Archive for the ‘Rafi songs’ Category
Mere pyaar mein tujhe kyaa milaa
Posted on: May 2, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A seashore with sand beaches and sun shine with some outcroppings of rocks and trees of palms or coconut is a dream destination for a holiday. And if the climate is moderate and not too hot, one can just keep looking at the blue gold and green black hues and not bother to disturb anything, not even the waves.
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Jawaaniyaan ye mast mast
Posted on: May 2, 2012
“Tumsa Nahin Dekha” (1957) is the movie where Shammi Kapoor finally got transformed from a struggling underconfident actor to a successful confident star. He was quite fortunate to get the opportunity to work in this movie because Shammi Kapoor was nowhere near being the first choice for this movie.
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Falak bola zameen boli
Posted on: April 30, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Earlier today, in another post I had mulled over the decline of films with mythological themes. Extending that concern further, I would also include the theme of Muslim religious and social films, which seem to be on the decline. Once again, in the 90s and later, I cannot really recall any significant film based on Islamic social and religious values.
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Banda parwar thhaam lo jigar
Posted on: April 30, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As I see in the “some stats” page, Lyricist poet Majrooh Sultanpuri has 525 songs in the blog, which is the highest so far for a lyricist in the blog. The word “Majrooh” could not have been his real name. It is the “takkhallus” (Pen name) of the poet. “Majrooh” means injured/pained or a someone broken hearted and in pain. Others may have a different view of this words meaning, but I hate to go to online dictionaries to find meanings of urdu words. I would rather go by the feel.
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Main jaan gayi tujhe sainyya
Posted on: April 30, 2012
“Howrah Bridge” (1958) was a suspense movie which was produced and directed by Shakti Samanta under his banner of Shri Shakti Films Production. The movie had Ashok Kumar, Madhubala, K N Singh, Kammo, Sunder, Salien Bose, Krishnakant, Helen, Dhumal, Madan Puri, Bhagwan Sinha, Kundan, Om Prakash etc in it.
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Ye pyaar ka jhagdaa hai
Posted on: April 29, 2012
“Aag aur Daag” (1970) was produced by Swarn singh and directed by A Salaam. this movie had Joy Mukherjee, Komal, Jayant, Zeb Rahman, Helen, Master Bhagwan, I. S. Johar, Madan Puri, Sudhir, Rajan Haksar, Kundan, Paro, Sumeet Pathak, Raj Rani, Roopali, Samina, Shabana, Shaloo, Shefali, M.B. Shetty etc in it.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
My last few posts have been about songs of the 1970s. As I’ve explained before, this is only because I find it easier to talk about that decade. Some golden-era film and music lovers may even like to call it the decadent decade 😉 – and they would not be entirely wrong, in my opinion.
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“Jee Chaahta Hai” (1964) was a Mitra Production Movie. It was produced and directed by Bibhuti Mitra.
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Aji biwi ko ghar pe bithhlaa ke
Posted on: April 28, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This time I have found a very rare duet sung by Asha Bhonsle and Mohammed Rafi. It is from the film “Minister”(1959). The song is written by Rajendra Krishan and composed by Madan Mohan. I have not heard or seen this song before. But it is a nice and funny song performed on screen by Tun Tun and Bhagwaan. It is the eternal fight between husbands and wives, which holds good across cultures world wide. Wife accusing husband of being irresponsible and careless and husband complaining that wife is always ready for a fight and doubting the husband at every turn.
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In Hindi movies of the golden era, there was this common enough situation where the lead pair would carry out their romantic pursuits silently without even talking, and obviously without even singing a song. So what would happen in such circumstances ? Very conveniently, a two to three persons troupe would appear on the road (one carrying a harmonium- compulsory, other carrying a dholak-optional, but desirable, and a female dancer- highly desirable, but often optional)and they would sing a song, and the words of the songs would express the feelings of the shy duo.
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