Archive for the ‘Song sung by three or more singers’ Category
“Khidki”(1948) was an Arvind and Anand Production movie. It was produced and directed by P L Santoshi. The movie had Ram Singh, Rehana, Kalpana, Jawahar Kaul, V. H. Desai, Radha Krishnan, Leela Misra, Mumtaz Ali, Tiwari etc in it.
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“Sargam” (1950) was a Filmistan Production movie. It was directed by P L Santoshi, The movie had Raj Kapoor, Rehana, Om Prakash, Mumtaz Ali, Paro, Ratan Kumar, Chandabai, Rajendra, David Abraham, Tabassum, Radha Krishnan, Samson, Vijayalaxmi, Ramsingh, S. L. Puri, Sudesh etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Hindi film music became people oriented, in the real sense, from Khazanchi-1941. Till then HFM was ,as if, in the clutches of Classical and stage music.
The begining of the Fifth decade of the 20th century was a revolutionary period for Film Industry. Mehboob, Kardar, K.Asif, V.Shantaram, Filmistan etc established their own studios and started producing meaningful cinemas. It also brought a new dimension to film music. This decade showed that Good Music, on its own, can make a film successful at the box-office, irrespective of other factors like cast, plot etc.
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Sapnon mein mere koi aaye jaaye
Posted on: December 22, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Poonam Ki Raat’ is a film from almost 50 years ago. And the thought comes to mind that the period of time from which we remember the best loved music is now receding in history. Just the films and songs that used to be new and fresh in mind and in media, are now counted as half century old, and even older.
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Mere dil mein jo hota hai
Posted on: December 20, 2012
“Aap Ke Deewaane” (1980) was officially produced by Vimal Kumar (but the actual producer was Rakesh Roshan). The movie was directed by Surendra Mohan. The movie had Rakesh Roshan, Rishi Kapoor, Tina Munim, Pran, Ashok Kumar, Ranjeet, Deven Verma, Hrithik Roshan, Keshto Mukherjee etc.
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Kyun jee scent lagaaya hai
Posted on: December 15, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Roshan – a name that spells a purist, a name that is acknowledged as a creator of master melodies. The career of an artist in the film industry is measured by the films one is associated with. In a short career of 19 years, this giant amongst music directors accomplished 56 films. The filmography is as impressive as can be – Baawre Nain (1950), Humlog and Malhaar (1951), Anhonee, Naubahaaar and Malhaar in 1952, Maalkin, Aagosh and Maashooqa in 1953, Chandni Chowk and Jashan in 1955, Agra Road and Coffee House in 1957, Aji Bas Shukriya in 1958, CID Girl and Heera Moti in 1959, and then on to sixties with Barsaat Ki Raat, Baabar, Aarti, Surat Aur Seerat, Wallaah Kya Baat Hai, Dil Hi To Hai, Taj Mahal, Chitralekha, Bheegi Raat, Nai Umar Ki Nai Fasal, Devar, Mamta, Bahu Begum and Anokhi Raat. In this sampler list, each film represents a treasure of melodies that would be the envy of other music directors. With this post, we are celebrating the 200th song of this illustrious melody maker to be represented on this blog.
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Main khush hona chaahoon
Posted on: December 15, 2012
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Music director Rai Chand Boral (1903-81) is credited with bringing playback to Hindi cinema with the number “Main khush hona chaahoon khush ho na sakoon”, a chorus song in the New Theatre production Dhoop Chhaaon (1935). A personna no less than the doyen of Hinsustani Cine Sangeet, the late Anil Biswas, reportedly complimented Boral, recepient of the prestigious Dadasaheb Phalke Award in 1978, as the Father of Indian Cinema Music.
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Hoon kaun chhoon
Posted on: December 6, 2012
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
You must have heard the famous quotation,”Politics is the last resort of a scoundrel”. Though it is not true in ALL cases,it is used since long.
Similarly, the last resort of young boys who ran away from homes to Bombay in the 30s and 40s (and may be even today) was Hindi Films. For a growing Film industry there was a need for actors, singers, writers, technicians etc. Quantity was always available but quality was questionable. This field did not attract the educated gents from good families. So, whenever any educated i.e. a Graduate joined the industry, he was most welcome and he too would flaunt his degrees proudly. Thus you had a Lyricist named Moti,B.A. and Miss Kamal,B.A. in those days.
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Koi kab tak rahe akela
Posted on: December 4, 2012
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
We are born with whatever God has given us and we can not change it. Some are born handsome, some tall and some handicapped. Some are born with ‘silver spoon in their mouth’ and yet some are born with artistic inclination.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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