Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6357 Post No. : 19711

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-3

Today’s Pancham’s duet composition is from the movie ‘Laavaa’ or ‘Lava-1985’. This movie was directed by Ravindra Peepat for ‘Meera Enterprises, Bombay’. This was Ravindra Peepat’s debut as a director. ‘Lava-1985’ was produced by Smt Balbir Kaur. The cast of this movie included Asha Parekh, Dimple Kapadia, Raj Babbar, Rajiv Kapoor, Madan Puri, Rajendra Nath, Narendra Nath, Sashi Saxena, Sudhir, Geet Khanna, Anees Bazmee, Pradeep Suri and others. Kulbhushan Kharbanda, Vikas Anand, and Rama Vij had a friendly appearance in this movie.

‘Lava’ had eight songs including one three part song, which has already been posted on this blog earlier. Anand Bakshi was the lyricist for all the songs in this movie and music was composed by Rahul Dev Burman. The playback singers for this movie are Asha Bhonsle, Manmohan Singh, Kishore Kumar, Shailendra Singh, and Lata Mangeshkar.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19708 Movie Count :

5166

Hullo Atuldom

“Dosti Dushmani” (release date 31st October 1986) was directed and produced by T. Rama Rao. It had the team of Anand Bakshi- Laxmikant- Pyarelal giving us five songs that had Mohammad Aziz, Suresh Wadkar, Shailendra Singh, Kavita Krishnamurthy, S. Janaki & S.P. Balasubramaniam as playback singers.

Jeetendra, Rishi Kapoor & Rajnikanth played fast-friends (soulmates) with Pran & Sowcar Janaki, who are the biological parents of Jeetendra (in the film), being the anchors in the life of the friends. Bhanupriya, Kimi Katkar & Poonam Ddhillon were the ladies in the lives of the heroes. Amrish Puri, Shakti Kapoor, Kadar Khan, Asrani, Shafi Inamdaar & Gurbachan form the supporting cast.

This film was a remake of the Telugu film “Mugguru Mithrulu” (1985). The Telugu film was also remade in Kannada as “Brahma Vishnu Maheshwara” (1988).

I have seen the film, in parts, whenever it shows on some satellite television channel. I have seen that Jeetendra is forced into a fake marriage with Bhanupriya to shield Poonam Dhillon, who is Rajnikanth’s wife, from defamation or some such thing. In this fake marriage, Rishi Kapoor, Pran & Sowcar Janaki are the co-conspirators. Then there is an angle of Kimi Katkar, who has an axe to grind against Amrish Puri, falling in love with Rishi Kapoor. Plus, we come to know that Bhanupriya & Rajnikanth are siblings & Amrish Puri is their father who had abandoned the family at the start of the film. Additionally, Rajnikanth had got separated from his family & was fostered by Pran. What an uncomplicated masala film!!!!

This film is making it’s debut on the occasion of the 75th birthday of actor Rajnikanth who has a cult, God-like status among his fans particularly in South India. He has acted in films of all four South Indian languages though the number of Malayalam films is only one or two. His name appears in the credits of a Bengali film too, as ‘Guest Appearance’. He has acted in around 25/26 Hindi films. He has also produced & wrote screenplay for a few films (learnt this today)

Rajinikanth was born as Shivaji Rao Gaikwad on 12 December 1950, in a Marathi family, in Bangalore, Mysore State (present day Karnataka). His mother was a homemaker and his father, Ramoji Rao Gaekwad, was a police constable. He was the youngest of four siblings; he has two older brothers & a sister.

A fact about his early life, which is not well – known (or I should say I learnt today) is that his brother enrolled him at the Ramakrishna Math. Here, he was taught Vedas, tradition & history and also began acting in plays at the Math. His aspiration towards theatre grew at the Mathh and was once given an opportunity to enact the role of Ekalavya’s friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.

