Archive for the ‘Rafi songs’ Category
Ye pyaar ka jhagdaa hai
Posted on: April 29, 2012
“Aag aur Daag” (1970) was produced by Swarn singh and directed by A Salaam. this movie had Joy Mukherjee, Komal, Jayant, Zeb Rahman, Helen, Master Bhagwan, I. S. Johar, Madan Puri, Sudhir, Rajan Haksar, Kundan, Paro, Sumeet Pathak, Raj Rani, Roopali, Samina, Shabana, Shaloo, Shefali, M.B. Shetty etc in it.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
My last few posts have been about songs of the 1970s. As I’ve explained before, this is only because I find it easier to talk about that decade. Some golden-era film and music lovers may even like to call it the decadent decade 😉 – and they would not be entirely wrong, in my opinion.
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“Jee Chaahta Hai” (1964) was a Mitra Production Movie. It was produced and directed by Bibhuti Mitra.
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Aji biwi ko ghar pe bithhlaa ke
Posted on: April 28, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This time I have found a very rare duet sung by Asha Bhonsle and Mohammed Rafi. It is from the film “Minister”(1959). The song is written by Rajendra Krishan and composed by Madan Mohan. I have not heard or seen this song before. But it is a nice and funny song performed on screen by Tun Tun and Bhagwaan. It is the eternal fight between husbands and wives, which holds good across cultures world wide. Wife accusing husband of being irresponsible and careless and husband complaining that wife is always ready for a fight and doubting the husband at every turn.
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In Hindi movies of the golden era, there was this common enough situation where the lead pair would carry out their romantic pursuits silently without even talking, and obviously without even singing a song. So what would happen in such circumstances ? Very conveniently, a two to three persons troupe would appear on the road (one carrying a harmonium- compulsory, other carrying a dholak-optional, but desirable, and a female dancer- highly desirable, but often optional)and they would sing a song, and the words of the songs would express the feelings of the shy duo.
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Simti huyi ye ghadiyaan
Posted on: April 27, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Last night, on our way back home after attending a marriage reception, I heard a song ‘simti huyi ye ghadiyaan’ in a FM Radio channel in our car. I had heard this song a few years back but I was not able to recall the name of the film, lyricist and music director except that I could recognise the voices of Lata Mangeshkar and Mohammed Rafi. After getting nowhere to seek the answer, I asked my sister who was travelling with me and who has a good knowledge about old Hindi film songs, whether she knew about the song. Initially, she thought that I was testing her knowledge on the old Hindi film songs. It was only when I said in all seriousness that I did not know anything about this song other than the singers that she started applying her mind on my question.
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Ae meri jaane chaman
Posted on: April 27, 2012
There have been quite a few Rafi songs where Rafi has sung with such high energy levels that the listeners are left gasping for breath literally. To this day I keep wondering how a singer can sing with such high energy level throughout in a song lasting well over three minutes and sometimes more. Songs of “Junglee”(1961), “Rajkumar”(1964),”Prince” (1967),”Saawan Bhaadon”(1970) etc readily come to mind as songs whose energy levels could have lit up a few households if harnessed properly.
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Meri chaahat rahegi hamesha jawaan
Posted on: April 26, 2012
At any moment of time, I have lots and lots of contributions lying with me for discussion and I am unable to cope with them satisfactorily. I just realised that it is like sitting on a pile of gems and not finding time to appreciate them.
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“Dastak” (1970) was a movie on a theme that called for mature audience, But Indian audience, media as well as the censors were not mature at that time. Such movies were regarded as obscene and were given A certificates. Instead of attracting mature audience to the movie halls, such movies attracted immature audiences hoping to find some titillating scenes in the movies.
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Shaayar to nahin hoon lekin
Posted on: April 25, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I do not know as to why I suddenly remembered Sanjeev Kumar (real name Haribhai Jariwala) today early in the morning when I was preparing for my morning walk. His anniversary dates were nowhere near and I have not seen any of his films and video clips for a long time. As it is, my ‘area of operations’ on YT are mainly confined to the watching/listening of video/audio clips pertaining to the period between 1940-1960, straying sometime up to late 60s and most of his his songs does not fit in to my preference. Probably, this was a reminder to me from Sanjeev Kumar donning a white suit and trouser in true suspense film style echoing “old man, have a peep at me too sometime”.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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