Archive for the ‘Post by Sadanand Kamath’ Category
Achcha jee maaf kar do
Posted on: March 12, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Born with a silver spoon’ is a phrase which has often been used with reference to a person born in a rich family. It would not be out of place if If I coin a similar pharse ‘born with the golden Hindi film songs’ with reference to Bharat Bhushan and Pradeep Kumar. They were blessed with the best of the songs of the golden era by picturising on them. There was not much to talk about their acting capabilities but they were so lucky in their filmy career that they paired with some of the most prolific heroines with their impeachable acting capabilities. No doubt, most of their films became the box office hits. They are known today even to the new generation mainly because of the songs they got to sing on the screen rather than for their acting ability.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Talat Mehmood had sung most of his duet songs mainly with Suraiyya, Geeta Dutt, Lata Mangeshkar, Asha Bhonsle and Sudha Malhotra. I get a feel of an affinity between the singers on the one hand and the actors on the screen on the other hand when I listen to Talat Mehmood-Geeta Dutt duets. This combination is pleasing to my ears and gives credence to what is intended in the lyrics. The song which comes to my mind in this context is ‘armaan bhare dil ki lagan tere liye hai’ from JAAN PEHCHAAN (1950).
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Mere dil ko jiski talaash thhi
Posted on: March 10, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
There are some songs which I feel are better heard than watched. The evergreen song “aapki nazron ne samjha pyar ke kaabil mujhe” was one of my favourites and I had pinned great hopes on its video clip. I was disappointed the moment I watched the video clip of this song. Even now whenever I listen to this song on the audio clip, Darmendra’s expressionless face comes before my eyes which act as a speed breaker in the smooth flow of an otherwise melodious song.
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Jeene ka agar andaaz aaye
Posted on: March 8, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Ravi’s debut film was Vachan (1955) but I first came to know about him through the songs of Chaudhvin Ka Chaand) (1960). He was music director for many successful films like Gumrah (1963), Waqt (1965), Khandaan (1965) Do Badan (1965), Kaajal(1965), Phool Aur Patthar (1966), Aankhen (1968) to quote a few. He was one of the popular music directors of Hindi films produced in the South. He wrote the popular song ‘cat mane billi’ for Dilli Ka Thug (1958). From 70s onwards, his musical assignments started declining and by later part of 80s, he was almost retired from the Hindi film industry. With his demise, we have lost one more veteran music director of the golden era of Hindi filmsongs.
May his soul rest in peace.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my earlier stage of baptism to Hindi film songs of the golden era, whenever I came across some new songs I liked, I would want to know the name of the film, singers and themusic directors ( in that order) of the concerned songs. I never enquired about who wrote these likeable songs. One song that made me to know the name of the lyricist was “main zindagi ka saath nibhaata chala gaya” from HUM DONO(1961). This song virtually introduced me to a great Urdu poet and lyricist Sahir Ludhianvi. I feel shy to reveal here that though I liked those iconic songs of PYAASA (1957) but that did not trigger my brain to enquire as to who wrote those melancholic and the soul searching songs. As I came to know later, those songs were written by Sahir Ludhianvi.
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Kuchh yaad rahe to sun kar jaa
Posted on: March 7, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
One of the remembrances of my childhood days of early 50s was a song ‘kuchh yaad rahe to sun kar jaa’ which my mother used to sing quite often. It would not be an exaggeration to say that I grew up with this song. Those days, I did not remember the beginning line of this song but one line from this song – ‘tu haan kar jaa yaa naa kar jaa’ remained embedded in my mind. I had no inkling at that time that it was a filmy song.
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Ye khushi ka samaa
Posted on: February 24, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Talat Mehmood ( 24-02-1924 – 09-05-1998) and the song ‘ tasveer teri dil mera behalaa naa sakegi’ are synonymous. I was under the impression that this song was from a film. But after getting hold of a 78 rpm record ( N.16767) of this song in early 70s, I realised that it was a non-filmy song. I came to know much later that this was one of the top selling gramophone records issued in early 40s and this song brought Talat Mehmood to the limelight as a singer in Hindi film industry.
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Mere lalla ko sulaayegi nindiya
Posted on: February 23, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I was aware of the film Suhagan (1964) but never knew that one more film by the same name was released in 1954. In fact, I found that most of the websites including IMD jumbled the details of both these films in Suhagan (1954). As per Indian Film Trade website, the film was produced by Datta Dharmadhikari, a Marathi film veteran who has been known for producing and directing family drama films. Anant Mane, also a veteran Marathi film director, directed the film. The star cast included Geeta Bali and Jaswant in the lead role and Shyam Kumar, Sulochana, Vijaylaxmi, Janakidas in subsidiary roles.
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Dekh li teri khudaayi
Posted on: February 22, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contrbutor to this blog.
In Hindi film industry, there were producers/directors who initially started their careers as lyricists but over a period of time, they ventured into film production. As far as I know, this trend started with Kidar Sharma who joined New Theatres as a still photographer and a set painter before switching over to lyricist and dialogue writer. He was followed by P L Santoshi, Nakhshab, Jaan Nisar Akhtar, Shailendra, Gulzar to give a few examples.
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Aur hai dil ki lagi
Posted on: February 21, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I came to know about the film RAAG RANG (1952) in early 70s while discussing some old Hindi songs with one of my office colleagues who had a vast collections of old Hindi film songs in 78 rpm records.
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