Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 21
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(1970s Unreleased – Solo)

Ah yes, I am sure you would have guessed it already. When I wrote yesterday that the series is not yet complete, and given that all years in the decade are covered, then what is left are the unreleased songs from this decade. Films that got planned, music and songs got arranged and recorded, but the films either did not get made, were abandoned, or were not released, for various reasons. And as experience has told us time and again, such unreleased songs are a fabulous treasure by themselves. They form a very interesting category, in that the songs have been created, recorded and also released, sometimes formally and sometimes informally. They are away from the mainstream attention, since the films never came to the theatres, and their familiarity in the minds of general public is low. Most of these unreleased songs were first heard on radio, occasionally. They have remained in memory, albeit without any memory of information about them. Sometimes, they are also mislabeled in the mind’s catalog as non-film songs. Simply because they are not associated with any familiar or even obscure film names.

And so, the last two offerings of this series are two very fabulous songs from unreleased films from the decade of 1970. As I am sifting through the list of unreleased films in Geet Kosh, and in the song folders of unreleased films in my collection, I find such a huge treasures of absolute gems of top quality that have been recorded, but never came into the mainstream broadcast or record sales. Blissfully, they are available. Once again, I am spoilt for choices, even with the comparatively smaller sample size in this category, and finding it difficult to choose one. But I have to. And for the solo, I have chosen this wonderful poetical gem from the unreleased film ‘Insaan Aur Insaan’.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS… Song No. 7
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Today’s song is from film Hurricane Hansa-37. This was a stunt film featuring Fearless Nadia, with her usual crew and a routine story, highlighting the thrilling stunt scenes done by her and her ‘helping assistants’- Punjab ka Beta (Horse), Austin ki beti (Dabba car) and Moti the Dog. This time we are not going to talk about Nadia or her crew etc, but we will know more about a forgotten actress Hansa- Hansa Wadkar.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 17
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(1979 – Solo)

This song by Rafi song has been a very dramatic reunion for me, and very that too, very recently. Although 1979, but who would even pay an iota of attention to a film titled ‘Badmaashon Ka Badmaash’. Till just two three weeks ago, I was not even aware that a film by this name exists. However, this song is one of the category which I call ‘heard-just-once-o-but-never-forgotten’. Times were fairly into the second half of seventies. We had moved into our own home by this time. And my family still did not own a TV. My mamma ji (maternal uncle) and his family had moved in with us. And the extended family was sharing their TV.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Yaad” (1942) was directed by Mazhar Khan for Asiatic Pictures, Bombay. The movie had Mazhar Khan, Veena, Satish, Azurie, Shahzaadi, Indira Devi, Haadi, Chanda, Kanta, Girdhaari, Haaroon, Girish, RamAvtaar, Devraj, Ameer, Agha etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kashinath”(1943) was directed by Nitin Bose for New Theatres, Calcutta. The movie had Asit Baran Mukherji, Sunanda Devi, Bharati Devi, Nawab, Nemo, Puttan, Dilip Bose, Manorama, Buddhadev, Latika Mullick, Bijoli, Jawed Hussain, Radharani, Biren Das etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS…..Song No.6
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Today’s song is from film Madhuri-1932 Although actress Madhuri was not a part of this film cast, she was very much around in the industry, doing many films since the silent films from 1927 to Talkie films.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It was 1958. A singing contest was organized in Bombay, sponsored by Murphy radios. The judges of the contest were the ‘दिग्गज‘ music directors of that era – Naushad, Anil Biswas, C Ramchandra, Vasant Desai and Madan Mohan. With a battery of such illustrious composers sitting in the jury, just be able to participate and perform in their presence, would have been a privilege. And for sure, the best talented aspirants had applied to be part of this contest. The singer that this impressive selection panel honored to be the best singer was a young man, originally from Amritsar, but settled in Bombay since childhood. The interesting thing about this young man was that he had been earlier rejected in auditions by All India Radio and Young India Ltd. (the gramophone records company). Along with being honored as the winner the verdict of this panel, Mahendra Kapoor got an opportunity immediately to sing for some of the music directors on the judge’s panel.

Remembering Mahendra Kapoor on the anniversary of his passing away (27th September).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the discussion of the last two Suraiyya songs, I have discussed the statistics of Suraiyya songs- moviewise as well as music directorwise. In this writeup, I have given lyricists wise breakup of all Suraiyya songs in HFM.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

An icon that stands the tallest on the horizon of the Hindi film landscape. And a persona whose influence spans more than six decades of the history of this medium – a medium that itself is just over eight decades young now.

Dharam Devdutt Pishorimal Anand – born this day in Shakargarh, district Gurdaspur. The year – is irrelevant. With a persona like Dev Sb, the length of years behind was as meaningless as the number of years ahead of him were meaningful. The zest for life and the energy to be – the age and years did not matter. The only thing that mattered was the young-ness of the mind that simply refused to be afraid of the towering Time that overcomes all. Not that he professed any eternal life. And neither did he survive the scythe of reaper of time. But the time and the years that he lived and breathed, there was always another horizon to reach, always another mountain to scale. And the mantra for life simply was – young-ness of the mind.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS……Song No. 5
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Today’s song is from the film Renuka-47. It is sung by a less known singer Putul Chatterjee, under the baton of composer Sardar Malik ( father of composer Anu Malik-who is for ever “inspired” by foreign music).
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