Archive for the ‘Post by Sadanand Kamath’ Category
Suno jee pyaari koyaliya boley
Posted on: April 23, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I had never heard of the film SANYASI (1945) until a few months back. The film was produced under the banner of Kardar Productions and directed by A R Kardar. The cast included Shamim Bano, Amar, Shyam Kumar, Ghulam Mohammed. I checked the available songs on internet and found to my surprise that there were 10 songs in this film out of which 7 songs were sung by Zohrabai Ambalewali (both solo and duets). These songs were written by Pandit Madhur and set to music by Naushad. Other than these, I am not able to get other details about this film such as genre and box office success or otherwise of the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In the 30s and 40s, female actor-singers like Noor Jehan, Khursheed, Rajkumari, Amirbai Karnataki and Zoharabai Ambalewali dominated the Hindi film industry. These artists were based in Lahore and Bombay (Mumbai). Kanandevi who was based in Calcutta(Kolkatta) held somewhat higher status of a superstar actor-singer for nearly two decades both in Bengali and Hindi film industries. Today, April 22nd is the birth anniversary of Kanandevi who was born in Howrah to a poor family. Her adoptive father died early which forced her to take the responsibility of looking after her family at a young age of 10 years. A well wisher introduced her to Jyoti Studios where she was given a small role in a Bengali silent film Joydeb(1926). Thereafter she worked in some more silent films. It took about 10 years for her to be noticed as an accomplished actor in the film Khooni Kaun (1936).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In 1949, our Hindi film music got richer by the induction of a new lyricists team of Hasrat Jaipuri and Shailendra and the new music director duo of Shanker-Jaikishan to the Hindi film industry. Raj Kapoor was their god father and the film BARSAAT (1949) was to decide their destiny. The film became a super hit and this combined team of lyricists and musical duo ruled the Hindi film industry for the next two decades with their down to earth lyrics with masterly compositions. It is said that with successes at every stage, ego problems do crop up leading to crack in the team. It was creditable that the entire team of Hasrat Jaipuri, Shailedra, Shanker-Jaikishanand Raj Kapoor lasted until the death of Shailendra in December 1966 and enriched the golden era of Hindi film music with their contributions.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my younger days, my uncle used to play M S Subbulakshmi’s (MS) LPs of Venkateshwara Suprabhatam or Vishnu Sahastranamam early morning every day which I used to resent as it became virtually a wake-up alarm for me. But as days passed, I not only started liking her renditions, some of its verses got stored in my mind.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my native place in Mangalore district (and perhaps other places in India specially in villages), it was a tradition in almost every house that all family members would assemble in the Pooja Room soon after the dusk for singing some devotional songs. In a joint family system, this tradition also worked as a means of creating bonding among large family members. After shifting to Mumbai in early 50s, with a nuclear family and a city culture, this tradition slowly got discontinued. But my mother would sing at least a couple of devotional songs every day after dusk while doing her kitchen chores. One of the devotional songs which I had often heard in my childhood was in the Konkani language, my mother tongue. I was very much impressed by the lyrics and the tune of the song.
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Kyaa dekha ab nainon waali
Posted on: April 5, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I was contemplating a write-up on the song ‘kyaa dekhaa ab naiano waali nainaa kyoon bhar aaye’ from film DHARMPUTRA (1961) over a month for discussion in the blog. But the song is so heart touching that I have been avoiding watching it again for a write-up. The song is a masterpiece and worthy of bringing to the notice of readers of this blog. The film was produced by B R Chopra and directed by Yash Chopra. Mala Sinha, Rehman, Shahsi Kapoor and Indrani Mukherjee were the main actors in the film. Five songs from this film have already been discussed in the blog.
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Saawan ke nazaare hain
Posted on: April 4, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
KHAZAANCHI (1941) was produced by Lahore based Pancholi Art Picture owned by Dilsukh Pancholi and directed by Moti Gidwani. The star cast included Ramola, S D Narang, M Ismail, Durga Mota, Manorama, Ajmal etc. Recently, I watched this film on the internet and felt as if I was watching one of the films of 50s with a familiar story line – romance, a villain, murders, court proceedings, climax scenes of chase etc and finally victory of truth over evil. No doubt, this film was a blockbuster at the box office front. I am giving below a synopsis of the film story just to get an idea as to how this type of the story line became familiar in the films mostly produced in the 50s.
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Aaj milan ki raat hai raat hai
Posted on: April 3, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
KEECHAKVADH (1959) as the name of the film suggests, was a mythological film. It was produced in Marathi and Hindi versions by Balasaheb (P K) Pathak under the banner of Manik Studios and directed by Yeshwant Pethkar. The star cast included Baburao Pendharkar (Keechak), Sumati Gupte (Draupadi), Shobhna Samarth (Sudeshna), Vishwas Kunte, Vimla Kumari, Helen etc. I had seen the Marathi version of the film on the internet mainly to get to know the song situation of the iconic song ‘dhund madhumati’. In that process, I had to see the full film as this particular song was almost at the end of the film before Keechak is killed by Bheem. I had no regret in watching the full film as the crisp screen-play made the already known story a still interesting one to watch.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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