Archive for the ‘Duet’ Category
Jab tak duniya rahi rahegi
Posted on: March 26, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I have not seen the film YE DIL KISKO DOON (1963) but I have watched all the available video clips of the songs umpteen times . I enjoyed these songs some of which are audio-visual treats. The film was produced under the banner of Bindu Kala Mandir and directed by Kanak Mishra who was also the story and screen play writer. Star cast included Shashi Kapoor, Ragini, Agha,Jayshree Gadkar, Jeevan, Sajjan, Asit Sen etc. All songs of the film were written by Qamar Jalalabadi and set to music by Iqbal Qureshi. The film’s name may have been inspired by a Helen song ‘itni badi mehefil aur ek dil kisko doon’ from the film ‘Dil Apna Aur Preet Paraayi” (1960), but could not inspire thea udience to come to the theatres and watch the film. The film failed at the box office and with this, Shashi Kapoor’s struggling days to establish him as a lead actor were prolonged. It was about 2 years later that he could established himself as a lead actor with the box office success of the film ‘Jab Jab Phool Khile’ (1965). For Iqbal Qureshi, the film’s music director, once again the luck was not in his favour. His efforts in churning out great songs were wasted in a film that has now been almost forgotten.
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Raam duhaayi hai raam duhaayi hai
Posted on: March 26, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Roshan, a name that immediately brings to mind the iconic qawwalis of ‘Barsaat Ki Raat’ (1960), or the perennial sentimental favorite “Caarvaan Guzar Gayaa, Gubaar Dekhte Rahey” from the film ‘Nai Umar Ki Nai Fasal’ (1965). A master musician who would blend the classical and the folk with graceful ease, Roshan had his training under famous masters such as Ustad Allauddin Khan and Ustad Bundu Khan (saarangi king). After working with All India Radio in Delhi for about a decade, he moved to Bombay in 1948 in search of a career as a music director in films. He got introduced to Kidar Sharma, who was so impressed by his musical acumen that he actually made some changes to his next production. Plans were underway for the film ‘Neki Aur Badi’, and Snehal Bhatkar was already assigned the music direction responsibility. After meeting with Roshan, Kidar Sharma had a talk with Snehal Bhatkar, who agreed to let Roshan handle the music department. That is how the debut break came Roshan’s way.
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Daiyya re daiyya laaj mohe laage
Posted on: March 25, 2012
This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In a recent post (“koi aaya lachak uthi kaaya”), I had talked about seeing the film Dastaan (1972) on a flight.
As it turned out, that was not the only film I saw on that flight. It was a long flight so I managed to see another film that I’d been wanting to see for a long time – Leader (1964), starring Dilip Kumar and Vyjanthimala.
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Jaa jaa re jaa deewaane jaa
Posted on: March 25, 2012
“Grihasthi” (1963) was a Gemini preoduction. It was directed by Kishore Sahu. Starcast of the movie had Ashok Kumar, Manoj Kumar, Rajshree, Nirupa Roy, Lalita Pawar, Indrani Mukherjee, Mehmood, Sudesh Kumar, Shubha Khote, Iftekhar, Bipin Gupta, Kanhaiyalal, Manmohan Krishna, Bharati Malwankar, Achala Sachdev, Gajanan Jagirdar etc in it.
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Chal diye banda nawaaz
Posted on: March 24, 2012
I have discussed as many as six songs from “Mr and Mrs 55” (1955) and I was under the impression that all songs of the movie had been covered. But I was wrong of course. There are still at least a couple of songs from this movie yet to be discussed.
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“Ghoonghat” (1960) was a Gemini Pictures Presentation. It was directed by Ramanand Sagar. Starcast of the movie included Pradeep Kumar, Asha Parekh, Bharat Bhushan, Beena Roy, Agha, Rehman, Helen, Kanhaiya Lal, Rajendra Nath, Pratima Devi, Leela Chitnis etc.
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Regulars of this blog may be wondering why I have discussed only one post today and then nothing ! The reason is, today my wife has all the time to supervise over me and sitting at the computer is proving out to be difficult for me. I somehow managed to post one writeup today when she was not looking. Now it is afternoon and she has gone out for her favourite pastime, viz shopping. I refuse to have anything to do with shopping so I have dropped her (and the daughter) to a shopping complex and come back. Assuming that they will be there for three hours, I need to make the most of these three hours to make up for lost time. 🙂
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Mere dil ki ghadi kare tik tik tik
Posted on: March 23, 2012
This article is written by Sadananad Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
ALBELAA (1951) was a musical blockbuster produced and directed by Master Bhagwan. In my childhood days, I had quite often heard ‘shaam dhale khidki tale tum seeti bajaanaa chhod do’ but none of the other songs from the film. I saw this film for the first time on Doordarshan in early 80s. Thereafter, I must have seen this movie a couple of times after I bought VCD of this film last year. This was Bhagwan’s first venture for a big budget film after producing and directing some low budget C grade films. The film was the third highest box office grosser of 1951 ranking after ‘Aawaraa’ and ‘Baazi’. It was an amazing feat for Bhagwan to achieve a box office success with this film despite having a run of the mill story ( probably based on his own life), a lacklustre direction and a non-conventional lead actor like him. The credit goes to the film’s foot tapping songs which became a craze those days and are still popular with the new generation as well.
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“Bambai Ka Chor” (1962) was a New Original Pictures presentation. It was directed by S D Narag. Starcast of the movie included names like Kishore Kumar, Mala Sinha, Helen, Pratima Devi, Honey Irani, Amar, Krishna Kumari, Iftekhar etc.
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“Raftaar” (1975) was a movie that was not quite A grade, nor it was an entirely B grade movie. In 1970s, such movies, which were neither here nor there tended to have Vinod Mehra and Mausami Chatterji in them as the lead pair. Put another way, they were poor producer’s Dharmendra-Hema Malini.
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