Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 4)
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From my house towards Juhu, there is a building at the corner of Gulmohar Circle which has a board- ‘Karachi Residents’ Association’. On enquiry I discovered that this was a building owned by Sindhi speaking Hindu and Muslims people who resided in Karachi before Partition. I was told that 5-6 such buildings exist all over Mumbai. On further enquiries, I was informed that there were a few buildings of ‘Lahore Residents Association’ also (Punjabi speaking Hindus and Muslims). When I met one of the residents of ‘Lahore’ wala building, that old gentleman was speaking so lovingly about old Lahore that I was surprised. Even after 65 years of partition, these people had such fondness for Lahore. . . or Karachi, for that matter.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

THE JOY OF NFS (Song No. 3)
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Believe it or not, but there is some kind of an unseen hand of Destiny that shapes Human life. In film industry, one can see very strange cases. Some people gracefully retire, when they are on Top of their careers and some have to retire because there is no work for them. Some people join the industry in a department of their choice,but Destiny changes their life and they end up working and succedding in an entirely different field of activity.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In 1952, this voice came to the fore with the rousing proclamation of “Vande Maatram, Vande Maatram”. This song, which comes from the seminal creation of Bankim Chandra Chatterji – ‘Anand Matth’, was first published in 1882. After the passing of the first war of independence in 1857, the undercurrents of anger and resistance were simmering across the country. But the voices of cohesive and decisive action were still to come a couple of decades later. With the publication of ‘Anand Mathh’, the nation and its people got a slogan that said everything in just two simple words. After this song came on the lips of the common man, over the years many musical interpretations have been pronounced. Most of them are based in classical music, and the most popular versions are gradual and lingering, in the mode of a prayer to the motherland.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The mention of the name, takes me back again and again to my first meeting with Vijaylaxmi ji Deseram, and her introduction of Dr. Ashraf Aziz. Regulars will be familiar with Vijaylaxmi ji. Most avid listeners of Radio Ceylon and then Sri Lanka Broadcasting Corporation will immediately recognize this name, and will recall the soft and relaxing voice that has been the anchor of many mainline radio programs on Hindi film music and its creators. I have not yet met Dr. Aziz (who stays in Washington DC, USA), or even talked with him on the phone. But I am so familiar with his childhood and adolescent years, as also part of his later life. All on account of a wonderfully written article that captures a few key episodes and passages in great detail. The subject matter dealt within this article is beautifully summarized in its title – “Sajjaad Hussain Ki Khoj Mein”.

Remembering Sajjaad Hussain, the genius of musical magic, on his anniversary of birth (15th June.)
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

She was born as Tejeshwari, a name given to her by her father. She was also called Fatima, a name given to her by her mother. The story of her parents and her birth, is like a fairy tale of destiny. As they say, when love has to happen, it will. And at the place where it is destined to happen, the players and participants all reach that place, by design.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Duniya” (1949) was produced by Fazli brothers and directed by S F Hussain. The movie had Karan Dewan, Suraiya, Yakub, Anwari, Bhudo Advani, Shakila, Zubeida, Jankidas etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaan” (1950) was directed by Jayant Desai for Kuldeep pictures. The movie had Rehman, Suraiya, Amar, David Abraham, Sapru, Pratima Devi, Cuckoo etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Duniya” (1949) was produced by Fazli brothers and directed by S F Hussain. The movie had Karan Dewan, Suraiya, Yakub, Anwari, Bhudo Advani, Shakila, Zubeida, Jankidas etc in it.
Read more on this topic…


This article is written by Sudhir. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #63
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For this edition of Voice of Mukesh, I go back to 1947 and the film ‘Neel Kamal’. An unexpected and unlisted song from this film that has been sporadically heard and available on internet, but original version from the film in the voice of Mukesh is a scarce commodity. This song was pointed out to me by Harish ji Raghuvanshi, in one of his email responses to my queries about other unlisted songs of Mukesh or songs that were discovered after the publication of the Mukesh Geet Kosh by him.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The pen that wrote the immensely soothing verses of “Haath Seene Pe Jo Rakh Do To Qaraar Aa Jaaye” (‘Mirza Sahibaan’, 1947), is the same pen that also produced such immensely fun and popular iconic number like “Laara Lappa Laara Lappa Laai Rakhdaa” (‘Ek Thi Ladki’, 1949) with music director Vinod, and such a comely and alluring blockbusters like “Huzoor e Waala, Jo Ho Ijaazat”(‘Ye Raat Phir Na Aayegi’, 1966), created with OP Nayyar.
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