Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘NFS’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1935.

A young Anil Biswas is preparing to record a song for a newly arrived Heroine-RATTAN BAI. She had come from Calcutta, after working in the big banner ” New Theatres”. Having worked in films like ‘Subah ka Sitara’ and Yahudi ki Ladki-1933, with the legendary singer Sehgal, her name had become famous already. She had also worked in Rooplekh-34 and karvaan-e-hayaat-35.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today’s song is the FIRST NFS sung by Kishore Kumar on this Blog. This was written by Kewal Sharma and the music was by Ramesh Gupta-who was a wellknown lyricist.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Bengal has contributed significantly to Hindi Film Industry. Actors, actresses, directors, producers, Singers ,music directors etc from Bengal have enriched the Hindi films in all major categories.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I like to do things methodically. Whenever I have to write an article on a song, I first go through all the comments on the already posted songs of that film, if any, so that I do not repeat what has already been said. Further, if needed, I can quote from those comments. If it is a singer, actor or a film, I try to go through the available material-on the Blog or Net etc, to make my write up exclusive and I also ensure that whatever statements I make in my articles are defendable with evidence-if and whenever challenged. All this can add to the quality and credibility of the material provided and avoids repetition so that the article may not end up as an ” Also Ran “.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I must really thank ATUL JI for providing us all,a platform to share our information/knowledge and enjoy the best of Hindi Film and Non Film music.
But for him, it would not have been possible.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During 1960-70, Lata Mangeshkar had sung some beautiful non-filmy ghazals. Two of these NFS, viz. dahar mein naqsh-e-wafaa and aankh se aankh milaata hai koi have already been covered in the blog. These ghazals were composed by Faiyyaz Shaukat and K Mahavir respectively. In 1969, a LP of her non-filmy ghazals of Mirza Ghalib composed by her brother Pandit Hridaynath Mangeshkar was released.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the Hindu mythology, Gandharvas are stated to be the male heavenly spirit and in the context of music, the term is used for a highly skilled vocalist. Maharashtra had the privilege of having four ‘Gandharvas’. First, Sawai Gandharva (real name : Rambahu Kundgolkar – 19/01/1886 – 12/09/1952). He was a popular Hindustani classical vocalist and Marathi stage actor-singer. He was the first disciple of Ustad Abdul Karim Khan of Kirana gharana. One of the disciples of Sawai Gandharva was Pandit Bhimsen Joshi who later started the annual Sawai Gandharva Festival at Pune in the memory of his guru.
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When I was a school kid then I found most, if not all subjects as boring. Even out of all these boring subjects, history took the cake. It was extremely difficult to remember the names of the kings, their eras, and what they did during their reign. And in case these kings happened to be born before the era of Christ then remembering their dates of birth and death was even more confusing. 🙂 Emperor Ashok, for instance was born in 304 BC and died in 232 BC. What kind of kings they were who died before they were born, was the doubt in the minds of many students of tender years.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Somewhere in the late 2011 AK ji, of Songsofyore.com, had written on this Blog about the importance of NFS. After reading his views, I too wrote a rather lengthy comment supporting the inclusion of NFS on this Blog. Our contention was that, prior to the Hindi Film Music becoming popular all over India,it was those ghazals, Geets and Bhajans, privately sung and recorded by various artists which had ruled the tastes of music lovers. In fact many famous singers had recorded NFS in the beginning phase of their singing careers. Some names are Talat Mehmood, Saigal, Pankaj Mullick, Jagmohan and JUTHIKA ROY !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of us are aware that a ghazal is a series of couplets (she’rs), each one being independent of others. In fact each she’r is a poem by itself. So theoretically, she’rs written by different poets (shaayars) can be woven to make it a ghazal. This is easier said than done as there are other parameters to make it a traditional ghazal. Normally, there are five essential aspects of a traditional ghazal. They are
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