Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Translations by readers’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A film with the name ‘Baadshah’ was released in 1954, with music by Shankar Jaikishan. Three songs from this film are already posted on this blog. And then, in 1964, there is another film released by the same name. Produced under the banner of Navkala Niketan, the film is directed by Chandrakant Gaur. The lyrics are from the pen of Anand Bakshi, and the music compositions are by N Dutta. The film is a stunt costume drama with the cast of actors including Dara Singh, Nishi, Kumari Rani, Tiwari, Rajan Haksar, Kehsav Rana, Radheyshyam, Kumud Tripathi, Uma Khosla, Mumtaz Begum, Rafique Sultana, Shiela Devi, Shamina, Kesari etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Thanks to Arun ji for prodding the memory cells. Here is another wonderful melody from the film ‘Light House’ (1958). This time around, it is a song of exuberance, executed in a very fast tempo. It is the same team that has given two melancholic gems, “Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum” and “Kis Jagah Jaayen Kis Ko Dikhlaayen” – lyrics from the pen of Sahir Ludhianvi, music under the stewardship of N Dutta, and the wonderful rendition by Asha Bhosle.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The past decades are a treasure house of musical gems – the more one digs and searches, one finds more new and forgotten melodies that are simply superb musical creations. I know, one of these days, we may come to a point where we have searched and located all the physically existing songs from Hindi films. But I also know, that day is still far off, and we will continue to come up with these discoveries for some more good length of time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Dilli Ka Dada’ is a film from 1962. As I started to write this piece, just wondered, how many films have been made whose names are based on city names, referring to someone from there. At first I thought, may not be many, but as I start to think about it, just in a couple of minutes, I could identify ‘Baghdad Ka Chor’ (1932, 1946, 1955), ‘Hyderabad Ki Naazneen’ (1952), ‘Arab Ka Saudagar’ (1956), ‘Dilli Ka Thug’ (1958), ‘Bombay Ki Billi’ (1960), ‘Bambai Ka Babu’ (1960), ‘Bombay Ka Chor’ (1962). And I am sure there are many more yet to be listed. Let’s see how many more such names our readers can up with. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mahendra Kapoor today, 9th Jan, his birth anniversary.

As I am searching for songs to post for today, I came across this simply super gem of a melody which I have heard long time back, and which has since been eluding me. This song just has to be counted amongst the best and softest duets ever. Rendered softer than silk and softer than velvet, this duet is by Asha ji and Mahendra ji. I am sure as you would hear this, the reaction is going to be, “wow, not posted yet?”.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mahendra Kapoor today, 9th Jan, his birth anniversary.

Mahendra ji was born in Amritsar, Punjab on 9th January, 1934. As a child and a teenager, he was very much enamored and inspired by Rafi Saab. Right from childhood, he had a very good singing voice and a penchant for singing, no doubt motivated by his singing idol. He received his education in music from some very well known names of that era, viz., Pt. Husnlal, Pt. Jagannath Bua, Ustad Niaz Ahmed Khan, Ustad Abdul Rehman Khan, and Pt. Tulsidaas Sharma.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mahendra Kapoor today, 9th January, his birth anniversary.

A resounding voice, that brings home the feeling of echoes in the valleys and mountains. A booming voice that is the representative and the choice for the rousing songs of chivalry and patriotism. A voice that is unmatched in the annals of the industry. A voice that has probably the widest vocal range amongst the contemporary singers and is rich in the higher octaves. Likened with the famed Italian tenor, Pavarotti, Mahendra Kapoor was always called upon to render the songs that needed power and exuberance. Listening to his voice gives a strong feeling of mountains and wide open spaces full of sound and melody. His songs are remembered for their inspiring and dominant strength.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I thought that there should be at least one song of Jaidev from a film for which he got National Award for the best music direction, for discussion on the occasion of his death anniversary which is on January 6th. The ghazal is from film GAMAN (1978) – “Aapki yaad aati rahi raat bhar”. The ghazal was wriiten by Maqdoom Mohiuddin, the famous urdu poet and then a member of Communist Party of India. This has been sung by many ghazal singers but I like the way Chhaya Ganguli has sung this ghazal and also the tune and soft orchestra used by Jaidev to reflect the mood of the ghazal.
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