Archive for the ‘Devnagri script lyrics by Sudhir’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Songs to Tickle Your Memory – 4
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It is a long time – a ten years wait for registering a hit. Maybe not a surprise in an industry that is known for fixing awards, and manipulating careers. His first songs appeared in 1949. Confined to B/C grade films for a large part of his career, Farooque Kaiser had to wait till 1958 before he could lay his claim to fame based on a song that would be recognized as a popular hit with the listening public.
Remembering Farooque Kaiser on the anniversary of his passing away (10th November).
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- In: "Get together" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics by Peevesie's mom | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1975 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
He had this unique technique perfected, for which his contemporaries would envy him. There was nothing like it before him, nor now after he is gone. For the want of any better terminology, he would simply call it the “switching on, switching off” technique. On the sets, his was the fastest transition from the self to the role, when the cameras started to roll, and also the fastest pull back to the self from the role, when the director called ‘cut’. I have read this comment by, or heard it in interviews of more than one of his contemporaries, may it be the male or the female artists. They used to marvel at his ability to switch on into the character and the mood in a snap, and then withdraw himself from the character in an instant. Many others would comment that they would take many minutes to get to the right depth of mood and emotions, and after the scene is done, they need time to withdraw from the emotion and return to the normal self.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Songs to Tickle Your Memory – 3
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At the turning of the decade of 1950s, changes, as always, were in the offing. Careers of established stalwarts of the ilk of Anil Biswas and C Ramchandra were on the downward trend. And a new crop of music magicians were becoming visible on the horizon. As the calendar clock reached 1960, two duo teams started to make their presence felt. The elder partner of one of these teams, Kalyan ji Veer ji Shah had already made a debut as a solo music director back in 1958. He made his presence felt with his compositions in two films that year – ‘Post Box 999’ and ‘Samraat Chandragupt’. In 1959, he worked on three films, under his solo direction – ‘O Tera Kya Kehna’, ‘Bedard Zamaana Kya Jaane’ and ‘Ghar Ghar Ki Baat’. In the same year, he also teamed up with his younger sibling, Anand ji, and the duo team of Kalyan ji Anand ji made their first appearance in three films – ‘Satta Bazaar’, ‘Madaari’ and ‘Chandrasena’.
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Dil ne ik bewafa se pyaar kiya
Posted on: November 3, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Greetings to Faryal on her birthday today (3rd November).
When she appeared on the film scene in 1965-66, the she was christened as the Sophia Loren of the Indian film industry. Considered to be one of the more daring cabaret dancers on screen, she actually expressed her extreme dislike for it, stating that primarily she is not a dancer, she never trained to be. But that is the industry and the type casting for you.
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- In: Asha Bhonsle solo | Asha Bhonsle songs | Century songs for the blog | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest poster century song | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rare song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is his 800th article in the blog.
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The Many Colors of Love #24 – Enticements of Love
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And so wrote the scribe
o dilbar jaaniye
tere hain hum tere
chhupa lenge
in aankhon mein
sanam hum gham tere
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Songs to Tickle Your Memory – 2
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For this set of songs, I am confined to the decade of 1960s, and some from 1970. This song is from the 1972 film ‘Anokha Daan’. Simply hard to believe that it is more than four decades that this film was released. The film itself was hard to trace for many years, and was in demand, on account of its music. Now, the film and its songs are easily accessible online.
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Piya milan ko jaat hoon
Posted on: October 29, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Vidyapati” (1937) was directed by Debaki Basu for New Theatres, Calcutta. The movie had Prithviraj Kapoor, Chhaaaya Devi, Pahadi Sanyal, Kanan Devi, Nemo, K C Dey, Kedar, Rampyari, Mohammad Ishaaq, K N Singh, Leela Desai etc in it.
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Saanwariya man bhaaya re
Posted on: October 28, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The 1937 film ‘Mukti’ from the banner of New Theatres, was considered a very bold move. A path breaking film that explores the complexities of relationship between a man and a woman. It was daring theme for its times, especially being tackled by a big name production house. The storyline is written by and the film is directed by PC Barua, who was at the height of his creative energies and his career. He was already a big name with New Theatres, having directed the 1935 hit film ‘Devdas’ for both Hindi and Bengali versions. He also played the lead role in the Bengali version.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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