishi Kapoor and Meenakshi Sheshadri.

With this song, “Daamini”(1993) makes its debut in the blog.


Song-Gawaah hain chaand taare gawaah hain (Daamini)(1993) Singers-Kumar Sanu, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan

Lyrics

gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewaanepan ke
nazaare gawaah hain aen
gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewaanepan ke
nazaare gawaah hain

gawaah hain
chaand taare gawaah hain

tumko rakhoonga dil mein basaa ke
meri dhadkan tum ho
dekhoonga tumko shaam o sahar main
mera darpan tum ho
tumko rakhoonga dil mein basaa ke
meri dhadkan tum ho
dekhoonga tumko shaam o sahar main
mera darpan tum ho
jee na sakoonga main hoke juda aa aa
gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewaanepan ke
nazaare gawaah hain aen

gawaah hain
chaand taare gawaah hain
daamini daamini
daamini
o meri daamini
daamini daamini
daamini
o meri daamini

bhool gayi main is duniya ko
pyaar hua jab se
tere siwa kuchh aur na maangoon
main to mere rab sबe
bhool gayi main is duniya ko
pyaar hua jab se
tere siwa kuchh aur na maangoon
main to mere rab se
seene mein armaan hain
lab pe dua aa aa

gawaah hain
chaand taare gawaah hain
gawaah hain
chaand taare gawaah hain
tere mere milan ke
apne deewanepan ke
nazaare gawaah hain aen
gawaah hain
chaand taare gawaah hain

gawaah hain
chaand taare gawaah hain
daamini daamini
daamini o meri daamini
daamini daamini
daamini o meri daamini
daamini daamini
daamini main teri daamini
daamini daamini
daamini main teri daamini


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3980 Post No. : 15068

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Blog 10-Year Challenge (2009-19) – Song No. 35
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My Railway Related Reminiscences – 1
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When I look back into days gone by, I find that my recollections of the past can be divided neatly into decades. I have vague recollections of 1960s as I was quite young in that decade. 1970s is the decade that I recall most vividly as well as most fondly as I was as my precocious best in this decade, being in my teens in this decade.

I find that my recollections of subsequent decades are rather more vague. I can tell you what I was doing in 1975, but I do not have similar vivid recollections of 1985, 1995 or even 2005 !

The above applies to my recollections on Hindi movies and HFM as well. I cannot recall even one Hindi movie song of 2005 or 2015 if my life dwepended on it, but I can readily recollect dozens of songs of 1975.

Since our younger regulars never tire of reminding us that good songs were created in 1990s and later as well, I thought that I should try and discuss some songs from those years even though my recollections of those days are not as vivid as my recollections of 1970s. 🙂

Much of my 1980s was spent in my “higher” education. From 1990s onwards, I found myself posted in various parts of the country.

My initial postings were in South, in what was South Central Railway, with its HQ at Secunderabad. My initial days there were spent in twin cities of Hyderabad and Secunderabad. My first posting was very much in that place. Later, I was posted at a small place in Marathwada called Purna.

I watched quite a few movies in Hyderabad/ Secunderabad. Those were Hindi movies, Telugu movies as well as English movies.

I was a firm believer that one should walk on foot in any new place wherever you wanted to go. That helped you familiarise yourself with various landmarks of the place. I applied my theory rigidly. I would walk six km daily from my residence to my workplace in the morning and then come back by walk in the evening. So I used to walk 12 km daily. 🙂

On weekends, I would plan to watch movies. I used to buy all the three English daily newspapers published in the city, namely Deccan Chronicle, Hindu and Indian Express. The three newspapers together form such a bulk that sometimes people would mistake me for a newspaper vendor. 🙂

I would look at the cinema hall ads to find which movies were playing in which movie halls. After identifying which movie to watch and where to watch, I would decide how to reach there.

It was sometime in 1991 or may be 1992 that I decided to go and watch “Phool Aur Kaante”(1991).

THe movie was playing in a movie hall in old city of Hyderabad. I stayed in Secunderabad near the Secunderabad Railway Stations at a distance of 15 km. How to reach there.

I boarded a local train from Secuderabad and reached Kacheguda Railway station. From there I walked towards old city, in the general direction of Hyderabad(aka Nampally) Railway station. I had a map of the twin city and I would consult it often to find locations of interest to me.

I kept walking on and on and came across old city, full of densely populated areas. I did not have to go Huderabad Railway station. The movie hall was somewhere in between Kacheguda and Hyderabad Railway stations.

I arrived the hall well in time so I had little difficulty buying a ticket for for matinee show. Now, show beginning at 3 PM is matinee show for me, as I was born and brought up in North India, but in Hyderabad, it was called first show there. I think it is still called first show in those parts.

