Archive for the ‘NFS’ Category
Jiyenge magar muskura na sakenge
Posted on: April 12, 2013
We in this blog initially discussed just movie songs. Once I discussed a K L Saigal song and it turned out that it was a non film song (NFS). Several regulars of the blog then lobbied for the inclusion of NFS in the blog. And that is how NFS began to be discussed in the blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Traditionally, ghazals are supposed to be rendered in a soft voice and in a slow tempo to make the listeners understand the deep meaning behind each words. Ghazals rendered in an appropriate mood can awaken emotional feelings even in a stone-hearted person. Perhaps it was in these context that ghazals were sung in thumri style in the early 20th century, creating a melancholic mood and offering the opportunity for singers to emphasise on some specific words in the ghazals which were important in understanding the meaning in the ghazals. Singers like Begum Akhtar, Kamala Jharia, Master Madan, K C Dey, K L Saigal etc sang ghazals mostly in thumri style.
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Shaam ke deepak jaley
Posted on: April 10, 2013
This article is wtitten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is such a frustrating exercise to get information on a poet-lyricist whom I admire for his light romantic and neo-devotional lyrics of Hindi non-filmy songs. Yes, many connoisseurs of Hindi NFSs may have correctly guessed him as Madhukar Rajasthani. I got familiar with his name only because of Vividh Bharati. It is surprising that not much information about him is available on the internet or in any other published materials. There was a time when at least one of the songs written by him used to be played in an early morning programme of devotional songs or in the afternoon programme of sugam sangeet (light semi-classical songs).
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Meri aankhen banin deewaani
Posted on: April 10, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The magic of Jagmohan’s NFS does not end, it is for ever.
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Mujhe na sapnon se behlaao
Posted on: April 5, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The fifth decade of last century (40s) was very significant for Music lovers. It is during this period that along with film music, Non-Film Songs(NFS) also became very popular. Recording of such songs first began in Bengal. In fact many singers started cutting their records for private songs from 1937-38 onwards . The response of the people to such songs was so overwhelming that many new singers started their careers with NFS.
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Phaagun ke din chaar
Posted on: April 3, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
From the day Radio Transmission started in India for public, on 1-4-1930, till the record players and Tape recorders became popular, Radio was the only source of entertainment “Home Delivered” to indian Music Lovers.
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Phir shaam se doobaa jaaye dil mera
Posted on: April 2, 2013
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
An exceptionally private person, Suman Kalyanpur hardly gives an interview to anyone. What you read about her is generally surmised from little known facts and rumors. She is also a very simple and unassuming person. She very well knew that her voice uncanningly sounded exactly like Lata’s and as such she was called in as a substitute when Lata was either abroad or unwell or had fallen out with a singer or a composer, as was often the case, from time to time. She was considered as poor man’s (producers’) Lata. Not being appreciated for her real talent, which was exceptionally brilliant, her grudge was apparent and she hardly went out to beg for singing assignments to any composers.
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Naach re mayuraa
Posted on: April 1, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
During my younger days, Radio Ceylon (later Sri Lanka Broadcasting Corporation) and Vividh Bharati service of all India Radio (Aakashvani) were the two sources on which I used to listen to Hindi film songs’ programmes. I got to know only sometime in late 60s that Aakashvani stations were not broadcasting Hindi film songs prior to the setting of Vividh Bharati in 1957. Later I came to know that this policy decision was taken by the Ministry of Information and Broadcasting in 1952 when Dr B V Keskar, the then Information and Broadcasting Minister felt that Hindi film songs had become vulgar and westernised. It was decided that some songs having literary value such as those written by poets like Bhagwati Charan Verma and Pandit Narendra Sharma should be turned into songs and played on Aakashvani in place of Hindi film songs. It is said that some of such songs were composed by Anil Biswas. It was during this time that Lata Mangeshkar sang her first non-filmy song ‘yug ki sandhya krishak vadhu si’ written by Pandit Narendra Sharma and composed by Anil Biswas during. Unfortunately, this song’s disc was damaged during its first play on the radio and was thus lost forever.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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