Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar-Asha Bhonsle duet’ Category


This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In Mukti (1977), Shashi Kapoor and Vidya Sinha play a happily married couple, till he is framed for murder and thus gets capital punishment. Thinking that he is dead she relocates to Bombay, where she meets the local goon, who helps the lonely “widow” and her daughter settle down. This other man is played by Sanjeev Kumar. In this song he seems to be drinking so that he can feel brave enough to admit his love to his adored one.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the last song from the film Ajanabee. This is one of the lesser known songs from this movie. From its sound it hardly seems to be from Pancham except at times during the interludes. A common situation in Indian films for songs is where the lovers reach a village or a tribal camp on one of their rendezvous. Once there, they are persuaded by the locals to participate in their dance and song item. Sometimes the pair starts imagining themselves in the situation of the leading pair singing and dancing.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Inkaar’ from 1977 is one of my more favorite cops-and-robbers films. Almost the entire picture is a study in understatement. A film that flows pretty close to the levels of realism, and all the characters seem very natural and very normal in the surroundings they are placed in. Most of the action and most of the histrionics is played very normally. There is not much in the film that can be singled out as something overplayed. A difficult feat to pull off, given that it is a crime and detection story.
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“Naukar” (1979) was produced by Ismail Memon and Govind Ahuja and directed by Ismail Memon. The movie had Sanjeev Kumar, Jaya Bhaduri, Mehmood, Manmohan Krishna, Madhu Malini, Lalita Pawar, Yogita Bali etc in it. This movie was a light hearted comedy movie that likes of which were quite popular in 1970s.
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“Deewaar” (1975) must be regarded as one of the most influential movies of its time. Unlike most Hindi movies, the music of this movie only had a marginal role to play in the success of the movie. In fact no song of this movie figured in the Binaca geetmala finals.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Chandi Sona (1977), as the name points out at, is a film about treasure hunt on an island. Most probably a desi version of a Hollywood film. Sanjay Khan in his independent ventures favoured R D Burman. Even in this film it is Pancham, who gives the music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering (belatedly) Vijay Anand on the anniversary of his passing away (23 Feb, 2004).

Really very few artists and film makers in the industry have been as versatile as Vijay Anand has been. Active in the industry since the early 1950s, Vijay is the youngest of the three Anand brothers. He did have an advantage of two elder siblings, Chetan Anand and Dev Anand, having made a place for themselves in the industry, when he also decided to take the plunge. And under the umbrella of his illustrious seniors, he had the opportunity to delve and develop a multi faceted career. In a career that spans more than five decades, Vijay Anand, or Goldie as he was known to his friends, made his mark as a screenplay and dialogue writer, as a director, as a producer, as an editor, and as an actor. His works are limited, given the span of his career, but the quality of his work speaks for itself. The films he has directed are outstanding, and he is acknowledged as the best director for picturization of songs, in the Indian film industry. In this aspect of film making, which is supremely significant given the musical nature of Indian cinema, he is without a peer.
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