Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 47
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ZAMEENDAAR (1942) was produced under the banner of Pancholi Arts owned by Dalsukh Pancholi and it was directed by Moti B Gidwani. The main actors included Shanta Apte, S D Narang, Manorama, Ghulam Mohammed, M Ismail, Baby Akhtari, Durga Mota, Azmal etc. According to ‘Filmindia’ magazine, the film was third in line of the successful films in the box office for Dalsukh Pancholi after his successes in ‘Khazaanchi’ (1941) and ‘Khandaan’ (1942).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Nargis”(1946) was directed by D D Kashyap for Famous Pictures, Bombay. The movie had Nargis, Rehman, Shahnawaz, David, alka Achrekar, Pratima Devi, Bhagwan, Amirbai Kaarnataki, Baby Tabassum, Karadkar, Ghulam Hussain, Rane, Suhasini etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 46
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I take it as a privilege to present the 100th song of a low profile music director who was very active during 1937-1948 though his musical career in films extended till 1965. I have described him as a low profile music director because he and his music has rarely been discussed in articles and books pertaining to Hindi film music. Even Dr Ashok Da Ranade, in his book ‘Hindi Film Song – Music Beyond Boundary’ has not found it necessary to discuss the technicalities of his musical scores who was music director for 58 films aggregating over 600 songs. The music director under discussion is Gyan Dutt.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 45
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In the 1940s, Hindi films based on mythological and historical stories were produced among other genres of the film. Minerva Movietone’s ‘Sikandar’ (1941) set the benchmark for this genre of movies. The subsequent movies of this genre like ‘Prithvi Vallabh’ (1943), ‘Draupadi’ (1944)‘, Humayun’(1945), ‘Veer Kunal’ (1945), ‘Samrat Chandragupta’ (1945), ‘Krishnarjun Yuddh’ (1945), Prithviraj Sanyukta’ (1946), ‘Maharana Pratap’ (1946) etc are supposed to have paled in comparison to ‘Sikandar’ (1941) in terms of grandeur, picturisation of outdoor scenes besides screen-play and dialogues.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 44
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The moment the film PEHLI NAZAR (1945) is mentioned, the first name associated with the movie that comes to my mind is Mukesh. His song “dil jaltaa hai to jalne de” quickly acquired an iconic status. The song has some interesting anecdotes too which have been discussed elsewhere in the Blog. The other details of the film such as Mazhar Arts banner, theme of Muslim social background, the director, the cast, lyricist and the music director come to my mind later.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 43
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NURSE (1943), also known as CHHOTI MAA, was produced under the banner of Ranjit Movietone and it was directed by Chaturbhuj Doshi. The star cast included Khursheed, Arun Ahuja, Prabha, Anil Kumar, Indira, Sheikh etc. From the title of the film, I thought that it was a heroine oriented film. But after reading the synopsis of the film given by Shri Arunkumar Deshmukh as comments in one of the songs of the film, it was clear that it was more of a family drama than the story on the life of a nurse. Let me recapitulate a gist of the story given by him in the Blog:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 42
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UMMEED (1941) was produced by Ranjit Movietone and it was directed by Manibhai Vyas. The cast included Ishwarlal, Prabha, Noor Jahan Sr., Dixit, Neela, Ibrahim, Brijmala, Bhagwandas, Kasam, Kesri etc. The film was a family drama with a light comedy touch. The film was reviewed in May 1941 issue of ‘Filmindia’ magazine and had given a verdict of a delightful entrainment. A gist of the story of the film based on this review is given below:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 41
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GEET GOVIND (1947) was a film based on the epic poem ‘Geeta Govinda’ written by the 12th century Sanskrit poet Jayadeva, depicting the divine love of Radha and Krishna. This work is considered to be an important milestone in the Bhakti movement of Hinduism.
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Forgotten Melodies of the 1940s – 40
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MOHABBAT KI JEET (1943) was produced under the banner of Girdhar Bahaar Productions and it was directed by Ramanlal Desai. The star cast included Nadia, Navinchandra, Leela Pawar, S Nazir, Shaqir, Agha, Munshi Kanzar, Vasantrao Pehlwan etc. From the star cast it can be safely assumed that the film belonged to the genre of stunt/action. I have no idea about the story of the film. But Nadia being the heroine in the film, one can expect that the story of the film would revolve around her role of striking out the forces of evil and restore goodness to the society. She would generally attain this by doing spectacular stunts and acrobatics which would please the front benchers in the theatres.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s -39
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BETI (1941) was produced under the banner of Ranjit Moveitone and it was directed by Jayant Desai. The star cast included Khursheed Bano, Aroon Ahuja, Vasanti, E. Billimoria, Ghory, Khatoon, Kesri, Bhagwandas, Rewashankar etc. A gist of the story of the film which has been culled out from the review of the film published in the March 1942 issue of ‘Filmindia’ magazine is given below:
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