Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is written by nahm, a regular contributor of lyrics to this blog and a new contributor of write ups to this blog

I have been thinking for the last few days that it is high time that I make a serious attempt to do a write up. More than 200 song lyrics (Provided) by me are already posted here. When I found this blog in January last year, it was like I found heaven on the net. I was just sorry that 3000 plus songs were already discussed and I had found it so late. By then I was almost cut off from old hindi films, since I was engrossed in life’s issues and challenges. Radio channels like vividh bharati and All India Radio (Urdu Service), once my best friends, were a thing of the past that no longer figured in my life. My deep interest in film songs occasionally brought me to Youtube to find some song or the other which came to mind.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Talking about romantic pairing in Hindi films, Nanda – Shashi Kapoor pairing is probably the most attractive pair in the 60s. It is interesting to note their career graphs. Both of them started off in the films as child artists. Nanda’s father, Master Vinayak, passed away when she was just 8 years old. She was obliged to start working in films as a child artist, Baby Nanda, due to financial difficulties at home. On the other hand, as a child, Shashi was part of the already famous Kapoor clan, and the youngest son of Prithviraj Kapoor. And with all his family seniors in the cine business, it was only natural that followed their footsteps. He too appeared in many films as a child artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The saga of Hindi films will never be complete without the discussion of the “formula” that used to be, and continues to be, followed by the production banners. More often than not, once a film became a hit, and brought profits for the producers, generally there used to be a spate of new productions trying to imitate the theme, the storyline, and the main attractive ingredients of that successful film, in an effort to duplicate that success. Over a period of time, such duplications would get refined into a list of specific ingredients that should be part of a film production strategy. Besides the components of the storyline, and type of characters and the list of events that should form part of the film, a main item of consideration was the type of music and songs that a film should contain.
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“Ram Rajya” (1967) was a Shri Prakash Pictures production. It was directed by Vijay Bhatt. Starcast of the movie had Badri Prasad, Bhavna, Kumar Sen, Bina Rai, Anil Kumar, Kanhaiyalal, Ved Puri, Manjari, Snehlata, Aruna Rai, Jay, Vijay etc in it.
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“Do Dilon Ki Daastaan” (1966) is by now an obscure movie. This movie was a production of Pradeep Kumar and his brother under their banner viz Deep and Sandeep Production. Pradeep Kumar directed the movie and the starcast included names viz. Pradeep Kumar, Vyjyanti Mala, Om Prakash, Jagdeep, Rehman, Shashikala, B. Nandi, Nazir Hussain, Tuntun etc.
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The world of Hindi Classical Music has produced so many maestros both in vocal and in instrumental category. We have different maestros of different gharanas in the field of vocal music and same is the case in different instrument categories too. In the field of string instuments, we have sitar, veena, sarangi, sarod, and a few more. When we take the name or even think of sitar, the first name that comes to our mind is Pandit Ravi Shankar, whose real name is Robindro Shaunkor Chowdhury.
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