Upon completion of his school education, Rajinikanth took up several jobs including that of a coolie, before getting a job in the Bangalore Transport Service as a bus conductor. He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement. During his stay at the institute, he was noticed by the Tamil film director K. Balachander. Balachander provided Rajinikanth with his stage name to avoid confusion with fellow actor Sivaji Ganesan. The director advised Rajnikanth to learn to speak Tamil, a recommendation that he quickly followed. Although he can read the language, he cannot write in it. (Me too, I can read the language with some difficulty but not write it. I think I am qualified to be Rajni Saar’s fan. 🙂 )

Rajinikanth played supporting and “villainous” roles in most of the films released during the initial years of his career with lead roles which were few & far-between. His first film as one of the main leads, in Tamil came in 1978 in a remake of ‘Amar Akbar Anthony’. He first played a positive character in Telugu in 1977. I am unable to find out which was his first film as a positive lead in Kannada. His Hindi debut came in 1983 with ‘Andhaa kanoon’.
Rajnikanth is married to Latha Rangachari & has two daughters – Aishwarya & Soundarya- both of whom are connected with the film industry. Aishwarya Rajnikanth is a film director & playback singer while Soundarya is a film producer/ director along with being a graphic designer. Soundarya was the first woman director to direct Rajnikanth in ‘Kochadaiiyaan’ (2014).

The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016. He was awarded the Dadasaheb Phalke Award in 2019, though he has won only one Filmfare award for best actor in 1984 for a Tamil film, IFFI (International Film Festival of India) conferred on him the Satyajit Ray Lifetime Achievement Award this year- 2025.

Wish you a very Happy Birthday Rajnisaar (‘Thalaiva’ which translates as ‘leader’ but also used to mean ‘BOSS’). May you continue to entertain your fans. Stay Healthy. 🙂

Audio

Video


Song-Yaaron humko dekh ke kahe ye duniyaa saaaree (Dosti Dushmani)(1986) Singers-Mohammad Aziz, Shailendra Singh, Suresh Wadkar, Lyricist-Anand Bakshi, MD-Laxmikant Pyarelal
All three
Chorus

Lyrics

ho o o o
o o o
ho o o o
o o o

aa aa aaa aa
ho o o o
laa laa laa laa
laa laa laa laa
laa laa laa
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
arre yaaron humko dekh ke
kahe ye duniya saaree

ho o
yaaree ho to aisee ho

arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
yaaron humko dekh ke
kahe ye duniya saaree

kaun kisee ke liye bhala marne ko taiyyaar hai
arre
kaun kisee ke liye bhala marne ko taiyyaar hai

duniya mein har ek ko apnee jaan se pyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
arre humko apnee dostee
arre humko apnee dostee
haan haan haan humko apnee dostee
apnee jaan se pyaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
jaisee apnee yaaree

kaheen kaheen par phool ye khilte hain naseeb se
kaheen kaheen par phool ye khilte hain naseeb se

is duniya mein dost to milte hain naseeb se
arre is duniya mein dost to milte hain naseeb se
kitnee achchee doston
arre kitnee achchee doston
haan kitnee achchee doston
hai taqdeer hamaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

bansee baajee jamuna paar
saare gwaale hain taiyyaar
Govinda
bansee baajee jamuna paar
saare gwaale hain taiyyaar

arre gokul ashtmee ka tyohaar
aao aaj manaayen yaar

gokul ashtmee ka tyohaar
aao aaj manaayen yaar

hey galee galee mein macha shor
aaye aaye maakhan chor

galee galee mein macha shor
aaye aaye maakhan chor

ye matkee hum todenge
maakhan kha ke chhodenge
ye matkee hum todenge
maakhan kha ke chhodenge

aaj ke din hum dekhenge
ban ke kishan muraaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
sambhal ke
hey sambhal ke
hey
ek to
do teen
teen chaar
hey
hey
hey
hey
hey
hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey heyyyy


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19705

‘Beqasoor’ (1969) was produced by Vijaykumar and was directed by Kamran. The cast included Dara Singh, Sanjana, Sham Kumar, Maruti, Ulhas, Ratnamala, Habib, V Gopal, Sadhana Khote, Dilip Dutt, Madhumati, Meenakshi etc. It was ‘B’ Grade action-thriller film. Dattaram composed the songs of the film during his waning career as a music director.

Dattaram Wadkar (1929 – 08/06/2007) predominantly worked with Shanker-Jaikishan (about 70 films) as his music assistant, taking care of the rhythm section of the songs during 1953-77. During this period, he also independently worked as the music director in 19 films spread over between 1957 and 1971.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6355 Post No. : 19701

Today’s song is from the film Veer Ghatotkach (aka Surekha Haran)-1949. The meaning of Ghatotkach is a person with a bald head.

The film was made by Homi Wadia’s Basant Pictures and it was directed by Nanabhai Bhatt, a veteran in directing such films. Music was by S.N.Tripathi, who, as usual, also acted in this film.

S N Tripathi was an actor, director, composer and a singer too. He acted in 83 films, sang 13 songs in 7 films, directed 18 films and gave music to 111 films, composing 863 songs. In the early cinema, we had many such multi-faceted artists.

The cast of the film was Vasantrao pehelwan (as Ghatotkach), Shahu Modak, Niranjan Sharma, Meena Kumari (as Surekha), Sumati Gupte, H.Prakash, S.N.Tripathi, Shyam sunder Sulochana and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6354 Post No. : 19699

Today’s song is from an absolutely obscure film – Maldar-1951.

I called it an absolutely obscure film, because except what is given in the HFGK, no other information on this film is available anywhere – neither in any books nor anywhere on the Internet. Even the film booklet is not available (either not printed for cost saving or less number printed to economise). It just came and went.

It was a Debut film for Amit Mitra – Director, Satish Bhatia – Music Director, Usha Bhatia – Playback singer, Roshan Joshi – Playback singer and Pran – Lyricist. Since we do not know the credits for other departments, we are unaware of that part.

The cast of the film was Balraj Sahni, Smriti Biswas, Chhabi Biswas, Neelima and others. The 8 songs of this film, composed by Satish Bhatia were quite nice but not good enough to compete, stand out or remain in memory compared to the other songs of the Golden Era of Film Music. 1951 had offered much more melodious songs by well known composers.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19697

“Jawaab”(1970) was directed by Ramanna for RR Pictures, Madras. The movie had Ashok Kumar, Meena Kumari, Jeetendra, Leena Chandavarkar, Prem Chopra, Jyothi Lakshmi, Ulhas, Aruna Irani, Rajan Haksar, Leela Mishra, Prem Kumar, Madhumati, Kanhaiyya, Lakshmi, Pandey, Indra Acharya,Mehmood etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19696

In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.

In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19693 Movie Count :

5162

Hullo Atuldom

Back to writing a post after a full month, last one was on 6th November to pay tribute to Sanjeev Kumar. In this period I have been getting gentle nudges by our Guruji, enquiring about the lull in my writing. He even suggested that I strike a deal with Sadanandji, about pacing our landmark posts (at that point Sadanandji was four short of his century). I assured Arunkumarji that by the time I get back to writing Sadanandji would have hit his century and gone far ahead; he is sitting on 1014 currently.

I have been a little pre-occupied attending a few weddings, accompanied with learning to shake a leg for the dances to execute at the pre-wedding sangeet and other wedding related celebrations. A few of my nephews got married in this wedding season.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19691

As usual, I cannot keep away from Rafi songs for long. I stumbled upon this movie in the list of songs movie-wise and saw only 7 songs are posted out of 12. The movie is Mastani (1955), the middle of 50’s decade when Rafi Sahab was still finding his niche in the industry and was adding variety of flavourful spices in each new song, he sang for each new actor. The talent of instilling mischief and new murkiyan in the rendition, became the highlight of each music score, who ever be the composer. It also put the other male playback singers in the shade because none could compete. Not the old brigade of singers of 40’s, who sedate style of singing was soon to become obsolete. Mid 50’s was also the time when music score with Rafi sahab as solo male singer started.

Some thought he could find his core strength in playback and people can bracket him into a comic singer, or a theme song singer, or faqeer baba singer. But it was soon clear, that there was no genre of song that the MD could compose and Rafi Sahab could not sing. This was the voice of hero, in romance and sadness, voice of the character actors, and voice anyone else having a song to sing in the films script.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19690 Movie Count :

5161

This movie Baazi(1984) is making a debut in the blog with this song.

The title “baazi” is very popular with many movies made with this title.
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