Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Title song’ Category


I never watched “Naya Zamaana”(1971), but I read the screenplay of this movie. Yes, those were the days when the screenplay of movies used to be published and they were eagerly lapped up by movie lovers. I read the screenplays of not only this movie, but also that of “Aasheerwaad” (1968), “Kati Panag”(1970), “Bobby” (1973) etc. These screenplays also had stills from the movie. These books described the story so vividly that one could visualise the movie in the eyes of the mind. Much later, when I watched “Bobby”(1973), I felt like I had watched this movie earlier while in reality I had only read its screenplay.
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“Teri Talaash Mein” (1968) is by now an obscure movie. This B grade movie was an A G Movie arts production. Kewal Mishra was the director of the movie. Its “star” cast consisted of names like Kumkum, Shailesh Kumar, Mohan Choti, Madan Puri, Amaranth, K N Singh, Indira etc.
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There were three top heroes in Hindi movies in 1950s. Of them, viz. Raj Kapoor expired in 1980s and Dev Anand just a few days back. One of them, viz Dilip Kumar is still around. He in fact is celebrating his 89th birthday today. He was born on 11 th december 1922 in Peshawar,now in Pakistan. He made his debut in Hindi movies with “Jwaar Bhata” (1944) and his made his mark as a hero with “Jugnu” (1947) and soon he became a hot property in Hindi movies and earned him the sobriquet of “Tragedy king”. It is not an accurate description, becuase he has worked in several light hearted movies as well.
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“Hare Rama Hare Krishna” (1971) which discussed the then popular “Hippie culture” was the second movie directed by Dev Anand. This movie was hugely popular and it set some new trends in India. This movie made Zeenat Aman an instant star and a fashion icon.
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By 1970s, Rajshree Productions had hit upon a cost effective winning formula. In their movies, they would ensure that the story and music was the king and actors were non entities. They would hire newcomers in lead roles and make them work for pittance. As for music, they would hire music directors who were prepared to work for less fee. Their standard music director throughout 1970s was Ravindra Jain, who doubled up as the lyricist too. His music was the single biggest reason for the success of these movies as far as I am concerned. personally I felt the same way that a mouse felt when he heard the music of the pied Piper. whenever I heard the music of a Rajshree Productions movie, I felt like going to the movie hall showing that movie.
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In 1970s, there were two title songs beginning with the words ‘Mera Jeewan’. One of the songs was ‘Mera Jeewan Kora Kaagaz…’ from “Kora Kaagaz”(1974). Another song was ‘Mera jeewan kuchh kaam na aaya..’ from “Mera Jeewan”(1976).
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Different people may have different ways of judging movies. I read an old joke in this connection some three decades ago. A Pathan from Afghanistan came to India and looked at a poster of a movie . He was very impressed with the title of the poster and he went to watch that movie. after THE END, he came out very frustrated and disappointed. He was asked the reason for his disappointment. “The poster promised that the movie had Chiraag Khan and Roshni Khan in it. I watched the entire movie , but I could not find either of the Khans in this movie.” The Pathan explained.
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“Ummeed” (1971) is an obscure movie, despite this movie being of relatively recent vintage by the standards of this blog. This movie was a Rajan Films production and it was directed by Nitin Bose. The cast of this movie included names like Ashok Kumar, Nanda,Leela Naidu, Joy Mukherjee, Tuntun, Agha, Leela Misra etc. This movie must have sunk without a trace, because I have not heard of this movie despite this movie getting released when I was at my most alert and curious as a pre teen kid.
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