Archive for the ‘Songs of 1974’ Category
Aayee aayee re pawan mastaanee
Posted on: January 15, 2026
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6390 | Post No. : | 19819 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet #
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Today’s song is from the movie ‘Dukh Sukh-1974’. This movie was passed by Censor Board on 11.11.1974. This seems to be an obscure movie of its time as I could not find any video of the movie or its’ songson internet or any information about this movie except in Geet Kosh Vol-V (1971-1980). The details about this movie as mentioned in the Geet Kosh-Vol-V are as given below. I had shared these details earlier while presenting a Rafi song from this movie,‘mere paas aao de do sahaaraa’.
When I presented the above song from this movie more than five years back, only couple of songs from this movie were available, whereas many more songs from this movie have now become available.
‘Dukh Sukh-1974’ was directed by Majid Maqbool for Nausheen Films, Bombay. This movie had Sandeep Kumar, Shreedevi (I am not aware if she is the same Sreedevi that we know), Chaand, Majid Maqbool, Farshori, Swaroop, Shams, Lalitashri, Jyoti, Chandermohan, Revati, Hafeez, Khan, Pritam, Vijaya and others. As per HFGK Vol – V (1971-1980) this movie had five songs written by Javed Qadri and composed to music by Vitthal-Mumtaz. Geet Kosh has left space indicating more songs might have been recorded for this movie. The singers for the five songs listed in Geet Kosh are Manna Dey, Shashilata Virk, Mohd Rafi, Asha Bhonsle, and Krishna Kalle.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6380 | Post No. : | 19786 |
Kamsune/Unsune songs of Asha Bhosle – 81
“Mere Nainon Se…….. Cheencho Cheench Ganeria” sung by Asha Bhosle, penned by Varma Malik and composed by Sonik Omi is the next rare song from “Wo Main Nahin” (1974).
‘Woh Main Nahin’ was produced and directed by Mohan Sehgal (or Mohan Segal) for Uma Cine Films Pvt. Ltd., Bombay.
The movie starred Navin Nischol, Rekha, Rakesh Pandey, Padmini Kapila, Meena Roy, Iftikhar, Krishna Dhawan, Nadira, Dhumal, etc. Nazneen and Narendranath & Asha Sachdev had special appearances in the movie.
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Mera chimtaa boley
Posted on: December 23, 2025
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6367 | Post No. : | 19747 |
Mukesh and his Actors – 08
In one of my recent posts, I made a reference of yesteryear actress, the beautiful Bina Rai.
Today’s post covers Mukesh’s association with her husband.😊
Actor, Director, Producer, Novelist Prem Nath needs no introduction.
Here is his wiki page.
Here is a news article on him, and
Here is a bio-post on our blog.
Skipping his career details which are well covered in the links above, we shall discuss the details of the songs that Mukesh sang for him.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6339 | Post No. : | 19643 |
Legends Don’t Die, They Leave An Immortal Legacy
I was as shocked as the entire world who loved the rustic original He-Man of the Hindi Film Industry – Dharmendra Singh Deol.
The curtains have fallen on the magnificent career of Dharmendra, one of Indian cinema’s most endearing and charismatic figures, who passed away on Monday, November 24, 2025, at the age of 89. His passing leaves a colossal void, marking the end of an era defined by his unparalleled charm, raw talent, and a filmography that became the very backbone of Bollywood.
Dharmendra was a paradox on screen—a formidable action hero with the innocence and tenderness of a poet. This rare combination allowed him to effortlessly inhabit the most diverse roles, captivating generations of audiences.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6292 | Post No. : | 19477 | Movie Count : |
5140 |
In the late 1960s and early 1970s, there were some Hindi films which were labelled as ‘parallel cinema’, ‘new wave cinema’ or ‘art cinema’ when they were released. The films included ‘Bhuvan Shome’ (1969) by Mrinal Sen, ‘Uski Roti’ (1969) by Mani Kaul, ‘Saara Aakaash’ (1969) by Basu Chatterjee, ‘Maya Darpan’ (1972) by Kumar Sahni, ‘Garam Hawa’ (1974) by M S Sathyu and ‘Ankur’ (1974) by Shyam Benegal. Among these films, there was a film titled ’27 Down’ (1973) about which I had a faint memory. Few days back, the name of this film came back to my mind when I read an article with a curiosity-creating caption, ‘A class IV employee, his only film won two National Awards, died at 35……. Who was Awtar Kaul?’ in The Economic Times, September 22, 2025. He was none other than the director of ’27 Down’ (1973).
Subsequently, I read two more articles about Awtar Kaul – one in ‘Chinar Shade’ by Avtar Mota and another in ‘The Wire’ by his nephew, Vinod Kaul. Surprisingly all these articles appeared during 2024-25.
Incidentally, ’27 Down’ (1974) was screened at the International Film Festival of India (IFFI) in Goa in 2024 to commemorate 50 years of the film’s release. Perhaps these articles appeared around that time as tributes to Awtar Kaul on 50th year of his passing away on July 20, 1974.
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