Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1930s (1931 to 1940)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During the summer of 1940, Mahatma Gandhi was in Simla, as part of his travels around the country. A public meeting was arranged that was to be addressed by him. Incidentally, the same day, another public function was scheduled. This program was a music program, and a small child, little more than 12 years in age, was to sing. The public made a beeline for the music program and it is on record that Gandhi ji expressed irritation that his call for a public meeting was largely ignored, and the people preferred to attend a music presentation by a child artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ‘raagini’ coming alive – that would be an experience worth paying for with everything in life, including life itself. Imagine the circumstance – a private ‘sangeet sabha’ – musical congregation. The singer singing at the request of and in the honor of his spiritual guru. He renders Raag Jaunpuri, with such intense affection – and after some time a moment comes to pass where the entire gathering is transported into a magical surrealism, and the people present actually envision a very beautiful lady bedecked in fine jewellery and attire, slowly ambling amongst them. It is not an individual experience, but a vision perceived by many who were present. A worried guru motions the singer to slow down, and fade away the singing. But the vision persists. Eventually, the guru directs the singer to render Raag Bhairavi, and slowly the apparition fades away.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Punar Milan was made in 1940 by Bombay Talkies.THe movie as well as its songs were well known during its time. Music lover like Arunji would know how famous were the songs. I don’t know anything about the story of this movie, I had heard several songs from this movie, especially this one from my parents.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

Here is another song from Achhoot Kanya. This has to be one of the first bullock cart songs. In the early years of the past century, the hero and heroine did not, or could not get physical during romantic numbers. Despite that constraint, Ashok Kumar and Devika Rani share a lovely chemistry during this song. They sit close together, lean into each other and smile often.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A few days back I found myself translating a song from Achhut Kanya for Raja who is subtitling the movie for the famous DVD restorer Tom Daniel.

The movie is one of the most celebrated ones of Hindi Cinema, an early classic, and an Indo-German collaboration that starred Devika Rani and Ashok Kumar. However, what I didn’t know was that it contained a dance by Mumtaz Ali, the father of Mehmood and Minoo Mumtaz. I found Mumtaz Ali so captivating, his dancing and singing so natural and so impromptu that I went off on a google fired discovery of facts about him. As is often the case, any information on artists of this era is not easy to come by. After a day of looking high and low, I managed to unearth only one thing, that he was a scion of the royal family of Arcot.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A very remarkable song indeed. Not just for the words and music, but the way the music is arranged, and the manner in which it has been rendered. The special feature of remark-ability can either be told, or can be perceived by listening to the song itself. Maybe some of the readers would pause reading this write up, listen to the song and then come back to read the rest of it. And possibly, some readers can recognize what is special about this song.
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I have mentioned it in the past that I did not like “old” songs when I was young. Those days (1970s), anything more than five years old was old for me. Today, I love listening to songs that are fifty, sixty and sometimes even seventy years old. Things have changed. I would like to believe that I have “matured”. Of course, I will not say that I was wrong as a kid.
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