Archive for the ‘Post by Sadanand Kamath’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Recently,I came across an audio clip of a film FOR LADIES ONLY (1951). This film was also known by the name ‘TITLI’. I had never heard of this film. A search in the Indian Film Trade website revealed that the film was produced under the banner of Jaimini Dewan Productions ( Jaimini was the brother of Karan Dewan) and directed by Vedi. The cast included Satish, Roopa Verman, Kuldeep Kaur, Sadhana Bose, Ramnath. As per the same website, there were three lyricists for the film – Sahrai, Kaif and Sahir Ludhianvi. Another website gives the names of six lyricist – Sharma, Vashisht,Prakash, Kaif, Sahrai and Sohanlal Sahir ( and not Sahir Ludhianvi). Vinod (Eric Robert) was the music director for the film.
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Chaahe kitna mujhe tum bulaaoge
Posted on: May 3, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I was in Kohima (Nagaland) during the first week of December last year to see the week long annual Hornbill Festival. The festival showcases the rich tribal traditions and culture of Nagaland including folk dances, music, sports etc. One day of the festival was reserved for the folk dancers and musicians of all the north-eastern states. My main interest was photography during the festival events and also capturing the tribal village life in the real sense by visiting a nearby Naga village. But some of the dances and musical performances became so rhythmic and foot tapping that I was completely engrossed watching them and in the process I missed taking pictures of some of those events. Surely, some of the dance and musical performances would have been a source of inspiration for Bollywood music directors and choreographers. I also observed that the younger generation In Kohima was very much into music. There are many rock music bands in Kohima. Even in a tribal village, it was a common sight to see young boys and girls moving with guitars.
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Raaten jagaa ke sapne sajaa ke
Posted on: May 2, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my school days, some Hindi films with English titles such as ’12’o Clock’, ‘Black Cat’, ‘Marine Drive’, ‘Gateway of India’, ‘Tower House’ were released between late 50s and early 60s. I used to wonder as to why Hindi films should have English titles. Perhaps, it was one of the ploys of the production houses to create some curiosity about these films among the prospective audience and lure them to theatres. I was also curious about these films but those days we would be permitted to see only a couple of films during summer and Diwali vacations and that too only one or two select films. I had no occasion to see these movies when they were released and I have no idea about their fate on the box office. Probably these films did not run for long time.
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Tera haathh haathh mein aa gayaa
Posted on: May 1, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today, May 1st, is the 93rd birthday of one of the icons among the playback singers who has enthralled the listeners of both filmy and non-filmy songs with his versatile singing for over five decades. He is Prabodh Chandra Dey, popularly known as Manna Dey. We are fortunate that Manna Dey is with us to remain a source of inspiration for budding singers.
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Mehandi lagi thhi mere haath
Posted on: April 30, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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Ye ruki ruki hawaayen
Posted on: April 28, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ever since I heard the songs from film ‘Badi Maa'(1945) about four decades ago, I have been a fan of music director Datta Korgaonkar (known as K Datta). It is stated that when his songs from ‘Badi Maa’ were heard by some of his contemporary music directors, they were so impressed by his compositions, especially ‘diya jalaaker aap bujhaaye’ that music directors like Shyam Sundar, Anil Biswas, Ghulam Haider and Rafiq Ghazanvi personally visited his house and congratulated him. During the last few days, I have been going through his songs on the internet and I found his compositions and orchestration of songs somewhat different from what was prevalent during his time. K Datta was active in the film industry between 1943-1956 during which time he composed music only for a dozen films but he churned out mostly good songs though they may not have become very popular among the masses. His last film as a music director was ‘Ajnabi’ (1966).
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Simti huyi ye ghadiyaan
Posted on: April 27, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Last night, on our way back home after attending a marriage reception, I heard a song ‘simti huyi ye ghadiyaan’ in a FM Radio channel in our car. I had heard this song a few years back but I was not able to recall the name of the film, lyricist and music director except that I could recognise the voices of Lata Mangeshkar and Mohammed Rafi. After getting nowhere to seek the answer, I asked my sister who was travelling with me and who has a good knowledge about old Hindi film songs, whether she knew about the song. Initially, she thought that I was testing her knowledge on the old Hindi film songs. It was only when I said in all seriousness that I did not know anything about this song other than the singers that she started applying her mind on my question.
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Pardesi tum kaun kahaan se aaye ho
Posted on: April 26, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There was a time when Hindi film industry regularly churned out films based on mythological stories. These films were produced mostly by small time producers with small budget though a few of such films were also produced under big banners like Ram Rajya (1967) by Prakash Films.
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Shaayar to nahin hoon lekin
Posted on: April 25, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I do not know as to why I suddenly remembered Sanjeev Kumar (real name Haribhai Jariwala) today early in the morning when I was preparing for my morning walk. His anniversary dates were nowhere near and I have not seen any of his films and video clips for a long time. As it is, my ‘area of operations’ on YT are mainly confined to the watching/listening of video/audio clips pertaining to the period between 1940-1960, straying sometime up to late 60s and most of his his songs does not fit in to my preference. Probably, this was a reminder to me from Sanjeev Kumar donning a white suit and trouser in true suspense film style echoing “old man, have a peep at me too sometime”.
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Do boonden saawan ki
Posted on: April 24, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ramesh Saigal who had produced and directed socially relevant films like ‘Shikast (1952) and ‘Railway Platform (1956), ventured in to make one more such film based on the Russian novelist Dostoevsky’s ‘Crime and Punishment’. The film was PHIR SUBAH HOGI (1958). Raj Kapoor and Mala Sinha were the lead actors in this movie with Rehman, Jagdish Sethi, Leela Chitnis, Nana Pansikar and Mubarak in the supporting roles. The songs were written by Sahir Ludhianvi and composed by Khayyam. As far as I know, Sahir Ludhianvi teamed up with Khayyam for the first time in this film.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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