Archive for the ‘Songs of 1940s (1941 to 1950)’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There are many lyricists who joined Hindi film industry since the talkies came into being. While some of them became famous, many remained in the background though some of them were connected with the film industry for a considerable length of time. The result is we do not have much information about the latter category of lyricists as far as their their detailed profiles are concerned. In this category, the names of Dr. Safdar ‘Aah’ Sitapuri, Rammurti Chaturvedi, Bhutaram Sharma, Shams Lucknowi, Kaif Irfani, Shevan Rizvi and many more come to my mind. Among the ‘many mores’ is the lyricist Aziz Kashmiri about whom very little is known of his life before he joined Hindi film industry.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Why am I producing REHANA (1946)?
This was the heading of a full page advertisement issued by the producer G A Thakur, the owner of Girdhar Bahar Productions in October 1945 issue of ‘Filmindia’ magazine. He was announcing his intention of producing ‘Rehana’ (1946), the story of which is based on the Middle-East background. I have paraphrased below the reasons given by the producer in the advertisement:
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Piyaa na boley bulaaye haari
Posted on: September 13, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the 1930s and 1940s, there was a producer and director by the name of Kikubhai Desai. He had produced and directed many mythological films in the silent era. With the advent of talkies in 1931, Kikubhai Desai switched over to talkies. His expertise lay in producing talkies of stunt, costume and magical genres. He also directed a few of these films produced by him under these genres. Some of the films he produced under the banner of Paramount Pictures were ‘Chalta Purza’ (1934), ‘Khooni Kanjhar’ (1935), ’Jaadui Danda’ (1935), ‘Burkhawali’ (1936), ‘Guru Ghantal’ (1937), ‘Alladdin Aur Jaadui Chiraag’ (1938), ‘Aflatoon Aurat’ (1940) etc. These films were meant for mass entertainment only. The films were produced at his own Paramount Studio, now known as Filmalaya Studio.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
PARAAYI AAG (1948) was produced under the banner of Great India Pictures and was directed by Najam Naqvi. The star cast included Munawwar Sultana, Ulhas, Mumtaz (Madhubala), Sheri, A Shah, W M Khan, Jilloo Bai etc. The story of the film revolves around the mistaken identities of the two prospective brides and bridegrooms. This leads to first, the comical situations and later, to some melodrama before misunderstandings are sorted out.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from the film Hamara Hindustan-50, made and directed by a German-Paul Zils. The film is making its debut, so not much will be known about this German- Paul Zils.
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- In: "Broken heart" song | Devnagri script lyrics by Sudhir | Dilshad Begum Songs | Dishad Begum Solo Songs | Feelings of heart | Guest posts | Lover's Complaint | Lyrics contributed by readers | Poignant Song | Post by Sadanand Kamath | Rare song | sad song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
For the last few days, I have been listening to songs of Dilshad Begum, a name I came to know only a couple of months back while searching for some rare songs of the 40s. In my view, her renditions are different from what I have been used to hear the songs from Lahore-based female singers. I found her voice to be the softer than those of her contemporary singers like Zohrabai Ambalewaali, Shamshad Begum and Zeenat Begum. Who is Dilshad Begum?
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Surajmukhi (1950) was produced under the banner of Madhuban Pictures and was directed by OP Datta. The star cast included Shyam and Rehana in the lead roles with Gope, Yashodara Katju, Randhir, Durga Khote, Hafeez Jahan, Cuckoo etc in the supporting roles. I did not get any information about the contents of the film. I guess from the songs that the film belonged to the social genre with some shades of romance in it.
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Tere nainon mein nindiyaa
Posted on: August 22, 2016
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Lata’s Songs NOT YET covered on our Blog – 10
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DIDI, a social film of 1948 was Produced by Navbharat Films, Bombay and Directed by Mukund Masurekar. The unique thing that struck me was that Mukund Masurekar was not only the Director but also gave music for the film. Arunbhai in the comments of a solo song from the film by Geeta Roy on this Blog, gave this information about Mukund Masurekar:
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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