Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1965’ Category


Today (25 july) is the death anniversary of G S Kohli. He is one of those unsung music directors who deserved to get far more opportunities than what he actually got. In the few movies where he gave music, he has created awesome music. Who can forget the music of movies like “Faulaad” (1963), “Shikari” (1963) and “Namaste Jee” (1965).
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“Himalay Ki God Mein” (1965) was a production of Shri Prakash Pictures. The movie was produced by Shankarbhai Bhatt and directed by Vijay Bhatt. The movie had Manoj Kumar, Mala Sinha, Shashikala,Mukri, Jayant, David Abraham, Jeevankala, Kanhaiyyalal, D.K.Sapru, Achala Sachdev, Rita Pandit, S.K.Prem, Keshav Rana, Ajit, Sitaram, Mohan Jerry, Harbans Darshan, M.Arora etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Poonam Ki Raat’ (1965) – a film that is rich in wonderful songs. The lyrics from the pen of Shailendra and the lilting tunes from the baton of Salil Chaudhry, have made almost all songs of this film as wonderful gems. Three songs from the film are already represented here – the soulful and pensive rendering of “Dil Tadpe Tadpaaye” by Rafi Saab, the fabulous, ritzy dance number “Ta Dhim Tana Dhim. . .” that only Asha Bhosle can do, and the haunting sounds of “Saathi Re. . . Tujh Bin Jiyaa Udaas Re” in the voice of Lata Mangeshkar. So now it is the turn of a romantic duet to follow. And this song here is one wonderful melodious creation, with voices of Mukesh and Lata Mangeshkar.
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Today (30 june) is the birth anniversary of Kalyanji, of the Kalyanji Anandji fame. Kalyanji Anandji were one of the most successful music directors from 1950s till 1970s. Many of their songs have gone on to become immortal. This blog has as many as 255 songs composed by them as of now.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pancham, the name by which that Rahul Dev Burman was affectionately called, was a name that was given by his father, Sachin Dev Burman. Once in an interview, RDB had revealed why Sachin Da called him by this name. He says that when he was born, and when Sachin Da heard him cry for the first time, he found that the pitch at which the newborn was screaming was the fifth octave of the sargam. And that is how he came to be known as Pancham. (There are other anecdotes also, crediting Ashok Kumar with naming him so.)
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“Waqt” (1965) was one of the most influential Hindi movies of all times. The story of “Waqt” (1965) was by no means original, but the scale and presentation of the the story was was certainly grand. I have already given several reasons in the past why I call this movie an influential movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

June 9, 2012 is the birth centenary of the music director Vasant Desai whom I regard as a man who worked in Hindi film industry on his own terms without being a part of the rate race among his contemporary music directors. Being a devotee of the traditional music, he did not succumb to the lure of money in composing music for mass appeal.
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