Archive for the ‘Calling the beloved’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chhatrapati Shivaji”(1952) was directed by Bhalji Pendharkar for Prabhakar Pictures, Bombay. The historical movie had Chandrakant, prithviraj, Baburao Pendharkar, Leela, Gajanan Jaageerdaar, Ranjana, Ratnamala, Jaishankar, Vasant, Lalita Pawar, Thengdi, Sureshnath, Vanmala, Vasantrao Pahalwan, Master Vitthal, Krishna Rao Chonkar, Takalkar, Varne etc in it.
Read more on this topic…
Neend Na Aayi Raja, Tum Yaad Aaye
Posted on: August 11, 2017
- In: "chaayageet" song | "neend na aaye" song | "Raja" song | Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Missing the loved ones | Post by Sudhir | Romantic song | Songs of 1950s (1951 to 1960) | Songs of 1956 | Waiting for love | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Saga Of Sleepless Nights -1
– – – – – – – – – – – – – – –
oo oo. . neend na mujh ko aaye,
dil mera ghabraaye
chup ke chup ke, koyi aa ke,
soyaa pyaar jagaaye
कोई तो ऐसी उमर रही होगी, कोई तो ऐसा मुकाम आया होगा ज़िंदगी में, जब किन्हीं जज़्बातों के चलते, कुछ (या फिर कई) रातें आप ने जाग के गुज़ारो होंगीं।
There must have been an age, a time in life, a passage of emotional intensities, when you may have spend a few (or maybe many) sleepless nights – thinking, waiting, contemplating. Yes, they visit us all, the nights of the wide open eyes, when a cloudy sky is an irritating bore – for if the skies were clear, at least you would be able to start counting the stars.
Read more on this topic…
Asha Deep Jalavo Saajan
Posted on: July 17, 2017
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A voice, that is as soft and pleasing as cool breeze. And a singing that is most natural, with no efforts for any artificial embellishments to the rendition. A voice that is not formally trained. And yet, this voice and the persona behind it, have become synonymous with being the first lady of Bangla cinema.
Remembering Kaanan Devi on her remembrance day. She passed away this day (17th July) in 1992.
Read more on this topic…
Dil Liya Gham Diya Kya Kiya
Posted on: July 15, 2017
- In: Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Rare song | sad song | Separation song | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
- 7 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 33
– – – – – – – – – – – – – – –
Unbelievable – that this song is still waiting to be posted.
This gem of a song, a forgotten favorite from the radio listening days. Such a lovely and soulful song, a wondrous melody that enhances the poignancy of the emotions contained within the words. And the words – what an ocean of feelings has been captured and bundled, just within the three phrases of the first line itself,
dil liya. . . gham diya. . . kya kiya. . .
Read more on this topic…
Tere binaa baalmaa jiya mora doley
Posted on: July 10, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Aarsi”(1947) was directed by Daaud Chand for Jeewan Pictures,Lahore. There movie had Meena, Al Nasir, Ajmal, Asha Posle, Ramlal, Zahoor Shah, Kamla, Iqbal, P N Bali, Chandrashekhar, Bheemsen, Kukku, Pran etc. in it. The Meena most likely was Meena Shorey.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kaarwaan”(1956) was produced by Dev Jolly and directed by Rafiq Rizvi for Shahkar Productions, Bombay. This movie had Shakila, Mahipal, Hiralal, Gope, Yashodhara Katju, Randhir, Sateesh, Z Hussain, Pal, Sharma, Dhanraj, Prema, Sheila Vaz, Helen, Cuckoo etc in it.
Read more on this topic…
- In: Artist century song in blog | Calling the beloved | Century songs for the blog | Debut song of artist | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lata solo | Lata song | Love song | Lyrics contributed by readers | Post by Sudhir | Rare song | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
अब क्या मिसाल दूँ में इस प्यारी आवाज़ की
इन्सान बन गई है तरंग वीणा के तार की
वीणा, माँ सरस्वती के हाथ की वीणा – जो सब ज्ञान का स्रोत है, जो समस्त सृष्टि के संगीत का उद्गम स्थान है, जो वाणी और ध्वनि का आरंभ है।
Veena, that is in the hand of Goddess Saraswati; veena, that is the source of all knowledge and all that is music in this creation.
Yes, the voice of Lata ji. A voice that is adorned in many a thousand ways, a voice that lives in the minds and memories through many a thousand songs, in Hindi films, in films of other regions, and songs that don’t belong to films. The legacy is a treasure. Quite so much has been written about this voice, my adding more would simply be repeating what has been said before. And much of that discussion is an overbearing analysis of the phases and careers, that are after all moot points, when arrayed against the qualities of the voice itself. That discussion is like ‘गूंगे की शक्कर’ – the description of the sweetness of sugar as expressed by a person who cannot speak. He would place the sugar on your palm, and tell you silently, to taste it, to eat it. After that tasting, no words are necessary, to discuss what sugar is. 🙂
Read more on this topic…
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In my recent article, I had listed the films from 1936 to 1942 in which Anil Biswas was associated with producer-director, Mehboob Khan under the banners of Sagar Movietone and later National Studios. Their association came to an end with the release of ‘Roti’ (1942). A news clipping in October 1942 issue of ‘Filmindia’ magazine revealed that on the eve of the release of ‘Roti’ (1942), National Studios was sold to K M Modi (I believe, he was the younger brother of Sohrab Modi) who was a film exhibitor.
Read more on this topic…
- In: Artist century song in blog | Asha Bhonsle solo | Asha Bhonsle songs | Calling the beloved | Century songs for the blog | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1958 | stage dance | Yearwise breakup of songs
- 15 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
जब मैं छोटा बच्चा था, (and my, not just then. . . even now). . .
No, no I am not going to start a description of my ‘शरारती’ pranks and naughtiness. I am going to tell somethings about my favorite actor and songs; that my favorite male performer was Dev Anand. There was a charismatic attraction in his face, his smile with one out of line canine, his mannerism, and his style of dialogue delivery – all put together made for a striking package, that would steal hearts. I am talking of the time when films like ‘Baazi’ and ‘Jaal’ and ‘Taxi Driver’ continued to be popular in re runs, and continued to be discussed as iconic films. This popular set of films was shown more than once on TV, and it would be a gala Saturday/Sunday when a Dev Anand film was scheduled. Those were days when the weekly film shows were split across the two last days of the week. And needless to say, the break was very irritating. 🙂
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments