Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Guest posts’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Film industry is one industry where men and women have to work together. Whether it is Actor-director or Singer-Composer, for the sake of work they have to spend much time together. No wonder then that Cupid does his work overtime. Sometimes there are mutual attraction and at times there are one sided fires burning. In most cases the one sided fire is extinguished in a very painful way, like what P L Santoshi faced with actress Rehana or the slap Sanjiv Kumar got from actress Nutan.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our film industry,there were two types of actors. One-who were lucky and did not have to struggle at all to become successful as a Hero and Two-those who had to struggle hard to be a hero and successful. We are NOT talking about actors like Raj Kapoor, Shammi or Shashi kapoor or R D Burman, for whom already there was a base made by their fathers in the industry facilitating their acceptance and opportunities. However there are examples like Mehmood -son of a successful actor Mumtaz Ali and some other star sons who had to struggle hard to create their own space in the industry.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The best period of HFM’s melody was the 50s. Countless sweet melodies were brought out by talented composers. The whole atmosphere in India that time was highly conducive to the growth and spread of Indian film industry. newer markets were being added for overseas exhibition,thus making the actors and singers earn more.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Legendary singer Mukesh was born in Delhi, on July 22, 1923 in a middle class family consisting of 10 children. Mukesh was the sixth of the siblings. The lure of films always appealed to Mukesh and as such he was less interested in studies. After his matriculation in a municipal school he was able to get a job of assistant surveyor in Delhi’s department of public works through his father. However, after just seven months of service, Mukesh ran away to Mumbai to become another KL Saigal whose adherent fan he had been all along. Even in school, Mukesh was known as “junior saigal” and the lunch breaks often involved the young Mukesh rendering his favourite Saigal numbers to his peers amongst whom Roshan Lal would be one on the harmonium.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the mid 50s,there were several religious movies and hundreds of melodious Bhajans in them. Those readers who were grown up enough to enjoy Radio in that period will recall several bhajans from that era which had become commonplace in most household. Today we will enjoy one such bhajan from the film Tulsidas-1954.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar has rendered songs under the batons of hundreds of Hindi film music directors. But some connoisseurs of Hindi film music are of the view that her combination with Anil Biswas, C Ramchandra and Madan Mohan produced many of her best songs from Hindi films. I feel that to this list, the name of music director Roshan should be added as Lata-Roshan combination churned out some of their best songs. Take for example, songs in ‘Malhaar’ (1951), ‘Hum Log’ (1951), ‘Raag Rang’ (1952), ‘Naubahaar’ (1952), ‘Taj Mahal’ (1963), ‘Chitralekha’ (1964), ‘Mamta’ (1966) to quote a few films. Some of her songs under the baton of Roshan may not have become as popular as that of her songs with Naushad and Shankar Jaikishan, but there is some uniqueness in her renditions under Roshan just as her renditions under Anil Biswas, C Ramchandra and Madan Mohan were unique.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today we are going to get introduced to yet another great singer from Gujarat, who was so popular in the 50s that people called him ” King of Prabhatiyas “. Prabhatiya is a kind of Bhajan sung in the early hours of mornings, just when the Sun is about to rise.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE GENTLEMAN MAESTRO….
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White full shirt, ironed white pyjama, spectacles with big powerful lenses and the trademark white Gandhi Topi… He could easily be mistaken for a ‘Pandharpur Warkari’ (a regular pilgrim to Pandharpur) or a member of a ‘Bhajani Mandali’ or simply a middle class ‘Marathi Manoos’. Such was the appearance of one of Hindi filmdom’s talented, yet not so famous, music maestro VASUDEV GANGARAM BHATKAR or Snehal Bhatkar, as we all know him.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

KHOOBSOORAT (1952) was produced under the banner of Fazil Brothers and was directed by S F Hussain. The star cast included Suraiya and Nasir Khan in the lead role with Yakub, Janakidas, Budho Advani, Baby Zubeida in the secondary roles. The film had 8 songs penned by 3 lyricsts – Shams Azimabadi (6), Shaukat Jaunpuri (1) and S H Bihari (1) which were set to music by Madan Mohan. All the 8 songs were solos by Suraiya (4), Asha Bhosle (2) and Talat Mehmood (2). Four songs have been covered in the Blog.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten : Song no. 5
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Song no. 05 of the series is a non – film song or rather a ghazal. Singer is Mohammed Rafi, judging by the voice it appear to be late 60’s recording. As the date of the song is not available anywhere that I could find, just making a guess. The poet of this very predictable ghazal is Muzaffar Shahjahanpuri. Now it the turn of music Directors name. The link on youtube is giving the name as Iqbal Qurieshi, and the comments on the youtube imply that the composer is Chhote Iqbal. Myswar.com and the excel sheets are playing it safe and giving the name as just “Iqbaal”. May be the knowledgeable readers of the blog will be able to clarify the name of the composer. By looking in the myswar.com I found the year of the song which is 1970.
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