Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Light hearted song’ Category


We have been discussing K L Saigal songs regularly for the last two months, and now we have reached such a stage that all the remaining Hindi songs sung by K L Saigal songs can be covered in the next five or six weeks. Yes, we have come a long way in discussing K L Saigal songs in this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

The versatility of one voice has been unmatched in the annals of Hindi film music. A voice that is a match for any emotion, from one end of the spectrum to another. A voice that renders gaiety and fun as effortlessly as sadness and regrets of life. A voice that could woo the lady love and call out to the Almighty God with the conviction that one actually strains the hearing, expecting an answer come back from the heavens. A voice that has the capability to merge itself into any personality so totally and unobtrusively that the listener could never separate the voice from the character. That is the voice of Rafi Saab, a divine gift that dwelt on this earth for single lifetime, and left behind a legacy that would span an eternity. It is indeed a matter of good fortune to be born in this era, and be touched by the voice of this marvelous, unearthly tenor – a sound that appears maybe once in an aeon.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A most hilarious song from Navrang (1959). Lyrics are by Bharat Vyas and the composition is by C Ramchandra. The song is sung by Bharat Vyas himself.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The melodious strains of ‘Chalo Dildaar Chalo, Chaand Ke Paar Chalo’, composed more than 4 decades ago, sound and feel like a fresh breeze of air, every time one listens to it. The magnum opus of the famously talented Ghulam Mohammed, a string of his best creations – ‘Chalte Chalte Yun Hi Koi Mil Gayaa Thhaa’, ‘Inhi Logon Ne Le Leena Dupatta Mera’, ‘Mausam Hai Aashiqaana’ and more – establish the definition of what Ghulam Mohammed’s body of musical creation is. A pity that this success came somewhat late in the day – a release that marked a watershed in the history of Hindi film music was to happen about three years after the demise of its creator.
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I have mentioned this fact about Hindi movie songs that most of them are about human feelings viz love, sadness, happiness and not about commerce/business. In fact there are very few songs that are about selling some products. I have discussed a few songs where chanajor or similar stuff is being sold. In one such write up, readers came up with the list of a few other songs where some item was being sold.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The versatility of Saigal Saab never ceases to amaze. Given that only 185 recordings of his songs are available, may the history of Indian cinema have been different, had Saigal Saab lived a longer life.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the name of Ghulam Mohammed is mentioned, the mind conjures up the classical and semi classical sounds and rhythms, foremost from Pakeezaah and then from many other movies like Shamaa, Mirza Ghalib, Laila Majnu, Dil e Nadaan, Shaayar, and other such movies. And so it is a surprise to come across lighter songs and foot tapping numbers that have been composed under his baton. On first hearing, if the details are not known, one can easily attribute these songs to OP Nayyar or Shankar-Jaikishan, Chitragupt etc.
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In my teen and pre teen days, I was a cricket enthusiast. In addition to doing the usual thing line playing it and listening to its radio commentary, I was also into maintaining cricket records. Personal computers were obviously not invented them, and I kept my records manually on registers. I had several thick registers with me, and the scores of all test matches played til them was available with me, and I had collected all these records by painstakingly culling records from many publications. When a new test match began (that was the only form of international cricket back then), I already knew what record was likely to get made in that match. Those were the days when centuries, especially centuries by Indian cricketers were rare. Also, hitting sixes was a rare phenomenon. One Indian player called Salim Durrani had hit a six sometime in 1972 and based on that one six, he was touted in Indian magazines as Mr Sixer.

These days, I no longer maintain cricket records. We already have such records being maintained by professional cricket sites. But I find that these days I am maintaining similar records for Hindi movie songs that I am discussing. And the suggestion for maintaining these song statistics came from Raja, who also grew up with similar passion for cricket and Hindi movies in a neighbouring state in the eastern parts of the country those days.
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