That was not the only difference. What I knew as “cold” drink in north was called “cool” drink there. 🙂

I soon found lots of movie watchers arriving at the movie hall. Now, more than two decades later, I have read about the movie going audience of Hyderabad from our beloved inhouse encylopaedia Mr Arunkumar Deshmukh in many of his articles. Bulk of movie watchers who had gathered belonged to that kind. There were burkha nasheen females accompanied by lots of small kids. It was not as if this movie had a well known hero. This movie had debutants in lead roles. I wondered why all of them had so eagerly gathered to watch the movie where a newcomer was the hero.

The show began after some wait. It goes withot saying that bulk of movie watchers enjoyed the movie thorougly. I would have enjoyed this movie like them if I was two decades younger. But during these two decades, I had learnt thinks like “logical” thinking etc. I was applying logic on the movie and was not able to find much to enjoy. Now, the hero and heroine are college students. But they were hardly seen studying even for one minute. They would be seen singing dancing and romancing for the entire duration of the movie. Come on, how can one even get admitted to a decent college if all one does is teasing the female students and making passes on them. And in which college one finds females falling in love with the eve teaser. In real life India, such male students would get expelled from the college, and here in the movie he is being glorified. Moreover, how can such students even survive the academic rigours of college life ?

Moreover, I believe that one goes to college to study and not to romance. There is plenty of time and opportunity left in life in future for such romantic pursuits once you have successfully completed your studies and have become financially independent.

Conscientious movie watchers like me are in minority and no movie makers do any thing to appease movie goers like me. Movie makers merrily go on to make movies like this which are big hits at the box office and which are happily lapped up by simple minded movie goers.

I have covered one song from this movie in the past. That “past” happened to be 11 june 2009, viz exactly ten years ago. So, this movie becomes an ideal case of blog ten year challenge.

So here is the second song from “Phool Aur Kaante” (1991) on this day viz 11 june 2019, exactly ten years after covering the first song of the movie in the blog. This song is sung by Kumar Sanu and Anuradha Paudwal. Sameer is the lyricist. Music is composed by Nadeem Shrawan.

This movie was produced by Dinesh Patel and directed by Kuku Kohli. This movie had Ajay Devgun, Madhoo, Amrish Puri, Raza Murad, Raghunath, Jagdeep, Goga Kapoor, Suresh Chatwal, Aruna Irani etc in it. The movie was the launch vehicle of Ajay Devgun. His stunt master father Veeru Devgun was behind the production of this movie.

Watch the picturisation of the song. The song is quite enjoyable to listen to and watch to in you can switch off your conscience and sensibilities. But I have great difficulty doing that.

Nevertheless, here is this song from “Phool Aur Kaante” (1991) which was hugely popular those days and continues to remain so till this day.

Video (one stanza missing)

Audio (Full)

Song-Maine pyaar tumhi se kiya hai (Phool Aur Kaante)(1991) Singers-Kumar Sanu, Anuradha Paudwal, Lyrics-Sameer, MD-Nadeem Shrawan
Chorus

Lyrics

maine pyaar tumhi se kiya hai
tururururu
maine dil bhi tumhi ko diya hai
tururururu
maine pyaar tumhi se kiya hai
tururururu
maine dil bhi tumhi ko diya hai
tururururu
ab chaahe jo ho jaaye
main duniyaa se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

maine pyaar tumhi se kiya hai
tururururu
maine dil bhi tumhi ko diya hai
tururururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon
maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai

ailaan yahi
karne aaya
main aaj yahaan
marne aaya
ruswa tujhe main
kar jaaunga
khaa ke zahar ab
mar jaaunga
khaa ke zahar ab mar jaaunga
maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
turururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
aaa aaa aaa aaa aaa
aaa aaa aaa aaa

dilwaale agar
mil jaayen yahaan
phir neend kise
phir chain kahaan
ye
tere liye aahen
bharta hai dil
teri aisi baaton se
darta hai dil
teri aisi baaton se darta hai dil

maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
turururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

maine pyaar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai

baahon mein teri
din raat rahoon

jag chhod doon main
o tere saath rahoon
o saanson mein basa loon aaja tujh ko
tere bina jeena nahin mujh ko
tere bina jeena nahni mujh ko
maine pyar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
tururururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyar karoon
main duniya se ab naa daroon
tujhi se main pyar karoon

maine pyar tumhi se kiya hai
turururu
maine dil bhi tumhi ko diya hai
turururu
ab chaahe jo ho jaaye
main duniya se ab naa daroon
tujhi se main pyaar karoon

main duniya se ab naa daroon
tujhi se main pyaar karoon
main duniya se ab naa daroon
tujhi se main pyaar karoon

main duniya se ab naa daroon
tujhi se main pyaar karoon


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16400 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16426

Number of movies covered in the blog

Movies with all their songs covered =1270
Total Number of movies covered =4462

Total visits so far

  • 14,522,730 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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