Archive for the ‘Post by Sadanand Kamath’ Category
Shaadi mubaarak bole shehnaayi
Posted on: November 13, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4501 | Post No. : | 16038 | Movie Count : |
4437 |
I am not well-informed about Hindi films of 1980s and beyond, except about those that I have watched in the theatres or on Video sharing platforms. Between the late 1960s and early 1970s, I used to watch almost one film every week either on Saturdays or Sundays. My ‘over-exposure’ to films, mostly masala films, during this period created an aversion in me that discuraged me from watch theese films in the later years. Probably the theory of diminishing marginal utility was being applied to me. Over a period of time, my quota of watching films came down from once a week to 2-3 films a year which is still in force. Because of this, I have missed many entertaining and a few quality films released especially in 80s and 90s.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4497 | Post No. : | 16030 |
‘Zindagi Aur Hum’ (1962) was produced by Rashid Parwez and was directed by Pandit Anandkumar. The star cast included Nalini Jaywant, Chand Usmani, Naina, Dinesh, David, Leela Mishra, S Nazir, Mukri, Amar, Jagdish Kanwal, Chandabai, Anwaribai etc. The story was written by Pandit Shivkumar who was the elder brother of Pandit Anandkumar. Pandit Shivkumar also wrote lyrics for 5 of the 6 songs. It was a last film for Pandit Anandkumar as a director though he continued to write screen-play and dialogues for few more subsequent films. It was also the last film for Pandit Shivkumar if I go by the tribute given to him in the credit title of the film.
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Maut uski jawaani pe lalchaayee
Posted on: November 6, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4494 | Post No. : | 16021 | Movie Count : |
4435 |
Sometime back, I had come across a list of unreleased songs of Mohammed Rafi on the internet. The number of such songs were close to 100. A scrutiny of the songs revealed that these were not necessarily unreleased songs. Some songs were from unreleased films which were released later on gramophone records in some cases. Then, there were songs which were composed for released films but were not picturised. Some songs were deleted from films mainly to reduce the length of the films. Some of the songs in the list have already been covered in our Blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4477 | Post No. : | 15983 |
I wonder why Guru Dutt (09/07/1925 – 10/10/1964) who till 1958, had acted in lead roles in films of his own banner only, decided to act in films outside his banner. His first film outside his banner in a lead role was ’12 O Clock’ (1958) followed by ‘Sautela Bhai’ (1962), ‘Bharosa’ (1963), ‘Bahurani’ (1963), ‘Suhaagan’ (1964) and ‘Saanjh Aur Savera’ (1964). While his first film outside his banner as a lead actor may be an aberration, some of his later films as an actor outside his banner may probably have been out of financial compulsion following the box office failure of his film ‘Kaagaz Ke Phool’ (1959).
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Kya kaha zara phir kaho
Posted on: October 19, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4476 | Post No. : | 15980 |
Today, October 19, 2020 is the 25th Remembrance Day of Baby Naaz, one of the super child artists of Hindi films who has enthralled the Hindi cinema buffs with her memorable roles. She was a destitute child in ‘Boot Polish’ (1954), the young Paro in ‘Devdas’ (1955), an orphan girl in ‘Do Phool’ (1958), a teenage daughter caught in the marital discord of her parents, Guru Dutt and Veena in ‘Kaagaz Ke Phool’ (1959) and many more roles.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4466 | Post No. : | 15955 | Movie Count : |
4422 |
‘Ulfat’ was the maiden offer from K Razdan, the producer. The film was directed by K Shankar, who had directed many Tamil and Telugu films apart from some Hindi films such as ‘Bharosa’ (1963), ‘Rajkumar’ (1964), ‘Sachaai’ (1969), ‘Parde Ke Peeche’ (1971), ‘Chhote Sarkaar’ (1974), ‘Raja’ (1975) etc. The main star cast consisted of Raaj Kumar, Sadhana, Waheeda Rehman, Nazir Hussain, Agha, Shammi, Gulshan Bawra, Ramesh Deo, Seema Deo, Mohan Choti, Sundar etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4464 | Post No. : | 15950 | Movie Count : |
4420 |
Recently, I came across on internet an offer for sale of an used Extended Play (EP) record of the songs of ‘Aaj Raat Ko’, the film which I had never heard of. The EP was released in 1975 by Polydor India Ltd which had 4 songs – 2 songs on each side. All the songs were written by Majrooh Sultanpuri which were set to music by R D Burman. On checking these songs on one of the video sharing platforms, I found that all the 4 songs were uploaded in audio format. The songs were in the typical mould of R D Burman’s compositions. In one of the audio clips, a record-cover photograph was displayed with a couple of scenes from the film showing Saira Bano, Sujit Kumar and Vinod Mehra. I could not locate the full film on-line.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4462 | Post No. : | 15943 | Movie Count : |
4419 |
Kidar Sharma has often been given a title of ‘one-man film industry’. He was producer, director, actor, story/screen-play/dialogue writer, lyricist, editor, still photographer etc. He was also known to have the working knowledge of Hindustani classical music. He also sang a song on himself in the film ‘Inquilaab’ (1935). With a vast knowledge gained from working in New Theatres, Kolkata during 1933-41 and in Ranjit Movietone during 1942-47, Kidar Sharma had directed 11 films and written lyrics for 23 films before he turned producer with ‘Neel Kamal’ (1947).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4456 | Post No. : | 15932 |
In this article, I am discussing a classical dancer for whom the dancing was her passion, be it in the films or on stages. Her face was familiar to me as I had watched some of her films long back. But at that time, I did not evince interest in knowing her name. It was only after I joined the Blog in 2011 that I came to know her identity through none other than our own Prakashchandra ji, the veteran of our Blog in identifying the lesser known film artists with a high success rate. The name of the dancer is Rani.
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